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Emma @ The Movies (1786 KP) rated Instant Family (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Going in to Instant Family I had some reservations. I'm a big fan of Rose Byrne, her performance in last year's Juliet, Naked was a delight to watch, but on the flipside Mark Wahlberg and comedy don't come high on my must see list. Thankfully those thoughts were quickly dismissed as the times I laughed out loud soared into the double digits.
This is a genuinely good film with just a couple of things that made me pause a little, I'll mention those later. The moments where I laughed it was out loud, like almost everyone else at the screening, and when I wasn't laughing I was probably crying, sometimes ugly crying.
Byrne and Wahlberg worked so well together and with Isabela Moner in the mix too we were treated to some great on screen chemistry. I'm hoping we'll see a lot more of Moner on our screens as she was able to pull her weight really well with all the fantastic actors in this.
A lot is obviously focused around Ellie, Pete and the kids, but outside of that dynamic I've got to give some love to Karen and Sharon. Octavia Spencer and Tig Notaro are such a fun double act, although for me Spencer will always steal the show. Their dynamic running the fostering program brought a smile to my face and while the reactionary humour may be predictable it lands so well that I couldn't care less that I knew it was coming.
My negatives about the films are so minute that they hardly seem worth mentioning. Pete (Wahlberg) has a tendency to be blunt and externalise what most of us would keep as inner dialogue. His script gives you those moments where you take a sharp breath and say "you shouldn't say that!" Ellie counteracts this by being the slight voice of reason so while you're taken aback by Pete's honesty you quickly come back to the normal flow of the film.
Out of my two quibbles this one caused me the most issues. Joan Cusack. She's great, I enjoy her work, but I really don't understand her inclusion in this. She pops up as a sort of cameo role near the end and it feels a little invasive on the dramatic moment we're witnessing, it just seems awkward and forced. It does at least lead to an amusing moment for Spencer so I think that probably gets it the pass.
Instant Family is definitely chock full of laughs and feels, despite my grumbles I still feel it deserves these five stars.
What you should do
It's a very entertaining film and perhaps surprisingly based on a true story, it's well worth a watch. I really think that everyone will get some entertainment out of this.
Movie thing you wish you could take home
If you could send Pete and Ellie round with their renovation skills it would be much appreciated.
This is a genuinely good film with just a couple of things that made me pause a little, I'll mention those later. The moments where I laughed it was out loud, like almost everyone else at the screening, and when I wasn't laughing I was probably crying, sometimes ugly crying.
Byrne and Wahlberg worked so well together and with Isabela Moner in the mix too we were treated to some great on screen chemistry. I'm hoping we'll see a lot more of Moner on our screens as she was able to pull her weight really well with all the fantastic actors in this.
A lot is obviously focused around Ellie, Pete and the kids, but outside of that dynamic I've got to give some love to Karen and Sharon. Octavia Spencer and Tig Notaro are such a fun double act, although for me Spencer will always steal the show. Their dynamic running the fostering program brought a smile to my face and while the reactionary humour may be predictable it lands so well that I couldn't care less that I knew it was coming.
My negatives about the films are so minute that they hardly seem worth mentioning. Pete (Wahlberg) has a tendency to be blunt and externalise what most of us would keep as inner dialogue. His script gives you those moments where you take a sharp breath and say "you shouldn't say that!" Ellie counteracts this by being the slight voice of reason so while you're taken aback by Pete's honesty you quickly come back to the normal flow of the film.
Out of my two quibbles this one caused me the most issues. Joan Cusack. She's great, I enjoy her work, but I really don't understand her inclusion in this. She pops up as a sort of cameo role near the end and it feels a little invasive on the dramatic moment we're witnessing, it just seems awkward and forced. It does at least lead to an amusing moment for Spencer so I think that probably gets it the pass.
Instant Family is definitely chock full of laughs and feels, despite my grumbles I still feel it deserves these five stars.
What you should do
It's a very entertaining film and perhaps surprisingly based on a true story, it's well worth a watch. I really think that everyone will get some entertainment out of this.
Movie thing you wish you could take home
If you could send Pete and Ellie round with their renovation skills it would be much appreciated.
The horror genre can’t wait to splash the screen with as much blood and gore as possible, letting you know what the intentions of the film are going to be. In this Blumhouse produced thriller that isn’t the case, as Oscar winner Octavia Spencer plays quiet but dissociated veterinary assistant Sue-Ann, who befriends a group of adolescent teens.
On the outside she’s warm and friendly, only wanting to be accepted (this becomes apparent as to why later on). She secretly buys them alcohol and lets them have use of her basement to party – until she ‘becomes’ the party and local speakeasy. For the vast majority of the film there is little to class this as anything but a horror. It is relatively uneventful and offers no traditional jumpscares or shock moments.
The narrative unravels slowly allowing us to delve into Sue-Ann’s past and discover her motives, and it is these flashbacks that are most shocking of all, to the point of sympathy. The finale is frenetic, as Sue-Ann goes from likeable charmer to absolute psycho in a matter of moments – not that it hasn’t been building up to it.
Unfortunately it’s all delivered in such a short space of time that it feels rushed. Spencer’s performance is very good and there are distinct similarities to Kathy Bates and her equally psychotic character in Misery – there is even a subtle nod to the Stephen King classic.
Ma is not a total flop, but more could have been done to grip the viewer early on, instead of leaving it all to the final act.
On the outside she’s warm and friendly, only wanting to be accepted (this becomes apparent as to why later on). She secretly buys them alcohol and lets them have use of her basement to party – until she ‘becomes’ the party and local speakeasy. For the vast majority of the film there is little to class this as anything but a horror. It is relatively uneventful and offers no traditional jumpscares or shock moments.
The narrative unravels slowly allowing us to delve into Sue-Ann’s past and discover her motives, and it is these flashbacks that are most shocking of all, to the point of sympathy. The finale is frenetic, as Sue-Ann goes from likeable charmer to absolute psycho in a matter of moments – not that it hasn’t been building up to it.
Unfortunately it’s all delivered in such a short space of time that it feels rushed. Spencer’s performance is very good and there are distinct similarities to Kathy Bates and her equally psychotic character in Misery – there is even a subtle nod to the Stephen King classic.
Ma is not a total flop, but more could have been done to grip the viewer early on, instead of leaving it all to the final act.
Phillip McSween (751 KP) rated Smashed (2012) in Movies
Feb 9, 2018
Awesome
After a horrible lie goes wrong for Kate Hannah (Mary Elizabeth Winstead), she finally decides she needs to do something about her alcoholism which is causing her life to spin out of control. Throughout this Movie-a-Day experience, I have already watched a number of classics (see previous reviews). I randomly sprinkled in some films I had never heard of, Smashed being one of them. This is one hidden gem of a film that I'm so thankful it found its way on to my list.
The messages in the film aren't preached, but still manage to resonate strongly due to a powerful delivery. Kate's character shows us that it doesn't matter how you start (or the cards you're dealt in life), rather it's about how you decide--and only YOU get to decide--to finish. Kate wants to change but she has no support system as her husband is just as bad as her. In spite of the incredible adversity she's battling, she decides to go for it anyway, refusing to make excuses.
What makes this so important is the fact that Kate is a complete wreck and you recognize it almost instantly. Her life is a downwards tailspin, kind of like watching a car crash in slow motion. Her story is layered seamlessly into the film and you slowly start to understand that she never really had much of a chance to be anything other than what she became. Winstead captures the role in phenomenal fashion, aided by yet another strong performance from Octavia Spencer as Jenny. Through the two of them, we experience a powerful meaning that says doing the hard thing will always come with a sacrifice.
Recommended. I give Smashed an 86.
The messages in the film aren't preached, but still manage to resonate strongly due to a powerful delivery. Kate's character shows us that it doesn't matter how you start (or the cards you're dealt in life), rather it's about how you decide--and only YOU get to decide--to finish. Kate wants to change but she has no support system as her husband is just as bad as her. In spite of the incredible adversity she's battling, she decides to go for it anyway, refusing to make excuses.
What makes this so important is the fact that Kate is a complete wreck and you recognize it almost instantly. Her life is a downwards tailspin, kind of like watching a car crash in slow motion. Her story is layered seamlessly into the film and you slowly start to understand that she never really had much of a chance to be anything other than what she became. Winstead captures the role in phenomenal fashion, aided by yet another strong performance from Octavia Spencer as Jenny. Through the two of them, we experience a powerful meaning that says doing the hard thing will always come with a sacrifice.
Recommended. I give Smashed an 86.
Bob Mann (459 KP) rated Thunder Force (2021) in Movies
May 9, 2021
Terrible and unfunny script (1 more)
Wasted talent.
Getting the crabs is never a laugh.
Positives:
- I laughed three times:
o Jason Bateman's "Crab-man" talking about his ironic star-sign;
o Jason Bateman and Melissa McCarthy's love-making scene: the most
innovative use of butter since "Last Tango in Paris"!
o The duo struggling to get in and out of their Lamborghini supercar: purely
because it looks just like me these days trying to get in and out of my wife's
Mazda MX5!
Negatives:
- It singularly fails my "six laughs" test for a comedy. The script by Ben Falcone - McCarthy's husband - is just eye-rollingly unfunny. The pair must have laughed themselves silly over their own jokes. It's just a shame that their sense of humour diverges so wildly from mine (or indeed anyones?)
- Melissa McCarthy must be an acquired taste - one I've never acquired. "Can You Ever Forgive Me?" proves what a class act she can be.... but this does her reputation no good at all.
- It's criminal to have actors of the quality of Octavia Spencer, Jason Bateman and Melissa Leo and use them in such a poor way. Bateman is actually the funniest turn in the piece, but that's not saying much.
Summary Thoughts on "Thunderforce":
There are some movies that you just wish had been drowned at birth. This is one. I normally don't regret spending two hours watching a movie, but this one felt like wasted time. With "Twist" I thought I might have found my worst film of the year. But no, there's a new contender in town.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/09/thunderforce-getting-the-crabs-is-never-a-laugh/ . Thanks).
- I laughed three times:
o Jason Bateman's "Crab-man" talking about his ironic star-sign;
o Jason Bateman and Melissa McCarthy's love-making scene: the most
innovative use of butter since "Last Tango in Paris"!
o The duo struggling to get in and out of their Lamborghini supercar: purely
because it looks just like me these days trying to get in and out of my wife's
Mazda MX5!
Negatives:
- It singularly fails my "six laughs" test for a comedy. The script by Ben Falcone - McCarthy's husband - is just eye-rollingly unfunny. The pair must have laughed themselves silly over their own jokes. It's just a shame that their sense of humour diverges so wildly from mine (or indeed anyones?)
- Melissa McCarthy must be an acquired taste - one I've never acquired. "Can You Ever Forgive Me?" proves what a class act she can be.... but this does her reputation no good at all.
- It's criminal to have actors of the quality of Octavia Spencer, Jason Bateman and Melissa Leo and use them in such a poor way. Bateman is actually the funniest turn in the piece, but that's not saying much.
Summary Thoughts on "Thunderforce":
There are some movies that you just wish had been drowned at birth. This is one. I normally don't regret spending two hours watching a movie, but this one felt like wasted time. With "Twist" I thought I might have found my worst film of the year. But no, there's a new contender in town.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/09/thunderforce-getting-the-crabs-is-never-a-laugh/ . Thanks).
Sarah (7798 KP) rated Snowpiercer (2013) in Movies
May 3, 2019
A bleak and violent sci-fi
I wanted to see this film when it first came out, and was so annoyed it didnt get a UK release. At the time I managed to find a copy to watch, but havent seen it again until now.
To start with this has a fantastic cast. Whilst I struggle to forget Captain America every time I see Chris Evans, I do think he's a good actor and he's brilliant supported by the likes of John Hurt and Octavia Spencer. Jamie Bell is a great actor too and I think he's rather underrated. And Tilda Swinton simply steals the show as Mason. You hate her yet love her at the same time as she's absolutely hilarious. In part due to the genius idea to give her a Yorkshire accent, as this makes it even more surreal and funny.
The story itself is an interesting one and I was intrigued by the whole thing, I felt invested in the characters as they traversed along the train. And this plot plays out in a very bleak and violent manner. The action scenes are great and wonderfully brutal, and there is some very bleak and dark outcomes and conversations towards the end of the film that make this not your typical run of the mill sci-fi.
I do think there are some parts of this film that aren't great, namely some strange seemingly plot holes to do with character backstories. They're not the end of the world, but still a tad annoying. Also I'm not sure if this is just the Netflix version, but when the Korean characters were speaking there were no subtitles. Fine for minor scenes, but there is a least one major scene where the lack of subtitles is a huge detriment. I'm assuming/hoping the film hasn't been made that way, so I'll blame Netflix!
This is not your average happy sci-fi. However if you dont mind watching something with dark and bleak overtones and a decent amount of violence, this is definitely worth a watch.
To start with this has a fantastic cast. Whilst I struggle to forget Captain America every time I see Chris Evans, I do think he's a good actor and he's brilliant supported by the likes of John Hurt and Octavia Spencer. Jamie Bell is a great actor too and I think he's rather underrated. And Tilda Swinton simply steals the show as Mason. You hate her yet love her at the same time as she's absolutely hilarious. In part due to the genius idea to give her a Yorkshire accent, as this makes it even more surreal and funny.
The story itself is an interesting one and I was intrigued by the whole thing, I felt invested in the characters as they traversed along the train. And this plot plays out in a very bleak and violent manner. The action scenes are great and wonderfully brutal, and there is some very bleak and dark outcomes and conversations towards the end of the film that make this not your typical run of the mill sci-fi.
I do think there are some parts of this film that aren't great, namely some strange seemingly plot holes to do with character backstories. They're not the end of the world, but still a tad annoying. Also I'm not sure if this is just the Netflix version, but when the Korean characters were speaking there were no subtitles. Fine for minor scenes, but there is a least one major scene where the lack of subtitles is a huge detriment. I'm assuming/hoping the film hasn't been made that way, so I'll blame Netflix!
This is not your average happy sci-fi. However if you dont mind watching something with dark and bleak overtones and a decent amount of violence, this is definitely worth a watch.
Gareth von Kallenbach (965 KP) rated Hidden Figures (2016) in Movies
Jul 12, 2019
Teaching courses on history and the relevance of film capturing historical periods, people, and themes offers me a little greater perspective when watching historically based films. I think about how much I should criticize the film based on the ways that the truths are stretched in order to placate their audiences so that they don’t feel to uncomfortable with the subject matter. Hidden Figures offers up a chance to expose American audiences to a period and historical figures that helped impact American history and allow successful space flight.
Hidden Figures discusses the contributions of African-American women at NASA — Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe). The film is enlightening and allows for audiences to gain a greater understanding of women and women of color in ensuring the success of the American Space program. The film does not exaggerate circumstances to a point where it is difficult to believe. What is difficult to believe for audiences in using this film to look at the past is that we have waited so long to recognize and honor these heroes. Without their contributions, the United States may have never made it to the moon.
The film offers adults and youth audiences an honest look into what these women faced in the forms of racism and sexism. There is no brutality of racism or violence demonstrated, but the spectre of it lingers over the film and reminds the viewer of the hardships that these women faced. They had the minds to carry out their tasks, but they did not have the right gender or color to be taken seriously, at first. The film is empowering and allows for young girls, despite race, to see that science and math are not fields that are not limited to men. Appropriate representation allows for more depth to history and the role that people of different walks, faiths, and nationalities have played in society. Hidden Figures is a timely film that allows for greater representation and may push filmmakers and audiences to discover more hidden figures in history.
Hidden Figures discusses the contributions of African-American women at NASA — Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe). The film is enlightening and allows for audiences to gain a greater understanding of women and women of color in ensuring the success of the American Space program. The film does not exaggerate circumstances to a point where it is difficult to believe. What is difficult to believe for audiences in using this film to look at the past is that we have waited so long to recognize and honor these heroes. Without their contributions, the United States may have never made it to the moon.
The film offers adults and youth audiences an honest look into what these women faced in the forms of racism and sexism. There is no brutality of racism or violence demonstrated, but the spectre of it lingers over the film and reminds the viewer of the hardships that these women faced. They had the minds to carry out their tasks, but they did not have the right gender or color to be taken seriously, at first. The film is empowering and allows for young girls, despite race, to see that science and math are not fields that are not limited to men. Appropriate representation allows for more depth to history and the role that people of different walks, faiths, and nationalities have played in society. Hidden Figures is a timely film that allows for greater representation and may push filmmakers and audiences to discover more hidden figures in history.
A teen, her mum and dog are moving to a new neighbourhood, on her first day of school she is invited to a party but turns it down to hang with her mum, however, her mum is too busy with her new job so she decides to go to the party. The party ends up being cancelled and the teens decide to drink instead, but as they're underage they struggle to get anyone to buy them alcohol, until a seemingly nice woman agrees to buy it for them. It soon becomes apparent that this woman is dodgy as we see her stalking the teens on Facebook (how did she get their full names?) and phoning one of their dads to tell him of their drinking plan who then phones the police to stop them in their tracks. This doesn't stop them trying again the next day by asking the same woman to buy them alcohol. This time she invites them to drink in her basement which the teens quickly agree to.
The evening turns sour when sue Anne pulls a gun out, but she soon turns it around as a good prank and invites them to party again and again. Eventually the teens realise how obsessed sue Anne is when she's constantly messaging them and they all decide to block her. That's when things go from bad to worse with a few surprises on the way.
I wasn't sure what to expect from this movie, it was in the horror section of Netflix but for the first hour I didn't really get a horror vibe, I got the vibe of a lonely woman so desperate to be liked that it becomes obsessive and I did feel sorry for her........ At first.
I liked the inclusion of her back story as I felt for her even more, making the second half of the movie such a kick in the teeth. I mean this woman is proper psychotic and the things she does is messed up, but damn it's a good watch! Octavia Spencer plays Ma so incredibly well, I honestly couldn't have picked anyone else to play her.
The evening turns sour when sue Anne pulls a gun out, but she soon turns it around as a good prank and invites them to party again and again. Eventually the teens realise how obsessed sue Anne is when she's constantly messaging them and they all decide to block her. That's when things go from bad to worse with a few surprises on the way.
I wasn't sure what to expect from this movie, it was in the horror section of Netflix but for the first hour I didn't really get a horror vibe, I got the vibe of a lonely woman so desperate to be liked that it becomes obsessive and I did feel sorry for her........ At first.
I liked the inclusion of her back story as I felt for her even more, making the second half of the movie such a kick in the teeth. I mean this woman is proper psychotic and the things she does is messed up, but damn it's a good watch! Octavia Spencer plays Ma so incredibly well, I honestly couldn't have picked anyone else to play her.
Sarah (7798 KP) rated The Witches (2020) in Movies
Mar 6, 2021
Not a patch on the original
The Witches is a 2020 retelling of the Roald Dahl children’s story, from director Robert Zemeckis. Remakes and reboots have been commonplace in the movies for quite some time, so it’s no surprise that The Witches has been given a Hollywood makeover, especially as it has been 30 years since the original film adaptation was released in 1990. I will readily admit that the original film is a childhood favourite, so this remake has very big shows to fill.
This time round, the story has been transported to late 1960s Alabama. It follows a unnamed boy (named in the credits as simply ‘Hero Boy’), played by Jahzir Bruno, and his grandma (Octavia Spencer) as they encounter a witch in their home town, prompting her to whisk him away to a seaside resort. Unbeknownst to them, this seaside resort is also where the Grand High Witch (Anne Hathaway) is due to unveil her dastardly plans to transform the world’s children. In his bids to thwart the witches plans, Hero Boy bumps into some familiar names, greedy English boy Bruno Jenkins (Codie-Lei Eastick) and put-upon hotel manager Mr Stringer (Stanley Tucci).
I was very sceptical about this in general, and while I think my scepticism was most definitely warranted, I was at least pleasantly surprised that moving the action from England to 60s America worked. It gives the film a different vibe with a new setting (with some very good costume and set design too), yet still keeping the same base story. However I’m afraid that’s the only good change that they’ve made in this entire remake. The 60s setting works, but the hotel itself lacks the beauty and grandeur of the hotel in the original. Gone are the imposing shots of a beautiful old hotel set on top of a cliff with its gorgeous landscapes (which incidentally is a real life hotel called The Headland which is on my travel wish list), and instead replaced with something that looks good on the surface, but is sadly lacking in realism and has obviously been entirely computer generated.
And this is the major problem with The Witches (2020), it’s over reliance and overuse of CGI. Everything in this, from the mice to the hotel exteriors to the witches true appearance, are all computer generated, and not particularly well at that. The mice look pretty bad and unrealistic, but the worst of all is what they’ve done to the witches. The changes themselves may have worked had this used practical effects, but sadly the CGI only serves to highlight how ridiculous the changes are. From the missing two fingers on each hand to the elongated mouths with demon like tongues, the witches to begin with seem creepy but after this initial shock, you see how absurd and laughable they really are.
Unfortunately even the performances can’t save this adaptation. Octavia Spencer is as reliable as always and Jazhir Bruno and Codie-Lei Eastick are quite adorable, but the rest of the fairly decent cast are sadly misplaced. The usually loveable Stanley Tucci is given absolutely nothing to work with, not even giving him a chance to try and match up to Rowan Atkinson’s original Mr Stringer, and Chris Rock is sadly out of place as the voice of older Hero Mouse. However the worst offender here is Anne Hathaway. Admittedly she isn’t helped much by the poor transformations to the witches appearance, but all the CGI in the world couldn’t fix her questionable Eastern European accent and hammy performance. The fact that Angelica Huston put in a more sinister and believable performance with 90s facial prosthetics and practical effects is a credit to her and only highlights how bad a choice Hathaway was for this role.
While parts of this remake aren’t entirely condemnable, as some aspects do stick closer to Dahl’s original source material, overall it is a far inferior adaptation that loses everything that made the 1990 film such a classic. Gone are the sinister witches and the dark stories of missing children (the girl stuck in the picture is an image that has always stuck with me), instead replaced with a far too lighthearted story with an over reliance on CGI. The most worrying thing of all is that even Robert Zemeckis and Guillermo Del Toro being involved couldn’t save this.
This time round, the story has been transported to late 1960s Alabama. It follows a unnamed boy (named in the credits as simply ‘Hero Boy’), played by Jahzir Bruno, and his grandma (Octavia Spencer) as they encounter a witch in their home town, prompting her to whisk him away to a seaside resort. Unbeknownst to them, this seaside resort is also where the Grand High Witch (Anne Hathaway) is due to unveil her dastardly plans to transform the world’s children. In his bids to thwart the witches plans, Hero Boy bumps into some familiar names, greedy English boy Bruno Jenkins (Codie-Lei Eastick) and put-upon hotel manager Mr Stringer (Stanley Tucci).
I was very sceptical about this in general, and while I think my scepticism was most definitely warranted, I was at least pleasantly surprised that moving the action from England to 60s America worked. It gives the film a different vibe with a new setting (with some very good costume and set design too), yet still keeping the same base story. However I’m afraid that’s the only good change that they’ve made in this entire remake. The 60s setting works, but the hotel itself lacks the beauty and grandeur of the hotel in the original. Gone are the imposing shots of a beautiful old hotel set on top of a cliff with its gorgeous landscapes (which incidentally is a real life hotel called The Headland which is on my travel wish list), and instead replaced with something that looks good on the surface, but is sadly lacking in realism and has obviously been entirely computer generated.
And this is the major problem with The Witches (2020), it’s over reliance and overuse of CGI. Everything in this, from the mice to the hotel exteriors to the witches true appearance, are all computer generated, and not particularly well at that. The mice look pretty bad and unrealistic, but the worst of all is what they’ve done to the witches. The changes themselves may have worked had this used practical effects, but sadly the CGI only serves to highlight how ridiculous the changes are. From the missing two fingers on each hand to the elongated mouths with demon like tongues, the witches to begin with seem creepy but after this initial shock, you see how absurd and laughable they really are.
Unfortunately even the performances can’t save this adaptation. Octavia Spencer is as reliable as always and Jazhir Bruno and Codie-Lei Eastick are quite adorable, but the rest of the fairly decent cast are sadly misplaced. The usually loveable Stanley Tucci is given absolutely nothing to work with, not even giving him a chance to try and match up to Rowan Atkinson’s original Mr Stringer, and Chris Rock is sadly out of place as the voice of older Hero Mouse. However the worst offender here is Anne Hathaway. Admittedly she isn’t helped much by the poor transformations to the witches appearance, but all the CGI in the world couldn’t fix her questionable Eastern European accent and hammy performance. The fact that Angelica Huston put in a more sinister and believable performance with 90s facial prosthetics and practical effects is a credit to her and only highlights how bad a choice Hathaway was for this role.
While parts of this remake aren’t entirely condemnable, as some aspects do stick closer to Dahl’s original source material, overall it is a far inferior adaptation that loses everything that made the 1990 film such a classic. Gone are the sinister witches and the dark stories of missing children (the girl stuck in the picture is an image that has always stuck with me), instead replaced with a far too lighthearted story with an over reliance on CGI. The most worrying thing of all is that even Robert Zemeckis and Guillermo Del Toro being involved couldn’t save this.
Emma @ The Movies (1786 KP) rated Thunder Force (2021) in Movies
May 23, 2021
I love Octavia Spencer's versatility, so a superhero type of film was intriguing, and the combination of her and Melissa McCarthy felt right. Then they throw in Bobby Cannavale and Jason Bateman too? There appears to be a lot to love about this film.
Lydia and Emily, once the best of friends, are brought back together by a school reunion. But things take a turn as the serum devised by Emily to help their city ends up accidentally changing their lives in a way they hadn't planned for.
We start with a wonderful comic book opening that give a very succinct review of how the whole has shaped the tale we're about to hear. That then drops us into Lydia and Emily's friendship. I really did enjoy this part, and the young Lydia's were particularly good. It gave a solid start to the film and I was feeling optimistic about what was to come after having enjoyed the trailer.
But at this point it starts to show a few issues.
Grown-up Emily (Spencer) feels a little inconsistent. She's reserved initially but it fluctuates a lot throughout, which doesn't feel right for a woman in her position.
Lydia seemed to be much more believable, and the outlandish behaviour was quite amusing while still cementing the caring person that she is, and what we can expect from her going forward.
Spencer and McCarthy do work well together, and the back and forth when it's there is really good, but Emily is never as strong in scenes that they share.
Bobby Cannavale as The King makes an excellent baddie, and Pom Klementieff as a henchwoman is too. They're backed by some wonderfully comedic "muscle", and as a team they work well together. But... while every character is a little quirky, The Crab is where my problems begin. Jason Bateman acts well during the "serious" scenes, but the humour that is attached to his character just didn't land. I was pleased they added in crab-like characteristics, but its amusement was short-lived.
The main problem with the humour in Thunder Force is something I see in other Melissa McCarthy films. It rushes up to the line of going too far, stops briefly, and the crab scuttles straight across it and far off into the distance. Why make one joke when you can make five in a row? This is particularly evident in Lydia and The Crab's interactions, and its repetition became a little tiresome.
The script didn't just mess with these characters, it also ruined a perfectly good (though mildly inexplicable) scene where The King and Laser come face to face with Lydia and Emily. It was going so well and then it jumped over that line. It does do some good things though. There's an ongoing joke with Lydia and her training that did land well every time, and it had some lovely moments of bonding with Tracy and Lydia. How all these things made it into the same film I don't know.
My time watching this didn't feel wasted, but I don't think I'd need to watch it again anytime soon. And that's a shame, because there's a really good film hiding in Thunder Force.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/05/thunder-force-movie-review.html
Lydia and Emily, once the best of friends, are brought back together by a school reunion. But things take a turn as the serum devised by Emily to help their city ends up accidentally changing their lives in a way they hadn't planned for.
We start with a wonderful comic book opening that give a very succinct review of how the whole has shaped the tale we're about to hear. That then drops us into Lydia and Emily's friendship. I really did enjoy this part, and the young Lydia's were particularly good. It gave a solid start to the film and I was feeling optimistic about what was to come after having enjoyed the trailer.
But at this point it starts to show a few issues.
Grown-up Emily (Spencer) feels a little inconsistent. She's reserved initially but it fluctuates a lot throughout, which doesn't feel right for a woman in her position.
Lydia seemed to be much more believable, and the outlandish behaviour was quite amusing while still cementing the caring person that she is, and what we can expect from her going forward.
Spencer and McCarthy do work well together, and the back and forth when it's there is really good, but Emily is never as strong in scenes that they share.
Bobby Cannavale as The King makes an excellent baddie, and Pom Klementieff as a henchwoman is too. They're backed by some wonderfully comedic "muscle", and as a team they work well together. But... while every character is a little quirky, The Crab is where my problems begin. Jason Bateman acts well during the "serious" scenes, but the humour that is attached to his character just didn't land. I was pleased they added in crab-like characteristics, but its amusement was short-lived.
The main problem with the humour in Thunder Force is something I see in other Melissa McCarthy films. It rushes up to the line of going too far, stops briefly, and the crab scuttles straight across it and far off into the distance. Why make one joke when you can make five in a row? This is particularly evident in Lydia and The Crab's interactions, and its repetition became a little tiresome.
The script didn't just mess with these characters, it also ruined a perfectly good (though mildly inexplicable) scene where The King and Laser come face to face with Lydia and Emily. It was going so well and then it jumped over that line. It does do some good things though. There's an ongoing joke with Lydia and her training that did land well every time, and it had some lovely moments of bonding with Tracy and Lydia. How all these things made it into the same film I don't know.
My time watching this didn't feel wasted, but I don't think I'd need to watch it again anytime soon. And that's a shame, because there's a really good film hiding in Thunder Force.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/05/thunder-force-movie-review.html
Lee (2222 KP) rated The Shape of Water (2017) in Movies
Feb 8, 2018
Sally Hawkins (1 more)
Michael Shannon
Beautiful and Enchanting
The Shape of Water really is one of those movies where I feel the trailer doesn't really do it justice. From seeing the trailer, I wasn't really sure how much I was going to enjoy the movie. Like I'm sure many others will be, I was persuaded that I might be wrong by the 13 Oscar nominations it recently received. I shouldn't have had any doubts to be honest. Pan's Labyrinth, also directed by Guillermo del Toro, is one of my favourite movies and The Shape of Water shares many similarities with that. A beautiful and enchanting mix of fairy tale, love story and monster movie.
Sally Hawkins plays Elisa Esposito, a mute woman who works nights as a janitor for Occam Aerospace Research Center along with friend Zelda Fuller (Octavia Spencer). At home she lives a simple life, watching musicals with her gay neighbour Giles (Richard Jenkins) and finding joy in the simple things in life. One day a strange creature is brought into the research center to be studied, surrounded by military and medical personnel. Colonel Richard Strickland has accompanied 'the asset' from it's previous location, and appears to have developed a serious dislike to it. He carries an electrified cattle prod, which he takes great delight in using on the creature. In return though, the creature does manage to remove two of Stricklands fingers, and also inflicts serious injuries on others.
But Elisa takes pity on the creature and over time tries to befriend it, bringing him hard-boiled eggs and teaching him sign language. When she learns that plans for the creature involve vivisection, she hatches a plan to help him escape, and from that point their feelings for each other develop into love. A true Beauty and the Beast style fairy tale.
I found myself absolutely captivated, swept along by the story, and everything about it is just beautiful. Sally Hawkins is incredible, portraying such varied emotions without speaking, she provides much of the films humour, and shines in the more serious scenes too. Doug Jones does what he does best as the creature, but the real monster of the movie is Michael Shannon as Colonel Strickland. Terrifyingly brilliant.
For me, I'm not sure if this beats Pan's Labyrinth, but The Shape of Water is certainly worthy of all the praise, and hopefully the awards, it receives.
Sally Hawkins plays Elisa Esposito, a mute woman who works nights as a janitor for Occam Aerospace Research Center along with friend Zelda Fuller (Octavia Spencer). At home she lives a simple life, watching musicals with her gay neighbour Giles (Richard Jenkins) and finding joy in the simple things in life. One day a strange creature is brought into the research center to be studied, surrounded by military and medical personnel. Colonel Richard Strickland has accompanied 'the asset' from it's previous location, and appears to have developed a serious dislike to it. He carries an electrified cattle prod, which he takes great delight in using on the creature. In return though, the creature does manage to remove two of Stricklands fingers, and also inflicts serious injuries on others.
But Elisa takes pity on the creature and over time tries to befriend it, bringing him hard-boiled eggs and teaching him sign language. When she learns that plans for the creature involve vivisection, she hatches a plan to help him escape, and from that point their feelings for each other develop into love. A true Beauty and the Beast style fairy tale.
I found myself absolutely captivated, swept along by the story, and everything about it is just beautiful. Sally Hawkins is incredible, portraying such varied emotions without speaking, she provides much of the films humour, and shines in the more serious scenes too. Doug Jones does what he does best as the creature, but the real monster of the movie is Michael Shannon as Colonel Strickland. Terrifyingly brilliant.
For me, I'm not sure if this beats Pan's Labyrinth, but The Shape of Water is certainly worthy of all the praise, and hopefully the awards, it receives.