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Read my review here: https://bookbumzuky.wordpress.com/2017/01/23/the-spider-and-the-fly-by-claudia-rowe/

As you may have noticed from the other reviews, this book is <i>not</i> a retelling of a serial killer's crimes, how he did them, how he got away for so long, and eventually, how he got caught. This is much more about a (platonic) relationship between journalist and killer.

Rowe is a journalist who becomes <i>obsessed</i> with Kendall, a convicted convicted serial killer of eight women, and at times, reading about this deep fascination gets a little uncomfortable. Openly admitting that she feels a sense of importance and flattery at having so much on Kendall’s attention seems pretty disgusting, but she then admits that she now knows these feelings were inappropriate and has come to realise that her obsession got the better of her.

I have to agree with other reviews, that this book is a little all over the place. Rowe’s writing is absolutely gorgeously put all the way through, it’s really poetic, it’s just that the structure is a bit off. Topics skip all over the place and it can sometimes be hard to grasp how one thing connects to the next.

In the end, I actually really enjoyed this novel even though it wasn’t a classic true crime kinda novel. It was interesting seeing the correspondence between the two of them and getting the feel for how someone like Kendall works in a different way to us. I’m not really interested to read all about the Attica riots, so that will be a new addition to my bookshelf soon, I’m sure!

If you like going through a true crime novel finding out what the killer did in chronological order, what drove them to do it and some of the more gruesome details of their crimes, then this probably isn’t the novel for you, but if you like something a little more personal and moving I would recommend giving this one a try.

Thanks to the publisher for sending me a free copy in exchange for a review!
  
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Bookapotamus (289 KP) rated Painless in Books

Jul 2, 2018  
Painless
Painless
Marty Thornley | 2018 | Fiction & Poetry, Horror, Thriller
8
9.0 (2 Ratings)
Book Rating
Very unique thriller-horror - Super Gory! (0 more)
Too short! (0 more)
Very Cool Book!
Excuse me for a second, while I go barf. OMG this book. Holy heck the gruesome descriptions of blood and gore and guts was SO RAD. I found myself cringing and fidgeting and yes, even feeling a bit nauseous in some spots - but totally in a GOOD WAY! Painless was exactly what I wanted in a super-unique, creepy, shocking horror-thriller.

Greg Owens is in pain. A LOT of pain. He fell off a ladder on a construction job, injuring his back, and his entire life has gone to shit. He lost his wife, his kid, he can't work, he's addicted to pills. He's desperate, and can't find anything that will help him get relief, so he can return to construction, or any job he doesn't need "Pills to pay the Bills" in order to to work. His addiction is keeping him from his little girl and he's resorted to getting pills illegally from dealers, just to make it though the day.

Dr. Dante Menta is running an exclusive clinical trial. He's been working on a pain relief technique for years, and promises a complete cure of all physical pain. Sign me up, right? We meet all the patients involved in the trial who have arrived before Greg. There are even animal patients. Some of them are seeking relief from back pain, or car accident injuries, others from auto-immune things like Lupus - and even chronic migraine headaches.

The patients are taken in one by one to get the procedure and at first, it's exactly as promised and the results are impressive! But soon, shit starts hitting the fan. Patients are starting to act really strange, obsessive, destructive. Things start to go horribly, horribly wrong. And it's incredible awesome to watch!

I thought this story was really different and the premise was immediately intriguing - it was a quick read, but written really well, and explores a dark side of both how people deal with pain management and also Dr. Mentas obsession with his life's work to find a cure. I would love to see this translated to a horror movie, and I'd be first in line to buy a ticket!
  
    L&#039;Obs, le magazine

    L'Obs, le magazine

    News and Magazines & Newspapers

    (0 Ratings) Rate It

    App

    Cette application est un magazine numérique. Elle permet d'accéder au magazine l'Obs, premier...

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Kristy H (1252 KP) rated The Swap in Books

Jun 25, 2020  
The Swap
The Swap
Robyn Harding | 2020 | Fiction & Poetry, Thriller
8
9.0 (2 Ratings)
Book Rating
Low Morrison grows up on an isolated island, known for its free-loving ways. Her parents take this to the next level, living a polyamorous life that leaves Low embarrassed, ashamed, and a social outcast. When she spots the beautiful Freya at her school, she's enthralled. She sees Freya hanging up signs for a pottery class and knows she must join. She's Freya's only student and quickly becomes besotted with her teacher. Freya has no problem sharing all of her secrets and desires with her young apprentice. That's until Freya meets Jamie, who owns a local shop in town. The two become quick friends, leaving Low feeling left out and an outcast once again. One night Freya and her husband Max invite Jamie and her husband Brian over for dinner; they have no idea a jealous Low is lurking in the shadows. The foursome partake in drugs and a crazy night occurs, changing their lives forever. It also gives Low a chance to hold something over their heads.

This was a slightly insane and improbable thriller that I sped through in an entire day. It was fast-paced and nearly impossible to put down, as you just knew the characters were hurtling toward disaster. It's filled with a variety of fairly unsympathetic characters, though I felt for Low, unwanted in her own busy family and toyed with by Freya, who cares only for herself.


"I'd had to share all my life. I was done with it."


The story is told from Low's perspective, along with Brian, Jamie, and Max. We never hear directly from Freya, whom all of these characters seem to hold on a pedestal. Why exactly, we can never be sure, as she seems self-centered and cruel, playing with and torturing each of them to get exactly what she wants.

I found this to be a spellbinding read--it pulls you in as only Harding can do. Low's obsession, Freya's narcissism, Jamie's naivete. We can sense it all combining into something propulsive and horrible.

Overall, while I didn't love this one quite as much as The Arrangement, Harding's previous novel, I still enjoyed it. It's a fast-paced and creepy read, plus it's different and fun. 4 stars.
  
Yeah Yeah Yeah: The Story of Modern Pop
Yeah Yeah Yeah: The Story of Modern Pop
(0 Ratings)
Book Favorite

"There is something faintly off-putting about this book’s subtitle. We live in a world where the obsession with music’s past threatens to overwhelm its present, where the only music magazines that sell in any quantity deal in heritage rock, where virtually the only TV coverage of music comes via retrospective documentaries: the story of modern pop has been told and retold until it’s been reduced to a series of tired anecdotes and over-familiar landmarks. But Yeah Yeah Yeah’s brilliance lies in the personal, idiosyncratic route Bob Stanley takes through the past: for him, the modern pop era begins not with Elvis or “Rock Around the Clock”, but the release of Johnnie Ray’s 1954 album Live at the London Palladium, the first time a screaming teenage audience had been heard on record in the UK. He devotes more space to 1970 one-hit wonders Edison Lighthouse than to Led Zeppelin, delivers a withering verdict on some surprising sacred cows – Joni Mitchell, Patti Smith, Steely Dan – and is great at unearthing a forgotten quote that challenges what you might call the authorised version of events: at the height of the 1967’s Summer of Love, he finds the Who’s Pete Townshend not boggling at the new frontiers mapped out by psychedelia, but grumpily complaining that “people aren’t jiving in the listening boxes in record shops any more like we did to a Cliff Richard ‘newie’”. Stanley has a way of tackling well-worn topics – not least the Beatles – from unlikely angles, and of talking about artists you’ve never heard of with a contagious enthusiasm that makes hearing them seem like a matter of urgency. Best of all, he makes you laugh out loud while getting directly to the heart of the matter. The lugubrious late 70s output of Pink Floyd sounds like music made by people “who hated being themselves”. The punk-era Elvis Costello sang “like he was standing in a fridge”, and the experience of listening to novelty ska revivalists Bad Manners is “like being on a waltzer when you’ve had three pints and desperately need the toilet”. If you’ve ever heard them, you’ll know exactly what he means."

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