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Movie Metropolis (309 KP) rated The Hunger Games: Catching Fire (2013) in Movies
Jun 10, 2019
The Hunger Games franchise has come at a time that is almost certain to gather box-office success. After Harry Potter finished two years ago and The Twilight Saga bowed out just 12 months ago, teenagers and young adults have been craving for a new series of blockbusters to ‘sink their teeth into’.
The first film of this new dawn, based on Suzanne Collins’ successful book, was released in March last year and greeted with warm reviews and a staggering box-office performance, a gross just shy of $700m to be a little more precise.
However, rumoured tensions between director Gary Ross and studio Color Force meant that despite its impressive takings, he was not to helm its sequel, Catching Fire. Taking over from him is Francis Lawrence, director of I am Legend, Constantine and Water for Elephants, but can he better what preceded him?
The series centres around an annual ‘games’, in which people aged between 12 and 18 must fight to the death in a custom made arena, leaving only one victor, who is showered with riches for the rest of their lives.
Jennifer Lawrence, returning to the series after her first Oscar win this year, plays Katniss Everdeen, a plucky young teen who fresh from winning the previous Hunger Games tournament alongside her beau Peeta Mellark, played by Josh Hutcherson, travel through the land of Panem (a post-apocalyptic America) to spread their story and persuade others to take part in the vicious tournament.
However, after angering the Capitol, run by cold-hearted President Snow (Donald Sutherland) who becomes increasingly concerned that an up-rising is brewing, it is decided that previous victors must once again take part, to show that even they are not above the law.
For those fresh to the series, I warn you not to watch this film without seeing the first, as much of the plot will be near incomprehensible and your enjoyment will suffer as a result.
The film starts slowly, giving enough backstory before the inevitable return to the arena. Thankfully despite its large running time of 146 minutes, it never falters and after allowing the audience to see how the world has changed, it is back into the new and improved arena for the 75th Hunger Games.
Gone is the shaky handy-cam of director Gary Ross, and in its place we are treated to sweeping shots of numerous landscapes; from the coal-mining community of District 12, to the bright lights of the Capitol and even the large arena which has been given a radical overhaul to make it even more challenging than ever.
The acting is simply sublime by all accounts. Jennifer Lawrence, fresh from the honour of an Oscar plays Katniss with such a subtle grace that she is mesmerising to watch, a real treat for fans of J-Law and of course Suzanne Collins’ character. Liam Hemsworth returns to the series as Katniss’ secret love interest Gale, but he is sorely underused. Josh Hutcherson’s Peeta Mellark is as irritating as ever and lacks a backbone, but this is more to do with the script than Hutcherson’s abilities as an actor.
Woody Harrelson, Elizabeth Banks, Stanley Tucci also return, with the latter being a real stand-out in a film which is filled with quirky and unusual characters.
Those of you who have read my review of the previous film will know that I wasn’t a fan of its lacklustre special effects. Thankfully my prayers were answered and due to a budget that has almost doubled, the effects are glorious. The Capitol is perhaps the best use of the CGI, where the first film looked like a Star Wars: Episode I rip-off, here we really feel like the city is living and breathing for the very first time.
Unfortunately, it seems like the special effects team are still struggling with CGI fire as the computer generated flames are still laughable in their realism.
At 146 minutes, Catching Fire was always going to numb your backside, but you don’t care, the film is an absolute treat to watch. Director Francis Lawrence has retained the violent nature of the series despite its ridiculous 12A certification and manages to get around those limitations with style and flair.
Yes, if I was pushed I’d say it was a little over-long, the CGI flames still look ridiculous and the ending is far too abrupt, but if those are the only faults I can find in a film, then clearly it is more than worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/11/23/hunger-games-catching-fire-review/
The first film of this new dawn, based on Suzanne Collins’ successful book, was released in March last year and greeted with warm reviews and a staggering box-office performance, a gross just shy of $700m to be a little more precise.
However, rumoured tensions between director Gary Ross and studio Color Force meant that despite its impressive takings, he was not to helm its sequel, Catching Fire. Taking over from him is Francis Lawrence, director of I am Legend, Constantine and Water for Elephants, but can he better what preceded him?
The series centres around an annual ‘games’, in which people aged between 12 and 18 must fight to the death in a custom made arena, leaving only one victor, who is showered with riches for the rest of their lives.
Jennifer Lawrence, returning to the series after her first Oscar win this year, plays Katniss Everdeen, a plucky young teen who fresh from winning the previous Hunger Games tournament alongside her beau Peeta Mellark, played by Josh Hutcherson, travel through the land of Panem (a post-apocalyptic America) to spread their story and persuade others to take part in the vicious tournament.
However, after angering the Capitol, run by cold-hearted President Snow (Donald Sutherland) who becomes increasingly concerned that an up-rising is brewing, it is decided that previous victors must once again take part, to show that even they are not above the law.
For those fresh to the series, I warn you not to watch this film without seeing the first, as much of the plot will be near incomprehensible and your enjoyment will suffer as a result.
The film starts slowly, giving enough backstory before the inevitable return to the arena. Thankfully despite its large running time of 146 minutes, it never falters and after allowing the audience to see how the world has changed, it is back into the new and improved arena for the 75th Hunger Games.
Gone is the shaky handy-cam of director Gary Ross, and in its place we are treated to sweeping shots of numerous landscapes; from the coal-mining community of District 12, to the bright lights of the Capitol and even the large arena which has been given a radical overhaul to make it even more challenging than ever.
The acting is simply sublime by all accounts. Jennifer Lawrence, fresh from the honour of an Oscar plays Katniss with such a subtle grace that she is mesmerising to watch, a real treat for fans of J-Law and of course Suzanne Collins’ character. Liam Hemsworth returns to the series as Katniss’ secret love interest Gale, but he is sorely underused. Josh Hutcherson’s Peeta Mellark is as irritating as ever and lacks a backbone, but this is more to do with the script than Hutcherson’s abilities as an actor.
Woody Harrelson, Elizabeth Banks, Stanley Tucci also return, with the latter being a real stand-out in a film which is filled with quirky and unusual characters.
Those of you who have read my review of the previous film will know that I wasn’t a fan of its lacklustre special effects. Thankfully my prayers were answered and due to a budget that has almost doubled, the effects are glorious. The Capitol is perhaps the best use of the CGI, where the first film looked like a Star Wars: Episode I rip-off, here we really feel like the city is living and breathing for the very first time.
Unfortunately, it seems like the special effects team are still struggling with CGI fire as the computer generated flames are still laughable in their realism.
At 146 minutes, Catching Fire was always going to numb your backside, but you don’t care, the film is an absolute treat to watch. Director Francis Lawrence has retained the violent nature of the series despite its ridiculous 12A certification and manages to get around those limitations with style and flair.
Yes, if I was pushed I’d say it was a little over-long, the CGI flames still look ridiculous and the ending is far too abrupt, but if those are the only faults I can find in a film, then clearly it is more than worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/11/23/hunger-games-catching-fire-review/
Kristy H (1252 KP) rated Eleanor Oliphant Is Completely Fine in Books
Feb 13, 2018
Eleanor Oliphant leads a simple, albeit lonely, life. Up in the morning, head to work, and heads down at the office (with a solo break for lunch and the crossword). She spends her evenings and weekends alone--typically with a book, the TV, and a lot vodka. Every Wednesday evening, she speaks on the phone with her mother (Mummy)-- always a painful conversation as her mother is judgemental and exacting. Then one day, Eleanor and Raymond, the slightly oafish IT guy from her office, save the elderly Sammy, who has fallen on the sidewalk. The act turns out to change Eleanor's life--bringing her into Sammy's life and that of his boisterous family--and involving her more with Raymond, as well. Suddenly, it's almost as if Eleanor and Raymond are friends and Eleanor isn't completely lonely anymore. But can her friendship with Raymond erase the sadness in her life?
This book, oh this book. Wow, what a journey. <i>I'm so very glad I finally picked it up. </i> Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. <i>The plot is striking-- an amazing combination of heartbreaking and tender.</i> My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. <i>The entire book is mesmerizing and beautiful. </i>
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is a lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. <i>One of my favorites so far this year.</i> 4.5 stars.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
This book, oh this book. Wow, what a journey. <i>I'm so very glad I finally picked it up. </i> Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. <i>The plot is striking-- an amazing combination of heartbreaking and tender.</i> My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. <i>The entire book is mesmerizing and beautiful. </i>
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is a lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. <i>One of my favorites so far this year.</i> 4.5 stars.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Darren (1599 KP) rated The Accused (1988) in Movies
Jun 20, 2019
Story: We start The Accused by seeing Sarah (Foster) running from a bar desperately looking for help before she gets asked all the intimate questions after a rape. District prosecutor Kathryn Murphy takes over the case and takes Sarah back to the crime scene to identify the suspects. While Kathryn puts a case together she learns more about Sarah’s character and while the defence makes out Sarah is just telling a story. We see Kathryn and Lieutenant Duncan (Mulligan) try to investigate what happened they find out there are no witnesses and the case is struggling to come together. After the suspects get put in jail for a reduced charge of reckless endangerment Sarah pushes for more and after a confrontation with one of the men who got off cheered on, Kathryn opens a new case against the people who cheered on and watched leading to the ability to charge the rapist.
What The Accused shows us is however a story sounds it doesn’t mean it isn’t true. We have to let the prosecutors create a case before we judge who is guilty. It shows we need to stand up for what is right and not everything is what it seems. We see how difficult it can be for the victim against such a large amount of suspects who unite. We see how the prosecutor risks everything to get the truth about the night after finally seeing the light about what really happened. This case could break her career but as she is doing the right thing it proves to be the right thing. A big plus The Accused uses is not focusing on any of the men involved we a left to only see and hear about their actions. The Accused is a great story about fighting for what is right and how monstrous people can be. (9/10)
Actor Review
Kelly McGillis: Kathryn Murphy the district prosecutor who will fight for justice but only once she has learned all the facts. She agrees to plea agreement for the rapist but once challenged by Sarah she decides to go after the people who cheered them on. Kelly gives a good performance searching for the truth. (8/10)
kelly
Jodie Foster: Sarah Tobias the victim who has to go through the rape only to be left questioned by people on her side and the people against her. Sarah refused to back down and wants to see the people pay when she finally gets the chance on front of a courtroom full of people. Jodie gives a great performance that she full deserved the Oscar she won. (10/10)
jodie
Support Cast: Where The Accused chooses not to focus on the rapist we don’t meet too many supporting characters, we only see their actions and hear how other people saw them.
Director Review: Jonathan Kaplan – Jonathan does a great job directing The Accused he focuses on the victim and the case being built against the rapist. (9/10)
Crime: The crime The Accused focuses on was based on a real case and shows the seriousness of it. (9/10)
Drama: The Accused uses the effects to create the drama of what happened to the people involved. (9/10)
Settings: The Accused uses the settings well, we see The Mill where the crime happens, the office to see how the world is different for our victim, the small beat up house the victims lives in showing that she would be considered lower than the people involved and almost not important and the home of the prosecutor which shows us the difference in working class the two women have. (9/10)
Suggestion: I would suggest watching The Accused as it shows the victims problems after the assault rather than trying to make a monstrous villain for a crime film. (Watch)
Best Part: The Courtroom
Worst Part: The Deal
Believability: Based on a real case a young woman suffered through. (9/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Jodie Foster won Best Actress.
Box Office: $32 Million
Budget: $6 Million
Runtime: 1 Hour 51 Minutes
Tagline: On April 18th 1987, Sarah Tobias stops for a drink at a bar called The Mill.
Trivia: Upon seeing a pre-screening of the film, Jodie Foster thought her performance as Sarah Tobias was so awful that she immediately began preparing for and taking the GRE’s for graduate school. She was prepared to leave her film career behind and focus on academia…until she won the Academy Award for her performance.
Overall: Would you fight for the truth
https://moviesreview101.com/2015/01/28/the-accused-1988/
What The Accused shows us is however a story sounds it doesn’t mean it isn’t true. We have to let the prosecutors create a case before we judge who is guilty. It shows we need to stand up for what is right and not everything is what it seems. We see how difficult it can be for the victim against such a large amount of suspects who unite. We see how the prosecutor risks everything to get the truth about the night after finally seeing the light about what really happened. This case could break her career but as she is doing the right thing it proves to be the right thing. A big plus The Accused uses is not focusing on any of the men involved we a left to only see and hear about their actions. The Accused is a great story about fighting for what is right and how monstrous people can be. (9/10)
Actor Review
Kelly McGillis: Kathryn Murphy the district prosecutor who will fight for justice but only once she has learned all the facts. She agrees to plea agreement for the rapist but once challenged by Sarah she decides to go after the people who cheered them on. Kelly gives a good performance searching for the truth. (8/10)
kelly
Jodie Foster: Sarah Tobias the victim who has to go through the rape only to be left questioned by people on her side and the people against her. Sarah refused to back down and wants to see the people pay when she finally gets the chance on front of a courtroom full of people. Jodie gives a great performance that she full deserved the Oscar she won. (10/10)
jodie
Support Cast: Where The Accused chooses not to focus on the rapist we don’t meet too many supporting characters, we only see their actions and hear how other people saw them.
Director Review: Jonathan Kaplan – Jonathan does a great job directing The Accused he focuses on the victim and the case being built against the rapist. (9/10)
Crime: The crime The Accused focuses on was based on a real case and shows the seriousness of it. (9/10)
Drama: The Accused uses the effects to create the drama of what happened to the people involved. (9/10)
Settings: The Accused uses the settings well, we see The Mill where the crime happens, the office to see how the world is different for our victim, the small beat up house the victims lives in showing that she would be considered lower than the people involved and almost not important and the home of the prosecutor which shows us the difference in working class the two women have. (9/10)
Suggestion: I would suggest watching The Accused as it shows the victims problems after the assault rather than trying to make a monstrous villain for a crime film. (Watch)
Best Part: The Courtroom
Worst Part: The Deal
Believability: Based on a real case a young woman suffered through. (9/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Jodie Foster won Best Actress.
Box Office: $32 Million
Budget: $6 Million
Runtime: 1 Hour 51 Minutes
Tagline: On April 18th 1987, Sarah Tobias stops for a drink at a bar called The Mill.
Trivia: Upon seeing a pre-screening of the film, Jodie Foster thought her performance as Sarah Tobias was so awful that she immediately began preparing for and taking the GRE’s for graduate school. She was prepared to leave her film career behind and focus on academia…until she won the Academy Award for her performance.
Overall: Would you fight for the truth
https://moviesreview101.com/2015/01/28/the-accused-1988/
When it comes to books, non-fiction typically isn't something I'm interested in. Lately though, I've found a few from that genre that have piqued my interest, most notably former FBI Agent Joe Navarro's Three Minutes to Doomsday, Andrew Leatherbarrow's Chernobyl: 01:23:40, and another upcoming novel entitled The Radium Girls by Kate Moore. The latter two of these books I'll discuss at another time, because this review is about Navarro's latest book, detailing the final moments of the Cold War and the arrests of Clyde Conrad and Rod Ramsey.
I was born in the late 90s, so this particular espionage case is not something I had any knowledge about prior to opening Navarro's book. All I knew was that it took place shortly before I was born and had extremely high risks associated with it. Given my tastes in crime, movies, and most fiction, this seemed to be something that would appeal to my interests and I was not wrong. In this account of Joe Navarro's pursuit of Rod Ramsey against attempts at hampering the investigation by the FBIHQ and Washington Field Office, readers discover just how terrifying close we came to a crushing defeat with the information sold by Conrad and Ramsey.
The build-up to Ramsey's arrest, trial, and conviction is agonizingly slow, which is quite suiting given that the process itself was not only flawed by those higher up in rank than Navarro, but nearly crippled by inaction. It was easy to feel Navarro's tension and frustration, while simultaneously granting readers that may prefer fiction over non-fiction a very human-like perspective of an account that might have seemed uninteresting.
The only nitpick I truly have is how unclear the passage of time is. Whether or not this was intentional, I do not know. I just know that I prefer clear indications of time's passing. Other than that, it is clear from his style of writing that Former Agent Navarro is, first and foremost, a gentleman in every aspect of the word.
Joe Navarro's memoir of this espionage case is mind-numbing and terrifyingly well-written and I would like to thank NetGalley, Scribner, and Joe Navarro for this advanced copy for the purpose of review. Not only that, I would like to thank Former Agent Joe Navarro especially for his service to our country, and his drive to fulfill his duty to his fellow Americans first and foremost.
I was born in the late 90s, so this particular espionage case is not something I had any knowledge about prior to opening Navarro's book. All I knew was that it took place shortly before I was born and had extremely high risks associated with it. Given my tastes in crime, movies, and most fiction, this seemed to be something that would appeal to my interests and I was not wrong. In this account of Joe Navarro's pursuit of Rod Ramsey against attempts at hampering the investigation by the FBIHQ and Washington Field Office, readers discover just how terrifying close we came to a crushing defeat with the information sold by Conrad and Ramsey.
The build-up to Ramsey's arrest, trial, and conviction is agonizingly slow, which is quite suiting given that the process itself was not only flawed by those higher up in rank than Navarro, but nearly crippled by inaction. It was easy to feel Navarro's tension and frustration, while simultaneously granting readers that may prefer fiction over non-fiction a very human-like perspective of an account that might have seemed uninteresting.
The only nitpick I truly have is how unclear the passage of time is. Whether or not this was intentional, I do not know. I just know that I prefer clear indications of time's passing. Other than that, it is clear from his style of writing that Former Agent Navarro is, first and foremost, a gentleman in every aspect of the word.
Joe Navarro's memoir of this espionage case is mind-numbing and terrifyingly well-written and I would like to thank NetGalley, Scribner, and Joe Navarro for this advanced copy for the purpose of review. Not only that, I would like to thank Former Agent Joe Navarro especially for his service to our country, and his drive to fulfill his duty to his fellow Americans first and foremost.
Kristy H (1252 KP) rated Rogue Lawyer in Books
Feb 13, 2018
Sebastian Rudd is not your typical lawyer per se -- he works out of his car or home, has (and needs) a bodyguard, and spends much of his time trying to bend the law as much as he can. Sebastian defends those who others will not: mostly criminals our society immediately condemns as guilty. He believes all are entitled to a fair trial and as a result, he finds himself hated by the police, other lawyers (especially the DA and all associated with the office), and much of his town. In addition, Sebastian struggles as a father, spending limited time with his young son, who is being raised by Sebastian's ex-wife.
This book was an interesting one. I almost didn't pick it up, as I'd read some negative reviews. In that respect, I found the book a pleasant surprise. It certainly surpassed most of the reviews I'd read. Good to start with low expectations perhaps? One of the biggest surprises about this novel is the disdain for the police, and truly, much of the legal system, that comes across via Sebastian. Not always something you see in a Grisham book. It's a theme that's hit over and over (it gets to be a bit much after a while). However, Sebastian has a bit of a right to be disgruntled - the novel weaves together a few different separate stories of his various clients - and several certainly aren't treated fairly by the legal system, or the police.
It's a daring choice to to put Sebastian as a rogue lawyer who works out of his van - your brain can't help but going immediately to Connelly's Mickey Haller (the "Lincoln Lawyer"). In that respect, Sebastian and the book fall short. It's hard to surpass a Connelly character. But Sebastian has his own unique charm and the novel grew on me as it went on. The story picks up considerably and I found myself drawn into the tales and Sebastian's woes. It's not the most uplifting of books- there's no amazing court battle victory here, and not a lot of characters you can root for - but the interconnected stories are intriguing and Sebastian is a complicated character who kept me thinking. I'll be curious if Grisham does a follow-up book on him.
This book was an interesting one. I almost didn't pick it up, as I'd read some negative reviews. In that respect, I found the book a pleasant surprise. It certainly surpassed most of the reviews I'd read. Good to start with low expectations perhaps? One of the biggest surprises about this novel is the disdain for the police, and truly, much of the legal system, that comes across via Sebastian. Not always something you see in a Grisham book. It's a theme that's hit over and over (it gets to be a bit much after a while). However, Sebastian has a bit of a right to be disgruntled - the novel weaves together a few different separate stories of his various clients - and several certainly aren't treated fairly by the legal system, or the police.
It's a daring choice to to put Sebastian as a rogue lawyer who works out of his van - your brain can't help but going immediately to Connelly's Mickey Haller (the "Lincoln Lawyer"). In that respect, Sebastian and the book fall short. It's hard to surpass a Connelly character. But Sebastian has his own unique charm and the novel grew on me as it went on. The story picks up considerably and I found myself drawn into the tales and Sebastian's woes. It's not the most uplifting of books- there's no amazing court battle victory here, and not a lot of characters you can root for - but the interconnected stories are intriguing and Sebastian is a complicated character who kept me thinking. I'll be curious if Grisham does a follow-up book on him.
Debbiereadsbook (1080 KP) rated Deadly Games (Dallas after Dark #2) in Books
Aug 3, 2018
kinda creeps up on ya!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in the Dallas After Dark series, but I have not read book one, Dangerous Games. I would like to, though. You don't NEED it, I don't think, I didn't feel I was missing anything by not having read it, but I would like to read Reese's story, she's the owner of the strip club here.
FBI Agent Katherine is out on a girls night out after her divorce in the male strip club, Dallas Heat. Nash is their star performer. Nash pulls Katherine (loved that it was not shortened, not once!) onto the stage, something he has NEVER done before. A night of passion follows but Katherine runs, knowing that it can only be that: one night. But Nash turns up at her office with information that might help find a serial killer. Together, they must catch this killer before one of Katherine's friends turns up dead, all the while with Katherine fighting their attraction. Nash, however, is already all in!
I really really enjoyed this book! Don't you just love being surprised by a book, but you've no particular idea why?? I *think* that it was probably Nash himself.
I must admit, I had preconceptions about a male stripper, and what he got up to with his customers. But Nash blew them all out the water. As did the fact that I, very wrongly, pegged Nash as all body and no brains! I've no idea WHY I thought that, but I did. And for that I'm truly sorry!
I liked the pace the story moved at, not too fast, at a fair and even pace so you can keep up. I DID get who the killer was, just as soon as they popped up in the story, but I did NOT get what they had done before! Loved watching the main play out, so many wrong turns!
It's not over explicit, but it is still incredibly sexy. It does get a little gruesome in the beginning, when it is describing a victim's suffering at the hands of the killer.
I do like the way Rock tells her tales, one to watch, me finks!
4 solid stars
**same worded review will appear elsewhere**
This is book two in the Dallas After Dark series, but I have not read book one, Dangerous Games. I would like to, though. You don't NEED it, I don't think, I didn't feel I was missing anything by not having read it, but I would like to read Reese's story, she's the owner of the strip club here.
FBI Agent Katherine is out on a girls night out after her divorce in the male strip club, Dallas Heat. Nash is their star performer. Nash pulls Katherine (loved that it was not shortened, not once!) onto the stage, something he has NEVER done before. A night of passion follows but Katherine runs, knowing that it can only be that: one night. But Nash turns up at her office with information that might help find a serial killer. Together, they must catch this killer before one of Katherine's friends turns up dead, all the while with Katherine fighting their attraction. Nash, however, is already all in!
I really really enjoyed this book! Don't you just love being surprised by a book, but you've no particular idea why?? I *think* that it was probably Nash himself.
I must admit, I had preconceptions about a male stripper, and what he got up to with his customers. But Nash blew them all out the water. As did the fact that I, very wrongly, pegged Nash as all body and no brains! I've no idea WHY I thought that, but I did. And for that I'm truly sorry!
I liked the pace the story moved at, not too fast, at a fair and even pace so you can keep up. I DID get who the killer was, just as soon as they popped up in the story, but I did NOT get what they had done before! Loved watching the main play out, so many wrong turns!
It's not over explicit, but it is still incredibly sexy. It does get a little gruesome in the beginning, when it is describing a victim's suffering at the hands of the killer.
I do like the way Rock tells her tales, one to watch, me finks!
4 solid stars
**same worded review will appear elsewhere**
Carma (21 KP) rated How to Lose a Fiancé in Books
Jun 17, 2019
Sophia is tired of being told how to live her life by her overbearing, overprotecting father. When he calls her into his office to let her know she will be sent to Greece to marry a stranger she has had enough. She doesnt care that Dions acquisition of her fathers company will save their family, according to her father. She only wants her freedom. After thinking things through she decides to be the worst possible fiancé any one man could ever imagine. That way hed be forced to send her home and shed be free to follow her dreams.
Dion cant believe he agreed to marry the daughter of the man in charge of the company he wants to acquire. His bastard of a biological fathers old company, but no one will know that little tidbit of information. He looked Sophia up online and she seemed to fit into the stereotypical corporate wife he needs. Too bad the walking disaster that heads over to him in the airport is not quite what he was expecting.
Part of Sophias plan involves dressing as wildly as she can without trying to look like she has gone off the deep end. The itchy woolen sweater she chose to change into when they landed only adds to the hideousness of it all. The look on Dions face is worth the itching. Now to fully put her plan into action, she must find a taxidermy fox.
Dion has no idea what to do with this hideous fox that has somehow made its way into his home. Soon hatching a plot with the fox we first encountered in book 1 How to win a fiance. He soon figures out what Sophia is actually up to and together they agree to find a common ground and go ahead with the wedding. Theirs could be a good friendship opportunity for each other, each getting what they desire in life.
Dion and Sophia have pasts and families that dont lend themselves to Hallmark Movie Channel heart touching sentiment. Dion loses the one father figure he has, and Sophias actual father is lacking in just about every redeeming quality. They work through it together and make their own family ties. I voluntarily read and reviewed an advance reader copy without expectations. 4 ½ stars for this newest release from Ms. London.
Dion cant believe he agreed to marry the daughter of the man in charge of the company he wants to acquire. His bastard of a biological fathers old company, but no one will know that little tidbit of information. He looked Sophia up online and she seemed to fit into the stereotypical corporate wife he needs. Too bad the walking disaster that heads over to him in the airport is not quite what he was expecting.
Part of Sophias plan involves dressing as wildly as she can without trying to look like she has gone off the deep end. The itchy woolen sweater she chose to change into when they landed only adds to the hideousness of it all. The look on Dions face is worth the itching. Now to fully put her plan into action, she must find a taxidermy fox.
Dion has no idea what to do with this hideous fox that has somehow made its way into his home. Soon hatching a plot with the fox we first encountered in book 1 How to win a fiance. He soon figures out what Sophia is actually up to and together they agree to find a common ground and go ahead with the wedding. Theirs could be a good friendship opportunity for each other, each getting what they desire in life.
Dion and Sophia have pasts and families that dont lend themselves to Hallmark Movie Channel heart touching sentiment. Dion loses the one father figure he has, and Sophias actual father is lacking in just about every redeeming quality. They work through it together and make their own family ties. I voluntarily read and reviewed an advance reader copy without expectations. 4 ½ stars for this newest release from Ms. London.
Bong Mines Entertainment (15 KP) rated Gold In My Veins - Single by Kid Pharaoh in Music
Jun 17, 2019
Kid Pharaoh is a rapper with Egyptian and Australian roots. Not too long ago, he released a music video for his self-produced single, entitled, “Gold In My Veins”.
“Gold on your neck, but I got gold in my brown skin. See yeah with your frontin’ ways. Your stunting chains and big face hundreds man. You hustling, but tell me what you covering? I never needed all that ‘cause I come from kings. So, what I need a Rollie for? It’s my time. I don’t need no gold to show how I shine. You can quit all that talking and lying.” – lyrics
Shot by Shaq Azhar in Wollongong, NSW, the audiovisual features Kid Pharaoh as the lead protagonist.
He plays an accountant in the office environment of Pharaoh Financial. The accountant comically analyses the expenses of a lavish rapper’s lifestyle. Also, he questions its worth and dismisses its relevance.
“Celebrating my Egyptian heritage and its rich history has always been at the forefront of what I do. But ‘Gold In My Veins’ allowed me to do so in a way that let me explore a new lane of sounds I was yet to touch. Inspired by the bounce and grooves of early 2000s Pharrell and Neptunes produced music I grew up with.” – Kid Pharaoh
‘Gold In My Veins’ tells an interesting tale from Kid Pharaoh’s point of view which claims his hip-hop kingship based on his royal ancestry.
Apparently, the savvy emcee’s soul is made of gold, and he is from a lineage of pharaohs who sat on thrones in the Valley of the Kings.
Later, Kid Pharaoh reveals that no one is messing with him because he’s the best in his city, state, and country.
‘Gold In My Veins’ contains a relatable storyline, braggadocious raps, and lush instrumentation scented with a hip-hop fragrance.
“You can tell these rappers I don’t need to stunt. You can tell these rappers they don’t need to front. With your false claims and your gold chains, I was born from the kings, one thing. You can tell ‘em keep the gold in your chain ’cause yeah I got gold in my veins.” – lyrics
Kid Pharaoh provides a raw and unique voice for an underrepresented Arabic community in Australia.
https://www.bongminesentertainment.com/kid-pharaoh-gold-in-my-veins/
“Gold on your neck, but I got gold in my brown skin. See yeah with your frontin’ ways. Your stunting chains and big face hundreds man. You hustling, but tell me what you covering? I never needed all that ‘cause I come from kings. So, what I need a Rollie for? It’s my time. I don’t need no gold to show how I shine. You can quit all that talking and lying.” – lyrics
Shot by Shaq Azhar in Wollongong, NSW, the audiovisual features Kid Pharaoh as the lead protagonist.
He plays an accountant in the office environment of Pharaoh Financial. The accountant comically analyses the expenses of a lavish rapper’s lifestyle. Also, he questions its worth and dismisses its relevance.
“Celebrating my Egyptian heritage and its rich history has always been at the forefront of what I do. But ‘Gold In My Veins’ allowed me to do so in a way that let me explore a new lane of sounds I was yet to touch. Inspired by the bounce and grooves of early 2000s Pharrell and Neptunes produced music I grew up with.” – Kid Pharaoh
‘Gold In My Veins’ tells an interesting tale from Kid Pharaoh’s point of view which claims his hip-hop kingship based on his royal ancestry.
Apparently, the savvy emcee’s soul is made of gold, and he is from a lineage of pharaohs who sat on thrones in the Valley of the Kings.
Later, Kid Pharaoh reveals that no one is messing with him because he’s the best in his city, state, and country.
‘Gold In My Veins’ contains a relatable storyline, braggadocious raps, and lush instrumentation scented with a hip-hop fragrance.
“You can tell these rappers I don’t need to stunt. You can tell these rappers they don’t need to front. With your false claims and your gold chains, I was born from the kings, one thing. You can tell ‘em keep the gold in your chain ’cause yeah I got gold in my veins.” – lyrics
Kid Pharaoh provides a raw and unique voice for an underrepresented Arabic community in Australia.
https://www.bongminesentertainment.com/kid-pharaoh-gold-in-my-veins/
Gareth von Kallenbach (965 KP) rated Captain Marvel (2019) in Movies
Jun 19, 2019
Marvel Studios has once again launched a new franchise within their expansive Marvel Cinematic Universe with the arrival of “Captain Marvel”. The film tells the origin of the title character (Brie Larson), who struggles with gaps in her memory while serving as a Kree Protector under the supervision of Yon-Rogg (Jude Law).
When things do not go as planned during a mission; the good Captain finds herself on Earth forced to wait for her crew to retrieve her. The gaps in her memory combined with the arrival of the shape-shifting Skrulls are bad enough, but now there is also the arrival of S.H.I.E.L.D. agent Nick Fury (Samuel L. Jackson) for her to contend with.
Being set in the 90s we get a Fury that has yet to be awakened to what is truly out there so he finds the claims of alien beings a bit hard to grasp until fate pairs him with the Captain who must stop the threat posed by the aliens and unlock the mystery of her missing memories.
While the film takes a while to get going; there is enough action scattered throughout to keep your interest and the finale is a rousing FX showcase that really helps establish the character and delivers what fans expect.
Naturally there is a good amount of humor along the way and the dynamic between Larson and Jackson is very good and I hope we get to see them paired on future Marvel adventures.
The supporting cast of Jude Law, Annette Bening, and Ben Mendelsohn is great and it was nice to see many other characters from past Marvel films appear as younger versions of themselves.
The film had to balance establishing the character and setting up further adventures with making sure audiences understood her importance and why her presence in “Avengers: Endgame” is connected and does so very well.
Larson was amazing in the title role as she portrays a strength and confidence without ever being arrogant but there is also a quick wit and at times; a vulnerability that makes her character more well-rounded than people would expect from a comic based film.
It is amazing to me how Marvel Studios can take some of their lesser known characters and turn them into Box Office gold and their winning formula continues with this entertaining new franchise.
http://sknr.net/2019/03/05/captain-marvel/
When things do not go as planned during a mission; the good Captain finds herself on Earth forced to wait for her crew to retrieve her. The gaps in her memory combined with the arrival of the shape-shifting Skrulls are bad enough, but now there is also the arrival of S.H.I.E.L.D. agent Nick Fury (Samuel L. Jackson) for her to contend with.
Being set in the 90s we get a Fury that has yet to be awakened to what is truly out there so he finds the claims of alien beings a bit hard to grasp until fate pairs him with the Captain who must stop the threat posed by the aliens and unlock the mystery of her missing memories.
While the film takes a while to get going; there is enough action scattered throughout to keep your interest and the finale is a rousing FX showcase that really helps establish the character and delivers what fans expect.
Naturally there is a good amount of humor along the way and the dynamic between Larson and Jackson is very good and I hope we get to see them paired on future Marvel adventures.
The supporting cast of Jude Law, Annette Bening, and Ben Mendelsohn is great and it was nice to see many other characters from past Marvel films appear as younger versions of themselves.
The film had to balance establishing the character and setting up further adventures with making sure audiences understood her importance and why her presence in “Avengers: Endgame” is connected and does so very well.
Larson was amazing in the title role as she portrays a strength and confidence without ever being arrogant but there is also a quick wit and at times; a vulnerability that makes her character more well-rounded than people would expect from a comic based film.
It is amazing to me how Marvel Studios can take some of their lesser known characters and turn them into Box Office gold and their winning formula continues with this entertaining new franchise.
http://sknr.net/2019/03/05/captain-marvel/
Chris Sawin (602 KP) rated JCVD (Van Dammage) (2008) in Movies
Jun 20, 2019 (Updated Jun 22, 2019)
Jean-Claude Van Damme has pretty much always been known as a cliche action movie star. He's known for his skills in various different types of martial arts and if you haven't seen any of his films, you can pretty much figure out what they're heavy on (and more than likely light on) considering his talents. Along comes JCVD, a film that tells the story of what it's like to be a washed up action star. Between his money problems and his ongoing custody battle for his daughter with his ex-wife, Van Damme has a full plate. So he decides to travel to Belgium, his homeland, to reconnect with his parents and hopefully just get away from all the headaches that come with living a Hollywood lifestyle. Then, a simple trip to the post office turns into a nightmare as Van Damme realizes he may not be walking out of there alive.
JCVD shows a side of Van Damme that nobody has really seen before. His acting chops take center stage this time around and it's incredible how much range he actually has. He's able to showcase the fact that he has a lot more talent than fans or the moviegoing audience actually gave him credit for. There's a six minute monologue that might just be the best scene in the film. You can hear the pain in Van Damme's voice as the anguish he's going through bleeds through the words spilling from his mouth. Tears stream down his face as his face wrenches in torment. And then as quickly as the monologue begins, it ends. The scene itself, along with the way it was pulled off, is really the most memorable part of the film for me.
JCVD highlights all of the potential Jean-Claude Van Damme has as an actor. Not as an action movie star, but as a legitimate actor. Don't go into this expecting the usual bone breaking or face bashing someone may find in a film that Van Damme is usually found in. This film has a kick to it and not in the literal sense. It's an unexpected surprise that could put Van Damme back on top of his game, if played right. It could certainly do for him what The Wrestler did for Mickey Rourke. People who aren't fans of Van Damme's work will more than likely still enjoy this if they're willing to give it a chance.
JCVD shows a side of Van Damme that nobody has really seen before. His acting chops take center stage this time around and it's incredible how much range he actually has. He's able to showcase the fact that he has a lot more talent than fans or the moviegoing audience actually gave him credit for. There's a six minute monologue that might just be the best scene in the film. You can hear the pain in Van Damme's voice as the anguish he's going through bleeds through the words spilling from his mouth. Tears stream down his face as his face wrenches in torment. And then as quickly as the monologue begins, it ends. The scene itself, along with the way it was pulled off, is really the most memorable part of the film for me.
JCVD highlights all of the potential Jean-Claude Van Damme has as an actor. Not as an action movie star, but as a legitimate actor. Don't go into this expecting the usual bone breaking or face bashing someone may find in a film that Van Damme is usually found in. This film has a kick to it and not in the literal sense. It's an unexpected surprise that could put Van Damme back on top of his game, if played right. It could certainly do for him what The Wrestler did for Mickey Rourke. People who aren't fans of Van Damme's work will more than likely still enjoy this if they're willing to give it a chance.