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Bob Mann (459 KP) rated Wild Rose (2018) in Movies
Sep 28, 2021
Three Chords and the Truth.
BAFTA named Jessie Buckley as one of their “Rising Stars” for 2019, and here she proves why.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.
Buckley plays Glaswegian Rose-Lynn Harlan, a decidedly wild child electronically tagged and released from the clink but straight down to some very public cowgirl sex with her erstwhile boyfriend. Only then does she have the afterthought of going round to the house of her Mum (Julie Walters) where two young children live. For Rose-Lynn is a single mum of two (#needs-to-be-more-careful-with-the-cowgirl-stuff), and the emotional damage metered out to the youngsters from her wayward life is fully evident.
Rose-Lynn is a frustrated ‘country-and-weste’… no, sorry… just ‘western’ singer, and she has a talent for bringing the house down in Glasgow during a show. The desire to ‘make it big’ in Nashville is bordering on obsession, and nothing – not her mum, not her children, nothing – will get in her way.
Rose-Lynn has no idea how to make her dream come true. (And no, she doesn’t bump into Bradley Cooper at this point). But things look up when she lies her way to a cleaning job for the middle class Susannah (Sophie Okonedo) who sees the talent in her and comes up with a couple of innovative ways to move her in the right direction.
Will she get out of her Glasgow poverty trap and rise to fame and fortune as a Nashville star?
Difficult to like.
Rose-Lynn is not an easy character to like. She is borderline sociopathic and has a self-centred selfish streak a mile wide. As she tramples all over her offspring’s young lives, breaking each and every promise like clockwork, then you just want to shout at her and give her a good shaking. It’s a difficult line for the film to walk (did the ghost of Johnny Cash make me write that?) and it only barely walks it unscathed.
Memories of Birdman.
A key shout-out needs to go to director Tom Harper (“Woman in Black 2“, and the TV epic “War and Peace”) and his cinematographer of choice George Steel. Some of the angles and framed shots are exquisitely done. A fantastic dance sequence through Susannah’s house (the best since Hugh Grant‘s No. 10 “Jump” in “Love Actually”) reveals the associated imaginary musicians in various alcoves reminiscent of the drummer in “Birdman“. And there are a couple of great drone shots: one (no spoilers) showing Rose-Lynn leaving a party is particularly effective.
The turns.
The camera simply loves Jessie Buckley. She delivers real energy in the good times and real pathos in the bad. She can – assuming it’s her performing – also sing! (No surprise since she was, you might remember, runner up to Jodie Prenger in the BBC search for a “Maria” for Lloyd Webber’s “Sound of Music”). She is certainly one to watch on the acting stage.
Supporting Buckley in prime roles are national treasure Julie Walters, effecting an impressive Glaswegian accent, and Sophie Okonedo, who is one of those well-known faces from TV that you can never quite place. BBC Radio 2’s Bob Harris also turns up as himself, being marvellously unconvincing as an actor!
But I don’t like country music?
Frankly neither do I. But it hardly matters. As long as you don’t ABSOLUTELY LOATHE it, I predict you’ll tolerate the tunes and enjoy the movie. Followers of this blog might remember that – against the general trend – I was highly unimpressed with “A Star is Born“. This movie I enjoyed far, far more.
Sensitivemuse (246 KP) rated New Girl in Books
May 3, 2018
Like a reality show you can't turn away from
Contains spoilers, click to show
This is one of the few times where I enjoyed the book however the characters were so unlikable I was amazed that I stuck through and finished the novel. It was well written enough that I was super curious as to what happened to Becca and whether she was really around or if she had a horrible outcome. The mystery element was well done to keep you guessing. The point of views changes between Becca and Callie’s. There’s a good easy flow between the two perspectives so it makes the reading easy to follow and quick.
That being said, the characters were just awful in a sense not that they were unreadable (almost) but they were just horrible awful people. Even our main character wasn’t that likable. However I digress. Let’s break them down:
Becca; Oh darling. You horrible awful attention seeking harpy. Not only do you have issues of your own but because you aren’t happy you feel the need to destroy others and to make sure you drag them down into the mud and follow you through your misery. I had no sympathies. Even when it was revealed what happened. Except for ...well you know.
Max: Another horrible creature and he’s pretty much meant for Becca anyway as they’re both rather terrible people. The “I like you but I don’t want to be together” spiel is ugh. On top of that after you say that you go and do the pursuing. You’re the emotional manipulative type just like Becca and it’s hard to figure out which one is worse. You emotionally play with the main character and give her the yo-yo treatment then get mad when she’s talking with your best friend..oh wait sorry let’s re-write that: “Best Friend”. Dude, you’re like a horrible Tinder date gone wrong.
Dana: You’re a psychotic twit and holy mother mary do you have issues. I get what happened and you stood there and was an observer but you lashing out and being Queen Horrible to Callie (main character) was inexcusable. This behavior can’t even be blamed on grief, you’re just pure malice. Your obsession with Becca is creepy it makes you look like the type of fangirl nobody ever wants.
Madison and Julia: You have no spines and you follow Becca like she’s a Goddess. Stop being sheep and your condescension towards Callie was uncalled for. You each deserve a swift kick for treating her like that.
Johnny: You broke the Bro-Code. You should be banned for life.
Callie: Where do I start with you? You started off as a great main character and a lot of sympathies to you because you started off on the wrong foot and in a precarious situation. However then you did this yo-yo game with Max saying “Yeah I like you but I never said I was going to be with you” sure, that was a savage burn on your part but you keep *whining* about how you like Max so much and he’s not returning the favor because of Becca but he keeps coming back to you like you’re the side piece and you don’t seem to mind that treatment. You try to stick up for yourself with Dana (which was admirable) but then you shrink back into your turtle shell and you just *walk* into these situations even though YOU KNOW it’s going to turn out with potentially bad consequences. You’re like the friend that complains about how horrible your significant other is treating you but you’re still with that person but you don’t listen to advice. You have got to be one of the most frustrating characters I have ever read so far.
Well now! That sums up my opinions of the characters. I say go for reading this one. It’s almost like you’re watching reality TV and it’s such a guilty pleasure but you can’t help but not look away. Maybe because the characters were just so hateful you had to keep on reading. You just wanted to know what was going to happen next.
That being said, the characters were just awful in a sense not that they were unreadable (almost) but they were just horrible awful people. Even our main character wasn’t that likable. However I digress. Let’s break them down:
Becca; Oh darling. You horrible awful attention seeking harpy. Not only do you have issues of your own but because you aren’t happy you feel the need to destroy others and to make sure you drag them down into the mud and follow you through your misery. I had no sympathies. Even when it was revealed what happened. Except for ...well you know.
Max: Another horrible creature and he’s pretty much meant for Becca anyway as they’re both rather terrible people. The “I like you but I don’t want to be together” spiel is ugh. On top of that after you say that you go and do the pursuing. You’re the emotional manipulative type just like Becca and it’s hard to figure out which one is worse. You emotionally play with the main character and give her the yo-yo treatment then get mad when she’s talking with your best friend..oh wait sorry let’s re-write that: “Best Friend”. Dude, you’re like a horrible Tinder date gone wrong.
Dana: You’re a psychotic twit and holy mother mary do you have issues. I get what happened and you stood there and was an observer but you lashing out and being Queen Horrible to Callie (main character) was inexcusable. This behavior can’t even be blamed on grief, you’re just pure malice. Your obsession with Becca is creepy it makes you look like the type of fangirl nobody ever wants.
Madison and Julia: You have no spines and you follow Becca like she’s a Goddess. Stop being sheep and your condescension towards Callie was uncalled for. You each deserve a swift kick for treating her like that.
Johnny: You broke the Bro-Code. You should be banned for life.
Callie: Where do I start with you? You started off as a great main character and a lot of sympathies to you because you started off on the wrong foot and in a precarious situation. However then you did this yo-yo game with Max saying “Yeah I like you but I never said I was going to be with you” sure, that was a savage burn on your part but you keep *whining* about how you like Max so much and he’s not returning the favor because of Becca but he keeps coming back to you like you’re the side piece and you don’t seem to mind that treatment. You try to stick up for yourself with Dana (which was admirable) but then you shrink back into your turtle shell and you just *walk* into these situations even though YOU KNOW it’s going to turn out with potentially bad consequences. You’re like the friend that complains about how horrible your significant other is treating you but you’re still with that person but you don’t listen to advice. You have got to be one of the most frustrating characters I have ever read so far.
Well now! That sums up my opinions of the characters. I say go for reading this one. It’s almost like you’re watching reality TV and it’s such a guilty pleasure but you can’t help but not look away. Maybe because the characters were just so hateful you had to keep on reading. You just wanted to know what was going to happen next.
Rachel King (13 KP) rated American Gods in Books
Feb 11, 2019
I have only ever read one other adult book ( I don't count Coraline) by Gaiman, which was vastly different from this book in both style and mood - Stardust. A friend recommended I read this book many years ago since I like mythology. I found this book really had not much to do with mythology in the classic sense. Instead the characters that were pulled from mythology, such as Odin, Anansi, Horus, Bast, and Ganesha, among others, behaved like has-been D-list celebrities that struggle to survive in a country that is repeatedly described as "...a bad land for gods." The powers they rarely put on display were minimal and amounted to the same kind of "magic" as a skilled pick-pocket, con-artist, or amateur magician. The few times any real power is observed is once during the sexual scene of a re-invented Queen of Sheba (I'll spare you the R-rated details) and when the gods travel "behind the scenes," a state of existence that only the gods can enter.
While the names of classical mythology fit into the category of the Old Gods, there are New Gods that have taken root in America, born from cultural obsessions that have evolved and devolved over the years, such as railroads - a man dressed as a railroad conductor, television - a voice talking through Lucille Ball on a rerun of I Love Lucy, vehicles - stocky men that seemed to resemble vehicles themselves, and internet - a short, nerdy, nervous kid, among other American fixations and stereotypes.
In addition, one of the scenic devices used throughout the plot is what Gaiman's characters describe as places of power - side-of-the-road dives that road-trippers visit for no apparent reason, such as a place boasting the largest doll collection in America or the biggest wheel of cheese. And no, Disneyworld is not one of them.
One of the things I found interesting about this Gaiman-born world is that the Old Gods only exist in the New World when regular people travel from other countries and bring their memories and practices with them, even when they don't intend to stay themselves. The gods are "born" from these average people, and even though they can be killed by others, they don't die otherwise, but instead alternately starve or thrive based on the behavior of the people who live and die in the New World. They all have counterpart manifestations of themselves in the countries they are pulled from, but one's existence does not affect the other - though they do seem to be aware of each other.
All of this is merely the background of the main plot, which centers around the activities and travels of a seemingly mortal man with a single name, Shadow. I never did "get" the one-name thing, but whatever. Through Shadow's narration, the reader learns of an impending storm - a battle between the Old Gods and New Gods, the former fighting for survival and the latter fighting for dominance. Shadow works for a mysterious "Mr. Wednesday" and is randomly haunted by his dead wife, Laura, but otherwise seems to have little drive of his own for most of the book. In fitting irony, he has his own brand of "magic" - an obsession for coin tricks to pass the time from his days spent in prison - which I could never really follow the descriptions of.
To be completely honest, I truly did enjoy this book, though I am struggling to say exactly why. Perhaps I was fascinated by the "shadowy" way that Gaiman told the story, or how he developed this over-the-hill world of gods and goddesses that better resembled America's middle and poor classes' struggles for survival, money, and influence. Some of the personal touches that Shadow's character added to the plot made him at times surprisingly endearing. In addition, the way that Shadow seemed to address the reader at the very end of the book was so satisfying that I laughed out loud and had to read it again several times. Something about that just brought the book to life for me and help me to fully appreciate the versatile style of Gaiman. This is one of those books you don't have to fully understand to fully appreciate.
While the names of classical mythology fit into the category of the Old Gods, there are New Gods that have taken root in America, born from cultural obsessions that have evolved and devolved over the years, such as railroads - a man dressed as a railroad conductor, television - a voice talking through Lucille Ball on a rerun of I Love Lucy, vehicles - stocky men that seemed to resemble vehicles themselves, and internet - a short, nerdy, nervous kid, among other American fixations and stereotypes.
In addition, one of the scenic devices used throughout the plot is what Gaiman's characters describe as places of power - side-of-the-road dives that road-trippers visit for no apparent reason, such as a place boasting the largest doll collection in America or the biggest wheel of cheese. And no, Disneyworld is not one of them.
One of the things I found interesting about this Gaiman-born world is that the Old Gods only exist in the New World when regular people travel from other countries and bring their memories and practices with them, even when they don't intend to stay themselves. The gods are "born" from these average people, and even though they can be killed by others, they don't die otherwise, but instead alternately starve or thrive based on the behavior of the people who live and die in the New World. They all have counterpart manifestations of themselves in the countries they are pulled from, but one's existence does not affect the other - though they do seem to be aware of each other.
All of this is merely the background of the main plot, which centers around the activities and travels of a seemingly mortal man with a single name, Shadow. I never did "get" the one-name thing, but whatever. Through Shadow's narration, the reader learns of an impending storm - a battle between the Old Gods and New Gods, the former fighting for survival and the latter fighting for dominance. Shadow works for a mysterious "Mr. Wednesday" and is randomly haunted by his dead wife, Laura, but otherwise seems to have little drive of his own for most of the book. In fitting irony, he has his own brand of "magic" - an obsession for coin tricks to pass the time from his days spent in prison - which I could never really follow the descriptions of.
To be completely honest, I truly did enjoy this book, though I am struggling to say exactly why. Perhaps I was fascinated by the "shadowy" way that Gaiman told the story, or how he developed this over-the-hill world of gods and goddesses that better resembled America's middle and poor classes' struggles for survival, money, and influence. Some of the personal touches that Shadow's character added to the plot made him at times surprisingly endearing. In addition, the way that Shadow seemed to address the reader at the very end of the book was so satisfying that I laughed out loud and had to read it again several times. Something about that just brought the book to life for me and help me to fully appreciate the versatile style of Gaiman. This is one of those books you don't have to fully understand to fully appreciate.
Heather Cranmer (2721 KP) rated How Wendy Redbird Dancing Survived the Dark Ages of Nought in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I came across this book on Goodreads, there was something about the blurb that made me want to read it, so when I got asked if I'd like to review it, I said yes instantly. While the first half of the book was a bit hit and miss, the second half really became interesting!
The title is a bit of a mouthful although interesting. I had a hard time remembering what the book was called due to the long name. Eventually, I memorized it, but I would still double check just to make sure I was right.
The cover might be a bit plain, but I think it suits this book perfectly! After the terrible incident that happens to Wendy, she kind of goes inside herself. I think this cover definitely captures that.
What bothered me a bit with the world building was I just felt like the school Wendy attended was racism central. I know that racism is a huge problem is some places, but it just felt a bit over the top in the beginning of the book. Luckily, about a third of the book in, the over the top racism thing stops, and the world building becomes more believable.
The pacing is fairly slow to begin with. However, about a little before halfway in, the pacing speeds up, and it quickly held my attention for the rest of the book. In fact, I couldn't put the book done after that! So if you start off a bit bored with the book, please do continue reading or you'll out miss out on a really good story.
The plot is interesting enough. It deals with racism, being an outcast, sexual abuse, and an emotionally distant mother as well as some other issues. I thought it was an original idea to use Michael Jackson as a teen girl's saint. I love the references to some artists of old.
The characters were written really well. Wendy, aside from her obsession with the king of pop, is just your average teenage girl. Her goal is to see Michael Jackson in concert in London. Wendy is definitely easy to relate to. Shaye comes across as being very cool and charismatic. He's instantly likable. I felt bad that I had ever liked him though after what he did to Wendy. My favorite character was Tanay though. I loved her attitude as well as her sass. She's super funny, yet she's a friend who's got your back. I think teenage girls will have an easy time relating to Wendy and/or Tanay.
The dialogue, for the most part, runs smoothly. However, at the beginning of the book, it does feel a little bit forced especially when it focuses on racism a little too heavily, at least I thought so. Some may get offended with the racism being used, but I didn't feel like the book itself was racist. I just felt that there was too much focus on how segregated Wendy's school is and how much racism (against all colors) there is in that school. Other than that, everything is smooth sailing. The character interactions feel normal, and the dialogue goes well with what a teen book should read like. There is some cussing in this book as well as some sexual situations, so I wouldn't recommend this book to younger teens.
Overall, How Wendy Redbird Dancing Survived the Dark Ages of Nought is a very intriguing book. The issues it deals with are issues that have plagued teens as well as adults for awhile. Hawks does a fantastic job of writing about this issues.
I'd recommend this book to those aged 16+ who want to read something a little more realistic than normal fiction with characters of whom are easy to relate to.
I'd give How Wendy Redbird Dancing Survived the Dark Ages of Nought by Lyn Fairchild Hawks a 3.75 out of 5.
(I received a free paperback of this book from the author in exchange for a fair and honest review).
When I came across this book on Goodreads, there was something about the blurb that made me want to read it, so when I got asked if I'd like to review it, I said yes instantly. While the first half of the book was a bit hit and miss, the second half really became interesting!
The title is a bit of a mouthful although interesting. I had a hard time remembering what the book was called due to the long name. Eventually, I memorized it, but I would still double check just to make sure I was right.
The cover might be a bit plain, but I think it suits this book perfectly! After the terrible incident that happens to Wendy, she kind of goes inside herself. I think this cover definitely captures that.
What bothered me a bit with the world building was I just felt like the school Wendy attended was racism central. I know that racism is a huge problem is some places, but it just felt a bit over the top in the beginning of the book. Luckily, about a third of the book in, the over the top racism thing stops, and the world building becomes more believable.
The pacing is fairly slow to begin with. However, about a little before halfway in, the pacing speeds up, and it quickly held my attention for the rest of the book. In fact, I couldn't put the book done after that! So if you start off a bit bored with the book, please do continue reading or you'll out miss out on a really good story.
The plot is interesting enough. It deals with racism, being an outcast, sexual abuse, and an emotionally distant mother as well as some other issues. I thought it was an original idea to use Michael Jackson as a teen girl's saint. I love the references to some artists of old.
The characters were written really well. Wendy, aside from her obsession with the king of pop, is just your average teenage girl. Her goal is to see Michael Jackson in concert in London. Wendy is definitely easy to relate to. Shaye comes across as being very cool and charismatic. He's instantly likable. I felt bad that I had ever liked him though after what he did to Wendy. My favorite character was Tanay though. I loved her attitude as well as her sass. She's super funny, yet she's a friend who's got your back. I think teenage girls will have an easy time relating to Wendy and/or Tanay.
The dialogue, for the most part, runs smoothly. However, at the beginning of the book, it does feel a little bit forced especially when it focuses on racism a little too heavily, at least I thought so. Some may get offended with the racism being used, but I didn't feel like the book itself was racist. I just felt that there was too much focus on how segregated Wendy's school is and how much racism (against all colors) there is in that school. Other than that, everything is smooth sailing. The character interactions feel normal, and the dialogue goes well with what a teen book should read like. There is some cussing in this book as well as some sexual situations, so I wouldn't recommend this book to younger teens.
Overall, How Wendy Redbird Dancing Survived the Dark Ages of Nought is a very intriguing book. The issues it deals with are issues that have plagued teens as well as adults for awhile. Hawks does a fantastic job of writing about this issues.
I'd recommend this book to those aged 16+ who want to read something a little more realistic than normal fiction with characters of whom are easy to relate to.
I'd give How Wendy Redbird Dancing Survived the Dark Ages of Nought by Lyn Fairchild Hawks a 3.75 out of 5.
(I received a free paperback of this book from the author in exchange for a fair and honest review).
Hazel (1853 KP) rated A Library of Lemons in Books
Dec 17, 2018
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review
A Library of Lemons</i> is the most recent novel by children’s author Jo Cotterill. It is a moving story about a child’s perception of a life heavily affected by loss and grief, and the impact a positive friendship can bring. Calypso is only ten years old but has the reading age of someone much older. In fact she loves books so much that she prefers them to interacting with other people. Since her mother’s death five years previously, Calypso’s father has distanced himself from the world, focusing on writing and reading in his study, and has encouraged his only daughter to do the same: “be your own best friend.” However, a new girl at school causes Calypso to question and change the way she views the world.
Despite never having had a friend at school, Calypso quickly develops a strong friendship with Mae who also has a passion for reading. The difference is Mae lets herself feel emotion and is happy to let other people into her life, a concept that is initially alien to Calypso. As time goes on Calypso realizes she is the happiest she has ever been and that Mae has filled a gap she did not know was there. Regrettably, her newfound contentment is shattered on discovering that something is wrong with her father, and that he has developed an unhealthy obsession with lemons…
From the very beginning the reader is shown how difficult Calypso’s life is. She often comes home to a cold, dark house where she has to fix herself her own dinner from a very limited supply of food. Yet until Calypso meets Mae, she does not realize that there is anything wrong with this. Once Calypso learns that her father is suffering with depression – something that older readers will already have guessed – she sees how unfair life is for her and notices that she is very different from other children her age. This is a heartbreaking situation for readers to imagine, but Calypso’s strength as a young carer is admirable – similarly to characters in some of her favourite books, such as<i> Anne of Green Gables</i>.
There are so many well-known novels referenced in <i>A Library of Lemons</i>, which emphasizes Calypso’s love of literature. Although Cotterill has included children’s classics amongst these titles, it is doubtful that young readers will be familiar with them all. This poses the problem that certain allusions to characters or storylines will be lost, however if the youngsters are just as passionate about reading as Calypso is, they may be inspired to seek out these famous works.
I was initially drawn to <i>A Library of Lemons</i> because I had loved Cotterill’s previous novel, <i>Looking at the Stars</i>. I was not aware at first that this novel tackled mental illness – which was not a problem as I often read books of that genre – but I was expecting something powerful and moving. And that is what I got. I much preferred <i>Looking at the Stars</i>, which I thought was a lot more emotional and shocking – a refugee camp in a third world country – however <i>A Library of Lemons</i> is still a beautiful story with deep and quotable prose.
Before I finish this review I would like to praise Cotterill for the way she dealt with the taboo subject of mental illness. Often illnesses of this nature are either glamourized or stigmatized, neither of which occurred in this novel. Cotterill’s portrayal of depression and its affects on both sufferer and child are extremely realistic. The way that the book ends is also true-to-life. There is no happy ever after, no amazing cure – but there is hope, a glimpse of recovery and a better future.
Although Calypso is ten, her advanced reading age and the difficult subject matter result in a book that is more suitable for young teenagers. Young and old adults will also enjoy it too, especially those who can relate to certain situations Calypso has to deal with. <i>A Library of Lemons</i> is definitely a story to read if you are a lover of books - a bookworm. You will not be disappointed.
A Library of Lemons</i> is the most recent novel by children’s author Jo Cotterill. It is a moving story about a child’s perception of a life heavily affected by loss and grief, and the impact a positive friendship can bring. Calypso is only ten years old but has the reading age of someone much older. In fact she loves books so much that she prefers them to interacting with other people. Since her mother’s death five years previously, Calypso’s father has distanced himself from the world, focusing on writing and reading in his study, and has encouraged his only daughter to do the same: “be your own best friend.” However, a new girl at school causes Calypso to question and change the way she views the world.
Despite never having had a friend at school, Calypso quickly develops a strong friendship with Mae who also has a passion for reading. The difference is Mae lets herself feel emotion and is happy to let other people into her life, a concept that is initially alien to Calypso. As time goes on Calypso realizes she is the happiest she has ever been and that Mae has filled a gap she did not know was there. Regrettably, her newfound contentment is shattered on discovering that something is wrong with her father, and that he has developed an unhealthy obsession with lemons…
From the very beginning the reader is shown how difficult Calypso’s life is. She often comes home to a cold, dark house where she has to fix herself her own dinner from a very limited supply of food. Yet until Calypso meets Mae, she does not realize that there is anything wrong with this. Once Calypso learns that her father is suffering with depression – something that older readers will already have guessed – she sees how unfair life is for her and notices that she is very different from other children her age. This is a heartbreaking situation for readers to imagine, but Calypso’s strength as a young carer is admirable – similarly to characters in some of her favourite books, such as<i> Anne of Green Gables</i>.
There are so many well-known novels referenced in <i>A Library of Lemons</i>, which emphasizes Calypso’s love of literature. Although Cotterill has included children’s classics amongst these titles, it is doubtful that young readers will be familiar with them all. This poses the problem that certain allusions to characters or storylines will be lost, however if the youngsters are just as passionate about reading as Calypso is, they may be inspired to seek out these famous works.
I was initially drawn to <i>A Library of Lemons</i> because I had loved Cotterill’s previous novel, <i>Looking at the Stars</i>. I was not aware at first that this novel tackled mental illness – which was not a problem as I often read books of that genre – but I was expecting something powerful and moving. And that is what I got. I much preferred <i>Looking at the Stars</i>, which I thought was a lot more emotional and shocking – a refugee camp in a third world country – however <i>A Library of Lemons</i> is still a beautiful story with deep and quotable prose.
Before I finish this review I would like to praise Cotterill for the way she dealt with the taboo subject of mental illness. Often illnesses of this nature are either glamourized or stigmatized, neither of which occurred in this novel. Cotterill’s portrayal of depression and its affects on both sufferer and child are extremely realistic. The way that the book ends is also true-to-life. There is no happy ever after, no amazing cure – but there is hope, a glimpse of recovery and a better future.
Although Calypso is ten, her advanced reading age and the difficult subject matter result in a book that is more suitable for young teenagers. Young and old adults will also enjoy it too, especially those who can relate to certain situations Calypso has to deal with. <i>A Library of Lemons</i> is definitely a story to read if you are a lover of books - a bookworm. You will not be disappointed.
Emma @ The Movies (1786 KP) rated The Aeronauts (2019) in Movies
Oct 27, 2019
Firstly I'd like to address the accuracy of this film. As soon as I got out of the screening I looked up the story and it took the shine off a little. James Glaisher was indeed involved in these experiments but his companion was Henry Coxwell and not the fictional Amelia Wren. Wren is at least based on female aeronauts of the time, Sophie Blanchard and Margaret Graham, which is a slight comfort. I can of course understand why they did it, the film has a definite air of romance about it and the inclusion of a larger than life character and her backstory does give the film a boost that it might not have had on the original story.
The second thing I would also like to mention is that you need to see this in IMAX, it's been filmed for it and though that's not how I saw it I know it will be amazing.
There's a lot in The Aeronauts that makes you stop and collect your thoughts. The experience of being in the balloon is captured perfectly through shots of the city below and the vast expanses of clouds and sky... the word wonderous is the only thing that seems fitting.
I like that the story doesn't dwell on filling in the audience on history before the main event. During their flight we jump back for relevant snippets as needed and it adds to the emotion of the scenes as we return to the context. It also helps to pad out the timeline in what is almost in real-time. The record breaking flight was roughly 2.5 hours, the film runs for 1 hour 40 minutes, having watched it I don't think I'd mind seeing a 2.5 hour version.
Eddie Redmayne is high on my "nope" list when it comes to movies, I can't watch Fantastic Beasts without getting annoyed and as such I haven't gone back to watch any of his other films. In The Aeronauts though I found him to be much less of a frustrating watch, some of the mannerisms are still there but I was definitely won over by his performance. (Please do recommend your favourite films from him in the comments.) He really managed to capture the obsession for knowledge in a very natural way and I found it very engaging.
Felicity Jones as out fictional Amelia Wren makes a great show of the theatrics and transition smoothly to the seriousness needed to convey their situation once they were in flight. I thought her role was incredibly well crafted and she made every moment up in that balloon very real for the audience.
The pair work amazingly together on screen and that's not really surprising seeing as they've worked together before on The Theory Of Everything. I would say that the chemistry they'd already developed helped to make that tiny basket really come to life for the viewer.
A special shout out to Bella who played Posey the dog, I have to assume that she didn't do her own stunts but regardless it was a great performance.
I was very pleased that they didn't feel the need to fill those beautiful silences. As they soared higher into the sky I'm sure they could have filled the gap with peaceful classical music and still been impressive but the visuals are so good that they really didn't need anything.
I don't want to touch much of the second half of the film because it really does need to be seen but it certainly doesn't disappoint. Everything escalates with the ascent and from camera work to effects it all comes together for a finale that has you glued to the screen.
As you can tell I really enjoyed The Aeronauts and I'm looking forward to an Unlimited Screening of it again soon. I have one tip for you, go in your summer clothes when you see it. No, I haven't gone mad(der), it's a great way to get a free 4DX experience by sitting near the air conditioning. You'll get colder and colder as the film progresses and you'll really feel like you're in the balloon with them.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-aeronauts-movie-review.html
The second thing I would also like to mention is that you need to see this in IMAX, it's been filmed for it and though that's not how I saw it I know it will be amazing.
There's a lot in The Aeronauts that makes you stop and collect your thoughts. The experience of being in the balloon is captured perfectly through shots of the city below and the vast expanses of clouds and sky... the word wonderous is the only thing that seems fitting.
I like that the story doesn't dwell on filling in the audience on history before the main event. During their flight we jump back for relevant snippets as needed and it adds to the emotion of the scenes as we return to the context. It also helps to pad out the timeline in what is almost in real-time. The record breaking flight was roughly 2.5 hours, the film runs for 1 hour 40 minutes, having watched it I don't think I'd mind seeing a 2.5 hour version.
Eddie Redmayne is high on my "nope" list when it comes to movies, I can't watch Fantastic Beasts without getting annoyed and as such I haven't gone back to watch any of his other films. In The Aeronauts though I found him to be much less of a frustrating watch, some of the mannerisms are still there but I was definitely won over by his performance. (Please do recommend your favourite films from him in the comments.) He really managed to capture the obsession for knowledge in a very natural way and I found it very engaging.
Felicity Jones as out fictional Amelia Wren makes a great show of the theatrics and transition smoothly to the seriousness needed to convey their situation once they were in flight. I thought her role was incredibly well crafted and she made every moment up in that balloon very real for the audience.
The pair work amazingly together on screen and that's not really surprising seeing as they've worked together before on The Theory Of Everything. I would say that the chemistry they'd already developed helped to make that tiny basket really come to life for the viewer.
A special shout out to Bella who played Posey the dog, I have to assume that she didn't do her own stunts but regardless it was a great performance.
I was very pleased that they didn't feel the need to fill those beautiful silences. As they soared higher into the sky I'm sure they could have filled the gap with peaceful classical music and still been impressive but the visuals are so good that they really didn't need anything.
I don't want to touch much of the second half of the film because it really does need to be seen but it certainly doesn't disappoint. Everything escalates with the ascent and from camera work to effects it all comes together for a finale that has you glued to the screen.
As you can tell I really enjoyed The Aeronauts and I'm looking forward to an Unlimited Screening of it again soon. I have one tip for you, go in your summer clothes when you see it. No, I haven't gone mad(der), it's a great way to get a free 4DX experience by sitting near the air conditioning. You'll get colder and colder as the film progresses and you'll really feel like you're in the balloon with them.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-aeronauts-movie-review.html
Gareth von Kallenbach (980 KP) rated Dark Crimes (2018) in Movies
Jul 8, 2019
great many of us film aficionados have, at one time or another, thought that they’ve seen so many films from so many different genres or written by so many ‘messed up’ writers or directed by so many warped minds that have simply ‘walked off the map’ that nothing and I mean absolutely nothing could shock us. We think we’ve ‘seen everything’ or have been ‘prepared’ for anything shocking that filmmakers might throw our way. As today’s film for your consideration will demonstrate, even folks like ‘us’ can be caught off guard by the occasional ‘curve ball’ by a writer, director, or actor/actress we’ve become acquainted with through their work over the years. I can say this much before we go any further … I have never seen nor did I ever imagine seeing Jim Carrey in a film like this.
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Honest Review for Free Copy of Book
Readers should not be fooled by the title The Geek Who Came From The Cold: Surviving The Post-USSR Era On A Hollywood Diet by Leon Kaminsky has nothing to do with food or dieting at all. The “Hollywood Diet” mentioned in the title is movies, mainly those from the US. A little bit of knowledge about Russia and their policies would be helpful when reading this book but is not required.
Leon is a young boy growing up in Russia at the end of the 1900s. He has a nervous problem (possibly anxiety) and has a hard time at school and with other people in general. Leon quickly falls in love with movies, specifically those from Hollywood after seeing them for the first time. Like so many other people who are not exactly social for one reason or another, he trades social interaction for watching films. His love for movies over the years borders on the edge of obsession as he knows not only actors and directors but also the Russian’s who voice over the tapes to translate them. His daily and weekly schedule revolves around what movies are being played on TV or at the theaters.
He takes readers through the difficulty of obtaining some of the popular movies that can be found just about anywhere here in the United States. This difficulty is not only because of how much Russia censored movies from just about anywhere but because the titles are often changed as well. Leon shares his excitement and the challenges he faced to get his first VCR play and to transport his VHS collection when his family moved. He even talks about when owning a VCR was illegal in Russia and when people would give anything to have one, including offering to trade a boat for a VCR.
What I liked best was that the informative quality of the book was wonderful and the author clearly did his research (I even wondered at times if the book was based on the author’s own childhood). I appreciated the human qualities of the book, such as the struggles Leon faces at school. New facts about Russia was presented to the readers in a way that prevented anything from feeling too overly informative. What I did not like was the fact that the book ends fairly abruptly. I would have liked to see at least one chapter about after the family’s move to Germany. There were also multiple sections where it would begin on one topic and end on another, seemingly unrelated topic.
Movie fans will enjoy this book but it is recommended that they be somewhat familiar with movies from the 1980s (I think was the time period of most movies mentioned in the book, I myself am far from a movie buff at all) and newer. High school students may not be able to fully appreciate the cinematic history in this book and may feel more like a history book to them. It should also be noted as VHS tapes are already a thing of the past (I am holding on to a few to show my children in the future) upcoming generations may not know what the book is talking about without asking their parents or google. Finally, I give this book a rating of 3 out of 4. This book is very informative about a topic not many people are probably aware of. Sadly this gives it a very narrow target audience. The way the book is written makes it feel like it is an autobiography about a movie lover growing up where movies are largely controlled. The plot of the book is frequently lost through during all the movie talk.
https://www.facebook.com/nightreaderreviews
Leon is a young boy growing up in Russia at the end of the 1900s. He has a nervous problem (possibly anxiety) and has a hard time at school and with other people in general. Leon quickly falls in love with movies, specifically those from Hollywood after seeing them for the first time. Like so many other people who are not exactly social for one reason or another, he trades social interaction for watching films. His love for movies over the years borders on the edge of obsession as he knows not only actors and directors but also the Russian’s who voice over the tapes to translate them. His daily and weekly schedule revolves around what movies are being played on TV or at the theaters.
He takes readers through the difficulty of obtaining some of the popular movies that can be found just about anywhere here in the United States. This difficulty is not only because of how much Russia censored movies from just about anywhere but because the titles are often changed as well. Leon shares his excitement and the challenges he faced to get his first VCR play and to transport his VHS collection when his family moved. He even talks about when owning a VCR was illegal in Russia and when people would give anything to have one, including offering to trade a boat for a VCR.
What I liked best was that the informative quality of the book was wonderful and the author clearly did his research (I even wondered at times if the book was based on the author’s own childhood). I appreciated the human qualities of the book, such as the struggles Leon faces at school. New facts about Russia was presented to the readers in a way that prevented anything from feeling too overly informative. What I did not like was the fact that the book ends fairly abruptly. I would have liked to see at least one chapter about after the family’s move to Germany. There were also multiple sections where it would begin on one topic and end on another, seemingly unrelated topic.
Movie fans will enjoy this book but it is recommended that they be somewhat familiar with movies from the 1980s (I think was the time period of most movies mentioned in the book, I myself am far from a movie buff at all) and newer. High school students may not be able to fully appreciate the cinematic history in this book and may feel more like a history book to them. It should also be noted as VHS tapes are already a thing of the past (I am holding on to a few to show my children in the future) upcoming generations may not know what the book is talking about without asking their parents or google. Finally, I give this book a rating of 3 out of 4. This book is very informative about a topic not many people are probably aware of. Sadly this gives it a very narrow target audience. The way the book is written makes it feel like it is an autobiography about a movie lover growing up where movies are largely controlled. The plot of the book is frequently lost through during all the movie talk.
https://www.facebook.com/nightreaderreviews
Sarah (7799 KP) rated Silk Road (2021) in Movies
Mar 12, 2021
Squandered a promising story
Silk Road is a 2021 thriller from writer/director Tiller Russell focusing on the true story of Ross Ulbricht who created and operated the darknet marketplace of the same name, selling drugs and other illegal items across the globe. On paper, Silk Road sounds like it should be a fascinating, interesting story and even the trailer makes it appear exciting, but unfortunately it never quite manages to pull off what it promises.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.
Eleanor Luhar (47 KP) rated Nothing Tastes as Good in Books
Jun 24, 2019
I happened to see this book by chance, in my local library. I was drawn to it because it's cover, it's title - I'm anorexic, and I happen to be drawn to things relating to mental health. It doesn't expressly say on it that it's about anorexia, but the cover made it pretty obvious to me. A warning to anyone that wants to read it: it's hard. If you suffer from something like this, like me, then you will probably have difficulty reading something so close to home. Especially if you're recovering. But it gets better. (I mean the book; I'm not using that "life gets better" crap.)
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.