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Emma @ The Movies (1786 KP) rated The Art of Racing in the Rain (2019) in Movies
Jun 20, 2020
Another crying dog movie... just what my life needs.
Denny picks up a golden retriever puppy from a farm and the two become firm friends. Enzo learns all about racing and is a constant fixture at the track, it's going to be the two of them forever feeling the wind in their faces.
Then one day Eve comes along, she's there a lot and it doesn't look like she's leaving. Can Enzo adapt to family life?
The card on the film states "scenes of emotional upset"... accurate, and right from the very start too. This was made by a savage person. Originally I had a quadruple bill planned but I wasn't sure I could do this film followed by The Sun Is Also A Star and come out the other end as anything but a gibbering wreck so I split it out. That was probably one of the most sensible things I've ever done, there was so much crying.
The way they show Enzo reacting to everything is spot on. If you've watched those dog videos on Facebook where they subtitle in what the dog's thinking, it's just like that but Enzo has a much better grasp of the English language and the sultry tones of Kevin Costner. Some of the moments are wonderful and it made me wonder if my dog did any of them, and then I cried a bit more.
Milo Ventimiglia plays out leading human, Denny, and he's very convincing with the obsession Denny has for racing. The flipside with the struggle of having to be a dad came across too and there are some poignant scenes that came off beautifully.
I wasn't overly engaged with Amanda Seyfried as Eve until the midpoint of the film. Perhaps I was indifferent about her on Enzo's behalf, we may never know, but at the point where it all turned I thought she gave a wonderful and respectful performance.
There's not a huge extended cast, but it's filled with talented actors who bring something great to their characters, Kathy Baker and Martin Donovan were particularly good as Eve's parents, though you can't help but hate them.
It's nicely done overall, nothing seems out of place, there weren't any frivolous scenes. The way we get to engage with the racing is brilliantly executed, especially the scene at the beginning where he actually races in the rain, very exciting to watch. It's a lovely crying dog film (at what point do we declare this an actual genre?), is it predictable? Yes, but it's still a nice easy watch if you've got a box of tissues handy.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-art-of-racing-in-rain-movie-review.html
Denny picks up a golden retriever puppy from a farm and the two become firm friends. Enzo learns all about racing and is a constant fixture at the track, it's going to be the two of them forever feeling the wind in their faces.
Then one day Eve comes along, she's there a lot and it doesn't look like she's leaving. Can Enzo adapt to family life?
The card on the film states "scenes of emotional upset"... accurate, and right from the very start too. This was made by a savage person. Originally I had a quadruple bill planned but I wasn't sure I could do this film followed by The Sun Is Also A Star and come out the other end as anything but a gibbering wreck so I split it out. That was probably one of the most sensible things I've ever done, there was so much crying.
The way they show Enzo reacting to everything is spot on. If you've watched those dog videos on Facebook where they subtitle in what the dog's thinking, it's just like that but Enzo has a much better grasp of the English language and the sultry tones of Kevin Costner. Some of the moments are wonderful and it made me wonder if my dog did any of them, and then I cried a bit more.
Milo Ventimiglia plays out leading human, Denny, and he's very convincing with the obsession Denny has for racing. The flipside with the struggle of having to be a dad came across too and there are some poignant scenes that came off beautifully.
I wasn't overly engaged with Amanda Seyfried as Eve until the midpoint of the film. Perhaps I was indifferent about her on Enzo's behalf, we may never know, but at the point where it all turned I thought she gave a wonderful and respectful performance.
There's not a huge extended cast, but it's filled with talented actors who bring something great to their characters, Kathy Baker and Martin Donovan were particularly good as Eve's parents, though you can't help but hate them.
It's nicely done overall, nothing seems out of place, there weren't any frivolous scenes. The way we get to engage with the racing is brilliantly executed, especially the scene at the beginning where he actually races in the rain, very exciting to watch. It's a lovely crying dog film (at what point do we declare this an actual genre?), is it predictable? Yes, but it's still a nice easy watch if you've got a box of tissues handy.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-art-of-racing-in-rain-movie-review.html
JT (287 KP) rated The Little Things (2021) in Movies
Feb 6, 2021
The opening of The Little Things promises a lot but ultimately the tension that is driven during the first ten minutes is nowhere to be seen for the rest of the run time.
With three Oscar-winning actors and a genre that I absolutely love I couldn’t have been more excited, but that excitement started to take a nosedive when ‘The Little Things‘ started to get a ‘little dull’. Joe ‘Deke’ Deacon (Denzel Washington) is former Los Angeles cop turned local county sheriff, whose content with chasing small-time criminals. When he is asked to go back to the city to pick up some evidence for another case he crosses paths with Jim Baxter (Rami Malek) who is on the hunt for a sadistic serial killer.
Baxter realising that he is in the presence of greatness asks Deacon to accompany him to a crime scene, at which point Deke’s instincts point to someone potentially far more dangerous. Set in the 90s this is raw police work and the use of technology is limited, this is about assessing a crime scene in-depth, or in this case why the killer posed his victims in specific ways or returned to the crime scene later to move them.
Director John Lee Hancock wrote the script 30 years ago which is where it has remained until now. At one point Steven Spielberg and Clint Eastwood were rumoured to direct. The film bears resemblance to such thrillers as Se7en and Zodiac, however, The Little Things might be 30 years too late. The atmosphere and ambience is a neo-noir, at one point Deke is lying on a bed in a run-down motel room starring at polaroid photos of past victims on the wall. An obsession burning inside to catch the killer, which during flashbacks, he has encountered before.
And then there is Albert Sparma (Jared Leto) the prime suspect, or is he? Such is the film’s ambiguity that the third act will leave you scratching your head, trying to piece the evidence together yourself in a bid to catch the killer. Sparma has all the tendencies of a serial killer, he certainly has the look and demeanour. But he may also be a self-obsessed crime buff, with a morbid fascination for death and crime scenes.
All three actors give a solid account of themselves, with Leto making the biggest impression. He’s creepy in a way that will get under your skin. The film is bursting with ideas and places to ramp up the tension but it falls short which is such a shame. As someone who is very fond of a good psychological thriller, this was definitely a missed opportunity.
With three Oscar-winning actors and a genre that I absolutely love I couldn’t have been more excited, but that excitement started to take a nosedive when ‘The Little Things‘ started to get a ‘little dull’. Joe ‘Deke’ Deacon (Denzel Washington) is former Los Angeles cop turned local county sheriff, whose content with chasing small-time criminals. When he is asked to go back to the city to pick up some evidence for another case he crosses paths with Jim Baxter (Rami Malek) who is on the hunt for a sadistic serial killer.
Baxter realising that he is in the presence of greatness asks Deacon to accompany him to a crime scene, at which point Deke’s instincts point to someone potentially far more dangerous. Set in the 90s this is raw police work and the use of technology is limited, this is about assessing a crime scene in-depth, or in this case why the killer posed his victims in specific ways or returned to the crime scene later to move them.
Director John Lee Hancock wrote the script 30 years ago which is where it has remained until now. At one point Steven Spielberg and Clint Eastwood were rumoured to direct. The film bears resemblance to such thrillers as Se7en and Zodiac, however, The Little Things might be 30 years too late. The atmosphere and ambience is a neo-noir, at one point Deke is lying on a bed in a run-down motel room starring at polaroid photos of past victims on the wall. An obsession burning inside to catch the killer, which during flashbacks, he has encountered before.
And then there is Albert Sparma (Jared Leto) the prime suspect, or is he? Such is the film’s ambiguity that the third act will leave you scratching your head, trying to piece the evidence together yourself in a bid to catch the killer. Sparma has all the tendencies of a serial killer, he certainly has the look and demeanour. But he may also be a self-obsessed crime buff, with a morbid fascination for death and crime scenes.
All three actors give a solid account of themselves, with Leto making the biggest impression. He’s creepy in a way that will get under your skin. The film is bursting with ideas and places to ramp up the tension but it falls short which is such a shame. As someone who is very fond of a good psychological thriller, this was definitely a missed opportunity.
Emma @ The Movies (1786 KP) rated The Little Things (2021) in Movies
Apr 5, 2021
New movies this year feel like both a treat and a torture, but Denzel? Gimme!
Deputy Joe Deacon is forced into confronting his past when he's sent to LA to collect some evidence. But his reluctant trip takes a turn as he gets involved in the investigation into a spate of murders. The obsession for a solution can sometimes be too much for even the most seasoned professional.
We open in 1990 in a situation that feels like it could be any time. The period doesn't feel like it holds any importance over the tale that's being told. It's almost a distraction as the opening feels like a flashback rather than just an introduction.
It has the look of a gritty crime drama/thriller. It's got the right tone, the right sort of actors, and definitely the right subject matter, but it somehow fails to engage on that level.
I love a Denzel performance, and he has this sort of genre deep in his back catalogue, it should be an easy win putting them together. It should. This one was disappointing. There doesn't seem to be much to Joe Deacon, lots gets revealed but it's never quite enough to see anything below the surface.
Rami Malek plays Jim Baker, the "new" Joe Deacon. I'm not a fan, of Malek or his character. I felt like Baker needed to be more charismatic and likeable, I found that particularly evident when I saw the press conference scene. I'm willing to admit that this is me saying the film should stick with the more traditional stereotypes of these roles, and they absolutely don't have to, but I found myself not being able to like/dislike him for the "right" reasons.
In the bad guy role we have Jared Leto, and he does creepy very well here. Out of our three main actors I would say that his performance is the best. With the other two I can see things that the characters are missing that would make an improvement (in my opinion), but here I think the thing that let him down was the films around him.
It's difficult to really point a finger at the exact issues I had with The Little Things, it may just be a combination of... the little things. (Sorry, I had to put it in somewhere.) There's character development, tense moments to make it more of a thriller, and in general, atmosphere... all missing... and while some parts of the ending were good, I don't think it gives a satisfying ending to make up for anything that came before.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/the-little-things-movie-review.html
Deputy Joe Deacon is forced into confronting his past when he's sent to LA to collect some evidence. But his reluctant trip takes a turn as he gets involved in the investigation into a spate of murders. The obsession for a solution can sometimes be too much for even the most seasoned professional.
We open in 1990 in a situation that feels like it could be any time. The period doesn't feel like it holds any importance over the tale that's being told. It's almost a distraction as the opening feels like a flashback rather than just an introduction.
It has the look of a gritty crime drama/thriller. It's got the right tone, the right sort of actors, and definitely the right subject matter, but it somehow fails to engage on that level.
I love a Denzel performance, and he has this sort of genre deep in his back catalogue, it should be an easy win putting them together. It should. This one was disappointing. There doesn't seem to be much to Joe Deacon, lots gets revealed but it's never quite enough to see anything below the surface.
Rami Malek plays Jim Baker, the "new" Joe Deacon. I'm not a fan, of Malek or his character. I felt like Baker needed to be more charismatic and likeable, I found that particularly evident when I saw the press conference scene. I'm willing to admit that this is me saying the film should stick with the more traditional stereotypes of these roles, and they absolutely don't have to, but I found myself not being able to like/dislike him for the "right" reasons.
In the bad guy role we have Jared Leto, and he does creepy very well here. Out of our three main actors I would say that his performance is the best. With the other two I can see things that the characters are missing that would make an improvement (in my opinion), but here I think the thing that let him down was the films around him.
It's difficult to really point a finger at the exact issues I had with The Little Things, it may just be a combination of... the little things. (Sorry, I had to put it in somewhere.) There's character development, tense moments to make it more of a thriller, and in general, atmosphere... all missing... and while some parts of the ending were good, I don't think it gives a satisfying ending to make up for anything that came before.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/the-little-things-movie-review.html
Ross (3284 KP) rated The Shadow of the Gods in Books
Jun 2, 2021
Superb nordic fantasy
Shadow of the Gods is the first book in a new series from Gwynne, and his first away from the world of the Faithful and the Fallen. It takes place in a viking-esque part of a world whose gods have recently died, and the world is gradually emerging from tribalism and remote settlements into wider government, at great pain to its people.
There are rumours of rare people who are descendants of the gods and under stress (or on command once they are trained) can enhance their physical abilities - strength, speed, fury etc.
We meet three characters:
- Orka, a woman with a mysterious past who just wants a quiet simple life with her husband and son, away from the ambitions of their countrymen
- Elvar, a young bountyhunter woman who, along with her fellow longboatmen are initially hunting one of the alleged gods' descendants
- Varg, a young man who has recently escaped slavery in unpleasant circumstances and wants to find what happened to his sister, seeking a magician to tell him her last moments
The three PoVs give us an excellent view of this world, and we see the beginning conflict from numerous standpoints. Varg, far from being a vehicle to deliver worldbuilding, is an excellently formed character who is trained in combat with spear and shield (and of course, Gwynne's trademark shield wall obsession).
The different PoVs also allow us to see one overall story developing, but building up from numerous subplots and quests.
The action scenes are excellent and plenty, as usual, both single combat trials and larger battle scenes against people and monsters. Where the Faithful and the Fallen had the "sword flicks sand in the eye" trope, which was overused, here we have the axe being used to hook someone's shield and yeet them out of the shield wall. This is less overused, and I believe a genuine effective battle tactic, but one that the reader notices regularly.
The mysteries of the world and the characters inhabiting it are revealed gradually enough to keep even this impatient reader satisfied. I admit to overthinking it and trying to guess how the stories might overlap/weave together and got it all completely wrong. There were times when I did mix up the quests of Varg and his boat crew, and Elvar and her boat crew, as they are very similar, but this is natural when such a large cast of characters is introduced.
An excellent thrilling adventure and one that effortlessly got me out of something of a reading slump (everything has felt like a chore for so long, but this was a delight every time I sat down to read).
I received a free copy from the publishers and netgalley in exchange for an honest review.
There are rumours of rare people who are descendants of the gods and under stress (or on command once they are trained) can enhance their physical abilities - strength, speed, fury etc.
We meet three characters:
- Orka, a woman with a mysterious past who just wants a quiet simple life with her husband and son, away from the ambitions of their countrymen
- Elvar, a young bountyhunter woman who, along with her fellow longboatmen are initially hunting one of the alleged gods' descendants
- Varg, a young man who has recently escaped slavery in unpleasant circumstances and wants to find what happened to his sister, seeking a magician to tell him her last moments
The three PoVs give us an excellent view of this world, and we see the beginning conflict from numerous standpoints. Varg, far from being a vehicle to deliver worldbuilding, is an excellently formed character who is trained in combat with spear and shield (and of course, Gwynne's trademark shield wall obsession).
The different PoVs also allow us to see one overall story developing, but building up from numerous subplots and quests.
The action scenes are excellent and plenty, as usual, both single combat trials and larger battle scenes against people and monsters. Where the Faithful and the Fallen had the "sword flicks sand in the eye" trope, which was overused, here we have the axe being used to hook someone's shield and yeet them out of the shield wall. This is less overused, and I believe a genuine effective battle tactic, but one that the reader notices regularly.
The mysteries of the world and the characters inhabiting it are revealed gradually enough to keep even this impatient reader satisfied. I admit to overthinking it and trying to guess how the stories might overlap/weave together and got it all completely wrong. There were times when I did mix up the quests of Varg and his boat crew, and Elvar and her boat crew, as they are very similar, but this is natural when such a large cast of characters is introduced.
An excellent thrilling adventure and one that effortlessly got me out of something of a reading slump (everything has felt like a chore for so long, but this was a delight every time I sat down to read).
I received a free copy from the publishers and netgalley in exchange for an honest review.
Lee Ronaldo recommended Meet The Beatles! by The Beatles in Music (curated)
BookInspector (124 KP) rated The Split in Books
Sep 24, 2020
This story is told from multiple perspectives, but the main characters would be Felicity and Joe. Felicity is a scientist, who specialises in ice. She is an amazingly written character in my opinion. All the parts from this character’s life are filled with mystery, intrigue and mindblowing twists. Joe is a very important character in this book as well, he is a psychologist, who together with his detective mother, try to figure out Felicity and her connection to very strange events. I loved how different the characters are in this book, the police officer is an older, overweight woman who loves a pint, but great at what she does nevertheless. I am normally met with these young detectives that are so fit and superhero kind at what they do, that it is kind of refreshing to see a different type of woman that is absolutely amazing at what she does. There are many different characters coming in and out of the picture, and they all have a story to tell.
The book is set in two completely different places, it begins in the remote island of South Georgia, that is absolutely incredible! I loved the research that the author done for this book, the description of South Georgia is unbelievable, it felt like I was there with the characters, running alongside them. The other part of the book was set in Cambridge, where Felicity lives, and all the creepy and unexplained events took place. The narrative is absolutely beautifully developed and delivered. It has everything the reader might want from a thriller and more. It is full of layers, very well placed twists and turns, the suspense was overwhelming, and I was left gobsmacked on many occasions. There are some pretty important topics that the author discussed in this novel, such as homelessness and a lack of psychological help for them, obsession, stalking, child abuse, psychological trauma and many more. The mood and the atmosphere was constantly changing throughout the pages, and it was a true page-turner for me.
I love Sharon Bolton’s writing style since her first book, she knows how to lure the reader with brilliant characters and a superb plot. The audiobook I listened to was narrated by Katie Scarfe, and she did an amazing job with her voice intonations, she brought this book to life. The chapters are quite short, so I believe the pages are just going to fly by too many readers. The ending was very well written, and I was left satisfied with the outcome. I have to tell that this book has plenty of gory and disturbing things related to small children, so please approach this read with caution.
The book is set in two completely different places, it begins in the remote island of South Georgia, that is absolutely incredible! I loved the research that the author done for this book, the description of South Georgia is unbelievable, it felt like I was there with the characters, running alongside them. The other part of the book was set in Cambridge, where Felicity lives, and all the creepy and unexplained events took place. The narrative is absolutely beautifully developed and delivered. It has everything the reader might want from a thriller and more. It is full of layers, very well placed twists and turns, the suspense was overwhelming, and I was left gobsmacked on many occasions. There are some pretty important topics that the author discussed in this novel, such as homelessness and a lack of psychological help for them, obsession, stalking, child abuse, psychological trauma and many more. The mood and the atmosphere was constantly changing throughout the pages, and it was a true page-turner for me.
I love Sharon Bolton’s writing style since her first book, she knows how to lure the reader with brilliant characters and a superb plot. The audiobook I listened to was narrated by Katie Scarfe, and she did an amazing job with her voice intonations, she brought this book to life. The chapters are quite short, so I believe the pages are just going to fly by too many readers. The ending was very well written, and I was left satisfied with the outcome. I have to tell that this book has plenty of gory and disturbing things related to small children, so please approach this read with caution.
Emma @ The Movies (1786 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Sep 25, 2019
I don't really think that you can go wrong with dinosaurs and action mixed together in a movie. They roar a lot, and if you're lucky they eat people. Spoiler incoming... with this movie, you're very lucky.
One a scale of all the movies this is probably third place for me behind Jurassic Park and Jurassic World. Which is quite fitting as it is basically the two movies squished together. Despite it being in third place I think it had one of the best scenes from the franchise... The end of the island... I can't even... 😢
There were a lot of little nods to things from previous films, and some blanks filled in to make the story. Everything was nice, and familiar, and the baby raptor footage in the training videos... well they're just the cutest!
There are some articles online about the trailers and while personally I didn't find any of them particularly gave away anything important I was struck by one of the points that was brought up. During the film it did actually leave me wondering too. You actually see the end of the film in the trailer. After you see the opening and see our scaly friend escape, you wait for the scene from the trailer to happen. It has a big impact on the screen, the danger, the consequences. So to find out that you don't see that until the very end of the movie... well, it was a bit odd.
I really felt like there were a few issues though in the rest of the movie. So much so that it probably shouldn't have four stars. But I'll watch it again and again despite that. If I'm being picky though... Rafe Spall, that accent was really causing me problems, but it's entirely possible that the billion or so viewings of Hot Fuzz have skewed my perspective on that one. Maisie would be my other major quibble, unless they're working up to something in the next film I'm not really sure why she was there, yes she was there to connect the dots but after that *shrug*. And why did she have such a bizarre obsession with Owen. Don't get me wrong, if I'd been in that film I'd have been hugging him at any random opportunity too, but it still seemed odd. My last and most troubling issue isn't about this current movie technically, it's about the next one. Where on Earth does this leave the future story line? Or maybe that's it. Maybe the next film is set on another planet, when the human race has had to relocate because of the dangerous outbreak of dinosaurs from all corners of the world and some billionaire has an idea to start up a new theme park. Maybe they could call it Jurassic Off World.
One a scale of all the movies this is probably third place for me behind Jurassic Park and Jurassic World. Which is quite fitting as it is basically the two movies squished together. Despite it being in third place I think it had one of the best scenes from the franchise... The end of the island... I can't even... 😢
There were a lot of little nods to things from previous films, and some blanks filled in to make the story. Everything was nice, and familiar, and the baby raptor footage in the training videos... well they're just the cutest!
There are some articles online about the trailers and while personally I didn't find any of them particularly gave away anything important I was struck by one of the points that was brought up. During the film it did actually leave me wondering too. You actually see the end of the film in the trailer. After you see the opening and see our scaly friend escape, you wait for the scene from the trailer to happen. It has a big impact on the screen, the danger, the consequences. So to find out that you don't see that until the very end of the movie... well, it was a bit odd.
I really felt like there were a few issues though in the rest of the movie. So much so that it probably shouldn't have four stars. But I'll watch it again and again despite that. If I'm being picky though... Rafe Spall, that accent was really causing me problems, but it's entirely possible that the billion or so viewings of Hot Fuzz have skewed my perspective on that one. Maisie would be my other major quibble, unless they're working up to something in the next film I'm not really sure why she was there, yes she was there to connect the dots but after that *shrug*. And why did she have such a bizarre obsession with Owen. Don't get me wrong, if I'd been in that film I'd have been hugging him at any random opportunity too, but it still seemed odd. My last and most troubling issue isn't about this current movie technically, it's about the next one. Where on Earth does this leave the future story line? Or maybe that's it. Maybe the next film is set on another planet, when the human race has had to relocate because of the dangerous outbreak of dinosaurs from all corners of the world and some billionaire has an idea to start up a new theme park. Maybe they could call it Jurassic Off World.
Kara Skinner (332 KP) rated Mine Forever in Books
Sep 10, 2019
What do you do when the love of your life is almost kidnapped by druggies? You do everything you can to convince her to come home with you, of course. Which is exactly what Simon does with Kara. But even with Kara reluctantly living with Simon again, things aren’t perfect. Kara won’t accept anything less than a relationship and Simon is still trying to figure out how to be in one. Can Simon put his past behind him so he can finally have happiness with Kara?
Like Mine for Tonight and Mine for Now, Mine Forever is a fantastic erotic romance. I like it even better than the second one because aside from getting Kara to move in with Simon again,the under-developed druggie plot has all but disappeared. and Kara is showing that she’s not willing to take any crap from Simon, even refusing sex until he opened up to her about his past. Don’t get me wrong, there are plenty of hot sex scenes that can make you blush, but Kara still needs Simon to open up.
And Simon, despite being an alpha male, is still awkward and endearing. 15479193670_d73f1ff314_mIt’s really obvious that he has no idea what to do in a relationship, to the point of absurdity. I mean, you have to be living under a rock not to know that flowers and chocolates are basic gifts for Valentine’s Day. As much as I like an awkward love interest, I really didn’t like how Simon handled Valentine’s Day. Getting help from his female employees is good and so is being nervous and wanting to make things right with Kara, but buying an entire carload of Valentine’s Day merchandise? That was a little to ridiculous for me. First of all, it’s unrealistic. Nervous binge-shopping and being a billionaire don’t go hand in hand. Binge-shopping leads to a broke hoarder real quick, I don’t care how high your salary is. Second of all, does he even know Kara? She’s hardly a material girl. Why would a large quantity of material goods make her happy? But Simon does express his love with gifts, so I guess that does fit.
We finally learn how Simon got his scars in this book. The suspense had actually been killing me to find out and the reason did not disappoint. Honestly, I’d have relationship problems too if I went through the same thing. And now that he’s opened up to Kara he can finally begin healing for real.
This book is one of my favorites of the series, right up there with the first one. You can’t find it by itself anymore. You’ll have to buy the entire Billionaire’s Obsession series. But if you like contemporary romance that flirts with the erotica genre, then you’ll like this series.
Like Mine for Tonight and Mine for Now, Mine Forever is a fantastic erotic romance. I like it even better than the second one because aside from getting Kara to move in with Simon again,the under-developed druggie plot has all but disappeared. and Kara is showing that she’s not willing to take any crap from Simon, even refusing sex until he opened up to her about his past. Don’t get me wrong, there are plenty of hot sex scenes that can make you blush, but Kara still needs Simon to open up.
And Simon, despite being an alpha male, is still awkward and endearing. 15479193670_d73f1ff314_mIt’s really obvious that he has no idea what to do in a relationship, to the point of absurdity. I mean, you have to be living under a rock not to know that flowers and chocolates are basic gifts for Valentine’s Day. As much as I like an awkward love interest, I really didn’t like how Simon handled Valentine’s Day. Getting help from his female employees is good and so is being nervous and wanting to make things right with Kara, but buying an entire carload of Valentine’s Day merchandise? That was a little to ridiculous for me. First of all, it’s unrealistic. Nervous binge-shopping and being a billionaire don’t go hand in hand. Binge-shopping leads to a broke hoarder real quick, I don’t care how high your salary is. Second of all, does he even know Kara? She’s hardly a material girl. Why would a large quantity of material goods make her happy? But Simon does express his love with gifts, so I guess that does fit.
We finally learn how Simon got his scars in this book. The suspense had actually been killing me to find out and the reason did not disappoint. Honestly, I’d have relationship problems too if I went through the same thing. And now that he’s opened up to Kara he can finally begin healing for real.
This book is one of my favorites of the series, right up there with the first one. You can’t find it by itself anymore. You’ll have to buy the entire Billionaire’s Obsession series. But if you like contemporary romance that flirts with the erotica genre, then you’ll like this series.
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