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Kyera (8 KP) rated Pandemonium (Delirium, #2) in Books
Jan 31, 2018
My reaction at the end of the book: I just can't.
I didn't think that it was possible to end the second book with a bigger reveal/cliffhanger than Delirium - but Lauren Oliver shocked me. She slipped a little comment in that immediately made you wonder, "could it be?" I spent the next few pages fearfully reading, unsure if I wanted to know. Which ending would I prefer? All I could do was repeat no, no, no, over and over. This book is the definition of a book hangover. I immediately had to begin reading the third novel in the series.
The world building is just as immersive and well-done as the first. The author vividly describes the landscape and the new hierarchy in which Lena finds herself. This book no longer takes place in Portland, Maine but switches perspectives between the Wilds and New York City. We are also introduced to a new set of characters that help transition Lena into her new Wilds life.
Raven is the leader, young but formed under pressure like a diamond by the Wilds. Tack is her right-hand man, reliable but a bit unfriendly. She is surrounded by Hunter and Bram, tiny Blue, Grandma, Lucky, and many others. There are so many "invalids" in the Wilds that they are not all well-developed and unique characters. Those that are more important to the story are given the attention that they deserve. (Raven is also given a novella, which is a wonderful insight and in my opinion the best of the four novellas that accompany the series.) Lena must find her place and pull her weight - collecting water, tending the fire and checking for messages in the trees.
The style of switching perspectives from now to then continuously was a little off-putting at first. Before long, you get used to the style and are fully immersed in the story. Just as engaging as the first and highly recommended. Just a warning that there are more curse words in the novel than in the first.
I didn't think that it was possible to end the second book with a bigger reveal/cliffhanger than Delirium - but Lauren Oliver shocked me. She slipped a little comment in that immediately made you wonder, "could it be?" I spent the next few pages fearfully reading, unsure if I wanted to know. Which ending would I prefer? All I could do was repeat no, no, no, over and over. This book is the definition of a book hangover. I immediately had to begin reading the third novel in the series.
The world building is just as immersive and well-done as the first. The author vividly describes the landscape and the new hierarchy in which Lena finds herself. This book no longer takes place in Portland, Maine but switches perspectives between the Wilds and New York City. We are also introduced to a new set of characters that help transition Lena into her new Wilds life.
Raven is the leader, young but formed under pressure like a diamond by the Wilds. Tack is her right-hand man, reliable but a bit unfriendly. She is surrounded by Hunter and Bram, tiny Blue, Grandma, Lucky, and many others. There are so many "invalids" in the Wilds that they are not all well-developed and unique characters. Those that are more important to the story are given the attention that they deserve. (Raven is also given a novella, which is a wonderful insight and in my opinion the best of the four novellas that accompany the series.) Lena must find her place and pull her weight - collecting water, tending the fire and checking for messages in the trees.
The style of switching perspectives from now to then continuously was a little off-putting at first. Before long, you get used to the style and are fully immersed in the story. Just as engaging as the first and highly recommended. Just a warning that there are more curse words in the novel than in the first.
JT (287 KP) rated Starred Up (2014) in Movies
Mar 16, 2020
Violent and to the point (1 more)
Great acting
Prison Isn't Suppoed To Be A Holiday Camp
Prison dramas don’t get much grittier than this. Not since Scum has there been one with as much brutal tour de force. Eric (Jack O’Connell) is ‘starred up’. A term used to describe violent young offenders moved straight into an adult prison. Once he gets inside he comes face to face with the only person that might be able to control him, his father Neville (Ben Mendelsohn).
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
It’s a major part of their relationship as Nev’s parental tactics involve the cruel to be kind method. It’s the only way that Eric is going to survive and the only way he will walk out in one piece. Eric finds some solace in Oliver (Rupert Friend) whose anger management sessions are a place to unleash a tirade of resentment. It places him within a group where any other individual might find themselves out of their depth – Eric takes it full on.
The film is written by Jonathan Asser, a former prison psychotherapist who worked in HMP Wandsworth. So he more than anyone can inject the film with a massive sense of realism. The prison violence can be hard to watch but you don’t find yourself turning away from the screen.
It’s not shrouded in Hollywood gloss and is shot with graphic precision. Mendelsohn’s performance is excellent playing the psycho and his delivery is spot on. Friend is also a joy to watch and a real talent. The Homeland star-making imprints into the acting elite.
However, this is very much O’Connell’s film and it’s not hard to see why he is fast becoming a standout actor. Grabbing this role in a vice-like grip he battles with his personality, the adoration from his father and a corrupt system who want him eradicated. It doesn’t paint the prison system in a particularly good light but then prison isn’t supposed to be a holiday camp.
Sarah (7800 KP) rated The Lion King (2019) in Movies
Jul 31, 2019
Lacking in heart
The Lion King is one of my all time favourite Disney films, so I approached this 'live action' remake with a lot of trepidation, and I'm afraid to say I was right to be worried.
Visually it looks stunning, which shouldn't really be a surprise as it has been brought to us by the same guys that did The Jungle Book. However I'm afraid the visuals are pretty much all this film has going for it. This film is virtually a carbon copy of the original animation but with all of the heart, soul and humour taken out of it. The problem with these Disney live action remakes is they're unnecessary and stuck in a difficult position - differ too much from the original and people hate it, but sticking too close to the original and it begs the question as to why not just watch the original? It's more difficult for The Lion King as it's gone from being cartoon animation to CGI animation and apart from looking more natural, that's the only real difference.
They've lost virtually all of the magic that made the original great in the first place. The humour either falls flat due to the poor execution, or has been removed and replaced with something much less witty and funny. I mean, where was dress in drag & do the hula?! I dont think the voice cast helps. Other than Chiwetel Ejiofor and of course James Earl Jones, the rest of the voice cast just seemed ridiculously out of place and ill fitting with the film. I cringed every time I heard Zazu as Jon Oliver is definitely no Rowan Atkinson! And dont even get me started on Beyonce. We really didnt need her horrific versions of songs thrown in too. Although the rest of the songs did at least make the rest of the film more bearable.
Altogether despite the stunning CGI, this is a very poor copy of the original and definitely one I wont be watching again - just stick to the original.
Visually it looks stunning, which shouldn't really be a surprise as it has been brought to us by the same guys that did The Jungle Book. However I'm afraid the visuals are pretty much all this film has going for it. This film is virtually a carbon copy of the original animation but with all of the heart, soul and humour taken out of it. The problem with these Disney live action remakes is they're unnecessary and stuck in a difficult position - differ too much from the original and people hate it, but sticking too close to the original and it begs the question as to why not just watch the original? It's more difficult for The Lion King as it's gone from being cartoon animation to CGI animation and apart from looking more natural, that's the only real difference.
They've lost virtually all of the magic that made the original great in the first place. The humour either falls flat due to the poor execution, or has been removed and replaced with something much less witty and funny. I mean, where was dress in drag & do the hula?! I dont think the voice cast helps. Other than Chiwetel Ejiofor and of course James Earl Jones, the rest of the voice cast just seemed ridiculously out of place and ill fitting with the film. I cringed every time I heard Zazu as Jon Oliver is definitely no Rowan Atkinson! And dont even get me started on Beyonce. We really didnt need her horrific versions of songs thrown in too. Although the rest of the songs did at least make the rest of the film more bearable.
Altogether despite the stunning CGI, this is a very poor copy of the original and definitely one I wont be watching again - just stick to the original.
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