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BankofMarquis (1832 KP) rated The Apartment (1960) in Movies
May 11, 2018
A true classic in every sense of the word
My local cinema does "Secret Movie Night" once a month, you just show up and watch a "classic" of their choosing, you just don't know what it is until it starts.
One of the reasons that I enjoy this is that I end up viewing films that I might not, otherwise, choose to watch. Case in point is the selection for May - the 1960 Oscar winner for Best Picture, THE APARTMENT - a "love story" with some comedy and some dark dramatic moments and themes. A very tricky combination of items that are bundled together, brilliantly, by a master of the craft.
THE APARTMENT tells the story of nebbish office worker C.C. Baxter (Jack Lemmon in an Oscar nominated performance, more on that later) who is talked into lending his apartment to higher-ups in his company so they can carry out extra-marital affairs. When one of the affairs goes wrong, Baxter is forced to "clean up the mess".
Written and Directed by the GREAT Billy WIlder (SOME LIKE IT HOT, SUNSET BOULEVARD), The Apartment is more than a love story, more than a look into the vacuous lives of those anonymous office workers, it is a look into the lives of those who are victims of abuse of power. Wilder, rightfully so, won the Oscar for Best Director and Best Screenplay for this film. The Apartment is strongly written and directed not flinching at the deep subject matter while also balancing things out with moments of comedy and joy, turning what could have been a dour, dark subject into a more joyous exploration of true humanity and love rising through the corruption and abuse of power heaped upon them.
In the lead role of CC Baxter, Lemmon is perfectly cast. Starting as a pure comedic character who is set upon by a world too strong for him, his character slowly turns sharper, deeper, more serious and more real as the film progresses. Lemmon was nominated for the Oscar for his performance - and rightfully so. I had to look up who beat him out for the statue and found out it was Burt Lancaster's powerhouse performance in ELMER GANTRY, so I can't really argue about this (but I digress).
Matching Lemmon beat for beat is Shirley MacLaine, the wronged girl who's "issues" (I'm not going to spoil what happens, if you haven't seen this) are at the heart of this film - and at the heart of Lemmon's character. MacLaine is charming and tragic in this role and she, too, was nominated for an Oscar (for Best Actress losing to Elizabeth Taylor for Butterfield 8). Rounding out the cast was a pre-MY 3 SONS Fred MacMurray (as the Exec who abuses both Lemmon's and MacLaine's characters). He was terrific as this cad, and thought for sure that he would have been nominated for Best Supporting Actor, but that honor went to Jack Kruschen as Lemmon's neighbor in the apartment building where they both lived. I am fine with that but preferred MacMurray's performance. Also showing up are such great character actors as Ray Walston (MY FAVORITE MARTIAN), David Lewis (GENERAL HOSPITAL), Willard Waterman (THE GREAT GILDERSLEEVE) and David White (Larry Tate in BEWITCHED) as other Execs using The Apartment for their purposes.
This is a terrific motion picture and if you haven't seen it (or if you haven't seen it in quite sometime), I highly recommend you check it out (it is shown on the Turner Classic Movie channel on a fairly regular basis). It certainly shows a slice of life during the MAD MEN days that just doesn't exist anymore - and also presents a type of film, and a type of filmmaker, that just doesn't exist today.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank (ofMarquis)
One of the reasons that I enjoy this is that I end up viewing films that I might not, otherwise, choose to watch. Case in point is the selection for May - the 1960 Oscar winner for Best Picture, THE APARTMENT - a "love story" with some comedy and some dark dramatic moments and themes. A very tricky combination of items that are bundled together, brilliantly, by a master of the craft.
THE APARTMENT tells the story of nebbish office worker C.C. Baxter (Jack Lemmon in an Oscar nominated performance, more on that later) who is talked into lending his apartment to higher-ups in his company so they can carry out extra-marital affairs. When one of the affairs goes wrong, Baxter is forced to "clean up the mess".
Written and Directed by the GREAT Billy WIlder (SOME LIKE IT HOT, SUNSET BOULEVARD), The Apartment is more than a love story, more than a look into the vacuous lives of those anonymous office workers, it is a look into the lives of those who are victims of abuse of power. Wilder, rightfully so, won the Oscar for Best Director and Best Screenplay for this film. The Apartment is strongly written and directed not flinching at the deep subject matter while also balancing things out with moments of comedy and joy, turning what could have been a dour, dark subject into a more joyous exploration of true humanity and love rising through the corruption and abuse of power heaped upon them.
In the lead role of CC Baxter, Lemmon is perfectly cast. Starting as a pure comedic character who is set upon by a world too strong for him, his character slowly turns sharper, deeper, more serious and more real as the film progresses. Lemmon was nominated for the Oscar for his performance - and rightfully so. I had to look up who beat him out for the statue and found out it was Burt Lancaster's powerhouse performance in ELMER GANTRY, so I can't really argue about this (but I digress).
Matching Lemmon beat for beat is Shirley MacLaine, the wronged girl who's "issues" (I'm not going to spoil what happens, if you haven't seen this) are at the heart of this film - and at the heart of Lemmon's character. MacLaine is charming and tragic in this role and she, too, was nominated for an Oscar (for Best Actress losing to Elizabeth Taylor for Butterfield 8). Rounding out the cast was a pre-MY 3 SONS Fred MacMurray (as the Exec who abuses both Lemmon's and MacLaine's characters). He was terrific as this cad, and thought for sure that he would have been nominated for Best Supporting Actor, but that honor went to Jack Kruschen as Lemmon's neighbor in the apartment building where they both lived. I am fine with that but preferred MacMurray's performance. Also showing up are such great character actors as Ray Walston (MY FAVORITE MARTIAN), David Lewis (GENERAL HOSPITAL), Willard Waterman (THE GREAT GILDERSLEEVE) and David White (Larry Tate in BEWITCHED) as other Execs using The Apartment for their purposes.
This is a terrific motion picture and if you haven't seen it (or if you haven't seen it in quite sometime), I highly recommend you check it out (it is shown on the Turner Classic Movie channel on a fairly regular basis). It certainly shows a slice of life during the MAD MEN days that just doesn't exist anymore - and also presents a type of film, and a type of filmmaker, that just doesn't exist today.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank (ofMarquis)
Movie Metropolis (309 KP) rated Pompeii (2014) in Movies
Jun 11, 2019
The disaster movie has always been a genre guaranteed to create incredible box-office returns. If you look at Roland Emmerich’s impressive blockbuster hit 2012, which grossed over $750million, it is clear that destroying well-known landmarks = bums on seats.
However since 2012‘s 2009 release the genre has fallen into a dormant state. Nevertheless, four years later Paul W.S. Anderson attempts to reawaken this box-office behemoth with his take on the tragic true events at Pompeii, but does the film succeed in its task?
Partially is the short answer. Anderson’s first film since 2012’s disaster Resident Evil: Retribution is as cheesy as a Dairylea triangle, but it also has some stunning special effects to give it some life.
Game of Thrones’ Kit Harington stars as Milo, a slave captured by the Romans after they wiped out his entire family. He is taken to a gloriously recreated Pompeii and immediately sets his sights on the very beautiful Lady Cassia, played by a rather dull Emily Browning, who just so happens to be the daughter of the city ruler, Severus. I’m sure you can guess the plot…
What ensues is a cheesy mess of terrible acting and stilted dialogue that jars with the period nature of the film. Only the knowing of what is to come from Mt Vesuvius, which is beautifully rendered in CGI, stops the film from grinding to a halt.
Kiefer Sutherland dons a downright ridiculous English accent for the role of Senator Corvus, the chief antagonist in the film. He is on business in Pompeii to see if trade can be established and investment can be agreed with the great city of Rome – though this plot point gets lost along the way.
Another issue is the true story which Pompeii is based on. The great tale of tragedy and mother nature showing her ruthless side is one we all know – but all we really want to see is the mountain going boom. Unfortunately we must wait whilst Anderson tries his best to make us care about the characters with their sickly back-stories, for which he fails in breathtaking fashion.
Finally after nearly an hour of what feels like a poor-mans Gladiator we are treat to a stunning spectacle, as Mt Vesuvius explodes in rip-roaring style. As the mountain blows and the fireballs rage Anderson once again tries to get us interested in the paper-thin story, thankfully not pushing too hard this time, and he lets the special effects take over.
Historical accuracy is, surprisingly, very good. According to the director, Pompeii was faithfully recreated for the film with aerial shots of the city as it stands today topped up with CGI to show the thriving metropolis we see in the film.
Unfortunately, scientific accuracy takes a back-seat for the sake of high drama, which is the case with many films of this nature. The iconic pyroclastic flow, attributed to killing the majority of Pompeii’s inhabitants due to its huge speed and massive temperatures is slowed right down to ensure the film can last another ten minutes or so – though this is perhaps to be expected.
Overall, Paul W.S. Anderson has created a film which certainly looks the part, but is lacking in so many other areas. Kiefer Sutherland’s villain is completely upstaged by the constant shots of the volcano, which are almost pantomime like in their ‘it’s behind you’ staging, and the rest of the cast are wooden and not particularly likeable.
However, what it lacks in story and acting finesse it makes up in the beautiful special effects and engaging cinematography. It’s worth a watch just to see Pompeii get obliterated – which is probably not a very nice thing to say at all.
https://moviemetropolis.net/2014/05/03/pompeii-3d-review/
However since 2012‘s 2009 release the genre has fallen into a dormant state. Nevertheless, four years later Paul W.S. Anderson attempts to reawaken this box-office behemoth with his take on the tragic true events at Pompeii, but does the film succeed in its task?
Partially is the short answer. Anderson’s first film since 2012’s disaster Resident Evil: Retribution is as cheesy as a Dairylea triangle, but it also has some stunning special effects to give it some life.
Game of Thrones’ Kit Harington stars as Milo, a slave captured by the Romans after they wiped out his entire family. He is taken to a gloriously recreated Pompeii and immediately sets his sights on the very beautiful Lady Cassia, played by a rather dull Emily Browning, who just so happens to be the daughter of the city ruler, Severus. I’m sure you can guess the plot…
What ensues is a cheesy mess of terrible acting and stilted dialogue that jars with the period nature of the film. Only the knowing of what is to come from Mt Vesuvius, which is beautifully rendered in CGI, stops the film from grinding to a halt.
Kiefer Sutherland dons a downright ridiculous English accent for the role of Senator Corvus, the chief antagonist in the film. He is on business in Pompeii to see if trade can be established and investment can be agreed with the great city of Rome – though this plot point gets lost along the way.
Another issue is the true story which Pompeii is based on. The great tale of tragedy and mother nature showing her ruthless side is one we all know – but all we really want to see is the mountain going boom. Unfortunately we must wait whilst Anderson tries his best to make us care about the characters with their sickly back-stories, for which he fails in breathtaking fashion.
Finally after nearly an hour of what feels like a poor-mans Gladiator we are treat to a stunning spectacle, as Mt Vesuvius explodes in rip-roaring style. As the mountain blows and the fireballs rage Anderson once again tries to get us interested in the paper-thin story, thankfully not pushing too hard this time, and he lets the special effects take over.
Historical accuracy is, surprisingly, very good. According to the director, Pompeii was faithfully recreated for the film with aerial shots of the city as it stands today topped up with CGI to show the thriving metropolis we see in the film.
Unfortunately, scientific accuracy takes a back-seat for the sake of high drama, which is the case with many films of this nature. The iconic pyroclastic flow, attributed to killing the majority of Pompeii’s inhabitants due to its huge speed and massive temperatures is slowed right down to ensure the film can last another ten minutes or so – though this is perhaps to be expected.
Overall, Paul W.S. Anderson has created a film which certainly looks the part, but is lacking in so many other areas. Kiefer Sutherland’s villain is completely upstaged by the constant shots of the volcano, which are almost pantomime like in their ‘it’s behind you’ staging, and the rest of the cast are wooden and not particularly likeable.
However, what it lacks in story and acting finesse it makes up in the beautiful special effects and engaging cinematography. It’s worth a watch just to see Pompeii get obliterated – which is probably not a very nice thing to say at all.
https://moviemetropolis.net/2014/05/03/pompeii-3d-review/
Darren (1599 KP) rated Bad Samaritan (2018) in Movies
Jul 25, 2019
Story: Bad Samaritan starts when two burglars Sean (Sheehan) and Derek (Olivero) are running an operation as valets who break into houses while people are eating their dinners. When they pick their latest victim Cale Erendreich (Tennant) with his flashy car, Sean leads the look through his house, finding all the goodies the pair want, before making a shocking discovery, Katie (Condon) chained up in an office.
Sean get caught between doing the right thing and helping the woman, only to find Cale is able to talk the police away and breaking back into the house, the woman is gone and now his has become a target for Cale.
Thoughts on Bad Samaritan
Characters – Cale Erendreich is rich man that isn’t afraid to show his flashy cars around town, he is rude to people that he sees beneath him and he has a woman locked up in an office at his house. He likes to correct people and after Sean breaks into his house, he becomes the latest target, showing us that Cale is doing what he thinks is the right thing. Sean Falco is the thief that gets more than he bargained for on his latest job, he end up getting caught in the middle of a game which will see him become the target for the killer, seeing his life start to fall apart around him, Sean shows us what it is like when somebody wants to make it and just how far they will go to clean up the mess left behind. Katie is the woman that is held captive that knows that she will be put in more danger if Sean does rescue her at the wrong time. Derek is Sean’s best friend who works with him to select who to rob only he could get in more trouble if he is ever caught.
Performances – David Tennant is fantastic in this leading role, he brings us a creepy psychopath figure that is completely calm, while being calculated in each scene. Robert Sheehan is strong as his character is put through a moral dilemma and he shows us the desperation he is going through. Kerry Condon does what she can in her role, it is harder for her to do as much because most of role is tied up. Carlito Olivera does everything asked of him without standing out in anyway.
Story – The story here follows a small-time thief that sees his latest job go crazy after the person he is robbing from turns out to have dark secret which sees his life get turned upside down. This story is an easy watch and does go against everything you would imagine it going, watching the cat-n-mouse style unfold is interesting to follow as see how each side tries to get the upper hand and slowly starts to learn what the other might know about. It does soon pan out and just become a bigger case which is fine if you would like to get to learn more about the opening sequence. We do get to see just how dangerous technology will be in the wrong hands.
Crime/Horror – The crime side of the film does show us Cale operates in this world, with the horror side of this coming from just how he can get away with anything if he knows how to.
Settings – The film is set in Portland which shows how difficult the life can be for people that are struggling to make ends meet.
Scene of the Movie – You talk too much.
That Moment That Annoyed Me – It has a problem when it comes to learning about Cale’s back story.
Final Thoughts – This is a crime horror that goes full-blown cat-n-mouse which does keep us guessing to just who will end up on top in this battle.
Overall: Interesting Cat-n-mouse chase.
Sean get caught between doing the right thing and helping the woman, only to find Cale is able to talk the police away and breaking back into the house, the woman is gone and now his has become a target for Cale.
Thoughts on Bad Samaritan
Characters – Cale Erendreich is rich man that isn’t afraid to show his flashy cars around town, he is rude to people that he sees beneath him and he has a woman locked up in an office at his house. He likes to correct people and after Sean breaks into his house, he becomes the latest target, showing us that Cale is doing what he thinks is the right thing. Sean Falco is the thief that gets more than he bargained for on his latest job, he end up getting caught in the middle of a game which will see him become the target for the killer, seeing his life start to fall apart around him, Sean shows us what it is like when somebody wants to make it and just how far they will go to clean up the mess left behind. Katie is the woman that is held captive that knows that she will be put in more danger if Sean does rescue her at the wrong time. Derek is Sean’s best friend who works with him to select who to rob only he could get in more trouble if he is ever caught.
Performances – David Tennant is fantastic in this leading role, he brings us a creepy psychopath figure that is completely calm, while being calculated in each scene. Robert Sheehan is strong as his character is put through a moral dilemma and he shows us the desperation he is going through. Kerry Condon does what she can in her role, it is harder for her to do as much because most of role is tied up. Carlito Olivera does everything asked of him without standing out in anyway.
Story – The story here follows a small-time thief that sees his latest job go crazy after the person he is robbing from turns out to have dark secret which sees his life get turned upside down. This story is an easy watch and does go against everything you would imagine it going, watching the cat-n-mouse style unfold is interesting to follow as see how each side tries to get the upper hand and slowly starts to learn what the other might know about. It does soon pan out and just become a bigger case which is fine if you would like to get to learn more about the opening sequence. We do get to see just how dangerous technology will be in the wrong hands.
Crime/Horror – The crime side of the film does show us Cale operates in this world, with the horror side of this coming from just how he can get away with anything if he knows how to.
Settings – The film is set in Portland which shows how difficult the life can be for people that are struggling to make ends meet.
Scene of the Movie – You talk too much.
That Moment That Annoyed Me – It has a problem when it comes to learning about Cale’s back story.
Final Thoughts – This is a crime horror that goes full-blown cat-n-mouse which does keep us guessing to just who will end up on top in this battle.
Overall: Interesting Cat-n-mouse chase.
Gareth von Kallenbach (980 KP) rated The Twilight Saga: Breaking Dawn Part 1 (2011) in Movies
Aug 7, 2019
The pop culture phenomenon that is Twilight is wrapping up as the film adaptation of the final book in the series, Twilight: Breaking Dawn, has arrived in theaters. With the previous three films doing brisk business at the box office, it came as no surprise when it was announced that the final book in the series was being split into two films so that the studio could maximize the box office of the series.
The film opens with awkward, melancholy teen Bella (Kristen Stewart), preparing for her wedding to Edward (Robert Pattinson), as their human and vampire friends assemble for the ceremony. Of course Edward’s rival Jacob (Tayler Lautner), is highly against the union as he still carries a flame for Bella. Nonetheless, the ceremony goes off as planned and Edward whisks Bella away to a remote Brazilian island to consummate their union, which apparently is a tricky endeavor, being that she is still a mortal and he is a century old vampire.
What at first is an ideal honeymoon is soon complicated when Bella and Edward discover an unexpected challenge that threatens Bella’s well-being and poses a threat to the pact between the vampires and werewolves. I will not spoil the film, even though fans of the series and books will not be any strangers to the drama and politics of the situation, but suffice it to say there is a lot on the line for all of the characters involved.
The film was rife with issues, the main one being the atrocious acting. One would think that after three previous films with the same cast, these actors would have developed some timing and chemistry with one another, especially Stewart and Pattinson who are a couple offscreen. Nothing could be further from the truth as they stiffly deliver their lines with pained and remote expressions. I am honestly at a loss as to why Bella is so captivating to both Edward and Jacob
as she is basically a dour girl who looks incredibly uncomfortable in her own skin, and yet the two are utterly captivated by her. I found the supporting cast far more interesting than the heroine and her besotted heroes. Another issue I had was that Pattinson, who got to show his acting ability in “Water for Elephants” is given little to do aside from staring at Bella and doing profile shots.
The first half of the film is basically an MTV-style wedding and honeymoon music video but the second half of the film did manage to grab and hold my attention with the ongoing plot points. It is obvious that the story is being stretched to cover two films as there are numerous unnecessary scenes such as people walking up stairs, throwing things in a garbage can, looking in mirrors, which serve little purpose other than increasing the run time of the film. Of course all of this matters little to fans of the series. The studio knows who the core audience is and the movie panders to them every chance they can, as proven by Lautner doffing his shirt not 60 seconds into the film to the squeals of delight from the teens, tweens and grown women in the audience.
Still, because it pits the Cullens against the werewolves who were their allies in the previous film, Breaking Dawn is better than the previous films. While it raises the angst and tension, it does not provide much growth for the actors as they dutifully go through the motions as best they can with the material. While it attempts to be a darker and more mature film, it still comes across as eye candy and fantasy for young women when the story and cast deserved so
much more. That being said, the film stays true to it’s core audience and gives them exactly what they have come to expect and does not stray from what has been a successful formula.
The film opens with awkward, melancholy teen Bella (Kristen Stewart), preparing for her wedding to Edward (Robert Pattinson), as their human and vampire friends assemble for the ceremony. Of course Edward’s rival Jacob (Tayler Lautner), is highly against the union as he still carries a flame for Bella. Nonetheless, the ceremony goes off as planned and Edward whisks Bella away to a remote Brazilian island to consummate their union, which apparently is a tricky endeavor, being that she is still a mortal and he is a century old vampire.
What at first is an ideal honeymoon is soon complicated when Bella and Edward discover an unexpected challenge that threatens Bella’s well-being and poses a threat to the pact between the vampires and werewolves. I will not spoil the film, even though fans of the series and books will not be any strangers to the drama and politics of the situation, but suffice it to say there is a lot on the line for all of the characters involved.
The film was rife with issues, the main one being the atrocious acting. One would think that after three previous films with the same cast, these actors would have developed some timing and chemistry with one another, especially Stewart and Pattinson who are a couple offscreen. Nothing could be further from the truth as they stiffly deliver their lines with pained and remote expressions. I am honestly at a loss as to why Bella is so captivating to both Edward and Jacob
as she is basically a dour girl who looks incredibly uncomfortable in her own skin, and yet the two are utterly captivated by her. I found the supporting cast far more interesting than the heroine and her besotted heroes. Another issue I had was that Pattinson, who got to show his acting ability in “Water for Elephants” is given little to do aside from staring at Bella and doing profile shots.
The first half of the film is basically an MTV-style wedding and honeymoon music video but the second half of the film did manage to grab and hold my attention with the ongoing plot points. It is obvious that the story is being stretched to cover two films as there are numerous unnecessary scenes such as people walking up stairs, throwing things in a garbage can, looking in mirrors, which serve little purpose other than increasing the run time of the film. Of course all of this matters little to fans of the series. The studio knows who the core audience is and the movie panders to them every chance they can, as proven by Lautner doffing his shirt not 60 seconds into the film to the squeals of delight from the teens, tweens and grown women in the audience.
Still, because it pits the Cullens against the werewolves who were their allies in the previous film, Breaking Dawn is better than the previous films. While it raises the angst and tension, it does not provide much growth for the actors as they dutifully go through the motions as best they can with the material. While it attempts to be a darker and more mature film, it still comes across as eye candy and fantasy for young women when the story and cast deserved so
much more. That being said, the film stays true to it’s core audience and gives them exactly what they have come to expect and does not stray from what has been a successful formula.
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Emma @ The Movies (1786 KP) rated Angel Has Fallen (2019) in Movies
Jun 20, 2020
Full review: OMG explodey goodness! End.
Okay fine... the real full review is below.
Mike Banning is now on President Trumbull's secret service detail, past events have left him battered and bruised but he's not ready to stop doing what he was made to do.
When they take a short break so the President can get away from everything Mike is left in a life-changing situation. His team is all dead, the President is in a coma and all the evidence of the incident points to him. He needs to prove his innocence while evading every law enforcement agency that's hunting him, his only advantage? They aren't Mike Banning.
I loved Olympus Has Fallen, it was only narrowly edged out of the top spot the year it came out by White House Down. London Has Fallen was a completely different beast, it was much more aggressive and dark, and while entertaining it didn't feel like it fit with Olympus. Angel was always on my watchlist despite the dubious second instalment. At the very least it was going to be an action film where I didn't really have to think too much.
Angel Has Fallen is entirely predictable, I had two moments where I went "Oh... so this is what's going to happen..." I wasn't even mad that I guessed though, I was having too much fun.
Gerard Butler gets to flex his comedic muscles a bit more (look out for the wire), he does comedy so well that I've always got my fingers crossed for more of it. He mangles a lot of bad guys, naturally, but he managed to work in the fact that Mike isn't the spring chicken he used to be and it's a very convincing act. He also isn't phased by the fact his wife has had plastic surgery and transformed into a completely different woman.
Morgan Freeman reprises his role as Trumbull this time in the office of President. Freeman is one of my favourite actors and he always brings something to his roles. At one point he makes a very brief speech and that tone... it has a magical calming effect and instils great confidence. What are his political views? Is it worth considering him for office?
Nick Nolte also makes an appearance as Mike's estranger father. This leads to some very amusing scenes throughout. I'm not sure if it's because Nolte has the "grizzled back woodsman" look but it doesn't feel quite right that it's a father and son situation. The two have good chemistry though, especially while they're out in the woods.
There are some good and some bad things about the way the film is done. The worst is the CGI. Generally you'll always know where there's CGI in action but it will blend in well enough to be ignored. Some of the time that's true in Angel Has Fallen, but there's a lot that can't be ignored.
When it comes to the camera work it's quite good, you don't feel like you're missing anything and it helps you keep up with the action. There's just one point very early on that sticks out. We get a couple of first person shooter shots and while I understand why they were included it felt very out of place with the tone of everything around it.
After I saw London Has Fallen it felt like the franchise had already given up on itself a bit. Angel has definitely pulled it back. Olympus was a "serious" movie, London went much more ridiculous, and Angel did the only thing it could... go all out action. It feels very much like a classic 80s action storyline and I can't be mad at that.
Originally posted on: emmaatthemovies.blogspot.com/2019/08/angel-has-fallen-movie-review.html
Okay fine... the real full review is below.
Mike Banning is now on President Trumbull's secret service detail, past events have left him battered and bruised but he's not ready to stop doing what he was made to do.
When they take a short break so the President can get away from everything Mike is left in a life-changing situation. His team is all dead, the President is in a coma and all the evidence of the incident points to him. He needs to prove his innocence while evading every law enforcement agency that's hunting him, his only advantage? They aren't Mike Banning.
I loved Olympus Has Fallen, it was only narrowly edged out of the top spot the year it came out by White House Down. London Has Fallen was a completely different beast, it was much more aggressive and dark, and while entertaining it didn't feel like it fit with Olympus. Angel was always on my watchlist despite the dubious second instalment. At the very least it was going to be an action film where I didn't really have to think too much.
Angel Has Fallen is entirely predictable, I had two moments where I went "Oh... so this is what's going to happen..." I wasn't even mad that I guessed though, I was having too much fun.
Gerard Butler gets to flex his comedic muscles a bit more (look out for the wire), he does comedy so well that I've always got my fingers crossed for more of it. He mangles a lot of bad guys, naturally, but he managed to work in the fact that Mike isn't the spring chicken he used to be and it's a very convincing act. He also isn't phased by the fact his wife has had plastic surgery and transformed into a completely different woman.
Morgan Freeman reprises his role as Trumbull this time in the office of President. Freeman is one of my favourite actors and he always brings something to his roles. At one point he makes a very brief speech and that tone... it has a magical calming effect and instils great confidence. What are his political views? Is it worth considering him for office?
Nick Nolte also makes an appearance as Mike's estranger father. This leads to some very amusing scenes throughout. I'm not sure if it's because Nolte has the "grizzled back woodsman" look but it doesn't feel quite right that it's a father and son situation. The two have good chemistry though, especially while they're out in the woods.
There are some good and some bad things about the way the film is done. The worst is the CGI. Generally you'll always know where there's CGI in action but it will blend in well enough to be ignored. Some of the time that's true in Angel Has Fallen, but there's a lot that can't be ignored.
When it comes to the camera work it's quite good, you don't feel like you're missing anything and it helps you keep up with the action. There's just one point very early on that sticks out. We get a couple of first person shooter shots and while I understand why they were included it felt very out of place with the tone of everything around it.
After I saw London Has Fallen it felt like the franchise had already given up on itself a bit. Angel has definitely pulled it back. Olympus was a "serious" movie, London went much more ridiculous, and Angel did the only thing it could... go all out action. It feels very much like a classic 80s action storyline and I can't be mad at that.
Originally posted on: emmaatthemovies.blogspot.com/2019/08/angel-has-fallen-movie-review.html
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PDF Markup Ultiamte is an expert document reader, editor, annotator, and organizer. Like the Adobe...
PDF Master - Annotate PDFs, Sign Documents, Fill Forms and Convert Docs to PDF
Productivity and Business
App
This application allows you to CREATE, READ or ANNOTATE PDF documents or CONVERT documents to PDF on...