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Darren (1599 KP) rated 100 Bloody Acres (2013) in Movies

Jun 20, 2019

100 Bloody Acres (2013)

2013 | Comedy, Horror

7.0

(1 Ratings)

Movie Rating

Story: 100 Bloody Acres starts as we meet one of the brothers Reg (Herriman) who is a part of an organic fertiliser business, after Reg picks up a dead body, he finds himself drawn into picking up three hitchhikers, Sophie (McGahan), James (Ackland) and Wes (Kristian) who are heading to a music festival for a binge filled weekend.

Once Reg arrives back to his brother Lindsay (Sampson) the hapless brothers must decide to kill the three to continue to produce the highly popular fertiliser and keep their reputation up or let them go.

Thoughts on 100 Bloody Acres

Characters/Performance – Reg is the simple-minded brother who is always out to impress his brother, he brings the victims back to the factory. Lindsay is the brains of the act and he must clean up the mess Reg has left him in. He will go through with any killing. Sophie is the main reason Reg stops, she is travelling with her boyfriend but been cheating on him with their other friend. James just believes he is going to have the life he planned with Sophie. Wes is the traveller who enjoys a drug or two finding himself high through the whole film.

Performance wise, Damon and Angus are both good as the brother showing good chemistry as they do come off very different. Anna, Oliver and Jamie are all fine in the victim roles without coming off as interesting characters.

Story – The story has moments that feel fresh in places but in the main it is all just another version of group of travellers get taken by isolated people who must fight to survive or become the latest victims. It has good moments but doesn’t end up being the most memorable story in the genre.

Comedy/Horror – The comedy is good in places and does add to all the events of the film as it is almost what could go wrong does go wrong. The horror works in places too as we get the gore from it.

Settings – The Australian outback always makes for a good setting as we know how isolated the places are when it comes to the horror.

Special Effects – The effects work when needed without being used too often, the highlights come from the wild trip Wes is going through.

Final Thoughts – You want to see an Australian version of Tucker & Dale versus Evil, then this is for you but it doesn’t quite live up to the levels of that one.

Overall: Enjoyable horror comedy.

https://moviesreview101.com/2017/10/18/movie-reviews-101-midnight-halloween-horror-100-bloody-acres-2012/

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LeftSideCut (3776 KP) rated The Invisible Man (2020) in Movies

Mar 11, 2020

The Invisible Man (2020)

2020 | Horror, Sci-Fi

7.5

(45 Ratings)

Movie Rating

I've always found the premise of The Invisible Man damn scary. Someone watching you, stood next to you, whilst you carry on obliviously. It's the kind of scariness that gets under the skin, honestly, just like this movie does. For the first time in a while, I felt truly uncomfortable and genuinely scared throughout a fair chunk of the run time.

The movie starts with leading lady Cecilia (Elisabeth Moss) quietly and frantically leaving her house in the dead of night, to get away from her abusive relationship with partner Adrian (Oliver Jackson-Cohen).
This opening scene sets the tone nicely. It's dimly lit, it's mostly silent, it's tense, and climaxes frantically with a swelling of orchestral score (the original score by Benjamin Wallfisch is fantastic throughout).
Finally free and living with friends, Cecilia is somewhat comforted by the news that Adrian has subsequently committed suicide, and is no longer a threat to her.
Before long though, she is being stalked by an unseen presence, and she quickly becomes convinced that Adrian as alive and well, and has perfected his work in the optics field to turn himself invisible, and systematically ruin her life.

Once it becomes apparent that Cecilia is not alone is where the movie really shines. We're subjected to wide shot after wide shot of her going about her daily routines, with plenty of empty camera space, where we as the audience are prompted to search the shot for clues, to see if we can see where The Invisible Man is in the moment. It's a simple and hugely effective tactic that had me squirming. The constant under current of dread is really quite horrible.

Elisabeth Moss is great from start to finish. The torment that she is out through is portrayed really well, and it doesn't take a lot to sympathise with her, and the yearning for everyone else to see she isn't crazy is strong.

Towards the final act, the tension predictably takes a bit of a backseat for a more fast faced finale, which mostly works, but it's hard to ignore a few glaring plot holes, and a late twist that feels like it was thrown in just for the sake of it. It's not enough to ruin what is undoubtedly a pretty solid edge-of-your-seat thriller though.
If Universal had perhaps approached The Mummy with a similar style, then we could be in the midst of a great Dark Universe franchise, but if all the seperate entries end up being as strong as The Invisible Man, then it's no loss.