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Bob Mann (459 KP) rated The Great Wall (2016) in Movies
Sep 29, 2021
Exercising your Damons.
Millions of people watching the Oscars would have seen Jimmy Kimmel roasting poor Matt Damon as a part of their long running ‘feud’. At one point he points out that Matt gave up the leading role in “Manchester by the Sea” to star in a “Chinese ponytail movie” that “went on to lose $80 million at the box office”. “The Great Wall” is that movie!
So is it really that bad?
Well, it’s no “Manchester by the Sea” for sure. But I don’t think it’s quite the total turkey that critics have been labelling it as either. I went to see it on a Sunday afternoon, and approaching it as a matinee bit of frothy action is a good mental state to be in.
Matt Damon plays the ponytailed-wonder William, a European mercenary travelling in 11th Century China with his colleague Tovar (Pedro Pascal) in an attempt to determine the secrets of black powder – a secret well-guarded by the Chinese. Captured by the ‘New Order’ at the Great Wall and imprisoned there by General Shao (Hanyu Zhang), William earns the respect of Shao and his beautiful warrior second-in-command Lin Mae (Tian Jing) with his bowmanship. This is almost immediately put to use by the arrival (after 60 year’s absence – a funny thing, timing, isn’t it?) of hoards of vicious creatures called Taoties. (I thought they said Tauntauns initially, so was expecting some sort of Chinese/Star Wars crossover! But no.)
Taoties who scale the wall are defeated by William who poleaxes them. (This is an attempt at brilliant humour to anyone who has already seen the film – poleaxe…. get it? POLEaxe. Oh, never mind!) Despite being a mercenary at heart, William is torn between staying and helping Lin Mae fight the beasts and fleeing with Tovar, their new chum Ballard (Willem Dafoe) and their black powder loot. (I’m sure something about Lin Mae’s tight-fitting blue armour was influential in his decision).
This is an historic film in that although in recent years there has been cross-fertilization of Chinese actors into Western films for box-office reasons (for example, in the appalling “Independence Day: Resurgence” and the much better Damon vehicle “The Martian“) this was the first truly co-produced Chinese/Hollywood feature filmed entirely in China. It might also be the last given the film’s $150 million budget and the dismal box-office!
To start with some positives, you can rely on a Chinese-set film (the film location was Qingdao) to allow the use of an army of extras and – although a whole bunch of CGI was also no doubt used – some of the battles scenes are impressive. There is a stirring choral theme by Ramin Djawadi (best known for his TV themes for “Game of Thrones” and the brilliant “Westworld”) played over silk-screen painted end titles that just make for a beautiful combination. And Tian Jing as the heroine Lin Mae is not only stunningly good-looking but also injects some much needed acting talent into the cast, where most of those involved (including Damon himself) look like they would rather be somewhere else.
And some of the action scenes are rather fun in a ‘park your brain by the door’ sort of way, including (nonsensically) cute warrior girls high-diving off the wall on bungey ropes to near certain death. While the CGI monsters are of the (yawn) over-the-top LoTR variety, their ability to swarm like locusts at the Queen’s command is also quite entertainingly rendered.
Where the movie balloon comes crashing down to earth in flames though is with the story and the screenplay – all done by three different people each, which is NEVER a good sign.
The story (by Max Brooks (“World War Z”), Edward Zwick and Marshall Herskovitz (both on “The Last Samurai”) is plain nonsensical at times. No spoilers here, but the transition from “wall under siege” to “wall not under siege” gives the word ‘clunky’ a bad name. As another absurdity, the “New Order” seem amazed how William was able to slay one of the creatures (thanks to the poleaxing ‘McGuffin’ previously referenced) but then throughout the rest of the film he slays creatures left right and centre (McGuffin-less) through just the use of a spear or an arrow! Bonkers.
Things get worse when you add words to the actions. The screenplay by Carlo Bernard and Doug Miro (both “Prince of Persia: The Sands of Time”) and Tony Gilroy (Tony Gilroy? Surely not he of all the “Bourne” films and “Rogue One” fame? The very same!) has a reading age of about an 8 year old. It feels like it has been translated into Chinese and then back again to English with Google Translate. “Is that the best you can do?” asks Tovar to William at one point. I was thinking exactly the same thing.
The combination of the cinematography and the special effects have the unfortunate effect of giving the film the veneer of a video game, but this is one where your kid-brother has stolen the controls and refuses to give them back to you.
Having had the great thrill of visiting a section of The Great Wall near Beijing, I can confirm that it is an astonishing engineering masterpiece that has to be seen to be truly believed. It ranks as one of the genuine wonders of the world. The same can not be said of this movie. Early teens might enjoy it as a mindless action flick. But otherwise best avoided until it emerges on a raining Sunday afternoon on the TV.
So is it really that bad?
Well, it’s no “Manchester by the Sea” for sure. But I don’t think it’s quite the total turkey that critics have been labelling it as either. I went to see it on a Sunday afternoon, and approaching it as a matinee bit of frothy action is a good mental state to be in.
Matt Damon plays the ponytailed-wonder William, a European mercenary travelling in 11th Century China with his colleague Tovar (Pedro Pascal) in an attempt to determine the secrets of black powder – a secret well-guarded by the Chinese. Captured by the ‘New Order’ at the Great Wall and imprisoned there by General Shao (Hanyu Zhang), William earns the respect of Shao and his beautiful warrior second-in-command Lin Mae (Tian Jing) with his bowmanship. This is almost immediately put to use by the arrival (after 60 year’s absence – a funny thing, timing, isn’t it?) of hoards of vicious creatures called Taoties. (I thought they said Tauntauns initially, so was expecting some sort of Chinese/Star Wars crossover! But no.)
Taoties who scale the wall are defeated by William who poleaxes them. (This is an attempt at brilliant humour to anyone who has already seen the film – poleaxe…. get it? POLEaxe. Oh, never mind!) Despite being a mercenary at heart, William is torn between staying and helping Lin Mae fight the beasts and fleeing with Tovar, their new chum Ballard (Willem Dafoe) and their black powder loot. (I’m sure something about Lin Mae’s tight-fitting blue armour was influential in his decision).
This is an historic film in that although in recent years there has been cross-fertilization of Chinese actors into Western films for box-office reasons (for example, in the appalling “Independence Day: Resurgence” and the much better Damon vehicle “The Martian“) this was the first truly co-produced Chinese/Hollywood feature filmed entirely in China. It might also be the last given the film’s $150 million budget and the dismal box-office!
To start with some positives, you can rely on a Chinese-set film (the film location was Qingdao) to allow the use of an army of extras and – although a whole bunch of CGI was also no doubt used – some of the battles scenes are impressive. There is a stirring choral theme by Ramin Djawadi (best known for his TV themes for “Game of Thrones” and the brilliant “Westworld”) played over silk-screen painted end titles that just make for a beautiful combination. And Tian Jing as the heroine Lin Mae is not only stunningly good-looking but also injects some much needed acting talent into the cast, where most of those involved (including Damon himself) look like they would rather be somewhere else.
And some of the action scenes are rather fun in a ‘park your brain by the door’ sort of way, including (nonsensically) cute warrior girls high-diving off the wall on bungey ropes to near certain death. While the CGI monsters are of the (yawn) over-the-top LoTR variety, their ability to swarm like locusts at the Queen’s command is also quite entertainingly rendered.
Where the movie balloon comes crashing down to earth in flames though is with the story and the screenplay – all done by three different people each, which is NEVER a good sign.
The story (by Max Brooks (“World War Z”), Edward Zwick and Marshall Herskovitz (both on “The Last Samurai”) is plain nonsensical at times. No spoilers here, but the transition from “wall under siege” to “wall not under siege” gives the word ‘clunky’ a bad name. As another absurdity, the “New Order” seem amazed how William was able to slay one of the creatures (thanks to the poleaxing ‘McGuffin’ previously referenced) but then throughout the rest of the film he slays creatures left right and centre (McGuffin-less) through just the use of a spear or an arrow! Bonkers.
Things get worse when you add words to the actions. The screenplay by Carlo Bernard and Doug Miro (both “Prince of Persia: The Sands of Time”) and Tony Gilroy (Tony Gilroy? Surely not he of all the “Bourne” films and “Rogue One” fame? The very same!) has a reading age of about an 8 year old. It feels like it has been translated into Chinese and then back again to English with Google Translate. “Is that the best you can do?” asks Tovar to William at one point. I was thinking exactly the same thing.
The combination of the cinematography and the special effects have the unfortunate effect of giving the film the veneer of a video game, but this is one where your kid-brother has stolen the controls and refuses to give them back to you.
Having had the great thrill of visiting a section of The Great Wall near Beijing, I can confirm that it is an astonishing engineering masterpiece that has to be seen to be truly believed. It ranks as one of the genuine wonders of the world. The same can not be said of this movie. Early teens might enjoy it as a mindless action flick. But otherwise best avoided until it emerges on a raining Sunday afternoon on the TV.
Phillip McSween (751 KP) rated The Foreigner (2017) in Movies
Dec 20, 2017
Boooo
If you're expecting me to say something nice about The Foreigner, please do us both a favor and click out of this review right now. On paper, it appears to be right up Jackie Chan's alley. After his daughter is killed in a terrorist attack, Quan (Jackie) is trying to hunt down the men that did it. He is willing to stop at nothing to get his revenge.
The formulaic aspect of the film ruins the entire experience. Here's the rundown: Jackie walks into Pierce Brosnan's office demanding names (Who did this????). When Brosnan is not forthcoming with the names, Jackie storms off usually doing something crazy in his departure. Brosnan sends men to take Jackie down. Jackie beats the crap out of them. When the men return, Brosnan asks, "How the hell did you get your ass kicked by this old man?"
Rinse and repeat.
I'm serious, it's so ridiculous at times it becomes almost comical. You would think with this straight-arrow formula, the film would be easy to follow, but there are a lot of moving parts and I mean A LOT. I found myself saying, "Say what now?" too many times to count. I don't know, maybe it was more of a lack of interest than confusion on my part. Blade Runner 2049 had a number of things going on throughout and it's one of the best films I've seen all year.
The Foreigner is one of those films where you think of all the other things you could be doing instead of watching it. Folding clothes. Grocery shopping. Picking boogers. Screaming at your dog to get out of the trash. I mean, ANYTHING else. Could a few solid action sequences have saved the film? Probably. Did it?
Nope.
I honestly don't know how this passed the smell test on Rotten Tomatoes. In the words of the wonderful Jay Sherman: It stinks. I give it a 42.
The formulaic aspect of the film ruins the entire experience. Here's the rundown: Jackie walks into Pierce Brosnan's office demanding names (Who did this????). When Brosnan is not forthcoming with the names, Jackie storms off usually doing something crazy in his departure. Brosnan sends men to take Jackie down. Jackie beats the crap out of them. When the men return, Brosnan asks, "How the hell did you get your ass kicked by this old man?"
Rinse and repeat.
I'm serious, it's so ridiculous at times it becomes almost comical. You would think with this straight-arrow formula, the film would be easy to follow, but there are a lot of moving parts and I mean A LOT. I found myself saying, "Say what now?" too many times to count. I don't know, maybe it was more of a lack of interest than confusion on my part. Blade Runner 2049 had a number of things going on throughout and it's one of the best films I've seen all year.
The Foreigner is one of those films where you think of all the other things you could be doing instead of watching it. Folding clothes. Grocery shopping. Picking boogers. Screaming at your dog to get out of the trash. I mean, ANYTHING else. Could a few solid action sequences have saved the film? Probably. Did it?
Nope.
I honestly don't know how this passed the smell test on Rotten Tomatoes. In the words of the wonderful Jay Sherman: It stinks. I give it a 42.
Whatchareadin (174 KP) rated The Fix (Amos Decker #3) in Books
May 10, 2018
It's a typical day for Amos Decker. He is on his way to the Hoover Building in downtown Washington, DC when a man pulls out a gun and shoots a woman right in front of FBI Headquarters. Then he turns the gun on himself. What the hell just happened and most importantly for Decker to find out, why? This is Decker's second case working for the FBI and they've moved him and Jamison from Quantico up to the Washington Field Office. Why would someone choose to shoot another person in front of the FBI building? Why would a successful businessman with a family do such a thing? What did the woman he kill do? Will Decker and his team be able to answer these questions before it's too late?
Walter Dabney seems like your average businessman. He lives in a nice house, with his wife. His grown children are all out of the house doing their own things making a lives for themselves. There are so many secrets though that this family is hiding and slowly they all begin to unravel. After Dabney shoots Ann Berkshire in broad daylight and then himself, other people start to turn up dead. Are all of these deaths connected and what is the connection? When Harper Brown from the DIA (Defense Intelligence Agency) turns up claiming there is spy work involved, it makes Decker even more eager to solve this case. But there are secrets behinds every corner and getting different government agencies to cooperate is not the easiest task.
Government secrets, spies from decades ago, messages passed through dolls and Harry Potter books, how will it all end?
I really enjoyed this book. I love the character of Amos Decker. I like how he has no cut cards, and shoots straight from the hip. He may get up and walk out of a room without explanation. He has a unique personality with his ability to never forget and see things in color. I look forward to the next Decker adventure.
Walter Dabney seems like your average businessman. He lives in a nice house, with his wife. His grown children are all out of the house doing their own things making a lives for themselves. There are so many secrets though that this family is hiding and slowly they all begin to unravel. After Dabney shoots Ann Berkshire in broad daylight and then himself, other people start to turn up dead. Are all of these deaths connected and what is the connection? When Harper Brown from the DIA (Defense Intelligence Agency) turns up claiming there is spy work involved, it makes Decker even more eager to solve this case. But there are secrets behinds every corner and getting different government agencies to cooperate is not the easiest task.
Government secrets, spies from decades ago, messages passed through dolls and Harry Potter books, how will it all end?
I really enjoyed this book. I love the character of Amos Decker. I like how he has no cut cards, and shoots straight from the hip. He may get up and walk out of a room without explanation. He has a unique personality with his ability to never forget and see things in color. I look forward to the next Decker adventure.
Daniel Boyd (1066 KP) rated After Life in TV
Apr 3, 2019 (Updated Apr 3, 2019)
Brilliantly written (1 more)
Fantastically performed by the entire cast
Beautiful
Ricky Gervais seems to be like Marmite to most people. I have always really liked the guy. I love The Office and Extras and his first 3 stand up shows are amongst some of the funniest that I have ever seen. In the years since however, I have seem to fallen away from his projects. Not for any particular reason, but this lull meant that shows like Derek, Life's Too Short and An Idiot Abroad all passed me by. I'm not sure what it was about After Life that got me back on-board, maybe it was the fact alone that it was on Netflix.
Regardless, this show is fantastic. It is hilarious, it is truly touching, it is brilliantly written, acted and surprisingly well shot for what it is. The characters are all fantastic and their relationships with each other and the way that they analyse and question each other is brilliant too.
I think that the most impressive thing about the show overall though, is how much Gervais is able to say with such a simple premise and a small cast. There are only about 15 characters that we see in the small village where the show is set and yet Gervais has managed to tackle some really serious issues like grief, depression and suicide in a realistically convincing way and on top of that, he still manage to make you laugh. It really a masterful script and the entire cast do a brilliant job in their respective roles.
Overall, this is one of the best things that I have seen this year and I would strongly encourage everyone to give it a go, even if you are not a fan of Gervais or his previous projects. This show can take you from splitting your sides laughing to tearing up in an instant and any piece of art that can make me feel that way is extremely valuable in my eyes. Also the dog is amazing.
Regardless, this show is fantastic. It is hilarious, it is truly touching, it is brilliantly written, acted and surprisingly well shot for what it is. The characters are all fantastic and their relationships with each other and the way that they analyse and question each other is brilliant too.
I think that the most impressive thing about the show overall though, is how much Gervais is able to say with such a simple premise and a small cast. There are only about 15 characters that we see in the small village where the show is set and yet Gervais has managed to tackle some really serious issues like grief, depression and suicide in a realistically convincing way and on top of that, he still manage to make you laugh. It really a masterful script and the entire cast do a brilliant job in their respective roles.
Overall, this is one of the best things that I have seen this year and I would strongly encourage everyone to give it a go, even if you are not a fan of Gervais or his previous projects. This show can take you from splitting your sides laughing to tearing up in an instant and any piece of art that can make me feel that way is extremely valuable in my eyes. Also the dog is amazing.
Andy K (10823 KP) rated Oblivion (2013) in Movies
May 12, 2019
Why didn't more people see this?
Tron Legacy director Joseph Kosinski brings his unique, stunning visual splendor to this unusual sci fi tale where everything is not quite what it seems.
Tom Cruise and Andrea Riseborough are in change of keeping robotic drones which protect large machines in a future where Earth is derelict and most of humanity has relocated to a moon of Saturn or a giant orbiting space station en route to the same destination.
A mysterious spacecraft crashes to Earth and one of the occupants is saved. They also have to deal with the unruly "scavs" out to kill them. Events take an interesting turn when the real villains and heroes are revealed and I doubt you can predict the outcome.
I am usually one to say movies that are just "eye candy" don't hold my interest; however, this film has a soul which goes deeper and kept my attention and riveted throughout.
Th engaging story and interesting characters mixed well even though I may have felt I had seen some of this before. Some trappings of films like The Matrix, 2001, Solaris or Arrival are present, but the director puts his own spin and the story kept pace entirely.
Also a standout was the score by musical group M83 who had never done a soundtrack before according to Tom Cruise during the audio commentary.
Not sure why this film was lost at the box office. Could've been the anti Tom Cruise factor, crowded summer movie season or even the highbrow concept plot which meant mediocre word of mouth kept people away.
I had recalled very mixed reviews myself which is why I hadn't watched until now which was a good thing I suppose which meant I was pleasantly surprised.
Appetites for much better-than-average science fiction should give this a try.
Tom Cruise and Andrea Riseborough are in change of keeping robotic drones which protect large machines in a future where Earth is derelict and most of humanity has relocated to a moon of Saturn or a giant orbiting space station en route to the same destination.
A mysterious spacecraft crashes to Earth and one of the occupants is saved. They also have to deal with the unruly "scavs" out to kill them. Events take an interesting turn when the real villains and heroes are revealed and I doubt you can predict the outcome.
I am usually one to say movies that are just "eye candy" don't hold my interest; however, this film has a soul which goes deeper and kept my attention and riveted throughout.
Th engaging story and interesting characters mixed well even though I may have felt I had seen some of this before. Some trappings of films like The Matrix, 2001, Solaris or Arrival are present, but the director puts his own spin and the story kept pace entirely.
Also a standout was the score by musical group M83 who had never done a soundtrack before according to Tom Cruise during the audio commentary.
Not sure why this film was lost at the box office. Could've been the anti Tom Cruise factor, crowded summer movie season or even the highbrow concept plot which meant mediocre word of mouth kept people away.
I had recalled very mixed reviews myself which is why I hadn't watched until now which was a good thing I suppose which meant I was pleasantly surprised.
Appetites for much better-than-average science fiction should give this a try.
Billie Wichkan (118 KP) rated A Single Source in Books
May 22, 2019
Veteran BBC reporter William Carver is in Cairo, bang in the middle of the Arab Spring. 'The only story in the world' according to his editor. But it isn't.
There's another story, more significant and potentially more dangerous, and if no one else is willing to tell it, then Carver will - whatever the consequences.
A Single Source tells two stories, which over a few tumultuous months come together to prove inextricably linked. There are the dramatic, world-changing events as protests spread across North Africa and the Middle East, led by a new generation of tech-savvy youngsters challenging the corrupt old order. And then there are two Eritrean brothers, desperate enough to risk everything to make their way across the continent to a better life in Europe.
The world is watching, but its attention span is increasingly short. Carver knows the story is a complex one and, in the age of Facebook, Twitter and rolling news, difficult stories are getting harder to tell. If everyone is a reporter, then who do you believe?
I have to say this book was a complete departure from the types of books I've been reading recently.
A Single Source is set in 2011 in a time that came to be known as the Arab Spring. Carver and his producer Patrick are in Cairos Tahrir Square to report on the January 25th uprising. There are three strands to the story the one set in Egypt, another revolving around the foreign office and the third set in Eritrea. Gradually these three strands are woven together..
A slow starter which I found very difficult to get into maybe because this is not my usual type of reading material.
This book is well written and descriptive and the author has done a lot of work and research.
Unfortunately just not my cup of tea but do recommend if political thrillers is what you like.
Many thanks to the publisher and Net Galley for the opportunity to review this book.
Review copied to Amazon UK but link not available yet.
There's another story, more significant and potentially more dangerous, and if no one else is willing to tell it, then Carver will - whatever the consequences.
A Single Source tells two stories, which over a few tumultuous months come together to prove inextricably linked. There are the dramatic, world-changing events as protests spread across North Africa and the Middle East, led by a new generation of tech-savvy youngsters challenging the corrupt old order. And then there are two Eritrean brothers, desperate enough to risk everything to make their way across the continent to a better life in Europe.
The world is watching, but its attention span is increasingly short. Carver knows the story is a complex one and, in the age of Facebook, Twitter and rolling news, difficult stories are getting harder to tell. If everyone is a reporter, then who do you believe?
I have to say this book was a complete departure from the types of books I've been reading recently.
A Single Source is set in 2011 in a time that came to be known as the Arab Spring. Carver and his producer Patrick are in Cairos Tahrir Square to report on the January 25th uprising. There are three strands to the story the one set in Egypt, another revolving around the foreign office and the third set in Eritrea. Gradually these three strands are woven together..
A slow starter which I found very difficult to get into maybe because this is not my usual type of reading material.
This book is well written and descriptive and the author has done a lot of work and research.
Unfortunately just not my cup of tea but do recommend if political thrillers is what you like.
Many thanks to the publisher and Net Galley for the opportunity to review this book.
Review copied to Amazon UK but link not available yet.
Andy K (10823 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jun 10, 2019
A whole new universe of Spideys!
Finally got around to watching this after reading lots of great reviews and it really delivered.
Having not known anything about the Miles Morales storyline or origin story, I was excited going into this without much prescreen knowledge (which doesn't happen much these days).
Basically a Brooklyn teenager gets bit by the that darn radioactive spider and then starts to exhibit his own Spidey traits after the original Peter Parker is killed in action. Much to the surprise of Miles, another wisecracking out of shape Peter shows up and says he's from another alternate universe or something where things are different. Eventually, Spider-Gwen, Spider-Man Noir, Peni Parker, and Spider-Ham also arrive to take on the Kingpin and a female version of Doc Ock to try and save the Earth from destruction.
The humor in the film is rally good. I guess I would say equivalent to a PG version of Deadpool with lots of wisecracks and sarcasm. My kind of screenplay. While not necessarily made for adults, I think both young and not so young would enjoy the fast pace of the film with very few dull spots.
They don't focus very much on the Peter Parker origin which is great since we have seen this already many times within the last few incarnations of the character. It's actually kind of amusing the way the keep repeating it in slightly different ways when the new Spideys emerge. The colors are bright and vibrant (I only saw in 2D) and the environments and backgrounds are interesting and complex which makes you dazzle for the cinematic eye candy for sure.
Due to the success critically as well as box office cred, it looks like this is the beginning of a franchise which is all right by me. I would highly recommend.
Having not known anything about the Miles Morales storyline or origin story, I was excited going into this without much prescreen knowledge (which doesn't happen much these days).
Basically a Brooklyn teenager gets bit by the that darn radioactive spider and then starts to exhibit his own Spidey traits after the original Peter Parker is killed in action. Much to the surprise of Miles, another wisecracking out of shape Peter shows up and says he's from another alternate universe or something where things are different. Eventually, Spider-Gwen, Spider-Man Noir, Peni Parker, and Spider-Ham also arrive to take on the Kingpin and a female version of Doc Ock to try and save the Earth from destruction.
The humor in the film is rally good. I guess I would say equivalent to a PG version of Deadpool with lots of wisecracks and sarcasm. My kind of screenplay. While not necessarily made for adults, I think both young and not so young would enjoy the fast pace of the film with very few dull spots.
They don't focus very much on the Peter Parker origin which is great since we have seen this already many times within the last few incarnations of the character. It's actually kind of amusing the way the keep repeating it in slightly different ways when the new Spideys emerge. The colors are bright and vibrant (I only saw in 2D) and the environments and backgrounds are interesting and complex which makes you dazzle for the cinematic eye candy for sure.
Due to the success critically as well as box office cred, it looks like this is the beginning of a franchise which is all right by me. I would highly recommend.
Merissa (12698 KP) rated When The Devil Wants In in Books
Jan 30, 2018
When The Devil Wants In by Cate Ashwood & J.H. Knight
When the Devil Wants In is a story that tells of John, a man firmly in the closet in his home town in the deep South. He lives next door to his very religious parents, and everyone thinks that he and his best friend, Chloe, will be married one day. Chloe is the only one who knows that John is gay, and provides his cover. Matt is the newbie to this police force, but is an experienced office from San Francisco. Matt wasn't in the closet, but feels it may be appropriate for Magnolia Ridge.
John is only supposed to be in his late twenties, but somehow came across as being a LOT older. As for Matt, it was hard to pin an age on him. Sometimes he seemed young, sometimes old. Although this story is told from both of their perspectives, it was hard to find much sympathy for John, and I have no idea why. There didn't seem to be much of a bond between the two of them until the end of the story. As for the mystery, there was a lot of build up, but the ending left me wanting more. Although we got the who, the how and why were never really discussed. There was no idea of what had happened to make the person 'snap' at that time.
Apart from that, the story was well written, with no editing or grammatical errors that disrupted my reading flow. The story was interesting, with a great cast of characters. For anyone who wanted a M/M Mystery, then I would definitely recommend this. Just because I found it slightly unsatisfying at the end doesn't mean everyone will!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
John is only supposed to be in his late twenties, but somehow came across as being a LOT older. As for Matt, it was hard to pin an age on him. Sometimes he seemed young, sometimes old. Although this story is told from both of their perspectives, it was hard to find much sympathy for John, and I have no idea why. There didn't seem to be much of a bond between the two of them until the end of the story. As for the mystery, there was a lot of build up, but the ending left me wanting more. Although we got the who, the how and why were never really discussed. There was no idea of what had happened to make the person 'snap' at that time.
Apart from that, the story was well written, with no editing or grammatical errors that disrupted my reading flow. The story was interesting, with a great cast of characters. For anyone who wanted a M/M Mystery, then I would definitely recommend this. Just because I found it slightly unsatisfying at the end doesn't mean everyone will!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Phillip McSween (751 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Feb 24, 2018 (Updated Feb 24, 2018)
Jumanji: Welcome to the Jungle is a solid film-going experience, albeit a little cheesy at times. While its overdone ending keeps it just short of a being an action/adventure classic, I have to say I was impressed with how well they were able to take the source material of the original and truly make it something entirely new. In this newer version of the remake, four kids in detention get trapped inside a video game and have to play their way out. They are eached armed with a set of "lives" and, just like in a game, losing lives brings you closer to losing everything. They must rely on the skills of their avatars to traverse the dangerous jungle terrain.
Jumanji gives you conventional funny meaning it's not going to be one of those films where you spend half of it doubled over in laughter. When it comes to characteristics of a solid film, however, the film checks all the boxes. Solid, hilarious characters that make it easy to root for them. The Bethany/Jack Black role alone was enough to keep a smile on my face for the majority of the movie. He is the ringleader in a lot of the hilarious moments, but the other stars (Dwayne Johnson, Kevin Hart) provide plenty of comedy as well. While the comedy isn't side-splitting, I give it it's due respect for being consistent. A solid, flowing story gets the same recognition as it never lingers in one spot for too long. The action does a good job of connecting plot points while not being overbearing.
I thought that by the time I finally got around to writing this, I would be recommending Jumanji for a home viewing. However, due to some great box office success, it's still kicking in theaters. So....go see it if you haven't already! I give it a solid 90.
Jumanji gives you conventional funny meaning it's not going to be one of those films where you spend half of it doubled over in laughter. When it comes to characteristics of a solid film, however, the film checks all the boxes. Solid, hilarious characters that make it easy to root for them. The Bethany/Jack Black role alone was enough to keep a smile on my face for the majority of the movie. He is the ringleader in a lot of the hilarious moments, but the other stars (Dwayne Johnson, Kevin Hart) provide plenty of comedy as well. While the comedy isn't side-splitting, I give it it's due respect for being consistent. A solid, flowing story gets the same recognition as it never lingers in one spot for too long. The action does a good job of connecting plot points while not being overbearing.
I thought that by the time I finally got around to writing this, I would be recommending Jumanji for a home viewing. However, due to some great box office success, it's still kicking in theaters. So....go see it if you haven't already! I give it a solid 90.
Elli H Burton (1288 KP) rated The Wolf of Wall Street (2013) in Movies
Jun 17, 2019
Surprisingly Fantastic
Honestly couldn't believe I enjoyed this film. I hate drug use and for a film that has so much of it I still don't understand why I like it.
The direction is superb, the sequence of how he went from the start to the big office is awesome. The narration is awesome too, sometimes it can be like YEAH I GET IT but i felt it was appropriate.
The acting is probably one of the best I've ever seen, how leo didn't get his oscar from this I don't know. Just the scene at the hotel payphone is (despite my pure hatred for drugs) just phenomenal. Also Jonah Hill, he really became the character. He is so underrated it's ridiculous, he's usually typecast to the chubby geeky guy but in this he's a sleezy, philandering a**hole and he plays it to perfection, the way he commits is something people aspiring to become actors should watch and take notes. Margot Robbie, for her first major role in film DAMN. I'm a straight woman but she just oozes sexy. Her accent is spot on, especially when you know she's actually Australian. She got the part and she made it hers, no one else could have played Jordan's wife but her.
The Matthew McConaughey scene is something that will go down in movie history for one of the best (and slightly odd) improvisation moments.
Jordan's character progression is timed perfectly, it's gradual enough to be subtle, but not so slow it's boring
I didn't like the whole shaven head thing, found that a bit omg, as with the prostitutes was too much but the pros of this film outway all that.
I found it to be gritty, sexy, funny, disturbing and a fantastic movie. Definitely should watch it, though maybe not for a family film night!
The direction is superb, the sequence of how he went from the start to the big office is awesome. The narration is awesome too, sometimes it can be like YEAH I GET IT but i felt it was appropriate.
The acting is probably one of the best I've ever seen, how leo didn't get his oscar from this I don't know. Just the scene at the hotel payphone is (despite my pure hatred for drugs) just phenomenal. Also Jonah Hill, he really became the character. He is so underrated it's ridiculous, he's usually typecast to the chubby geeky guy but in this he's a sleezy, philandering a**hole and he plays it to perfection, the way he commits is something people aspiring to become actors should watch and take notes. Margot Robbie, for her first major role in film DAMN. I'm a straight woman but she just oozes sexy. Her accent is spot on, especially when you know she's actually Australian. She got the part and she made it hers, no one else could have played Jordan's wife but her.
The Matthew McConaughey scene is something that will go down in movie history for one of the best (and slightly odd) improvisation moments.
Jordan's character progression is timed perfectly, it's gradual enough to be subtle, but not so slow it's boring
I didn't like the whole shaven head thing, found that a bit omg, as with the prostitutes was too much but the pros of this film outway all that.
I found it to be gritty, sexy, funny, disturbing and a fantastic movie. Definitely should watch it, though maybe not for a family film night!