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Gareth von Kallenbach (980 KP) rated The Other Guys (2010) in Movies
Aug 8, 2019
The Other Guys is a stupid charmer of a movie that surprisingly works despite it’s penchant for odd humor and occasional missed targets. The story was slightly meandering and a few times boring, but made its way back to form before the third act. The laughs came in plentiful heaps, and although there were a few misses, overall The Other Guys was one of the funnier of this summer’s comedic ventures.
The Other Guys is a play on words against the stereotypical Good Guys: P.K. Highsmith and Christopher Danson are the big boy cops with big boy swagger, played by Samuel L. Jackson and Dwayne Johnson with bravado and just enough over-the-top asshole to make them lovable. Allen Gamble, a new type of character for a Will Ferrell comedy that finally isn’t a Ron Burgundy rerun, could perhaps be called eccentric because of the way he acts so conventional. Terry Hoitz, played by Mark Wahlberg, shines as a perfect complement to Ferrell. He plays every line perfectly straight, and this unexpectedly makes him even more hilarious. After seeing him in his last performance in Date Night, where he almost stole the show, I’ve no doubt this man can excel in comedic roles. Michael Keaton, as their boss, put forward a humorously feeble character as Captain Gene. The villain, billionaire David Ershon, was played by the always wonderful Steve Coogan to great effect. As a side note, whoever chose the narrator for the film had serious comedic inspiration of the genius type.
One might wonder how and when the Other Guys will get their shot at fame, and without spoiling it, I’ll say it’s one of the funniest moments in the movie. Scratch that, the funniest moment in the movie is… well, you’ll just have to see it, but when you do, you’ll know exactly what I’m talking about, and it’s gold.
The Other Guys is a play on words against the stereotypical Good Guys: P.K. Highsmith and Christopher Danson are the big boy cops with big boy swagger, played by Samuel L. Jackson and Dwayne Johnson with bravado and just enough over-the-top asshole to make them lovable. Allen Gamble, a new type of character for a Will Ferrell comedy that finally isn’t a Ron Burgundy rerun, could perhaps be called eccentric because of the way he acts so conventional. Terry Hoitz, played by Mark Wahlberg, shines as a perfect complement to Ferrell. He plays every line perfectly straight, and this unexpectedly makes him even more hilarious. After seeing him in his last performance in Date Night, where he almost stole the show, I’ve no doubt this man can excel in comedic roles. Michael Keaton, as their boss, put forward a humorously feeble character as Captain Gene. The villain, billionaire David Ershon, was played by the always wonderful Steve Coogan to great effect. As a side note, whoever chose the narrator for the film had serious comedic inspiration of the genius type.
One might wonder how and when the Other Guys will get their shot at fame, and without spoiling it, I’ll say it’s one of the funniest moments in the movie. Scratch that, the funniest moment in the movie is… well, you’ll just have to see it, but when you do, you’ll know exactly what I’m talking about, and it’s gold.
RəX Regent (349 KP) rated Duck Soup (1933) in Movies
Feb 18, 2019
“You’re a brave man. Go and break through the lines. And remember, while you’re out there risking your life and limb through shot and shell, we’ll be in be in here thinking what a sucker you are” Rufus T. Firefly
And the one liners just keep on coming…
Here we have before you one of the most famous entries form The Marx Brothers as they made their indelible mark on Hollywood(land) and the silver screen back in the 1930’s, moving away from their Vaudeville roots to new level of immortally on celluloid.
The fifth film to credit the “The Marx Brothers”, Duck Soup in on one hand a sharply written satire on the weakness of mob mentality to willingly promote unwelcome change to their society and their willingness to follow just about any lunatic as long as they like what they hear; as well as a straight forward slapstick comedy of the time, in keeping with its music hall roots.
It is the music hall aspect of this classic which can be harder for a modern audience to take to, unless you are already disposed to this sort of rather dated humour. But as a satire, it is brilliant and still very funny over seventy years on.
Groucho Marx steals the show as Rufus T. Firefly as he leads his unwitting and possibly dimwitted fictional country of Fredonia (geddit?) to war and ultimate destruction. He is a character, whilst not in any way taking off Adolf Hitler, who was of course rising to power in Germany at this very moment, was clearly a reflection on this type of reckless and charismatic leader and as the hilarious final act demonstrates, is all too common in history and even in our present.
And the fact that Fredonia is ultimately doomed, was a coincidental foreshadowing of Nazi Germany’s fate a decade later, as well as a clear demonstration of the savvy writing.
Witty, whether it is the physical trademark Marx Brothers comedy or the sharp screenplay by Bert Kalmar and Harry Ruby, based on the stage version of the same name, this a classic satire; whilst not being as hard hitting a s Chaplin’s works of the period, with The Great Dictator (1940) springing to mind, it still holds up and makes its point without hammering you over the head it.
So, you can just enjoy the show and/or take away the message, it is really up to you.
Here we have before you one of the most famous entries form The Marx Brothers as they made their indelible mark on Hollywood(land) and the silver screen back in the 1930’s, moving away from their Vaudeville roots to new level of immortally on celluloid.
The fifth film to credit the “The Marx Brothers”, Duck Soup in on one hand a sharply written satire on the weakness of mob mentality to willingly promote unwelcome change to their society and their willingness to follow just about any lunatic as long as they like what they hear; as well as a straight forward slapstick comedy of the time, in keeping with its music hall roots.
It is the music hall aspect of this classic which can be harder for a modern audience to take to, unless you are already disposed to this sort of rather dated humour. But as a satire, it is brilliant and still very funny over seventy years on.
Groucho Marx steals the show as Rufus T. Firefly as he leads his unwitting and possibly dimwitted fictional country of Fredonia (geddit?) to war and ultimate destruction. He is a character, whilst not in any way taking off Adolf Hitler, who was of course rising to power in Germany at this very moment, was clearly a reflection on this type of reckless and charismatic leader and as the hilarious final act demonstrates, is all too common in history and even in our present.
And the fact that Fredonia is ultimately doomed, was a coincidental foreshadowing of Nazi Germany’s fate a decade later, as well as a clear demonstration of the savvy writing.
Witty, whether it is the physical trademark Marx Brothers comedy or the sharp screenplay by Bert Kalmar and Harry Ruby, based on the stage version of the same name, this a classic satire; whilst not being as hard hitting a s Chaplin’s works of the period, with The Great Dictator (1940) springing to mind, it still holds up and makes its point without hammering you over the head it.
So, you can just enjoy the show and/or take away the message, it is really up to you.
Puppy Pride
6.0
Rate It
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Jai Six years ago, the guy I thought I loved told all my friends that I liked to wear paws and a...
Contemporary MM Romance Daddy/pup
Really plays with your emotions (2 more)
Creepy
Twists and turns
Stalking through the eyes of the stalker!
Joe is just an ordinary man who works in a book store - or that is was he wants everyone to think.
Joe becomes fixated with women, and uses modern technology to stalk them, strategically placing himself in their way in order to get them to notice him, whilst at the same time getting rid of the opposition (literally). The series has him following Beck, an aspiring writer.
The cast was well picked, with particular credit to Penn Badgley, who plays Joe- who makes a really believable butter wouldn’t melt book guy, frequently turning into psychopathic killer!
The script uses dark humour very well, which add a little light heartedness into an otherwise very dark story. It is also truest scary from a personal perspective, as to how much information Joe is able to use form people’s fb/ twitter (e.t.c.) accounts!
What I particularly enjoyed about this show, was that it is primarily shown through the perspective of Joe, an unusual twist, as on one side we really want to support Joe (being the main character), and we are forced to try to empathise with him, however, deep down, we know that he is a truest dark character.
I do hope that there will be a second series of this.
Joe becomes fixated with women, and uses modern technology to stalk them, strategically placing himself in their way in order to get them to notice him, whilst at the same time getting rid of the opposition (literally). The series has him following Beck, an aspiring writer.
The cast was well picked, with particular credit to Penn Badgley, who plays Joe- who makes a really believable butter wouldn’t melt book guy, frequently turning into psychopathic killer!
The script uses dark humour very well, which add a little light heartedness into an otherwise very dark story. It is also truest scary from a personal perspective, as to how much information Joe is able to use form people’s fb/ twitter (e.t.c.) accounts!
What I particularly enjoyed about this show, was that it is primarily shown through the perspective of Joe, an unusual twist, as on one side we really want to support Joe (being the main character), and we are forced to try to empathise with him, however, deep down, we know that he is a truest dark character.
I do hope that there will be a second series of this.
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Round the Horne: March 1965 - June 1965: Complete Series One
Marty Feldman, Kenneth Horne, Kenneth Williams and Barry Took
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Kenneth Horne, Kenneth Williams, Betty Marsden and Hugh Paddick star in 16 episodes of the anarchic...
Fashion and Masculinity in Renaissance Florence
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Scott Tostik (389 KP) rated Getting Doug with High in Podcasts
Aug 20, 2019
Cool celebrity guests (2 more)
Very educational
They're smoking weed man!!! Its awesome
Best show EVER!!!!!!
I was cruising through the amazballs app Tubi Tv when I came across this little gem... Mind you, I do smoke a shit ton of weed myself... And it is legal now in my whole country, so fuck it... Lol.
Doug Benson is someone I've seen on talk shows and heard on podcasts a few times, but I never knew much about him.
This little piece of click bait lured me in with the chance of seeing one of my favorite writer/directors Kevin Smith getting blazed up with Doug and Brian Poshien... Or however you spell it... And it didn't let me down.
He and his guests get just obliterated off some of the sweetest strains of bud made available by whatever weed store they happen to propagate. And they always tell you what the pot is like. Effects... Length of buzz... That sort of pertenate information stoners like myself want to know.
Plus its a chance to see Jeff Ross, Natasha Leggerio and Anthony Jeselnyk HIGH AS GIRAFFE BALLS.
Overall its 45 minutes that is filled with talking, coughing and laughter... Very reminiscent of nights spent in my mom's kitchen with my friends, sitting around the table smoking our heads off and laughing til the sun came up.
Ah the memor... Wait.... What????
Doug Benson is someone I've seen on talk shows and heard on podcasts a few times, but I never knew much about him.
This little piece of click bait lured me in with the chance of seeing one of my favorite writer/directors Kevin Smith getting blazed up with Doug and Brian Poshien... Or however you spell it... And it didn't let me down.
He and his guests get just obliterated off some of the sweetest strains of bud made available by whatever weed store they happen to propagate. And they always tell you what the pot is like. Effects... Length of buzz... That sort of pertenate information stoners like myself want to know.
Plus its a chance to see Jeff Ross, Natasha Leggerio and Anthony Jeselnyk HIGH AS GIRAFFE BALLS.
Overall its 45 minutes that is filled with talking, coughing and laughter... Very reminiscent of nights spent in my mom's kitchen with my friends, sitting around the table smoking our heads off and laughing til the sun came up.
Ah the memor... Wait.... What????