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40x40

Awix (3310 KP) rated The Eagle Has Landed (1976) in Movies

May 22, 2018 (Updated May 22, 2018)  
The Eagle Has Landed (1976)
The Eagle Has Landed (1976)
1976 | Action, International, Mystery
7
7.3 (3 Ratings)
Movie Rating Watch
Pretty reasonable, slightly silly all-star war movie; the Germans attempt to bring the Allies to the negotiating table by kidnapping Churchill. Sent on this improbable mission is Michael Caine's decent paratrooper officer and his men, and ridiculously Irish IRA man Donald Sutherland. Spoiler alert: Germany still loses the war.

Good performances, mostly, and some well-staged action in the closing sections of the film; what's curious about it is the way that the Germans are mostly presented sympathetically, at least as much as the British and American characters. It's a war movie without bad guys, but without much sense of moral or emotional investment either - as a result it's enjoyable as a piece of action cinema, but rather shallow. (It doesn't feel like the moral ambiguity is a deliberate creative choice: Caine thought the director was more interested in going fishing than in overseeing the final edit.) Fun in a disposable sort of way; you could be forgiven for expecting more, given the talent involved.
  
40x40

Erika (17789 KP) rated Witness for the Prosecution in TV

Jan 20, 2019 (Updated Jan 20, 2019)  
Witness for the Prosecution
Witness for the Prosecution
2016 | Mystery
4
6.5 (4 Ratings)
TV Show Rating
Do not compare this to the original.
Watching the original Witness for the Prosecution (1957), I remember being genuinely shocked by that twist, because it came out of nowhere.This film just didn't build the story up to
This adaptation is alright, it's nothing to write home about. There were too many shots of Toby Jones walking through allies or in his dungeon-like office. I felt like this went on too long, and the added length didn't necessarily add anything to the story.
I feel like with a lot of these modern adaptations of Christie's novels, they're tending to insert sex scenes when they're genuinely aren't needed and just slow up the story. It actually makes it hard for me to suggest the new adaptations to my mother, who hates when Christie's work is altered in that particular way.
Skip this one, and watch the original film with Tyrone Powers and Marlene Dietrich.