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Awix (3310 KP) rated Deerskin (Le Daim) (2019) in Movies

Jul 21, 2021

Deerskin (Le Daim) (2019)

2019 | Comedy, Fantasy, Horror

7.0

(2 Ratings)

Movie Rating

Deadpan horror-comedy from our French friends. Middle-aged man Georges (John of the Garden) pays an eye-watering sum for a suede deerskin jacket and moves into a hotel in a remote town. He is clearly in the midst of some form of crisis, even before the jacket starts talking to him. It turns out the jacket has a dream, one which Georges shares...

Starts off in a vein of low-key weirdness and gradually gets more and more absurd as Georges' obsession grows and he is joined (sort of) by a young waitress who's desperate enough to believe some of the lines he comes out with. Very much a slow-burn comedy, but an effective one... except that the situation eventually gets so improbably ridiculous that the writer-director clearly couldn't think of a way of resolving it, so the film stops abruptly and not very satisfyingly after a brisk 75 minutes. Shame; entertaining in a quirky way, mainly because of Dujardin's central performance - worth seeing just for that.

Kudos

Martin Scorsese recommended The Red Shoes (1948) in Movies (curated)

The Red Shoes (1948)

1948 | Classics, Drama, Musical

8.3

(3 Ratings)

Movie Favorite

"I’ve said and written so much about this picture over the years; for me it’s always been one of the very greatest ever made, and every time I go back to look at it—about once a year—it’s new: it reveals another side, another level, and it goes deeper. What is it that’s so special about The Red Shoes? Of course, it’s beautiful, one of the most beautiful Technicolor films ever made; it has such an extraordinary sense of magic—look again at the scene where Moira Shearer is walking up the steps to Anton Walbrook’s villa, especially in the new restoration: it seems like she’s floating on currents of sparkling light and air. And there’s no other picture that dramatizes and visualizes the overwhelming obsession of art, the way it can take over your life. But on a deeper level, in the movement and energy of the filmmaking itself, is a deep and abiding love of art, a belief in art as a genuinely transcendent state."

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