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Bookapotamus (289 KP) rated Ghosted in Books
Jun 27, 2018
Great Story - Awesome Blindsides
This book had some serious 'holy-crap' shockers! I was riveted from start to finish, gobbled up every word, and felt like I got smacked in the face several times with total blindsiding plot twists!
Sarah's been ghosted. If you don't know what that means - well... she literally fell in love with Eddie after ONE WEEK. They meet, by chance, spend an entire week with no-one but each other, the connection is insane, they are meant for each other, they both seem to be in love - it's that much of a connection. He leaves to go on an already planned holiday, with promises to call, to stay in touch, to possibly start lives together afterwards... aaaaaaand GHOSTED. Eddie is gone. He doesn't call or email, he hasn't been on Facebook, her texts go unanswered. He's just GONE.
Weeks go by and Sarah is a HOT MESS. She knows Eddie was THE ONE. She knows he felt the same, but Where. The heck. Did he go?
Her friends think she's losing her mind. It was one week! You are barely divorced! Guys suck! Get over it! But Sarah knows in her bones that something is wrong. Something happened to Eddie and she won't give up until he is back in her life and found safe and sound.
But seriously Sarah, Get a grip. This chick is going looney tunes. She's obsessed with this guy and it's getting a bit weird. It's just about the only problem I had with the book. Tone it down Sarah! For goodness sake - it was a WEEK! The obsession and neurosis she goes through is a bit embarrassing! Yikes!
But then, things start happening: Clues. Messages. Strange people watching her. And really old wounds are opened. Who is Eddie and why did he disappear??
I really really really enjoyed this (as much as I wanted to smack the living daylights out of Sarah and tell her to "stop it! he's just a dude! dudes do this sort of thing ALL the time!) but I really did have a great time with this book! It's interspersed with texts, and letters and flips between characters really seamlessly and it's worth a read just for the really shocking and fun blindsides. Definitely recommend!!
Thanks to Penguin Random House for the advanced copy to read and review!
Sarah's been ghosted. If you don't know what that means - well... she literally fell in love with Eddie after ONE WEEK. They meet, by chance, spend an entire week with no-one but each other, the connection is insane, they are meant for each other, they both seem to be in love - it's that much of a connection. He leaves to go on an already planned holiday, with promises to call, to stay in touch, to possibly start lives together afterwards... aaaaaaand GHOSTED. Eddie is gone. He doesn't call or email, he hasn't been on Facebook, her texts go unanswered. He's just GONE.
Weeks go by and Sarah is a HOT MESS. She knows Eddie was THE ONE. She knows he felt the same, but Where. The heck. Did he go?
Her friends think she's losing her mind. It was one week! You are barely divorced! Guys suck! Get over it! But Sarah knows in her bones that something is wrong. Something happened to Eddie and she won't give up until he is back in her life and found safe and sound.
But seriously Sarah, Get a grip. This chick is going looney tunes. She's obsessed with this guy and it's getting a bit weird. It's just about the only problem I had with the book. Tone it down Sarah! For goodness sake - it was a WEEK! The obsession and neurosis she goes through is a bit embarrassing! Yikes!
But then, things start happening: Clues. Messages. Strange people watching her. And really old wounds are opened. Who is Eddie and why did he disappear??
I really really really enjoyed this (as much as I wanted to smack the living daylights out of Sarah and tell her to "stop it! he's just a dude! dudes do this sort of thing ALL the time!) but I really did have a great time with this book! It's interspersed with texts, and letters and flips between characters really seamlessly and it's worth a read just for the really shocking and fun blindsides. Definitely recommend!!
Thanks to Penguin Random House for the advanced copy to read and review!
Bong Mines Entertainment (15 KP) rated Could - Single by HOAX in Music
Jun 17, 2019
HOAX is an indie pop-rock outfit from Queens, New York. Not too long ago, they released a groovy alternative-rock tune, entitled, “Could”.
“We could be right or we could be wrong, together. When Daffodil Skies, they bloom in the darkest weather. Make up a lie. Tell yourself you’re fine like your mother and father did before. Eat yourself alive. You open up but the words are all tongue-tied.” – lyrics
‘Could’ tells an interesting tale of a young guy who knows that his relationship with his significant other is in survival mode.
Apparently, late one night, his mind is occupied with stimulating thoughts, which question the life that he’s living. While pondering, he realizes that he and his partner are wasting their time on mindless entertainment.
Later, he admits that behind their broken smiles, they struggle to find a reason behind their need to survive.
‘Could’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation scented with an indie-alternative fragrance.
“‘Could’ is the first snapshot of many narratives told in the forms of songs on the album that opens up a begrudging conversation everyone must eventually come to have with oneself. Questions that highlight the essence of BEING, which if not asked in a timely manner, might result in years and years passing by. Until you finally look backward through a telescope of regret.” – Michael Raj & Frantz Cesar
‘Could’ is an episode in a series of stories exploring the human condition of Being. The likable tune is the first single from HOAX’s upcoming debut album, entitled, “b?”, which took two years to make.
Also, the LP follows the narratives of thirteen different characters, thrown together in the aftermath of an otherworldly series of events.
The intertwined stories are centered around the abstract concepts of: “BEING”. An evident obsession of both the characters in the story and the band members themselves.
The dichotomy of BEING vs. DOING is highlighted through careful lyrical content on the album.
HOAX is the musical brainchild of Michael Raj and Frantz Cesar. They view themselves as “the beautiful sound of sadness”, a description coined by a close friend.
Their modern vintage sound draws from a wide range of influences such as ‘60s pop, ‘70s Motown, and alternative R&B music.
https://www.bongminesentertainment.com/hoax-could/
“We could be right or we could be wrong, together. When Daffodil Skies, they bloom in the darkest weather. Make up a lie. Tell yourself you’re fine like your mother and father did before. Eat yourself alive. You open up but the words are all tongue-tied.” – lyrics
‘Could’ tells an interesting tale of a young guy who knows that his relationship with his significant other is in survival mode.
Apparently, late one night, his mind is occupied with stimulating thoughts, which question the life that he’s living. While pondering, he realizes that he and his partner are wasting their time on mindless entertainment.
Later, he admits that behind their broken smiles, they struggle to find a reason behind their need to survive.
‘Could’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation scented with an indie-alternative fragrance.
“‘Could’ is the first snapshot of many narratives told in the forms of songs on the album that opens up a begrudging conversation everyone must eventually come to have with oneself. Questions that highlight the essence of BEING, which if not asked in a timely manner, might result in years and years passing by. Until you finally look backward through a telescope of regret.” – Michael Raj & Frantz Cesar
‘Could’ is an episode in a series of stories exploring the human condition of Being. The likable tune is the first single from HOAX’s upcoming debut album, entitled, “b?”, which took two years to make.
Also, the LP follows the narratives of thirteen different characters, thrown together in the aftermath of an otherworldly series of events.
The intertwined stories are centered around the abstract concepts of: “BEING”. An evident obsession of both the characters in the story and the band members themselves.
The dichotomy of BEING vs. DOING is highlighted through careful lyrical content on the album.
HOAX is the musical brainchild of Michael Raj and Frantz Cesar. They view themselves as “the beautiful sound of sadness”, a description coined by a close friend.
Their modern vintage sound draws from a wide range of influences such as ‘60s pop, ‘70s Motown, and alternative R&B music.
https://www.bongminesentertainment.com/hoax-could/
Neon's Nerd Nexus (360 KP) created a post
Dec 23, 2019
Phil Leader (619 KP) rated The Kingdom Beyond the Waves in Books
Nov 18, 2019
Professor Amelia Harsh is a discredited academic, shunned by any university she could work for because of her obsession for the lost city of Camlantis which is dismissed by most as a myth. When all her other avenues dry up she grabs a lifeline from a rich industrialist to lead an expedition to find the last evidence of the city.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Raven Boys in Books
Jan 23, 2020
I don't really like <i>The Raven Boys</i>. I don't really see the "why" in the hype, and I feel completely indifferent towards everything Maggie Stiefvater offered in this first book of the series.
Or maybe, just maybe, like some books, Stiefvater just had the unfortunate timing to be listened to when I'm not exactly in the mood to read.
It's also when I pull off a really cheap Sophia move. Behold – the list of whatnots about <i>The Raven Boys</i>, or just a summary of my thoughts in the process of listening to Will Patton reading this.
<ol>
<li>Blue has always been warned that if she kiss her true love, she'll cause her true love to die. Sadistic as it is, I like that concept. I <em>really</em> like that concept.</li>
<li>It's official: I like it when audiobooks have music.</li>
<li>What kind of name is Blue? I'm a little perplexed, but since it's unique, I'll let it go.</li>
<li>Gansey seemed far too absorbed in the ley line for a good part of the book – he's as bad as David, I'll tell you that right now (just without the whole metaphors thing).</li>
<li>In sync with number four, I don't get the entire point of <em>why</em> they're looking for this watchamawho of a Welsh King. I mean, I probably do, but...</li>
<li>Cringe-worthy as it sounded, I secretly liked that whole, "I... I'm... I'm very young." part.</li>
<li>Why are The Raven Boys called "The Raven Boys?" I'm not sure I caught that. Do they have an obsession with ravens? Is it really because of that pet raven Ronan has (I assume)? Who's willing to tell me this?</li>
<li>I don't really understand that cliffhanger. I know <em>who</em> Stiefvater is talking about, but I don't <em>understand</em>.</li>
</ol>
<b>Fun fact:</b> Will Patton reads the audiobooks for the entire series (from what I've seen). YAY! That doesn't mean I like him, but it's consistency. I applaud consistency.
And the final question: Should I continue reading the series? (Lupe: NO. READ SILVER SHADOWS FIRST. >_<)
<a href="https://bookwyrmingthoughts.com/audiobook-review-the-raven-boys-by-maggie-stiefvater/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Or maybe, just maybe, like some books, Stiefvater just had the unfortunate timing to be listened to when I'm not exactly in the mood to read.
It's also when I pull off a really cheap Sophia move. Behold – the list of whatnots about <i>The Raven Boys</i>, or just a summary of my thoughts in the process of listening to Will Patton reading this.
<ol>
<li>Blue has always been warned that if she kiss her true love, she'll cause her true love to die. Sadistic as it is, I like that concept. I <em>really</em> like that concept.</li>
<li>It's official: I like it when audiobooks have music.</li>
<li>What kind of name is Blue? I'm a little perplexed, but since it's unique, I'll let it go.</li>
<li>Gansey seemed far too absorbed in the ley line for a good part of the book – he's as bad as David, I'll tell you that right now (just without the whole metaphors thing).</li>
<li>In sync with number four, I don't get the entire point of <em>why</em> they're looking for this watchamawho of a Welsh King. I mean, I probably do, but...</li>
<li>Cringe-worthy as it sounded, I secretly liked that whole, "I... I'm... I'm very young." part.</li>
<li>Why are The Raven Boys called "The Raven Boys?" I'm not sure I caught that. Do they have an obsession with ravens? Is it really because of that pet raven Ronan has (I assume)? Who's willing to tell me this?</li>
<li>I don't really understand that cliffhanger. I know <em>who</em> Stiefvater is talking about, but I don't <em>understand</em>.</li>
</ol>
<b>Fun fact:</b> Will Patton reads the audiobooks for the entire series (from what I've seen). YAY! That doesn't mean I like him, but it's consistency. I applaud consistency.
And the final question: Should I continue reading the series? (Lupe: NO. READ SILVER SHADOWS FIRST. >_<)
<a href="https://bookwyrmingthoughts.com/audiobook-review-the-raven-boys-by-maggie-stiefvater/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kirk Bage (1775 KP) rated Black Mirror - Season 5 in TV
Mar 3, 2020 (Updated Mar 3, 2020)
Contains spoilers, click to show
Striking Vipers - 5.5
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
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