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    Syncplicity

    Syncplicity

    Business and Productivity

    (0 Ratings) Rate It

    App

    Syncplicity is an easy-to-use, enterprise-grade file sync and share solution that gives you access...

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Mark @ Carstairs Considers (2204 KP) rated The 18th Abduction in Books

May 25, 2019  
The 18th Abduction
The 18th Abduction
James Patterson, Maxine Paetro | 2019 | Mystery, Thriller
7
8.0 (3 Ratings)
Book Rating
Hunt for Missing Teachers
Three teachers have gone missing in San Francisco, and all eyes are on San Francisco police officer Lindsay Boxer as she is leading the hunt for them. Unfortunately, there are few leads. Can she find anything before it is too late? Meanwhile, her new husband, Joe Molinari, has found a woman near the FBI’s San Francisco office. This woman, Anna, claims to have just seen a known war criminal from her native Serbia in the city. Is she right? What is he doing there? Can Joe make sure this man receives the justice he deserves?

Outside the prologue and epilogue, this book takes place five years in the past, meaning that some of the recent stupidity in Joe and Lindsay’s marriage has been forgotten. I couldn’t be happier about that. The story is another fast-paced mystery against overwhelming odds that keep the pages turning. It even gave me something I’ve been wanting for a long time in this series (no spoilers, don’t worry). Unfortunately, most of the Women in the Women’s Murder Club are reduced to cameos as the plot drives forward. The characters continue to be fairly thin, but that’s no surprise to fans. We get into Anna’s past and the war crimes that took place in Serbia, so expect the heavier subject matter when you pick up this book. Overall, fans of the series should be happy with this latest offering.
  
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Awix (3310 KP) rated The Girl in the Spider's Web (2018) in Movies

Dec 4, 2018  
The Girl in the Spider's Web (2018)
The Girl in the Spider's Web (2018)
2018 | Crime, Drama, Thriller
7
6.2 (27 Ratings)
Movie Rating Watch
Another attempt at converting Stieg Larssen's very-popular-about-ten-years-ago characters into viable English-language multiplex fare. Film opens with implied child abuse followed by implied domestic violence (there's a lot of implication, in order to avoid the 18 certificate that scuppered the box office of the Daniel Craig/Rooney Mara movie), but this is mainly to set an authentically grim tone - the plot could fairly easily be retooled for one of the Bourne movies, as evil secret organisation tries to get its hands on apocalyptic McGuffin, hero gets framed for doing nasty things, and so on.

Not sure about Foy's 'Allo Sven, I got a Volvo' accent, but on the whole this is a decent, watchable thriller even if it does look a bit like an Ikea advert with extra gore. But the thing is that it is terribly generic. If the only way to bring these books and characters to the screen is to basically fillet out everything that makes them distinctive and memorable, one wonders why anyone should bother. (The producers of the film may be able to name 31 million reasons (at the time of writing), but this still hardly qualifies as a hit movie.)

(And I know it's a bit ungallant to say this, but Foy is 34 - at what point does she become *The Woman* with (for example) the Dragon Tattoo? The point seems pertinent.)
  
    Ubuy Mobile

    Ubuy Mobile

    Shopping and Lifestyle

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    App

    Ubuy is a well known name in the current online shopping market. It allows you to choose your best...