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RəX Regent (349 KP) rated Wall Street (1987) in Movies
Feb 19, 2019
When looking to review a film like this, there are two distinct points of view to take in to a account:
The first being the contemporary context. That being that this was made in 1987, at the height of the Wall Street boom and that, at the time, this must have been a revelation for so many people, who still had either faith or ignorance about the financial institutions which had metamorphosed into the corrupt capitalist cancer which we all know today.
The later half of the 80’s was to herald the fall of the Gordon Gecco’s and this film, whilst reflecting its time, was also ushering in an era of doom for Wall Street, as well as the continuing propagation of this corruption which would lead to the 2008 crash which are still reeling from today.
So given that like so many films which have essentially whistle blown in there own time, Psycho (1960) also springs to mind, the impact is lessened by thirty years of dilution, in which case it would be unfair to judge the film harshly on the fact that it does not really tell us anything new today.
But when it comes to judging how well the film was made, that is surly timeless.
And considering that Oliver Stone put this together, I was disappointed. The characters where not only dislikable, which I am sure was intentional, they were also poorly written. People just come and go throughout and with the exceptions of Michael Douglas’ Gorden Gecco, Charlie Sheen’s Bud Fox and his real life father, Martin Sheen as Bud’s blue collar dad, the rest of the cast seemed to be wasted.
The plot was all over the place, inconstant and littered with goofs and continuity errors right from the get-go. In fact, it only took a few minutes before I was aghast that a film which begins in 1985 made a reference to Gecco’s ruthlessness by stating that he made money out of the Challenger disaster, which did not occur until January 1986!
Charlie Sheen’s character is difficult to sympathise with, not only because he is trying to be the villain, yet of course he finds his soul by the end, but that he is so utterly naive that it is beyond belief!
It is never clear how much money is being made, who has what or what the real gains or losses are by the end, to the point that whist it is implied that Sheen will be jailed for his insider trading, the film ends before he enters the court and Gecco, who has been recorded by Sheen confessing to his involvement, is never resolved at all!
By the end I was really annoyed by how shallow and lackadaisical the script was, seemingly only really interested in showing the power hungry greed of Wall Street traders at this time.
“Greed is good”.
Well, Mr Stone, so is some exposition.
The first being the contemporary context. That being that this was made in 1987, at the height of the Wall Street boom and that, at the time, this must have been a revelation for so many people, who still had either faith or ignorance about the financial institutions which had metamorphosed into the corrupt capitalist cancer which we all know today.
The later half of the 80’s was to herald the fall of the Gordon Gecco’s and this film, whilst reflecting its time, was also ushering in an era of doom for Wall Street, as well as the continuing propagation of this corruption which would lead to the 2008 crash which are still reeling from today.
So given that like so many films which have essentially whistle blown in there own time, Psycho (1960) also springs to mind, the impact is lessened by thirty years of dilution, in which case it would be unfair to judge the film harshly on the fact that it does not really tell us anything new today.
But when it comes to judging how well the film was made, that is surly timeless.
And considering that Oliver Stone put this together, I was disappointed. The characters where not only dislikable, which I am sure was intentional, they were also poorly written. People just come and go throughout and with the exceptions of Michael Douglas’ Gorden Gecco, Charlie Sheen’s Bud Fox and his real life father, Martin Sheen as Bud’s blue collar dad, the rest of the cast seemed to be wasted.
The plot was all over the place, inconstant and littered with goofs and continuity errors right from the get-go. In fact, it only took a few minutes before I was aghast that a film which begins in 1985 made a reference to Gecco’s ruthlessness by stating that he made money out of the Challenger disaster, which did not occur until January 1986!
Charlie Sheen’s character is difficult to sympathise with, not only because he is trying to be the villain, yet of course he finds his soul by the end, but that he is so utterly naive that it is beyond belief!
It is never clear how much money is being made, who has what or what the real gains or losses are by the end, to the point that whist it is implied that Sheen will be jailed for his insider trading, the film ends before he enters the court and Gecco, who has been recorded by Sheen confessing to his involvement, is never resolved at all!
By the end I was really annoyed by how shallow and lackadaisical the script was, seemingly only really interested in showing the power hungry greed of Wall Street traders at this time.
“Greed is good”.
Well, Mr Stone, so is some exposition.
Gareth von Kallenbach (980 KP) rated Snowden (2016) in Movies
Jul 15, 2019
As with every Oliver Stone movie, you have to consider context while watching it. Snowden is a persuasive essay attempting to turn the focus from the crime committed by Edward Snowden to the mass surveillance practices of the US government during the Bush and Obama administration. This story was huge when the leaks began hitting the internet and so I was very familiar with the story through the media coverage ensued. Through that coverage it was made to seem as though Snowden, a low level contractor, stole data and was putting it on the internet to spite the American government.
Later more information came forth that he wasn’t as low level as we were led to believe and that Snowden was claiming that he performed the illegal act out of love for his country, not out of spite to harm it. But for a large portion of the country the original story has already been burned into their brain and nothing short of Ronald Reagan descending from heaven to tell them otherwise will change that. A few months ago Donald Trump even called for Snowden’s execution, if that helps paint a picture of the mindset of a portion of the US population about Edward Snowden.
This movie was made to convince you otherwise, that Snowden was and still is a brave American hero. It tells the story beginning with his Special Forces training and takes you all the way through the incident and up to present day, with the actual infamous Edward Snowden closing out the movie. I won’t go into too much detail here because I hate when reviews ruin a movie but I will say that it covers the whole story right down to the Ocean Eleven’s esque way that he got the files out of secured US spy facility.
This movie surprisingly also weaves a love story in and out of the technical background of the data release and while I enjoyed that aspect of the movie, some of it made me question its authenticity… it wasn’t realistic at times how the two reacted to different problems that arose in their relationship.
I left the movie thinking how strange it was that the espionage was the most believable part of the movie and the love story seemed contrived.
Joseph Gorden-Levitt was awesome. I’ve watched enough Snowden videos to know that he nailed it. The love interest was cute and likeable, but the primary antagonist was a bit over the top for a movie based on reality. But I guess that’s what this movie was trying to tell me… that there are some seriously evil people working for our government.
The pacing was good, acting was great, subject matter was insanely interesting and the love story humanized the hacker/criminal/hero. Go see it with an open mind, consider the context with which the film was created and come to your own conclusion. Snowden… hero or villain?
Later more information came forth that he wasn’t as low level as we were led to believe and that Snowden was claiming that he performed the illegal act out of love for his country, not out of spite to harm it. But for a large portion of the country the original story has already been burned into their brain and nothing short of Ronald Reagan descending from heaven to tell them otherwise will change that. A few months ago Donald Trump even called for Snowden’s execution, if that helps paint a picture of the mindset of a portion of the US population about Edward Snowden.
This movie was made to convince you otherwise, that Snowden was and still is a brave American hero. It tells the story beginning with his Special Forces training and takes you all the way through the incident and up to present day, with the actual infamous Edward Snowden closing out the movie. I won’t go into too much detail here because I hate when reviews ruin a movie but I will say that it covers the whole story right down to the Ocean Eleven’s esque way that he got the files out of secured US spy facility.
This movie surprisingly also weaves a love story in and out of the technical background of the data release and while I enjoyed that aspect of the movie, some of it made me question its authenticity… it wasn’t realistic at times how the two reacted to different problems that arose in their relationship.
I left the movie thinking how strange it was that the espionage was the most believable part of the movie and the love story seemed contrived.
Joseph Gorden-Levitt was awesome. I’ve watched enough Snowden videos to know that he nailed it. The love interest was cute and likeable, but the primary antagonist was a bit over the top for a movie based on reality. But I guess that’s what this movie was trying to tell me… that there are some seriously evil people working for our government.
The pacing was good, acting was great, subject matter was insanely interesting and the love story humanized the hacker/criminal/hero. Go see it with an open mind, consider the context with which the film was created and come to your own conclusion. Snowden… hero or villain?
BankofMarquis (1832 KP) rated The Invisible Man (2020) in Movies
Mar 6, 2020
Pleasantly Surprised with a Great Lead Performance by Moss
I really had no desire to check out the Blumhouse re-imaging of the classic Universal horror classic THE INVISIBLE MAN, but I was hearing positive comments on it - especially about the lead performance - so I figured I'd better check it out.
And I'm glad I did. For this INVISIBLE MAN is taught and tense with (of course) a strong leading performance. And...it has something else...
Intelligence.
Originally, THE INVISIBLE MAN was supposed to be part of the ongoing Universal Studios "Dark Universe" series of films - Universal's answer to the Marvel Cinematic Universe or the DCEU - but when the first film in this series THE MUMMY tanked at the box office, Universal made a "first look deal" with Blumhouse Studios (makers of such low budget horror films as PARANORMAL ACTIVITY and THE PURGE) to make stand alone films with the classic Universal Studios characters.
First up...THE INVISIBLE MAN...replacing Johnny Depp in the titular role and changing the focus of the film from THE INVISIBLE MAN to a woman (Elizabeth Moss) being harassed (or is she?) by THE INVISIBLE MAN.
And...an inspired choice it is. I was surpirsed by the restraint and intelligence that Blumhouse - and Director Leigh Whanell (UPGRADE) - show with this material. Whanell ratchets up the tension and let's the audience sit in the uncertainty that the main character has.
And...when that main character is performed as well as Elisabeth Moss (THE HANDMAID'S TALE), then it is 2 hours well worth your time. Moss' performance is the glue that holds this film together. If she isn't as good as she is in her role, then this film doesn't work. She is...and it does. Some say that she should earn an Oscar nomination for this work. I wouldn't quite go there (if any actress in a Horror film deserves an Oscar nomination, it would have been Lupita Nyong'o in US last year) but it is a very, very good performance.
As is the performances of Harriet Dyer (as Moss' sister) and Aldis Hodge (as a friend of Moss' character). These two brought watch-ability, and believe-ability, to their characters and situations. And this is good for, if I'm to be honest, this film does fall down in the believe-ability factor. I have a tendency to turn that part of my brain off in these types of films, but there are HUGE plot holes and gaps in logic that I just couldn't ignore, which brought this film down a peg or so.
As does the performance of Oliver Jackson-Cohen in the title role. I just didn't like what he was doing in this role, but fortunately, we don't see much of him (rim-shot).
Overall, a pleasant enough surprise with an intelligence I wasn't expecting and a lead performance that is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(OfMarquis)
And I'm glad I did. For this INVISIBLE MAN is taught and tense with (of course) a strong leading performance. And...it has something else...
Intelligence.
Originally, THE INVISIBLE MAN was supposed to be part of the ongoing Universal Studios "Dark Universe" series of films - Universal's answer to the Marvel Cinematic Universe or the DCEU - but when the first film in this series THE MUMMY tanked at the box office, Universal made a "first look deal" with Blumhouse Studios (makers of such low budget horror films as PARANORMAL ACTIVITY and THE PURGE) to make stand alone films with the classic Universal Studios characters.
First up...THE INVISIBLE MAN...replacing Johnny Depp in the titular role and changing the focus of the film from THE INVISIBLE MAN to a woman (Elizabeth Moss) being harassed (or is she?) by THE INVISIBLE MAN.
And...an inspired choice it is. I was surpirsed by the restraint and intelligence that Blumhouse - and Director Leigh Whanell (UPGRADE) - show with this material. Whanell ratchets up the tension and let's the audience sit in the uncertainty that the main character has.
And...when that main character is performed as well as Elisabeth Moss (THE HANDMAID'S TALE), then it is 2 hours well worth your time. Moss' performance is the glue that holds this film together. If she isn't as good as she is in her role, then this film doesn't work. She is...and it does. Some say that she should earn an Oscar nomination for this work. I wouldn't quite go there (if any actress in a Horror film deserves an Oscar nomination, it would have been Lupita Nyong'o in US last year) but it is a very, very good performance.
As is the performances of Harriet Dyer (as Moss' sister) and Aldis Hodge (as a friend of Moss' character). These two brought watch-ability, and believe-ability, to their characters and situations. And this is good for, if I'm to be honest, this film does fall down in the believe-ability factor. I have a tendency to turn that part of my brain off in these types of films, but there are HUGE plot holes and gaps in logic that I just couldn't ignore, which brought this film down a peg or so.
As does the performance of Oliver Jackson-Cohen in the title role. I just didn't like what he was doing in this role, but fortunately, we don't see much of him (rim-shot).
Overall, a pleasant enough surprise with an intelligence I wasn't expecting and a lead performance that is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(OfMarquis)
Kristy H (1252 KP) rated The Missing Ones in Books
Mar 19, 2020
Research librarian Hester Thursby returns in THE MISSING ONES, but she's not the same. Shaken by the traumatic series of events that occurred in book one, Hester is anxious and guilty. This affects her parenting of four-year-old, Kate, the daughter of her partner Morgan's sister, Daphne. (Follow that?) Daphne has now been gone for over a year, and Hester and Morgan are still caring for Kate. Meanwhile, on Finisterre Island in Maine, Rory, a local cop, is watching the ferry come in yet again. He's ignoring the whispers and suspicion of others on the island, who believe he is responsible for taking Oliver, a four-year-old who disappeared over the summer--and whom Rory found, safe and sound. Now another child is missing. Soon Hester gets a text--asking her to come to the island. In short order, she'll find a body there, and connect it to the missing children. But Finisterre Island is a small place, and not one to give up its secrets easily.
Reading this novel has definitely secured Edwin Hill and the Hester Thursby series as a go-to author/series combo for me. This was an excellent and compelling read. Hester is a wonderful, complex protagonist, and I hated to see her so fragile and struggling. I love Hill's stable of regular characters--Hester, Morgan, Kate, and their dog, Waffles. Plus, several folks from the last book pop up again, which was fun. Always hovering in the background is the missing Daphne, and Hester's complicated feelings: Daphne is her best friend; Morgan's sister; and Kate's mother. Of course she wants her back in their lives, but by now, she fiercely loves Kate and feels like her mother. It adds a deeper layer to the books and an aspect that I really enjoy. And Kate, while "just" four, is a total trip. I love that kid.
The mystery presented here is wonderfully plotted and complex. Introducing Finisterre Island gives us a whole host of new characters: Rory; Annie, Faith, and young Ethan, who are all squatting in a broken down Victorian on the Island; Lydia, Oliver's mother, who runs the local inn and bakery and her husband Trey, a state cop; and others. With a small island comes intense and tangled relationships, and Hill presents and handles them all deftly. The story kept me guessing and intrigued--fascinated both by the murder and mysteries, as well as Hester's own personal issues. Seeing a vulnerable side to her was difficult due to my adoration for her character, but it was so well-done. And, of course, she's still able to solve crimes, because she's amazing.
Overall, this was an excellent read. I love Hester--and her little created family. Hill is an amazing writer and does a great job at creating a suspenseful world that easily sucks you in. 4.5 stars.
Reading this novel has definitely secured Edwin Hill and the Hester Thursby series as a go-to author/series combo for me. This was an excellent and compelling read. Hester is a wonderful, complex protagonist, and I hated to see her so fragile and struggling. I love Hill's stable of regular characters--Hester, Morgan, Kate, and their dog, Waffles. Plus, several folks from the last book pop up again, which was fun. Always hovering in the background is the missing Daphne, and Hester's complicated feelings: Daphne is her best friend; Morgan's sister; and Kate's mother. Of course she wants her back in their lives, but by now, she fiercely loves Kate and feels like her mother. It adds a deeper layer to the books and an aspect that I really enjoy. And Kate, while "just" four, is a total trip. I love that kid.
The mystery presented here is wonderfully plotted and complex. Introducing Finisterre Island gives us a whole host of new characters: Rory; Annie, Faith, and young Ethan, who are all squatting in a broken down Victorian on the Island; Lydia, Oliver's mother, who runs the local inn and bakery and her husband Trey, a state cop; and others. With a small island comes intense and tangled relationships, and Hill presents and handles them all deftly. The story kept me guessing and intrigued--fascinated both by the murder and mysteries, as well as Hester's own personal issues. Seeing a vulnerable side to her was difficult due to my adoration for her character, but it was so well-done. And, of course, she's still able to solve crimes, because she's amazing.
Overall, this was an excellent read. I love Hester--and her little created family. Hill is an amazing writer and does a great job at creating a suspenseful world that easily sucks you in. 4.5 stars.
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