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A Los Angeles Times, Washington Post, and Newsweek Best Book of the Year It is an August afternoon...
The Ice Beneath Her
8.0
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Winter’s chill has descended on Stockholm as police arrive at the scene of a shocking murder. An...
Golden Shana: The Chase (Golden Shana #1)
10.0
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An evening at the La Scala in Milan twirls the lives of five people into a web of rivalry,...
Erotica Romantic Suspense
Smart Ass (The SPARK Files, #2)
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Ben doesn’t need anybody. Maybe he’s a little lonely sometimes. And isn’t known for making...
Science Fiction MM Transgender Romance BDSM
tapestry100 (306 KP) rated The Girl with the Ghost Machine in Books
Aug 2, 2017
Originally reviewed on http://www.frommybookshelf.com
Emmaline Beaumont's mother has passed away. Unfortunately, Emmaline's father has become fixated with building a machine that will bring Emmaline's mother's ghost back, and in doing so, he himself has forgotten about the living in his obsession with the dead, so in many ways Emmaline has lost both of her parents. The only people she can confide in are twins Gully and Oliver, her best friends in school. Yet for of their understanding and patience, Gully and Oliver are unable to fully understand Emmaline's loss as they have never lost someone so close to them as Emmaline's mother was to her. Her father's machine, however, may actually work, and it is then that Emmaline must decide whether the cost of operating the machine is worth the price paid, and will the twins help her in her decision, regardless of what that decision is?
Lauren DeStefano has created a beautiful and poignant story that I feel would be an important book for anyone to read who has recently (or not so recently) lost someone very close to them. DeStefano has a keen ability to cut to the quick of the emotions of loss and what that can feel like, especially for someone too young to have have lost a loved one. Her characters are not cliché and their feelings are quite real, and the story she has created feels honest and important. That's the best way I can describe it. A fan of her YA series The Chemical Garden Trilogy and The Interment Chronicles, I have not yet read her other two middle grade books, The Curious Tale of the In-Between and The Peculiar Night of the Blue Heart, and I think I'll be needing to rectify that soon.
Emmaline Beaumont's mother has passed away. Unfortunately, Emmaline's father has become fixated with building a machine that will bring Emmaline's mother's ghost back, and in doing so, he himself has forgotten about the living in his obsession with the dead, so in many ways Emmaline has lost both of her parents. The only people she can confide in are twins Gully and Oliver, her best friends in school. Yet for of their understanding and patience, Gully and Oliver are unable to fully understand Emmaline's loss as they have never lost someone so close to them as Emmaline's mother was to her. Her father's machine, however, may actually work, and it is then that Emmaline must decide whether the cost of operating the machine is worth the price paid, and will the twins help her in her decision, regardless of what that decision is?
Lauren DeStefano has created a beautiful and poignant story that I feel would be an important book for anyone to read who has recently (or not so recently) lost someone very close to them. DeStefano has a keen ability to cut to the quick of the emotions of loss and what that can feel like, especially for someone too young to have have lost a loved one. Her characters are not cliché and their feelings are quite real, and the story she has created feels honest and important. That's the best way I can describe it. A fan of her YA series The Chemical Garden Trilogy and The Interment Chronicles, I have not yet read her other two middle grade books, The Curious Tale of the In-Between and The Peculiar Night of the Blue Heart, and I think I'll be needing to rectify that soon.
Mayhawke (97 KP) rated One Hour Photo (2002) in Movies
Feb 7, 2018
Original and Twitchy. Deserves to Be seen
Contains spoilers, click to show
I would normally expect to be able to happilyh re-watch any film I had given a '9' to but, in truth, it would probably be over-stating it to say that I could 'happily' watch this again. I almost certainly will, but as with such films as 'Seven' and 'Nil by Mouth' this is probably a once-a-decade film.
However it is so good it warrants a 9/10, so don't be put off.
Williams plays the seemingly-happy and very customer-friendly manager of a photo developing kiosk in a large store.
It quickly becomes obvious that he has developed an obsession with one family that use the service quite often, and that he is not as he appears to be.
None of this especially original, the originality comes from what the film-makers do with the situation from that point on.
Firstly, Williams' character is unusually symapthetic. Secondly, that sympathy remains for the duration of the film. As his odd behaviour moves up a level, and he begins to stalk the family, you find your self squriming in your seat at the prospect of him being caught. As the film progresses towards an end that you *know* can only be catastrophic for him and the family, you find you are still as concerned for the effect it will have on the Stalker as the Stalked.
The culmination of all this is perfectly in keeping with the film, which can't have been an easy trick to pull off, and at no time does it disappoint.
Williams,genius that he was, carries this role wonderfully. Rare proof that he was as exceptional an actor as he was funny-man.
You will squirm, twitch and quite possibly cry, but it will have been worth it.
However it is so good it warrants a 9/10, so don't be put off.
Williams plays the seemingly-happy and very customer-friendly manager of a photo developing kiosk in a large store.
It quickly becomes obvious that he has developed an obsession with one family that use the service quite often, and that he is not as he appears to be.
None of this especially original, the originality comes from what the film-makers do with the situation from that point on.
Firstly, Williams' character is unusually symapthetic. Secondly, that sympathy remains for the duration of the film. As his odd behaviour moves up a level, and he begins to stalk the family, you find your self squriming in your seat at the prospect of him being caught. As the film progresses towards an end that you *know* can only be catastrophic for him and the family, you find you are still as concerned for the effect it will have on the Stalker as the Stalked.
The culmination of all this is perfectly in keeping with the film, which can't have been an easy trick to pull off, and at no time does it disappoint.
Williams,genius that he was, carries this role wonderfully. Rare proof that he was as exceptional an actor as he was funny-man.
You will squirm, twitch and quite possibly cry, but it will have been worth it.
ClareR (5674 KP) rated The Doll Factory in Books
Jun 20, 2019
Set as the Great Exhibition is being erected, Iris and her twin sister, Rose, work in a doll shop, painting porcelain dolls. Iris wants more from her life, and longs to paint pictures, works of art - not dolls. She leaves her apprenticeship in the shop to become a model for an artist (Louis), who promises to teach her to paint.
Parallel to this storyline is that of Silas, a taxidermist, and Albie, a street urchin who supplies him with the animals that he stuffs. Albie is the character who eventually connects Iris, Silas and Louis.
What starts as a relatively light hearted story, becomes something much more macabre - although I did feel quite anxious about the precariousness of Iris’ new way of life and job (but I think I’ve read far too many stories set in this period of fallen, abandoned women). She’s an admirable character, though. She’s brave and sticks to her guns, she is kind-hearted in her dealings with Albie, and even though her sister makes it very difficult to be nice to her, she is always thoughtful and generous to her as well.
Silas on the other hand, is very concerning. He made me feel supremely uncomfortably throughout. His obsession with Iris is very worrying, and his attitude towards other people is equally so.
The Victorian atmosphere and the scents, sights and crush of people in London are so well described in this book, as are the characters. I spent most of this book holding my breath (or so it felt - obviously not though!) and expecting the worse - the tension and menace becoming more and more unbearable as the book progressed. And I loved every minute of it - I’ve already bought it as a birthday present for a friend!
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
Parallel to this storyline is that of Silas, a taxidermist, and Albie, a street urchin who supplies him with the animals that he stuffs. Albie is the character who eventually connects Iris, Silas and Louis.
What starts as a relatively light hearted story, becomes something much more macabre - although I did feel quite anxious about the precariousness of Iris’ new way of life and job (but I think I’ve read far too many stories set in this period of fallen, abandoned women). She’s an admirable character, though. She’s brave and sticks to her guns, she is kind-hearted in her dealings with Albie, and even though her sister makes it very difficult to be nice to her, she is always thoughtful and generous to her as well.
Silas on the other hand, is very concerning. He made me feel supremely uncomfortably throughout. His obsession with Iris is very worrying, and his attitude towards other people is equally so.
The Victorian atmosphere and the scents, sights and crush of people in London are so well described in this book, as are the characters. I spent most of this book holding my breath (or so it felt - obviously not though!) and expecting the worse - the tension and menace becoming more and more unbearable as the book progressed. And I loved every minute of it - I’ve already bought it as a birthday present for a friend!
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
Kelly (279 KP) rated Dumplin' (2018) in Movies
Dec 12, 2018
Great casting (1 more)
Strong female characters
A feel good movie
Contains spoilers, click to show
‘Dumplin’’ is an overweight teenager with a little bit of a Dolly Parton obsession - not your usual hero for a movie. She is overshadowed by her mother, a former beauty pageant winner, and current judge, played by Jennifer Aniston. The movie tells the story of Willowdean’s (Dumplin’), journey into discovering her own sense of worth after signing up to a beauty pageant planned by her mother, alongside a small group who are protesting against the standard perceived norms.
I really enjoyed the film, and felt that Jennifer Aniston in particular played a really good role, portraying a mother who really loves her daughter but can never foresee her in the pageant world- there is a really touching scene at the end where she tells Willowdean how proud she is of her, which was believable and brought a lump to my throat.
Danielle Macdonald, who played Willowdean did so masterfully, showing us what it would really be like to be an overweight teenager in a community obsessed with thin beauty queens.
I felt the introduction of the Dolly Parton drag queen acts were a touch of genius adding an element of lightheartedness to the movie. I personally would have liked to see more from this group, particularly around the preparation of our small group of pageant underdogs, and felt that their role in building the self esteem of the characters was very much underplayed.
I also enjoyed the fact that although the group were recognised within the pageant (one winning second place), they didn’t actually win overall. I think if this had of happened it would have made the film less realistic, as is often the case with Hollywood movies.
Overall, this was a very good film, and well worth the watch.
I really enjoyed the film, and felt that Jennifer Aniston in particular played a really good role, portraying a mother who really loves her daughter but can never foresee her in the pageant world- there is a really touching scene at the end where she tells Willowdean how proud she is of her, which was believable and brought a lump to my throat.
Danielle Macdonald, who played Willowdean did so masterfully, showing us what it would really be like to be an overweight teenager in a community obsessed with thin beauty queens.
I felt the introduction of the Dolly Parton drag queen acts were a touch of genius adding an element of lightheartedness to the movie. I personally would have liked to see more from this group, particularly around the preparation of our small group of pageant underdogs, and felt that their role in building the self esteem of the characters was very much underplayed.
I also enjoyed the fact that although the group were recognised within the pageant (one winning second place), they didn’t actually win overall. I think if this had of happened it would have made the film less realistic, as is often the case with Hollywood movies.
Overall, this was a very good film, and well worth the watch.
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