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Andy K (10821 KP) created a poll
Jan 22, 2019
Movie Metropolis (309 KP) rated The Favourite (2018) in Movies
Jun 10, 2019
Jesus Christ this one was hard to sit through. Not released theatrically in the UK until January, I unfortunately managed to bag myself a press-only screening. Bizarrely adored by critics, this mish-mash of comedy and drama starring Emma Stone, Rachel Weisz and Olivia Colman of all people is just surreal. For me, that’s not in a good way.
https://moviemetropolis.net/2018/12/29/the-best-worst-films-of-2018/
https://moviemetropolis.net/2018/12/29/the-best-worst-films-of-2018/
Kimberly Peirce recommended The Favourite (2018) in Movies (curated)
Erika (17788 KP) rated The Favourite (2018) in Movies
Dec 29, 2018
Costumes (2 more)
Olivia Colman
Rachel Wiesz
This is definitely not the typical period piece, but I really enjoyed every minute of it. It was a little crude and a bit off in some places, but it was all effective. The costumes were all beautiful, and the wigs on the men were so outrageous but period accurate.
The devious little plots were hilarious to watch play out, though, I have to admit, I was rooting for Sarah (Wiesz) the whole time. As soon as Abigail (Stone) messed with the bunny, she was dead to me. I really felt for Queen Anne (Colman), she was all over the place, but it was understandable due to the emotional trauma she'd suffered. Overall, it showed an interesting dichotomy of female friendship, and it was fun to watch on screen.
The devious little plots were hilarious to watch play out, though, I have to admit, I was rooting for Sarah (Wiesz) the whole time. As soon as Abigail (Stone) messed with the bunny, she was dead to me. I really felt for Queen Anne (Colman), she was all over the place, but it was understandable due to the emotional trauma she'd suffered. Overall, it showed an interesting dichotomy of female friendship, and it was fun to watch on screen.
Ross (3282 KP) rated Broadchurch - Season 1 in TV
Sep 21, 2017
British TV at its best. With a small number of episodes (only 8) and yet an intricate plot to unfold, the action flows along at quite a pace.
David Tennant plays the grumpy detective well, ably backed up by Olivia Colman.
Episode by episode each of the main characters are touted as a main suspect for the murder of young Danny Latimer and all eventually discounted (though you never really stop believing they could have done it!).
The conclusion was something of a shock and made you question everything you had seen in the previous episodes.
David Tennant plays the grumpy detective well, ably backed up by Olivia Colman.
Episode by episode each of the main characters are touted as a main suspect for the murder of young Danny Latimer and all eventually discounted (though you never really stop believing they could have done it!).
The conclusion was something of a shock and made you question everything you had seen in the previous episodes.
MissCagey (2652 KP) rated Locke (2014) in Movies
Dec 7, 2017 (Updated Dec 7, 2017)
Watching paint dry is a better use of your time than watching this film
Contains spoilers, click to show
Even the delectable and normally highly watchable Tom Hardy cannot salvage this film. It beggars belief that both he and Olivia Colman signed up for this drivel. The whole film is Tom Hardy driving his car and making and receiving a series of phone calls whilst doing so. That is it. To his wife, his kids, the female he had a one night stand with who is currently in labour with his baby, his workmate and his boss. I persevered to the end expecting Hardy to be involved in a crash and die which would have livened up the film a teensy bit but no, he has these conversations and then the film finishes with no climax whatsoever. Dull and boring from start to finish.
BankofMarquis (1832 KP) rated The Lost Daughter (2021) in Movies
Feb 17, 2022
Strong Acting and Direction
The nice thing about being fanatical about catching all of the Oscar Nominated films in the “Major” categories is that it forces me to watch films that, normally, my interests would not gravitate towards - and, most of the time, I am rewarded and my mind and emotions are expanded because of this.
Such is the case with THE LOST DAUGHTER, Maggie Gyllenhaal’s film Directing debut (she is also Oscar nominated for Adapted Screenplay) that follows the emotional journey of a College Professor (the great Olivia Colman) on Holiday in Greece who is forced to confront her past decisions amidst the emotional toil that these decisions have created.
Normally, these introspective, “Art House” films are not my cup of tea and during the first half of this film, I did find myself wandering a bit. This is because Colman’s character of Leda arrives on-screen at the onset of this film heavy with emotional (almost crippling so) baggage and it is almost too much to bear…which is the point. The movie, then, peels the layers back slowly to reveal why.
It is, yet again, a tour-de-force performance by Colman - who just might win ANOTHER Oscar for this work - it is that strong without being show-offey (if that is a word). Colman becomes Leda and delves strongly into the introspection, guilt, hurt and confusion that this character has. She allows the character to breathe (sometimes in gulps of crying). It is the type of character (and performance) that film today rarely allows time for on screen.
Credit for this has to go to Directer/ScreenWriter Maggie Gyllenhaal who adapted Elana Ferrante’s novel into a quiet, retrospective film. The adaptation works well for someone who has no prior knowledge of the novel and the direction and camerawork of this film is unwavering in it’s look into a character that is flawed and at times unlikeable. It is a strong Directorial and Screenwriting debut for Gyllenhaal.
Jessie Buckley is also Oscar nominated (for Best Supporting Actress) for her role as the younger Leda - a character who’s actions strongly affect the older Leda. While this character is not as nuanced as Colman’s version of Leda, she still is strong and Buckley’s performance is just as confident, self-centered, and fierce showing the roots of the person that would become Colman’s character. This is only the 3rd time in Oscars history that 2 actresses have been nominated for Academy Awards for playing younger and older versions of the same person (Kate Winslet/Gloria Stewart playing Rose in TITANIC and Kate Winslet/Judi Dench playing Iris in IRIS).
Ed Harris shows up as the proprietor of the space that Leda is renting in Greece and is a welcome presence (as always). The surprises to me in this film were the performances of Dakota Johnson and Jack Farthing. Johnson is proving that she is more than just the “50 SHADES” girl and spars with Colman quite well, more than holding her own. Farthing, who played the cold and distant Prince Charles in SPENCER is the husband of the younger Leda and he is the polar opposite of Prince Charles - open, loving and emotional. It is fun to see 2 clearly differing performances by the same actor. Farthing is someone to keep an eye on.
As is Gyllenhaal, Colman and THE LOST DAUGHTER. It is a strong piece of film-making and not an easy watch. But, if you can click into the emotion of this flawed character - and stick with this film through the ugliness and mistakes that Leda selfishly makes, you will be rewarded with a character study, the likes of which is rare in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with THE LOST DAUGHTER, Maggie Gyllenhaal’s film Directing debut (she is also Oscar nominated for Adapted Screenplay) that follows the emotional journey of a College Professor (the great Olivia Colman) on Holiday in Greece who is forced to confront her past decisions amidst the emotional toil that these decisions have created.
Normally, these introspective, “Art House” films are not my cup of tea and during the first half of this film, I did find myself wandering a bit. This is because Colman’s character of Leda arrives on-screen at the onset of this film heavy with emotional (almost crippling so) baggage and it is almost too much to bear…which is the point. The movie, then, peels the layers back slowly to reveal why.
It is, yet again, a tour-de-force performance by Colman - who just might win ANOTHER Oscar for this work - it is that strong without being show-offey (if that is a word). Colman becomes Leda and delves strongly into the introspection, guilt, hurt and confusion that this character has. She allows the character to breathe (sometimes in gulps of crying). It is the type of character (and performance) that film today rarely allows time for on screen.
Credit for this has to go to Directer/ScreenWriter Maggie Gyllenhaal who adapted Elana Ferrante’s novel into a quiet, retrospective film. The adaptation works well for someone who has no prior knowledge of the novel and the direction and camerawork of this film is unwavering in it’s look into a character that is flawed and at times unlikeable. It is a strong Directorial and Screenwriting debut for Gyllenhaal.
Jessie Buckley is also Oscar nominated (for Best Supporting Actress) for her role as the younger Leda - a character who’s actions strongly affect the older Leda. While this character is not as nuanced as Colman’s version of Leda, she still is strong and Buckley’s performance is just as confident, self-centered, and fierce showing the roots of the person that would become Colman’s character. This is only the 3rd time in Oscars history that 2 actresses have been nominated for Academy Awards for playing younger and older versions of the same person (Kate Winslet/Gloria Stewart playing Rose in TITANIC and Kate Winslet/Judi Dench playing Iris in IRIS).
Ed Harris shows up as the proprietor of the space that Leda is renting in Greece and is a welcome presence (as always). The surprises to me in this film were the performances of Dakota Johnson and Jack Farthing. Johnson is proving that she is more than just the “50 SHADES” girl and spars with Colman quite well, more than holding her own. Farthing, who played the cold and distant Prince Charles in SPENCER is the husband of the younger Leda and he is the polar opposite of Prince Charles - open, loving and emotional. It is fun to see 2 clearly differing performances by the same actor. Farthing is someone to keep an eye on.
As is Gyllenhaal, Colman and THE LOST DAUGHTER. It is a strong piece of film-making and not an easy watch. But, if you can click into the emotion of this flawed character - and stick with this film through the ugliness and mistakes that Leda selfishly makes, you will be rewarded with a character study, the likes of which is rare in film today.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Andy K (10821 KP) rated The Favourite (2018) in Movies
Dec 23, 2018
Wickedly fiendish, clever and funny!
After nearly a year, I finally made it out to the cinema and decided this would be my film of choice. I wasn't disappointed.
Director Yorgos Lanthimos is quickly becoming one of my new favorites. After directing interesting wisp films like The Lobster and The Killing of a Sacred Deer, I was anxious to see this film for sure.
The story involves the increasingly ill Queen Anne and the two women who vie for her affections. Their efforts start civil but eventually become more deranged both trying to outdo each other with their fiendishly clever and diabolical deeds.
I found the film quite funny as well as some of the dialogue is really quite gaudy, scandalous and rude. (Don't watch if you don't like the "C" word).
Other than the screenplay, the trio of Olivia Colman, Emma Stone, and Rachel Weisz are all a joy to watch, especially Emma Stone who you really haven't seen play a tart before like this. Her striking beauty comes through as well even when she is covered in dirt or without any make up.
The sets, locations and classic film score all add to the majesty of this magical film which will undoubtedly be nominated numerous times throughout this award season.
Certainly not for everyone, but I loved it!
Director Yorgos Lanthimos is quickly becoming one of my new favorites. After directing interesting wisp films like The Lobster and The Killing of a Sacred Deer, I was anxious to see this film for sure.
The story involves the increasingly ill Queen Anne and the two women who vie for her affections. Their efforts start civil but eventually become more deranged both trying to outdo each other with their fiendishly clever and diabolical deeds.
I found the film quite funny as well as some of the dialogue is really quite gaudy, scandalous and rude. (Don't watch if you don't like the "C" word).
Other than the screenplay, the trio of Olivia Colman, Emma Stone, and Rachel Weisz are all a joy to watch, especially Emma Stone who you really haven't seen play a tart before like this. Her striking beauty comes through as well even when she is covered in dirt or without any make up.
The sets, locations and classic film score all add to the majesty of this magical film which will undoubtedly be nominated numerous times throughout this award season.
Certainly not for everyone, but I loved it!
Daniel Boyd (1066 KP) rated The Favourite (2018) in Movies
Jan 18, 2019 (Updated Jan 18, 2019)
Fantastic script (3 more)
Brilliant performances
Clever cinematography
Insanely detailed set design
Strange But Brilliant
To be honest, I am not a huge fan of Yorgos Lanthimos' other movies, I also have a hatred for most period pieces. I am however a huge fan of Olivia Colman and it was her that swayed me to go and see this movie and I am very glad that I did.
Colman absolutely nails her role as a grief stricken, overly dramatic, short tempered Queen Anne. Her acting ability is diverse enough that she can take you from a side splitting remark one moment to a genuinely saddening comment the next and do it flawlessly and convincingly. Rachel Weisz is also pretty good here as Queen Anne's original favourite lady, Anne may be the Queen, but it is Lady Marlborough who is really running the show.
The biggest surpise for me was Emma Stone's performance. I don't hate Emma Stone, but I do feel like she plays the same goofy studenty American girl in everything that she is in, but here she is actually acting and her English accent was brilliant throughout the whole movie. It proves how much a good director is able to get out of their actors performance-wise.
The other main star here is the script. It is jam packed with brilliantly crass lines that are fired out so quickly and with such venom from the respective characters that you really feel the words being said. It is one of the best written scripts I have seen in a film in a while.
I'm not normally one to gush about set design, but my God... This movie goes all out with it's backdrops. I know that for the exterior shots, they shot on location at real palaces and castles and used mostly natural lighting at least for the daytime scenes. While these scenes are impressive, it is the interior scenes that are really mesmerising. The level of detail on the background elements in this movie is insane and anywhere that you look onscreen, there is something new and interesting to catch your eye.
The other great thing about this movie, is that even if you don't care about the competition for favour that is at the centre of the movie's plot, there is enough going on with the filmmaking itself to keep your attention throughout. The odd looking fish eye lenses that Lanthimos uses and the bizarre shot compositions looking up from waist-height at the actors is as fascinating to look at as it is weird. It gives the movie a unique feel that sets it apart from any other period piece I have seen.
Overall, I got way more out of The Favourite than I expected to going in. The movie is funny, witty and pretty unique. The attention to detail is impressive and the performances are great, with Olivia Colman's alone making the film worth the price of admission. The script is great and the direction is oddly interesting. Do be warned though; this movie is very weird and definitely not your typical period piece movie.
Colman absolutely nails her role as a grief stricken, overly dramatic, short tempered Queen Anne. Her acting ability is diverse enough that she can take you from a side splitting remark one moment to a genuinely saddening comment the next and do it flawlessly and convincingly. Rachel Weisz is also pretty good here as Queen Anne's original favourite lady, Anne may be the Queen, but it is Lady Marlborough who is really running the show.
The biggest surpise for me was Emma Stone's performance. I don't hate Emma Stone, but I do feel like she plays the same goofy studenty American girl in everything that she is in, but here she is actually acting and her English accent was brilliant throughout the whole movie. It proves how much a good director is able to get out of their actors performance-wise.
The other main star here is the script. It is jam packed with brilliantly crass lines that are fired out so quickly and with such venom from the respective characters that you really feel the words being said. It is one of the best written scripts I have seen in a film in a while.
I'm not normally one to gush about set design, but my God... This movie goes all out with it's backdrops. I know that for the exterior shots, they shot on location at real palaces and castles and used mostly natural lighting at least for the daytime scenes. While these scenes are impressive, it is the interior scenes that are really mesmerising. The level of detail on the background elements in this movie is insane and anywhere that you look onscreen, there is something new and interesting to catch your eye.
The other great thing about this movie, is that even if you don't care about the competition for favour that is at the centre of the movie's plot, there is enough going on with the filmmaking itself to keep your attention throughout. The odd looking fish eye lenses that Lanthimos uses and the bizarre shot compositions looking up from waist-height at the actors is as fascinating to look at as it is weird. It gives the movie a unique feel that sets it apart from any other period piece I have seen.
Overall, I got way more out of The Favourite than I expected to going in. The movie is funny, witty and pretty unique. The attention to detail is impressive and the performances are great, with Olivia Colman's alone making the film worth the price of admission. The script is great and the direction is oddly interesting. Do be warned though; this movie is very weird and definitely not your typical period piece movie.
Sarah (7798 KP) rated The Favourite (2018) in Movies
May 6, 2019
An unusual period piece
This is a very unusual film and for the most part very good. Period dramas aren’t usually my thing, but The Favourite isn’t your average period drama. It’s a very subtle tongue in cheek, witty, humorous and sometimes bizarre tale that’s very clever and entertaining to watch. Whilst Olivia Colman May have won the Oscar, I think all 3 of the female leads in this are very strong and a delight to watch, especially when their characters are all together in the same scenes. Indeed the scenes with Emma Stone and Rachel Weisz sniping at each other are by far the best to watch. Even the rest of the supporting cast too are very good, although I do think Mark Gatiss was a little underused. Nobody does posh upper class toff like he does!
The film itself looks beautiful. The costume and set design, and music, are fantastic, and the whole thing looks stunning. I did however have a slight issue with the cinematography. I found some of the strange camera angles a little frustrating and irritating after a while, especially as some of them don’t really seem to fit in with the style and tone of the rest of the film. I also think the final act and especially the final scene were a bit of a letdown. Most of the film has a rather humorous or at least light hearted undertone, but the final act takes it a little too seriously and the final scene is just too ill fitting too. Despite this, it’s a very different period drama and definitely worth a watch for some stellar performances.
The film itself looks beautiful. The costume and set design, and music, are fantastic, and the whole thing looks stunning. I did however have a slight issue with the cinematography. I found some of the strange camera angles a little frustrating and irritating after a while, especially as some of them don’t really seem to fit in with the style and tone of the rest of the film. I also think the final act and especially the final scene were a bit of a letdown. Most of the film has a rather humorous or at least light hearted undertone, but the final act takes it a little too seriously and the final scene is just too ill fitting too. Despite this, it’s a very different period drama and definitely worth a watch for some stellar performances.