Search
Search results
Gareth von Kallenbach (980 KP) rated Come Play (2020) in Movies
Oct 29, 2020
One of the more interesting and fresh horror films since “It Follows” has arrived and “Come Play” is a creepy film that captures childhood fears and captivates.
The film follows Oliver (Azhy Robertson); a non-verbal autistic boy living with his mother Sarah (Gillian Jacobs), and his father Marty (John Gallagher Jr.). Oliver communicates via an app on his phone and he awakens one evening to find a story called “Larry the Misunderstood Monster” on his phone. While he attempts to read it, unusual things start to happen such as lights going out on their own and the belief that there is something in the room.
When morning arrives we see that Oliver is picked on at school due to his disability and a past incident where he struck another student. The fact that his parents are strained does not help but Oliver continues to experience unusual events especially in the evening.
Oliver starts to believe that Larry from his story is indeed real and is attempting to enter his world and take him. Unable to communicate this clearly, Oliver soon has his concerns confirmed when students come to his home and he sees Larry via a camera on a found tablet.
As the situation unfolds, the tension mounts Larry begins to manifest himself more and more in our world forcing Oliver and his parents to confront Larry who has become more and bolder in his manifestations.
While the film is shot in darkness for several parts of the movie which makes some things harder to see; it does add to the tension and the story is a nice deviation from the usual killer monster on the loose and provides a more restrained but suspenseful take on the monster on the loose film. The smaller cast works well as it is at the core a story about family and the extent parents will go for their children as well as a look at the problems of loneliness amongst children; especially those with disabilities.
In the end “Come Play” is a creepy, memorable, and refreshing horror /suspense film that stays with you long after the movie ends.
3.5 stars out of 5
The film follows Oliver (Azhy Robertson); a non-verbal autistic boy living with his mother Sarah (Gillian Jacobs), and his father Marty (John Gallagher Jr.). Oliver communicates via an app on his phone and he awakens one evening to find a story called “Larry the Misunderstood Monster” on his phone. While he attempts to read it, unusual things start to happen such as lights going out on their own and the belief that there is something in the room.
When morning arrives we see that Oliver is picked on at school due to his disability and a past incident where he struck another student. The fact that his parents are strained does not help but Oliver continues to experience unusual events especially in the evening.
Oliver starts to believe that Larry from his story is indeed real and is attempting to enter his world and take him. Unable to communicate this clearly, Oliver soon has his concerns confirmed when students come to his home and he sees Larry via a camera on a found tablet.
As the situation unfolds, the tension mounts Larry begins to manifest himself more and more in our world forcing Oliver and his parents to confront Larry who has become more and bolder in his manifestations.
While the film is shot in darkness for several parts of the movie which makes some things harder to see; it does add to the tension and the story is a nice deviation from the usual killer monster on the loose and provides a more restrained but suspenseful take on the monster on the loose film. The smaller cast works well as it is at the core a story about family and the extent parents will go for their children as well as a look at the problems of loneliness amongst children; especially those with disabilities.
In the end “Come Play” is a creepy, memorable, and refreshing horror /suspense film that stays with you long after the movie ends.
3.5 stars out of 5
Barry Levinson recommended Oliver Twist (1948) in Movies (curated)
John Malkovich recommended Night Train to Munich (Gestapo) (1940) in Movies (curated)
Isabelle Huppert recommended Nature: Simple, Healthy, and Good in Books (curated)
Devendra Banhart recommended Devotions in Books (curated)
Charlie Ulloa (13 KP) rated Oliver! (1968) in Movies
Dec 15, 2019
A classic that you have to see at least once in your life
Good direction, you get to hate the antagonists and the main actor wins your heart. Oliver Twist is a book classic if you can read the book before the movie, read it. If not, then pictured the characters as in the movie sometimes help you more.
As I said, Oliver Twist is a classic both, movie and book. You have to watch it as a must, more so, in the holidays season.
As I said, Oliver Twist is a classic both, movie and book. You have to watch it as a must, more so, in the holidays season.
Amy Fine Collins recommended The Thief of Bagdad (1940) in Movies (curated)
Suswatibasu (1703 KP) rated Oliver Twist in Books
Oct 10, 2017 (Updated Oct 11, 2017)
Bleak but beautifully written
I bawled while reading this as a child, especially reading this horrendously bleak tale. Orphan Oliver Twist escapes a rundown orphanage and workhouse only to live in further poverty at the hands of a terrible thief, who exploits young children to do his bidding. Oliver, a very simple and innocent boy, moves from one place to another in order to survive the harsh streets of early 19th century England.
It literally is a never-ending saga of one horrific incident after another, highlighting Dickens' strong views about how children were treated during Victorian times. And while there is a bittersweet ending, it leaves you with a feeling of deep sadness for these lost children.
It literally is a never-ending saga of one horrific incident after another, highlighting Dickens' strong views about how children were treated during Victorian times. And while there is a bittersweet ending, it leaves you with a feeling of deep sadness for these lost children.
This series is a decent attempt at chronicling the background, and current activities of one of the DC Universe's lesser known/adapted for the screen heroes - the Green Arrow. While it starts as quite a dark, Batman-esque vigilante, it soon develops into a more team-based, lighter-hearted series. I think part of this is to fit more naturally with the cheesy spandex of The Flash. Despite this, the character of Oliver Queen retains a dark streak and his actions are much more morally dubious, giving it an edge. The story flips between present day and the island Oliver was marooned on, where he learned the skills needed to become the Green Arrow.