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Movie Metropolis (309 KP) rated Finding Dory (2016) in Movies
Jun 11, 2019
Is it a return to form for Pixar/
For years, Pixar was an unstoppable force. The studio combined stunning animation with thought-provoking stories that adults and children could enjoy. From Toy Story to Wall.E, everyone, at some point will have watched a Pixar film.
Then a few things caused the bubble to burst. Firstly, other companies upped their game, big time, with Dreamworks in particular being hot on the heels of their rival. Secondly, Pixar’s own partner, Disney started churning out great animated films with Zootropolis and Wreck-it Ralph worth a mention.
Finally, Pixar lost its way. Cars and its dreadful sequel, followed by an underwhelming prequel to Monsters Inc and the marketing disaster that was The Good Dinosaur all culminated in a studio damaged by its own high standards. Now, in 2016, we have a sequel to arguably Pixar’s best film, Finding Nemo, but does Finding Dory build on its predecessor or sink faster than a stone?
Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss. The one thing she can remember is she somehow became separated from her parents as a child. With help from Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a rehabilitation centre for diverse ocean species and from there; she tries to reunite with her long-lost relatives.
Finding Dory opens with a neatly packaged throwback to its predecessor, providing an easy way of getting the audience up to speed with what came before it – after all, it’s been 13 years since the release of the first film. From then on, it’s full steam ahead with a story that lacks the subtlety of Finding Nemo, but is engaging nonetheless.
The animation is you guessed it, exceptional. Nemo was one of the best films to showcase Pixar’s talents and its sequel continues that trend. The vibrancy of the colour palette is breath-taking and each shimmering wave makes you feel part of the watery depths. The blacks feel endless and the diversity of marine life just adds to the sparkle.
For adults, there are some cracking references to other films. Would you believe me if I told you Pixar managed to shoehorn an Alien homage in there? Well, they did, and it works beautifully. Couple that with a surprise turn from Sigourney Weaver as a park announcer and it’s a recipe for laughs all around.
Ellen DeGeneres takes centre stage this time around and rightly so. Dory is a loveable character, especially in her wide-eyed youth, and a very well-written one, despite her constant forgetfulness. Elsewhere, Idris Elba provides some laughs as a lazy sea lion and Ed O’Neill steals the show as a grumpy octopus.
Unfortunately, the final act of the film delves into unnecessarily and uncharacteristically silly territory. The joy of Pixar’s other works is that, despite their often out-of-this-world themes, they still feel grounded in reality. Dory’s finale is so ridiculous that it spoils the effect of the plot.
Nevertheless, you’ll be reaching for your tissues more than once as director and scriptwriter Andrew Stanton combines that heart-warming story with some lovely dialogue that will resonate with all generations.
Overall, Finding Dory isn’t the outright success it could’ve been, but it doesn’t continue the slip in Pixar’s quality either. The animation is truly wonderful and some of the references to more adult films are worked in very cleverly – but that final act; it’s just awful.
https://moviemetropolis.net/2016/08/01/is-it-a-return-to-form-for-pixar-finding-dory-review/
Then a few things caused the bubble to burst. Firstly, other companies upped their game, big time, with Dreamworks in particular being hot on the heels of their rival. Secondly, Pixar’s own partner, Disney started churning out great animated films with Zootropolis and Wreck-it Ralph worth a mention.
Finally, Pixar lost its way. Cars and its dreadful sequel, followed by an underwhelming prequel to Monsters Inc and the marketing disaster that was The Good Dinosaur all culminated in a studio damaged by its own high standards. Now, in 2016, we have a sequel to arguably Pixar’s best film, Finding Nemo, but does Finding Dory build on its predecessor or sink faster than a stone?
Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss. The one thing she can remember is she somehow became separated from her parents as a child. With help from Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a rehabilitation centre for diverse ocean species and from there; she tries to reunite with her long-lost relatives.
Finding Dory opens with a neatly packaged throwback to its predecessor, providing an easy way of getting the audience up to speed with what came before it – after all, it’s been 13 years since the release of the first film. From then on, it’s full steam ahead with a story that lacks the subtlety of Finding Nemo, but is engaging nonetheless.
The animation is you guessed it, exceptional. Nemo was one of the best films to showcase Pixar’s talents and its sequel continues that trend. The vibrancy of the colour palette is breath-taking and each shimmering wave makes you feel part of the watery depths. The blacks feel endless and the diversity of marine life just adds to the sparkle.
For adults, there are some cracking references to other films. Would you believe me if I told you Pixar managed to shoehorn an Alien homage in there? Well, they did, and it works beautifully. Couple that with a surprise turn from Sigourney Weaver as a park announcer and it’s a recipe for laughs all around.
Ellen DeGeneres takes centre stage this time around and rightly so. Dory is a loveable character, especially in her wide-eyed youth, and a very well-written one, despite her constant forgetfulness. Elsewhere, Idris Elba provides some laughs as a lazy sea lion and Ed O’Neill steals the show as a grumpy octopus.
Unfortunately, the final act of the film delves into unnecessarily and uncharacteristically silly territory. The joy of Pixar’s other works is that, despite their often out-of-this-world themes, they still feel grounded in reality. Dory’s finale is so ridiculous that it spoils the effect of the plot.
Nevertheless, you’ll be reaching for your tissues more than once as director and scriptwriter Andrew Stanton combines that heart-warming story with some lovely dialogue that will resonate with all generations.
Overall, Finding Dory isn’t the outright success it could’ve been, but it doesn’t continue the slip in Pixar’s quality either. The animation is truly wonderful and some of the references to more adult films are worked in very cleverly – but that final act; it’s just awful.
https://moviemetropolis.net/2016/08/01/is-it-a-return-to-form-for-pixar-finding-dory-review/
Kristy H (1252 KP) rated The Fifth Letter in Books
Feb 13, 2018
Joni, Eden, Deb, and Trina have been friends since high school, when a teacher grouped them together by their last names. However, as they age, it seems the women are growing apart. Desperate to keep her friends together, Joni books a vacation house for them by the ocean. It's been a yearly tradition for the group, and she's insistent they all keep it up. However, it becomes clear that the women are a little reluctant to gather together: three of them are mothers now, and many are busy with their careers and other worries. So they come up with an idea: they'll write anonymous letters on an old computer at the beach cottage, and read one a night during their vacation. But the game turns dark quickly, as the women struggle to guess who wrote what letter. Even worse, Joni discovers a "fifth letter" in the fireplace; partially burned, it appears to be filled with hate toward one of the women in the group (from another). The foursome is supposed to be the best of friends, but it appears it isn't so. Can they recover from this vacation? And who in the group wrote that awful letter?
I feel terrible, as I really enjoy the other Moriarty sisters ([a:Liane Moriarty|322069|Liane Moriarty|https://images.gr-assets.com/authors/1459827224p2/322069.jpg] and [a:Jaclyn Moriarty|47290|Jaclyn Moriarty|https://images.gr-assets.com/authors/1199066598p2/47290.jpg]), but I just didn't care for this book at all. Throughout the entire novel, I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. The book was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane.
Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. I feel awful, but it almost felt like a bad imitation of Liane's book, [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://images.gr-assets.com/books/1467061262s/26247008.jpg|49997474]. A bunch of angst leading to a big "reveal," which sort of leaves you feeling let down.
Overall, I have high admiration for the Moriarty sisters, and I truly feel bad that I didn't enjoy this book more. I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. I kept comparing it with another book where the women escape for a girls getaway: [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], which was such a more nuanced and enjoyable portrayal of some similar subjects. I would recommend picking up Achterberg's book instead.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
I feel terrible, as I really enjoy the other Moriarty sisters ([a:Liane Moriarty|322069|Liane Moriarty|https://images.gr-assets.com/authors/1459827224p2/322069.jpg] and [a:Jaclyn Moriarty|47290|Jaclyn Moriarty|https://images.gr-assets.com/authors/1199066598p2/47290.jpg]), but I just didn't care for this book at all. Throughout the entire novel, I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. The book was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane.
Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. I feel awful, but it almost felt like a bad imitation of Liane's book, [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://images.gr-assets.com/books/1467061262s/26247008.jpg|49997474]. A bunch of angst leading to a big "reveal," which sort of leaves you feeling let down.
Overall, I have high admiration for the Moriarty sisters, and I truly feel bad that I didn't enjoy this book more. I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. I kept comparing it with another book where the women escape for a girls getaway: [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], which was such a more nuanced and enjoyable portrayal of some similar subjects. I would recommend picking up Achterberg's book instead.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
Chris Sawin (602 KP) rated Where the Wild Things Are (2009) in Movies
Jun 22, 2019
Max is a boy who possesses something that fades away for most as they grow older and that's a young child's incredible imagination. His only dilemma is that he doesn't really have any friends of his own. He builds an igloo out of snow and tries to share it with his older sister, Claire, who seems more interested in hanging out with her friends. Max's mom embraces Max's imagination and even asks him to tell her stories, but everything falls apart when Max tries to save his mom a seat in the fort he just built that would save them from hot lava while she's on a date. Things quickly spiral out of control and Max winds up running away. He finds a boat by the water and takes it out into the sea. As he explores the open water, he becomes astray while he succumbs to the relentless weather and crashing waves of the ocean. That is until he stumbles upon an island where an incandescent glow of a small fire catches his eye. He finds that the island is inhabited by large, hairy, horned creatures. He's discovered where the wild things are and he will be their king.
This film is nothing short of amazing. As the film progressed, I found myself looking back on the memories of having the book read to me as a child. The film manages to capture the magic contained in the book and elaborate on it. The movie really made you feel like you were looking at the world through Max's eyes. It was almost like watching a world within a world. I found myself overcome with emotion by the time those credits showed up on the big screen. That's a special experience in itself.
Just about every aspect of the film is enjoyable. They really did a fantastic job stretching a ten sentence story into an hour and a half film. The writing is fairly superb as the pacing really flows once the ball gets rolling and the dialogue seems like it's straight out of the mind of a young boy. Max Records couldn't fit the Max role more perfectly. His range of emotion and the way he's able to have that look of innocence in his eyes is spectacular. Every action that Max made just felt so heartfelt.
The wild things are what really steal the show. The way they were pulled off just makes them look so realistic. Jim Henson's Creature Shop did a really phenomenal job on them. Despite the wild things being unhappy the majority of the film, it's really just a joy to watch them walk, move, talk, or smile.
As extravagant and imaginative as the film is, it did seem to have one flaw. The beginning of the film seemed to drag a bit. Everything leading up to Max finding the wild things just seemed to last a little too long. I realize they did all that they could with the source material and their efforts are extraordinary given how short that material is, but from a film critic's standpoint the beginning of the film dragged slightly.
Where the Wild Things Are is one of the most heartwarming and whimsical experiences at the theater I've ever had the pleasure of sitting through. If you read the book when you were younger, then this film will really hit home. You won't want it to end. You'll want King Max and the wild things to continue sleeping in a pile, having wild rumpuses, engaging in wars, building those glorious forts, and having Max stay there forever. I highly recommend seeing this wonderful film.
This film is nothing short of amazing. As the film progressed, I found myself looking back on the memories of having the book read to me as a child. The film manages to capture the magic contained in the book and elaborate on it. The movie really made you feel like you were looking at the world through Max's eyes. It was almost like watching a world within a world. I found myself overcome with emotion by the time those credits showed up on the big screen. That's a special experience in itself.
Just about every aspect of the film is enjoyable. They really did a fantastic job stretching a ten sentence story into an hour and a half film. The writing is fairly superb as the pacing really flows once the ball gets rolling and the dialogue seems like it's straight out of the mind of a young boy. Max Records couldn't fit the Max role more perfectly. His range of emotion and the way he's able to have that look of innocence in his eyes is spectacular. Every action that Max made just felt so heartfelt.
The wild things are what really steal the show. The way they were pulled off just makes them look so realistic. Jim Henson's Creature Shop did a really phenomenal job on them. Despite the wild things being unhappy the majority of the film, it's really just a joy to watch them walk, move, talk, or smile.
As extravagant and imaginative as the film is, it did seem to have one flaw. The beginning of the film seemed to drag a bit. Everything leading up to Max finding the wild things just seemed to last a little too long. I realize they did all that they could with the source material and their efforts are extraordinary given how short that material is, but from a film critic's standpoint the beginning of the film dragged slightly.
Where the Wild Things Are is one of the most heartwarming and whimsical experiences at the theater I've ever had the pleasure of sitting through. If you read the book when you were younger, then this film will really hit home. You won't want it to end. You'll want King Max and the wild things to continue sleeping in a pile, having wild rumpuses, engaging in wars, building those glorious forts, and having Max stay there forever. I highly recommend seeing this wonderful film.
A Bibliophagist (113 KP) rated The Toll (Arc of a Scythe, #3) in Books
Feb 5, 2020
Characters (3 more)
Worldbuilding
Plot
Pacing
A fantasic finale
After the amazing cliffhanger of Thunderhead, I rushed to pick up this because I just HAD TO KNOW. This cover is even prettier, they really nailed this series (sans the transformers font) and I hope it inspires more YA books to hire illustrators and not photo manip garbage. I'm an Illustrator though, so I'm biased. This review will have spoilers for Thunderhead, so don't read if you haven't read that!
The Toll picks up immediately after Thunderhead. Goddard has returned the MidMerica, no one knows that he was demoted to apprentice and with the death of Scythe Curie he stands uncontested for replacing Xenocrates. Anastasia and Rowan rest at the bottom of the ocean, and Goddard has made the site a site of remembrance to avoid any evidence being drudged up. The sinking of Endura is also squarely blamed on Rowan, and the world suffers as the Thunderhead punishes everyone, marking them unsavory. Cutting off communication with all but one, our former unsavory, Greyson.
With the rise of Goddard, the Schism amongst the Scythedom widens. He seizes more power, overturns rules and makes new ones and slowly starts taking control of other nations. Dubbing himself the Overblade. The story arches over 3 years post Thunderhead, and we jump around a little bit. During the three years Goddard continues to take a chokehold on the world, Greyson suddenly finds himself a living god amongst the tonists and humanity, as the only one able to speak to the thunderhead, he takes on the role of the Tonist's mythological figure, The Toll. Acting as a go-between, and manipulating those around him to fulfill the Thunderhead's goals.
Meanwhile, Faraday continues his search for the land of nod, making serious headway and discovering something that makes the Thunderhead uncertain. So the Thunderhead starts making plans. Faraday finds himself stranded with his helper, far away from the Scythedom, the Thunderhead and the horrible things that have been happening far away. He knows nothing of the fate of Marie, Goddard, Citra, Rowan, or the world. Finally, in the third year since the sinking of Endura, Rowan and Citra are raised from the depths, squirreled away by the Amazonian Scythes before Goddard knows they aren't dead. Being raised from the dead did wonders for Goddard's cause, so can Anastaisa's return do wonders for the plight of the old guard? But first Anastasia must plan and play her cards right, digging deep in the Thunderheads back brain to piece together mysteries long since written off and uncover the secrets of the Scythedom.
This book was really good, and a very satisfying finale to the series. The already rich worldbuilding is made richer by his choice to cut the world off from the Thunderhead, showing us what happens when people lose their connection to the world. He believably shows the influence one charismatic politician can have, and how easy it is for things to fall into disarray. You can tell he had a gameplan when he wrote these books, because everything comes together just right, not loose ends, everything had a purpose. Characters are tested, grow and develop. New parts of the world are further explored, completing the picture he begun in the other two books. I thoroughly enjoyed his take on the age-old sci-fi trope of "How does the benevolent computer protect humans from themselves". Well written, and elevated, especially in terms of other YA fiction. Shusterman really wrote a fantastic series. Once again, the romance is understated, but the emotions run deep enough at this point to pull at your heartstrings and make you believe in their love, even if it came from somewhat unbelievable beginnings.
This series is well worth the read, and a breath of fresh air in an otherwise stale and formulaic YA world.
The Toll picks up immediately after Thunderhead. Goddard has returned the MidMerica, no one knows that he was demoted to apprentice and with the death of Scythe Curie he stands uncontested for replacing Xenocrates. Anastasia and Rowan rest at the bottom of the ocean, and Goddard has made the site a site of remembrance to avoid any evidence being drudged up. The sinking of Endura is also squarely blamed on Rowan, and the world suffers as the Thunderhead punishes everyone, marking them unsavory. Cutting off communication with all but one, our former unsavory, Greyson.
With the rise of Goddard, the Schism amongst the Scythedom widens. He seizes more power, overturns rules and makes new ones and slowly starts taking control of other nations. Dubbing himself the Overblade. The story arches over 3 years post Thunderhead, and we jump around a little bit. During the three years Goddard continues to take a chokehold on the world, Greyson suddenly finds himself a living god amongst the tonists and humanity, as the only one able to speak to the thunderhead, he takes on the role of the Tonist's mythological figure, The Toll. Acting as a go-between, and manipulating those around him to fulfill the Thunderhead's goals.
Meanwhile, Faraday continues his search for the land of nod, making serious headway and discovering something that makes the Thunderhead uncertain. So the Thunderhead starts making plans. Faraday finds himself stranded with his helper, far away from the Scythedom, the Thunderhead and the horrible things that have been happening far away. He knows nothing of the fate of Marie, Goddard, Citra, Rowan, or the world. Finally, in the third year since the sinking of Endura, Rowan and Citra are raised from the depths, squirreled away by the Amazonian Scythes before Goddard knows they aren't dead. Being raised from the dead did wonders for Goddard's cause, so can Anastaisa's return do wonders for the plight of the old guard? But first Anastasia must plan and play her cards right, digging deep in the Thunderheads back brain to piece together mysteries long since written off and uncover the secrets of the Scythedom.
This book was really good, and a very satisfying finale to the series. The already rich worldbuilding is made richer by his choice to cut the world off from the Thunderhead, showing us what happens when people lose their connection to the world. He believably shows the influence one charismatic politician can have, and how easy it is for things to fall into disarray. You can tell he had a gameplan when he wrote these books, because everything comes together just right, not loose ends, everything had a purpose. Characters are tested, grow and develop. New parts of the world are further explored, completing the picture he begun in the other two books. I thoroughly enjoyed his take on the age-old sci-fi trope of "How does the benevolent computer protect humans from themselves". Well written, and elevated, especially in terms of other YA fiction. Shusterman really wrote a fantastic series. Once again, the romance is understated, but the emotions run deep enough at this point to pull at your heartstrings and make you believe in their love, even if it came from somewhat unbelievable beginnings.
This series is well worth the read, and a breath of fresh air in an otherwise stale and formulaic YA world.
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Lyndsey Gollogly (2893 KP) rated Wyrd and Other Derelictions in Books
Oct 25, 2020
179 of 200
Book
Wyrd and other derelictions
By Adam L.G. Nevill
Derelictions are horror stories told in ways you may not have encountered before.
Something is missing from the silent places and worlds inside these stories. Something has been removed, taken flight, or been destroyed. Us.
Derelictions are weird tales that tell of aftermaths and of new and liminal places. Each location has witnessed catastrophe, infernal visitations, or unearthly transformations. But across these landscapes of murder, genocide and invasion, crucial evidence remains. And it is the task of the reader to sift through ruin and ponder the residual enigma, to behold and wonder at the full horror that was visited upon mankind.
A dead ship carries a terrible cargo across a black ocean. Below deck, signs of slaughter and devotion await to tell a ghastly tale.
On a barren and hostile shore a great ritual has been enacted successfully. The act of a god may have taken place. But what kind of deity did this?
An eerily silent campsite. No sign of life. Look closer and observe the grisly artefacts of annihilation.
In the very foundations of this dreadful house, was something supernormal called upon to abolish life so mercilessly?
Wyrd contains seven derelictions, original horror stories from the author of 'Hasty for the Dark' and 'Some Will Not Sleep' (winner of The British Fantasy Award for Best Collection).
I’ve followed Adam and his been a fan of his books for years, his characters, his monsters and his storytelling is just fascinating. He really uses his surroundings to influence his writing. So this was a bit different to read where the only humans you come across are corpses and usually torn to pieces or sacrificed! The Wyrd and other shorts are just brilliant and each one leaves you wanting and needing to know more!
I’m not great with long wordy reviews with words even I don’t understand I tend to write how I feel once finishing a book. I absolutely loved this book I have read Hippocampus a few times and would absolutely love a full novel! Below are just a few words on how I felt about some of the stories.
Hippocampus
I’ve read this a few time and I pick up something I somehow missed in this short each time (don’t ask me how I have no clue)!
You genuinely feel you are walking the ship seeing what Adams describing! I would love to delve deeper into this tale and really hoping it will turn into a full novel!
Wyrd
Well that was just brilliant! Really drags you in! The best way to read this is sitting in a calm quiet place so you just get absorbed into following the trail we are lead on! Again I would love to know more it leaves you wanting more!!
Turning of the tide
Ok I’m good with the black lambs and human remains but dear god what did the dog do? 😂
It all started so well with the calming beach description then you keep reading and the sight
Of the phones and debris your stomach kinda lurches as you wait the the decimated corpses to follow! The poor golden retriever!
Enlivened
This one was full of gore and made my bones shiver! Great imagery on the monster too!! I love Adams imagination when it comes to his monsters!
Monument
I definitely hate dark craw spaces and certainly wouldn’t go delving in a cave like structures! This one definitely left me wanting to know where it was going and what had done this in the houses!
Hold the world in my arms for three days and All Will Be Changed
This creeped me out! Especially with the world being as it is now! Here you are walking in the footsteps of a world that’s changing that’s being changed by something!
Eagerly awaiting a new book!
Book
Wyrd and other derelictions
By Adam L.G. Nevill
Derelictions are horror stories told in ways you may not have encountered before.
Something is missing from the silent places and worlds inside these stories. Something has been removed, taken flight, or been destroyed. Us.
Derelictions are weird tales that tell of aftermaths and of new and liminal places. Each location has witnessed catastrophe, infernal visitations, or unearthly transformations. But across these landscapes of murder, genocide and invasion, crucial evidence remains. And it is the task of the reader to sift through ruin and ponder the residual enigma, to behold and wonder at the full horror that was visited upon mankind.
A dead ship carries a terrible cargo across a black ocean. Below deck, signs of slaughter and devotion await to tell a ghastly tale.
On a barren and hostile shore a great ritual has been enacted successfully. The act of a god may have taken place. But what kind of deity did this?
An eerily silent campsite. No sign of life. Look closer and observe the grisly artefacts of annihilation.
In the very foundations of this dreadful house, was something supernormal called upon to abolish life so mercilessly?
Wyrd contains seven derelictions, original horror stories from the author of 'Hasty for the Dark' and 'Some Will Not Sleep' (winner of The British Fantasy Award for Best Collection).
I’ve followed Adam and his been a fan of his books for years, his characters, his monsters and his storytelling is just fascinating. He really uses his surroundings to influence his writing. So this was a bit different to read where the only humans you come across are corpses and usually torn to pieces or sacrificed! The Wyrd and other shorts are just brilliant and each one leaves you wanting and needing to know more!
I’m not great with long wordy reviews with words even I don’t understand I tend to write how I feel once finishing a book. I absolutely loved this book I have read Hippocampus a few times and would absolutely love a full novel! Below are just a few words on how I felt about some of the stories.
Hippocampus
I’ve read this a few time and I pick up something I somehow missed in this short each time (don’t ask me how I have no clue)!
You genuinely feel you are walking the ship seeing what Adams describing! I would love to delve deeper into this tale and really hoping it will turn into a full novel!
Wyrd
Well that was just brilliant! Really drags you in! The best way to read this is sitting in a calm quiet place so you just get absorbed into following the trail we are lead on! Again I would love to know more it leaves you wanting more!!
Turning of the tide
Ok I’m good with the black lambs and human remains but dear god what did the dog do? 😂
It all started so well with the calming beach description then you keep reading and the sight
Of the phones and debris your stomach kinda lurches as you wait the the decimated corpses to follow! The poor golden retriever!
Enlivened
This one was full of gore and made my bones shiver! Great imagery on the monster too!! I love Adams imagination when it comes to his monsters!
Monument
I definitely hate dark craw spaces and certainly wouldn’t go delving in a cave like structures! This one definitely left me wanting to know where it was going and what had done this in the houses!
Hold the world in my arms for three days and All Will Be Changed
This creeped me out! Especially with the world being as it is now! Here you are walking in the footsteps of a world that’s changing that’s being changed by something!
Eagerly awaiting a new book!
Lyndsey Gollogly (2893 KP) rated Wyrd and Other Derelictions in Books
Oct 25, 2020
179 of 200
Book
Wyrd and other derelictions
By Adam L.G. Nevill
Derelictions are horror stories told in ways you may not have encountered before.
Something is missing from the silent places and worlds inside these stories. Something has been removed, taken flight, or been destroyed. Us.
Derelictions are weird tales that tell of aftermaths and of new and liminal places. Each location has witnessed catastrophe, infernal visitations, or unearthly transformations. But across these landscapes of murder, genocide and invasion, crucial evidence remains. And it is the task of the reader to sift through ruin and ponder the residual enigma, to behold and wonder at the full horror that was visited upon mankind.
A dead ship carries a terrible cargo across a black ocean. Below deck, signs of slaughter and devotion await to tell a ghastly tale.
On a barren and hostile shore a great ritual has been enacted successfully. The act of a god may have taken place. But what kind of deity did this?
An eerily silent campsite. No sign of life. Look closer and observe the grisly artefacts of annihilation.
In the very foundations of this dreadful house, was something supernormal called upon to abolish life so mercilessly?
Wyrd contains seven derelictions, original horror stories from the author of 'Hasty for the Dark' and 'Some Will Not Sleep' (winner of The British Fantasy Award for Best Collection).
I’ve followed Adam and his been a fan of his books for years, his characters, his monsters and his storytelling is just fascinating. He really uses his surroundings to influence his writing. So this was a bit different to read where the only humans you come across are corpses and usually torn to pieces or sacrificed! The Wyrd and other shorts are just brilliant and each one leaves you wanting and needing to know more!
I’m not great with long wordy reviews with words even I don’t understand I tend to write how I feel once finishing a book. I absolutely loved this book I have read Hippocampus a few times and would absolutely love a full novel! Below are just a few words on how I felt about some of the stories.
Hippocampus
I’ve read this a few time and I pick up something I somehow missed in this short each time (don’t ask me how I have no clue)!
You genuinely feel you are walking the ship seeing what Adams describing! I would love to delve deeper into this tale and really hoping it will turn into a full novel!
Wyrd
Well that was just brilliant! Really drags you in! The best way to read this is sitting in a calm quiet place so you just get absorbed into following the trail we are lead on! Again I would love to know more it leaves you wanting more!!
Turning of the tide
Ok I’m good with the black lambs and human remains but dear god what did the dog do? 😂
It all started so well with the calming beach description then you keep reading and the sight
Of the phones and debris your stomach kinda lurches as you wait the the decimated corpses to follow! The poor golden retriever!
Enlivened
This one was full of gore and made my bones shiver! Great imagery on the monster too!! I love Adams imagination when it comes to his monsters!
Monument
I definitely hate dark craw spaces and certainly wouldn’t go delving in a cave like structures! This one definitely left me wanting to know where it was going and what had done this in the houses!
Hold the world in my arms for three days and All Will Be Changed
This creeped me out! Especially with the world being as it is now! Here you are walking in the footsteps of a world that’s changing that’s being changed by something!
Eagerly awaiting a new book!
Book
Wyrd and other derelictions
By Adam L.G. Nevill
Derelictions are horror stories told in ways you may not have encountered before.
Something is missing from the silent places and worlds inside these stories. Something has been removed, taken flight, or been destroyed. Us.
Derelictions are weird tales that tell of aftermaths and of new and liminal places. Each location has witnessed catastrophe, infernal visitations, or unearthly transformations. But across these landscapes of murder, genocide and invasion, crucial evidence remains. And it is the task of the reader to sift through ruin and ponder the residual enigma, to behold and wonder at the full horror that was visited upon mankind.
A dead ship carries a terrible cargo across a black ocean. Below deck, signs of slaughter and devotion await to tell a ghastly tale.
On a barren and hostile shore a great ritual has been enacted successfully. The act of a god may have taken place. But what kind of deity did this?
An eerily silent campsite. No sign of life. Look closer and observe the grisly artefacts of annihilation.
In the very foundations of this dreadful house, was something supernormal called upon to abolish life so mercilessly?
Wyrd contains seven derelictions, original horror stories from the author of 'Hasty for the Dark' and 'Some Will Not Sleep' (winner of The British Fantasy Award for Best Collection).
I’ve followed Adam and his been a fan of his books for years, his characters, his monsters and his storytelling is just fascinating. He really uses his surroundings to influence his writing. So this was a bit different to read where the only humans you come across are corpses and usually torn to pieces or sacrificed! The Wyrd and other shorts are just brilliant and each one leaves you wanting and needing to know more!
I’m not great with long wordy reviews with words even I don’t understand I tend to write how I feel once finishing a book. I absolutely loved this book I have read Hippocampus a few times and would absolutely love a full novel! Below are just a few words on how I felt about some of the stories.
Hippocampus
I’ve read this a few time and I pick up something I somehow missed in this short each time (don’t ask me how I have no clue)!
You genuinely feel you are walking the ship seeing what Adams describing! I would love to delve deeper into this tale and really hoping it will turn into a full novel!
Wyrd
Well that was just brilliant! Really drags you in! The best way to read this is sitting in a calm quiet place so you just get absorbed into following the trail we are lead on! Again I would love to know more it leaves you wanting more!!
Turning of the tide
Ok I’m good with the black lambs and human remains but dear god what did the dog do? 😂
It all started so well with the calming beach description then you keep reading and the sight
Of the phones and debris your stomach kinda lurches as you wait the the decimated corpses to follow! The poor golden retriever!
Enlivened
This one was full of gore and made my bones shiver! Great imagery on the monster too!! I love Adams imagination when it comes to his monsters!
Monument
I definitely hate dark craw spaces and certainly wouldn’t go delving in a cave like structures! This one definitely left me wanting to know where it was going and what had done this in the houses!
Hold the world in my arms for three days and All Will Be Changed
This creeped me out! Especially with the world being as it is now! Here you are walking in the footsteps of a world that’s changing that’s being changed by something!
Eagerly awaiting a new book!