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Movie Metropolis (309 KP) rated The Grey (2012) in Movies
Jun 10, 2019
Is there ever a better match up than Liam Neeson and a good solid action flick? This reviewer thinks not and this is exactly what we have here. However, Joe Carnahan’s latest offering, The Grey is a lot more than the formulaic paint by numbers action movie.
The Grey focuses on a group of men working away from home in the Alaskan oil fields. On their way back to safety, the worst happens and the plane the unlucky fellows are travelling in crashes in spectacular fashion. The crash in the first sequence of the movie is absolutely stunning and one of the best I’ve seen on the silver screen; it even makes the plane crash in the original Final Destination look tame.
The survivors of the plane crash include Neeson’s Alpha male character John Ottway and those of you familiar with the Irishman’s style of acting will know what to expect here; there’s a quiet sense of foreboding throughout and this only adds to the tension which is creatively built up throughout the 117 minute running time.
The team soon realise that they’re being stalked by a pack of hungry wolves that are, shall we say, less than happy about the intruders wandering around their territory and in the usual thriller style, they’re picked off one, by one.
The other male leads include Frank Grillo as the disobedient John Diaz and Joe Anderson as outsider, Todd Flannery. Unfortunately, through no fault of their own, the other actors get lost behind Neeson’s commanding performance, one of the best of his career in fact.
Dialogue and plot generally take a back seat to the scares in this genre of film but thankfully Carnahan and his writing team demand audience respect for these characters and for the most part, it all works and ties together nicely. Ottway is a deeply troubled and desperately unhappy man who on occasions has tried to take his own life. However, once coming face to face with the snarling jaws of a grey wolf, he soon realises that running and fighting for his life is perhaps the best course of action.
Naturally, the Alaskan wilderness provides an eerie and mesmerising setting (there’s not a green screen in sight) and Carnahan cracks up the tension fantastically by not being obvious in his editing. The shots of the CGI and puppet wolves are integrated very well and apart from a few shoddy scenes where it becomes a little obvious they’re not real , the outcome is deeply disturbing and the animals look 100% believable.
Overall, The Grey is everything a thrilling creature feature should be. Director, Joe Carnahan, racks up tension on every occasion physically possible and grabs the audience with beautiful Alaskan scenery dispersed amidst the chaos. Liam Neeson really steals the show with a commanding and heart-wrenching performance whilst his co-stars do well, despite being overshadowed.
The special effects and plot all have depth and this ensures The Grey has enough bite to keep even the most difficult audiences entertained. Yes, it’s a little too long for the genre, but you don’t feel this whilst watching because of how well the film has been crafted. It really is a must watch.
https://moviemetropolis.net/2012/03/13/the-grey-2012-review/
The Grey focuses on a group of men working away from home in the Alaskan oil fields. On their way back to safety, the worst happens and the plane the unlucky fellows are travelling in crashes in spectacular fashion. The crash in the first sequence of the movie is absolutely stunning and one of the best I’ve seen on the silver screen; it even makes the plane crash in the original Final Destination look tame.
The survivors of the plane crash include Neeson’s Alpha male character John Ottway and those of you familiar with the Irishman’s style of acting will know what to expect here; there’s a quiet sense of foreboding throughout and this only adds to the tension which is creatively built up throughout the 117 minute running time.
The team soon realise that they’re being stalked by a pack of hungry wolves that are, shall we say, less than happy about the intruders wandering around their territory and in the usual thriller style, they’re picked off one, by one.
The other male leads include Frank Grillo as the disobedient John Diaz and Joe Anderson as outsider, Todd Flannery. Unfortunately, through no fault of their own, the other actors get lost behind Neeson’s commanding performance, one of the best of his career in fact.
Dialogue and plot generally take a back seat to the scares in this genre of film but thankfully Carnahan and his writing team demand audience respect for these characters and for the most part, it all works and ties together nicely. Ottway is a deeply troubled and desperately unhappy man who on occasions has tried to take his own life. However, once coming face to face with the snarling jaws of a grey wolf, he soon realises that running and fighting for his life is perhaps the best course of action.
Naturally, the Alaskan wilderness provides an eerie and mesmerising setting (there’s not a green screen in sight) and Carnahan cracks up the tension fantastically by not being obvious in his editing. The shots of the CGI and puppet wolves are integrated very well and apart from a few shoddy scenes where it becomes a little obvious they’re not real , the outcome is deeply disturbing and the animals look 100% believable.
Overall, The Grey is everything a thrilling creature feature should be. Director, Joe Carnahan, racks up tension on every occasion physically possible and grabs the audience with beautiful Alaskan scenery dispersed amidst the chaos. Liam Neeson really steals the show with a commanding and heart-wrenching performance whilst his co-stars do well, despite being overshadowed.
The special effects and plot all have depth and this ensures The Grey has enough bite to keep even the most difficult audiences entertained. Yes, it’s a little too long for the genre, but you don’t feel this whilst watching because of how well the film has been crafted. It really is a must watch.
https://moviemetropolis.net/2012/03/13/the-grey-2012-review/
Zuky the BookBum (15 KP) rated NOS4A2 in Books
Mar 15, 2018
<i>I read this novel as my BookBum Club book for January! Check out <a href="https://www.goodreads.com/group/show/297482-the-bookbum-club">The BookBum Club on Goodreads!</a></i>
A darkly disturbing thrill ride of a book! I was expecting it to spook me out a little more than it did, but it was super enjoyable even still.
I’ve never read a Joe Hill book before this one, but now I know I want to read more of his work. I don’t think there’s any denying that his writing style really sucks you into the story and he’s a genius as describing things. How can one man come up with so many different Christmas similes? I also loved how this book was set up, where sometimes the end of sentence in a paragraph wouldn’t end because the title of the next paragraph completed the sentence. I thought this was a really unique aspect of the novel, as well as several illustrations dotted throughout.
One thing I really loved about this novel was the characters. I’ve seen some less that glowing reviews whinging about Vic, and while I can understand some people’s frustration at how frustrating she was, I think the whole point of her character to be frustrating. I personally found her troubled but sweet. Lou was equally sweet, a nice human being through-and-through, but at the end of the day, I don’t think he brought an awful lot to the story.
On the opposite end of the spectrum, of course, was Charlie Manx. What a genuinely terrifying character. I’ve read through several books with horrifying characters (Annie Wilkes springs to mind immediately) and Charlie Manx is definitely up there with the worst of them. What made him so chilling, for me, was how I imagined his voice. Every sentence of his speech was lifted at the end by an exclamation mark! He was always so cheery! Always so sinister! And then, of course, we have Bing Partridge who may just be the most repulsive character I’ve ever read about.
I loved the story of this novel, but I’m not going to explain what happened because this novel needs to be experienced, not told, in order to reach its full potential. My only issue was I though maybe 700 pages was a bit long. Chapter after chapter was a new dip and dive in this roller-coaster of a story, but sometimes it just felt like stalling time.
Another thing that disappointed me about this book, and this is what brought it down to 4 stars, is that I was expecting this to be scarier than it turned out to be. Don’t get me wrong, it’s seriously sinister and has some really creepy moments, but I wanted to get to “I can’t sleep” scared. Though saying that, when I was driving home in the dark one day, an old classic black British car (we have a lot of old car conventions around where I live) pulled up behind me and followed me nearly all the way home and I did get the heebie-geebies (don’t worry, I didn’t break the speed limit though).
Overall, this novel is well worth the read if you’re into dark, sinister novels filled with the really weird and the really wonderful. I’m so happy I’ve finally read this novel and have been opened up to the world of Joe Hill’s writing. I will definitely be reading more of his stuff.
A darkly disturbing thrill ride of a book! I was expecting it to spook me out a little more than it did, but it was super enjoyable even still.
I’ve never read a Joe Hill book before this one, but now I know I want to read more of his work. I don’t think there’s any denying that his writing style really sucks you into the story and he’s a genius as describing things. How can one man come up with so many different Christmas similes? I also loved how this book was set up, where sometimes the end of sentence in a paragraph wouldn’t end because the title of the next paragraph completed the sentence. I thought this was a really unique aspect of the novel, as well as several illustrations dotted throughout.
One thing I really loved about this novel was the characters. I’ve seen some less that glowing reviews whinging about Vic, and while I can understand some people’s frustration at how frustrating she was, I think the whole point of her character to be frustrating. I personally found her troubled but sweet. Lou was equally sweet, a nice human being through-and-through, but at the end of the day, I don’t think he brought an awful lot to the story.
On the opposite end of the spectrum, of course, was Charlie Manx. What a genuinely terrifying character. I’ve read through several books with horrifying characters (Annie Wilkes springs to mind immediately) and Charlie Manx is definitely up there with the worst of them. What made him so chilling, for me, was how I imagined his voice. Every sentence of his speech was lifted at the end by an exclamation mark! He was always so cheery! Always so sinister! And then, of course, we have Bing Partridge who may just be the most repulsive character I’ve ever read about.
I loved the story of this novel, but I’m not going to explain what happened because this novel needs to be experienced, not told, in order to reach its full potential. My only issue was I though maybe 700 pages was a bit long. Chapter after chapter was a new dip and dive in this roller-coaster of a story, but sometimes it just felt like stalling time.
Another thing that disappointed me about this book, and this is what brought it down to 4 stars, is that I was expecting this to be scarier than it turned out to be. Don’t get me wrong, it’s seriously sinister and has some really creepy moments, but I wanted to get to “I can’t sleep” scared. Though saying that, when I was driving home in the dark one day, an old classic black British car (we have a lot of old car conventions around where I live) pulled up behind me and followed me nearly all the way home and I did get the heebie-geebies (don’t worry, I didn’t break the speed limit though).
Overall, this novel is well worth the read if you’re into dark, sinister novels filled with the really weird and the really wonderful. I’m so happy I’ve finally read this novel and have been opened up to the world of Joe Hill’s writing. I will definitely be reading more of his stuff.
Darren (1599 KP) rated House of 1000 Corpses (2003) in Movies
Nov 23, 2019
Verdict: This Really Is Messy
Story: House of 1000 Corpses starts when four friends Jerry (Hardwick), Mary (Jostyn), Bill (Wilson) and Denise (Daniels) go on tour of at Captain Spaulding (Haig) house of horrors and learning about mysterious tree, they go off in search in a storm, picking up a hitchhiker Baby Firefly (Moon), they find a place to stay, right around when the news is reporting about missing teenagers.
The four friends find themselves being the latest victims of the Firefly family with Otis (Moseley) willing to do anything to get his pleasure for pain, their only hope is that Denise’s father comes looking for them after they didn’t arrive at his house the night before.
Thoughts on House of 1000 Corpses
Characters – Captain Spaulding is the one that has his own house of horrors that he encourages tourists to look around, he knows the legends of the area, which is why he knows how to get the curiosity of the people to want to go in search for the legends about his house. Otis is the leader of the firefly house, he will talk the most, do the most torturous treatment of their victims. Baby Firefly is the one that brings people back to the house, the youngest member of the family that is just getting started in her ways compared to the rest. Mother Firefly is always looking for a younger man to play with before they murder.
Performances – Sid Haig does bring his character to life to be one of the very few highlights in this film, while Bill Moseley knows that he needed to make this character over the top, while the victims are generic performances, they are fine, but the rest of the cast struggles to work with the awful material.
Story – The story here follows four friends that find themselves being the latest victims of the sadistic firefly family that like to torture, mutuality and kill their victims. The biggest problem with this story is that we cut away way too many times, it always looks like we are going into watch a torture filled horror story, which isn’t everyone cup of tea, but if we had stuck to this idea, we could have had a good story. The problems involve countless city away scenes of just random footage of violence happening to people, rather than having any context towards them. This story is mess and never makes you care about the victims, while not making the villains people you want to see either, making most shots of the film hard to care about.
Horror – The horror in the film is meant to be focused on the different levels of violence that could be given to the victims, it is more for shock than making any sense.
Settings – The film is mostly set in the one house/ranch like environment where the family can do what they want without anybody coming to disturb them.
Special Effects – The effects are used to show the violence, though most gets covered over with random slips of something else happening.
Scene of the Movie – Captain Spaulding’s tour.
That Moment That Annoyed Me – The random cut clips that make no sense.
Final Thoughts – This is a truly messy horror that misses on every mark, leaving it look and feeling like something you would forget within a hour of finishing it.
Overall: Poor and messy.
Story: House of 1000 Corpses starts when four friends Jerry (Hardwick), Mary (Jostyn), Bill (Wilson) and Denise (Daniels) go on tour of at Captain Spaulding (Haig) house of horrors and learning about mysterious tree, they go off in search in a storm, picking up a hitchhiker Baby Firefly (Moon), they find a place to stay, right around when the news is reporting about missing teenagers.
The four friends find themselves being the latest victims of the Firefly family with Otis (Moseley) willing to do anything to get his pleasure for pain, their only hope is that Denise’s father comes looking for them after they didn’t arrive at his house the night before.
Thoughts on House of 1000 Corpses
Characters – Captain Spaulding is the one that has his own house of horrors that he encourages tourists to look around, he knows the legends of the area, which is why he knows how to get the curiosity of the people to want to go in search for the legends about his house. Otis is the leader of the firefly house, he will talk the most, do the most torturous treatment of their victims. Baby Firefly is the one that brings people back to the house, the youngest member of the family that is just getting started in her ways compared to the rest. Mother Firefly is always looking for a younger man to play with before they murder.
Performances – Sid Haig does bring his character to life to be one of the very few highlights in this film, while Bill Moseley knows that he needed to make this character over the top, while the victims are generic performances, they are fine, but the rest of the cast struggles to work with the awful material.
Story – The story here follows four friends that find themselves being the latest victims of the sadistic firefly family that like to torture, mutuality and kill their victims. The biggest problem with this story is that we cut away way too many times, it always looks like we are going into watch a torture filled horror story, which isn’t everyone cup of tea, but if we had stuck to this idea, we could have had a good story. The problems involve countless city away scenes of just random footage of violence happening to people, rather than having any context towards them. This story is mess and never makes you care about the victims, while not making the villains people you want to see either, making most shots of the film hard to care about.
Horror – The horror in the film is meant to be focused on the different levels of violence that could be given to the victims, it is more for shock than making any sense.
Settings – The film is mostly set in the one house/ranch like environment where the family can do what they want without anybody coming to disturb them.
Special Effects – The effects are used to show the violence, though most gets covered over with random slips of something else happening.
Scene of the Movie – Captain Spaulding’s tour.
That Moment That Annoyed Me – The random cut clips that make no sense.
Final Thoughts – This is a truly messy horror that misses on every mark, leaving it look and feeling like something you would forget within a hour of finishing it.
Overall: Poor and messy.
JT (287 KP) rated Sinister (2012) in Movies
Mar 10, 2020
Has the found footage genre been done to death? Some would very much say it has, yet they keep on churning the films out. One thing to note with many of these is the budget, films like Paranormal Activity and Insidious were made for a pittance yet generated millions at the box office.
This is the same for Sinister, made for $3m it grossed almost $80m and was one of the surprise hits of last year, of course films like this are not going to be everyone’s cup of tea, but I love a good scare now and again and here I wasn’t disappointed.
Ethan Hawke is the clear standout in this one, here he plays true crime writer Ellison Oswalt who is looking for his next big thing to thrust him into the limelight. He and his family move into a house which he tells them is only a few doors down from a gruesome murder of a family who were all hung from a tree in their back garden.
When he finds a box in his attic containing reels of super 8 film and a camera he soon discovers more grisly murders and that somehow they are all linked to each other. Add to that a mysterious figure who appears in all the films and you have a character who goes a little stir crazy in trying to uncover the truth.
His family are desperate to leave, not happy with the current surroundings they are thrown into even more turmoil when its revealed that the house Oswalt said was two doors down is actually the house they are living in at the moment, don’t you just hate when that happens?
Director Scott Derrickson builds solid amounts of tension throughout, most disturbing are the super 8 films that show a number of families being killed off (you’ll never look at a lawn mower in the same light again). But then you have the same old horror cliché’s slipping back into it, things going bump in the night which leave you waiting for that revealing moment which comes with a consistent bang.
You’d be forgiven for thinking that this might not actually be classed as found footage, certainly not in the same vein as maybe Paranormal Activity or The Blair Witch Project. We’re not viewing anything from the point of view that the characters in this are dead….yet, and the resulting film is their story. But it is ‘found footage’, in that Oswalt has uncovered these films in his attic.
What makes Sinister that bit more unnerving is the somber mood, lighting and camera angles. Not quite giving us the full picture we have to let our imagination stay a few steps ahead of us. The musical score then connects everything together to give us a real horror treat.
Hawke gives a solid performance, he’s a man very much on the edge and that fame is the answer to his future. He’ll succeed at whatever the cost, and the cost is ultimately a big one. The end reveal some might have seen coming a mile off, personally I wasn’t expecting it so it was a good finish to a film that had rattled the nerves a few times.
Produced by the same team that brought us Paranormal Activity and Insidious, it’s a low budget success that shows big budget horrors how it should be done.
This is the same for Sinister, made for $3m it grossed almost $80m and was one of the surprise hits of last year, of course films like this are not going to be everyone’s cup of tea, but I love a good scare now and again and here I wasn’t disappointed.
Ethan Hawke is the clear standout in this one, here he plays true crime writer Ellison Oswalt who is looking for his next big thing to thrust him into the limelight. He and his family move into a house which he tells them is only a few doors down from a gruesome murder of a family who were all hung from a tree in their back garden.
When he finds a box in his attic containing reels of super 8 film and a camera he soon discovers more grisly murders and that somehow they are all linked to each other. Add to that a mysterious figure who appears in all the films and you have a character who goes a little stir crazy in trying to uncover the truth.
His family are desperate to leave, not happy with the current surroundings they are thrown into even more turmoil when its revealed that the house Oswalt said was two doors down is actually the house they are living in at the moment, don’t you just hate when that happens?
Director Scott Derrickson builds solid amounts of tension throughout, most disturbing are the super 8 films that show a number of families being killed off (you’ll never look at a lawn mower in the same light again). But then you have the same old horror cliché’s slipping back into it, things going bump in the night which leave you waiting for that revealing moment which comes with a consistent bang.
You’d be forgiven for thinking that this might not actually be classed as found footage, certainly not in the same vein as maybe Paranormal Activity or The Blair Witch Project. We’re not viewing anything from the point of view that the characters in this are dead….yet, and the resulting film is their story. But it is ‘found footage’, in that Oswalt has uncovered these films in his attic.
What makes Sinister that bit more unnerving is the somber mood, lighting and camera angles. Not quite giving us the full picture we have to let our imagination stay a few steps ahead of us. The musical score then connects everything together to give us a real horror treat.
Hawke gives a solid performance, he’s a man very much on the edge and that fame is the answer to his future. He’ll succeed at whatever the cost, and the cost is ultimately a big one. The end reveal some might have seen coming a mile off, personally I wasn’t expecting it so it was a good finish to a film that had rattled the nerves a few times.
Produced by the same team that brought us Paranormal Activity and Insidious, it’s a low budget success that shows big budget horrors how it should be done.
BookInspector (124 KP) rated The Chestnut Man in Books
Sep 24, 2020
I can’t decide one thing with this book, to put it in the “One of the best thrillers of 2018” because I read it this year, or to say that is “One of the best thrillers of 2019” because it is published next year. One thing for sure, it is an absolute treat!
The first thing that I really loved, was the cover. It looks quite simple, but the way that the chestnut man is portrayed gave me the feeling that it is going to be a great thriller, and it definitely didn’t disappoint me. I think, that in this book there are multiple protagonists- Thulin and Hess. They both play quite equal roles during the investigation, even though it might not feel so. There is a wide variety of characters in this novel, and all of them are very well nurtured and thought through. Their qualities are delivered slowly, and I loved how they opened up throughout the book. I really liked Thulin and Hess, they both are very complex individuals. They are quite different people, and when they work together, all the process feels messy, chaotic, but in the end, it provides results.
I don’t even know from where to begin with the praise for the plot. The whole narrative has multiple layers, and there are several cases combined in this book. We have the disappearance of a Minister’s daughter, which happened a while ago and shook the whole country, and at present, we have these new murders with the chestnut dolls at the crime scenes. These two things entwined with each other created more richness and action for the whole story. I loved that it was told from multiple perspectives, it not only allowed to get to know the characters better but also gave an insight into different minds. The author chose very intriguing topics for this novel, such as foster care; child abuse; social services and their work; politicians and their lives; different family relationships; discrimination at work and many more.
The writing style of this book is impeccable! Sveistrup is a very talented storyteller with a great eye for detail, and after reading this book, I am definitely his fan. I really loved the setting of this novel, it is set mainly in Copenhagen, during the autumn/winter season, which created a very gloomy and mysterious atmosphere to the whole novel. The author is not afraid to show disturbing (to some) killings with amputations or disgusting acts of humankind, so this book is not suitable for sensitive people. It might feel like a big book, but the chapters are really short and the whole plot and characters really absorbed me so, I just couldn’t put it down. I really liked the ending of this thriller, it is unexpected, unusual, but rounded this novel very beautifully!
So, to conclude, this book has everything what a great thriller needs. The characters are complex and intriguing, the mood, suspense and twists are very well developed, it is dark and can be disgusting at times, but overall it is a gripping novel and I can’t wait to read more from this author! I do strongly recommend it, and I hope you will enjoy it as much as I did.
The first thing that I really loved, was the cover. It looks quite simple, but the way that the chestnut man is portrayed gave me the feeling that it is going to be a great thriller, and it definitely didn’t disappoint me. I think, that in this book there are multiple protagonists- Thulin and Hess. They both play quite equal roles during the investigation, even though it might not feel so. There is a wide variety of characters in this novel, and all of them are very well nurtured and thought through. Their qualities are delivered slowly, and I loved how they opened up throughout the book. I really liked Thulin and Hess, they both are very complex individuals. They are quite different people, and when they work together, all the process feels messy, chaotic, but in the end, it provides results.
I don’t even know from where to begin with the praise for the plot. The whole narrative has multiple layers, and there are several cases combined in this book. We have the disappearance of a Minister’s daughter, which happened a while ago and shook the whole country, and at present, we have these new murders with the chestnut dolls at the crime scenes. These two things entwined with each other created more richness and action for the whole story. I loved that it was told from multiple perspectives, it not only allowed to get to know the characters better but also gave an insight into different minds. The author chose very intriguing topics for this novel, such as foster care; child abuse; social services and their work; politicians and their lives; different family relationships; discrimination at work and many more.
The writing style of this book is impeccable! Sveistrup is a very talented storyteller with a great eye for detail, and after reading this book, I am definitely his fan. I really loved the setting of this novel, it is set mainly in Copenhagen, during the autumn/winter season, which created a very gloomy and mysterious atmosphere to the whole novel. The author is not afraid to show disturbing (to some) killings with amputations or disgusting acts of humankind, so this book is not suitable for sensitive people. It might feel like a big book, but the chapters are really short and the whole plot and characters really absorbed me so, I just couldn’t put it down. I really liked the ending of this thriller, it is unexpected, unusual, but rounded this novel very beautifully!
So, to conclude, this book has everything what a great thriller needs. The characters are complex and intriguing, the mood, suspense and twists are very well developed, it is dark and can be disgusting at times, but overall it is a gripping novel and I can’t wait to read more from this author! I do strongly recommend it, and I hope you will enjoy it as much as I did.
Emma @ The Movies (1786 KP) rated Dark Tide (2012) in Movies
Aug 5, 2020
I always wonder what makes me not watch shark films, Dark Tide has Halle Berry, I like Halle Berry... so why have I never seen it?
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html
BankofMarquis (1832 KP) rated The Killer (2023) in Movies
Nov 18, 2023
Interesting...but ends with a "thud"
Director David Fincher has a strong track record of interesting films…SE7EN, FIGHT CLUB, THE SOCIAL NETWORK (to name a few). Michael Fassbender is one of the more interesting actors working today…HUNGER, INGLORIOUS BASTERDS, PROMETHEUS (to name a few). So when these 2 got together to make a film of the graphic novel THE KILLER, anticipation was high.
Lower those expectations just a bit and you’ll be rewarded by an enteraning (enough) film/character study that is…interesting, but lands with a “thud”.
Based on the aforementioned graphic novel that was written by Alexis Nolent and illustrated by Luc Jacamon, THE KILLER follows the titular character after a hit has gone wrong and he must fight to save his life, while seeking vengeance on those that wronged him.
It is a “thinking man’s” hit-man film set in the seedy underground of a high-priced assassin. In lesser hands this could be a lesser John Wick knock-off, but in Fincher’s skilled fingers, THE KILLER is an intriguing character study.
It helps that the central figure of this film is portrayed by Michael Fassbender who is fascinating to watch even if he is just sitting around looking out a window. And this is good…for he spends the first 20 minutes of this film…sitting around looking out a window (waiting for his target to show up). It is a unique choice in a film such as this and with Fincher’s direction and Fassbender’s performance, it works more often than it doesn’t.
After the initial hit goes awry, sending Fassbender’s character on a global manhunt, the rest of the film is a series of one-on-one scenes with THE KILLER versus THE LAWYER (Charles Parnell - who is turning into a pretty reliable “that guy” character actor). THE KILLER versus THE BEAST (in what is the best action scene in the film) and THE KILLER versus THE CLIENT (portrayed by Arliss Howard in another portrayal of an “a-hole rich guy”). All of these scenes work for the most part, but none of them “knock it out of the park”.
The only scene that comes close to knocking it out of the park is THE KILLER versus THE EXPERT and that is because The Expert is played by Tilda Swinton and has 90% of the dialogue in the scene. It is always exciting to see 2 marvelous performers sitting across a table, playing off each other and Fassbender and Swinton (especially) shine in this portion of the film.
The problem with THE KILLER is that the separate scenes do not add up to a cohesive whole - and certainly the parts are more interesting than the final procduct and that blame needs to be placed at the feet of Director Fincher who should have been able to blend these scenes together better. He isn’t helped by a finale scene that lands with a thud…on purpose. But a “thud” is a “thud” and that is a tricky way to end the film.
And…in the case of THE KILLER…Fincher (and Fassbender) did not build up enough equity heading into the final scene that one can forgive “the thud”….though it is still a pretty good film. The “thud” pulls this film down from “really good” (not great) to just…”good”.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis).
Lower those expectations just a bit and you’ll be rewarded by an enteraning (enough) film/character study that is…interesting, but lands with a “thud”.
Based on the aforementioned graphic novel that was written by Alexis Nolent and illustrated by Luc Jacamon, THE KILLER follows the titular character after a hit has gone wrong and he must fight to save his life, while seeking vengeance on those that wronged him.
It is a “thinking man’s” hit-man film set in the seedy underground of a high-priced assassin. In lesser hands this could be a lesser John Wick knock-off, but in Fincher’s skilled fingers, THE KILLER is an intriguing character study.
It helps that the central figure of this film is portrayed by Michael Fassbender who is fascinating to watch even if he is just sitting around looking out a window. And this is good…for he spends the first 20 minutes of this film…sitting around looking out a window (waiting for his target to show up). It is a unique choice in a film such as this and with Fincher’s direction and Fassbender’s performance, it works more often than it doesn’t.
After the initial hit goes awry, sending Fassbender’s character on a global manhunt, the rest of the film is a series of one-on-one scenes with THE KILLER versus THE LAWYER (Charles Parnell - who is turning into a pretty reliable “that guy” character actor). THE KILLER versus THE BEAST (in what is the best action scene in the film) and THE KILLER versus THE CLIENT (portrayed by Arliss Howard in another portrayal of an “a-hole rich guy”). All of these scenes work for the most part, but none of them “knock it out of the park”.
The only scene that comes close to knocking it out of the park is THE KILLER versus THE EXPERT and that is because The Expert is played by Tilda Swinton and has 90% of the dialogue in the scene. It is always exciting to see 2 marvelous performers sitting across a table, playing off each other and Fassbender and Swinton (especially) shine in this portion of the film.
The problem with THE KILLER is that the separate scenes do not add up to a cohesive whole - and certainly the parts are more interesting than the final procduct and that blame needs to be placed at the feet of Director Fincher who should have been able to blend these scenes together better. He isn’t helped by a finale scene that lands with a thud…on purpose. But a “thud” is a “thud” and that is a tricky way to end the film.
And…in the case of THE KILLER…Fincher (and Fassbender) did not build up enough equity heading into the final scene that one can forgive “the thud”….though it is still a pretty good film. The “thud” pulls this film down from “really good” (not great) to just…”good”.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis).
Haley Mathiot (9 KP) rated Ada: Legend of a Healer in Books
Apr 27, 2018
Ada has the unique ability of being able to heal anything she touches. Having lived in the foster care system her whole life, she finally gets the opportunity to live with her aunt, Jessie, who is also a healer, and explains her special ability. But Ada and Jessie have different viewpoints on a healer's responsibility, and Ada decides she's had enough. She takes off on her own heading to Paris with only an address and a photograph to attempt to find her mother, who she discovers isn't dead.
There's just one problem: There's a man who wants to find her and use her as his personal fountain of youth.
Reviewing self-published books is a tricky business. There's a wide range of them: the really crappy ones that make the editor inside me want to cry, the mediocre ones that are just missing a story, and then the occasional gem that I'm so glad I managed to get my hands on. I've had one or two other gems: Ada makes the list, and is pretty high up on it.
I loved Ada's story. I read it almost completely in one sitting. I liked Ada, and admired her will power and strength. We didn't see eye to eye on everything, and I thought she was immature and disrespectful at times, but I could still relate to her well enough that I couldn't hate her for it. About halfway through the book, some characters were introduced that I didn't expect to stay in the story, simply because of the way they were brought in. But isn't that the way our lives work? We meet someone and aren't sure if we'll ever really see them again, but they end up as our friends, and sometimes it's someone really special? That was Ada and Daniel. Daniel is going to have to be added to my list of literary crushes. Not only is he good looking, he's a "bad boy" and a sweetheart at the same time. And he's got a delicious smile. And he does Parkour. And he's French.
The writing was clear and descriptive and easy to understand. It wasn't perfect and there were a few irritating sections with poor grammar, but it didn't distract from the overall piece enough to bring down the star rating.
One of the things I really liked was the pacing. Sometimes a book has an interesting plot, but it takes way too long for things to actually happen that you fall asleep, or have to read an entire series just to get the same amount of plot you're looking for in a single novel (coughtwilightcough). The pacing was really fast in Ada, almost to the point where I wished it was just a little slower so I could really concentrate on what Ada was thinking and feeling.
There was one very tiny part that I didn't like. At one point, Ada tries to practice healing herself, so she takes a pair of scissors to her arm. I thought this was completely inappropriate and very risky, because through Ada's interior monologue, it almost seemed to show self-cutting in a good light. Yes she was practicing healing herself and learning to ignore pain, and trying to figure out her power, and Ada thought it through well enough that the reader would understand why she was doing it, but it just seemed bold and risky. Because of that, I wouldn't want young young adults to read it—I feel like it would make them uncomfortable. I also can't help but wonder what kind of influence that will have on young readers.
Scattered through the book were some truly beautiful illustrations. I found myself flipping through them and just staring at them. They have a pen-and-ink with watercolor sort of feel to them: very lose and impressionistic, almost dreamlike, but with wild pen and scratches thrown through to add definition. Here are two of my favorites (very poor quality photos, though, so I apologize ahead of time).
All in all, I was very pleased and excited about Ada: Legend of a Healer, and I can't wait for the next book in the series.
Content/Recommendation: Some swearing, small reference to self-abuse. Ages 16+
There's just one problem: There's a man who wants to find her and use her as his personal fountain of youth.
Reviewing self-published books is a tricky business. There's a wide range of them: the really crappy ones that make the editor inside me want to cry, the mediocre ones that are just missing a story, and then the occasional gem that I'm so glad I managed to get my hands on. I've had one or two other gems: Ada makes the list, and is pretty high up on it.
I loved Ada's story. I read it almost completely in one sitting. I liked Ada, and admired her will power and strength. We didn't see eye to eye on everything, and I thought she was immature and disrespectful at times, but I could still relate to her well enough that I couldn't hate her for it. About halfway through the book, some characters were introduced that I didn't expect to stay in the story, simply because of the way they were brought in. But isn't that the way our lives work? We meet someone and aren't sure if we'll ever really see them again, but they end up as our friends, and sometimes it's someone really special? That was Ada and Daniel. Daniel is going to have to be added to my list of literary crushes. Not only is he good looking, he's a "bad boy" and a sweetheart at the same time. And he's got a delicious smile. And he does Parkour. And he's French.
The writing was clear and descriptive and easy to understand. It wasn't perfect and there were a few irritating sections with poor grammar, but it didn't distract from the overall piece enough to bring down the star rating.
One of the things I really liked was the pacing. Sometimes a book has an interesting plot, but it takes way too long for things to actually happen that you fall asleep, or have to read an entire series just to get the same amount of plot you're looking for in a single novel (coughtwilightcough). The pacing was really fast in Ada, almost to the point where I wished it was just a little slower so I could really concentrate on what Ada was thinking and feeling.
There was one very tiny part that I didn't like. At one point, Ada tries to practice healing herself, so she takes a pair of scissors to her arm. I thought this was completely inappropriate and very risky, because through Ada's interior monologue, it almost seemed to show self-cutting in a good light. Yes she was practicing healing herself and learning to ignore pain, and trying to figure out her power, and Ada thought it through well enough that the reader would understand why she was doing it, but it just seemed bold and risky. Because of that, I wouldn't want young young adults to read it—I feel like it would make them uncomfortable. I also can't help but wonder what kind of influence that will have on young readers.
Scattered through the book were some truly beautiful illustrations. I found myself flipping through them and just staring at them. They have a pen-and-ink with watercolor sort of feel to them: very lose and impressionistic, almost dreamlike, but with wild pen and scratches thrown through to add definition. Here are two of my favorites (very poor quality photos, though, so I apologize ahead of time).
All in all, I was very pleased and excited about Ada: Legend of a Healer, and I can't wait for the next book in the series.
Content/Recommendation: Some swearing, small reference to self-abuse. Ages 16+
Janeeny (200 KP) rated Things Fall Apart in Books
Jun 10, 2019
I was very confused by February’s ‘Penguin Reading Challenge’, as I don’t think I got one. Their February newsletter did recommend ‘Pride and Prejudice’ as a valentine read so potentially that may have been my classic recommendation for the month, however I’ve already read that one so I decided this month to go for January’s second recommendation of Chinua Achebe’s ‘Things fall apart’.
I don’t really know how to summarise this book without giving a lot away so I’m going to rely on Amazon –
Okonowo is the greatest warrior alive. His fame has spread like a bushfire in West Africa and he is one of the most powerful men of his clan.
But he also has a fiery temper. Determined not to be like his father, he refuses to show weakness to anyone – even if the only way he can master his feelings is with his fists. When outsiders threaten the traditions of his clan, Okonowo takes violent action. Will the great man’s dangerous pride eventually destroy him?
Again a Classic that did actually engross me. At the risk of sounding like a complete heel I was expecting to be lectured to by this book. Usually with Historical literature books of such high acclaim we encounter a lot of hidden and profound messages about our place in the world and how we treat others and the story can feel a bit dry. Also, with the other Historical fiction based in other countries I’ve read, I’ve appreciated the story, but they have essentially been based around problems exclusive to that era and culture, so it’s not really something I can relate to.
So oddly enough this little book set within a Nigerian tribe in the 1890s was actually quite relatable. Ok so maybe not many people can relate to a situation where you and a group of other men lead your foster son to a dark forest and kill him, but we can relate to making hard choices in life and letting down the ones we love.
You know as soon as you meet Okonowo that things are not going to go well for him, he is a prideful man quick to anger. He mistreats his wives and has high expectations of his children, and his intentions whilst well-meaning for his family are also misguided. Okonowo lives in a very superstitious village, and you can see that, after Okonowo does something that a close friend warns him against, that things will start to go bad from there. Things do not end well for Okonowo, as he doesn’t seem to learn or heed the warnings around him, but in the end you do start to sympathise with him a bit.
I think the best way to summarise the events in ‘Things fall apart’ is that whilst Okonowo’s problems are steered by his tribe’s beliefs and superstitions they are in essence problems that are relatable around the world.
I don’t really know how to summarise this book without giving a lot away so I’m going to rely on Amazon –
Okonowo is the greatest warrior alive. His fame has spread like a bushfire in West Africa and he is one of the most powerful men of his clan.
But he also has a fiery temper. Determined not to be like his father, he refuses to show weakness to anyone – even if the only way he can master his feelings is with his fists. When outsiders threaten the traditions of his clan, Okonowo takes violent action. Will the great man’s dangerous pride eventually destroy him?
Again a Classic that did actually engross me. At the risk of sounding like a complete heel I was expecting to be lectured to by this book. Usually with Historical literature books of such high acclaim we encounter a lot of hidden and profound messages about our place in the world and how we treat others and the story can feel a bit dry. Also, with the other Historical fiction based in other countries I’ve read, I’ve appreciated the story, but they have essentially been based around problems exclusive to that era and culture, so it’s not really something I can relate to.
So oddly enough this little book set within a Nigerian tribe in the 1890s was actually quite relatable. Ok so maybe not many people can relate to a situation where you and a group of other men lead your foster son to a dark forest and kill him, but we can relate to making hard choices in life and letting down the ones we love.
You know as soon as you meet Okonowo that things are not going to go well for him, he is a prideful man quick to anger. He mistreats his wives and has high expectations of his children, and his intentions whilst well-meaning for his family are also misguided. Okonowo lives in a very superstitious village, and you can see that, after Okonowo does something that a close friend warns him against, that things will start to go bad from there. Things do not end well for Okonowo, as he doesn’t seem to learn or heed the warnings around him, but in the end you do start to sympathise with him a bit.
I think the best way to summarise the events in ‘Things fall apart’ is that whilst Okonowo’s problems are steered by his tribe’s beliefs and superstitions they are in essence problems that are relatable around the world.
Lee (2222 KP) rated Phineas and Ferb the Movie: Candace Against the Universe (2020) in Movies
Sep 2, 2020
Like being back with old friends....
Tenet? I’m sorry, no, THIS was actually the biggest movie release of last week. Well, it is when you’re currently having to isolate at home and cannot go to the cinema for a few weeks. Despite that, I was actually way more excited for this to hit Disney+ this morning than a man my age probably should have been, and I have been for sometime, since it was first announced. I even managed to convince my daughter to get up early and watch with me, recreating those wonderful days when we both used to get up bright and early on a Saturday morning and sit and watch back to back episodes.
For the uninitiated, Phineas and Ferb are two step-brothers who spend their summer holiday coming up with highly elaborate ways to occupy every day, usually resulting in some wacky adventures and an extremely frustrated sister, Candace. Candace is forever trying to bust the boys and get their mum to catch them in the act, only to fail every time as some last second incident conveniently erases any evidence. Oh, and they also have a pet platypus called Perry, who without their knowledge works as an agent for a secret animal organisation, trying each episode to thwart the latest evil scheme hatched by Dr Doofenshmirtz. It’s very funny, features some incredibly catchy songs, and is just an extremely well written show for both kids and adults to enjoy. Running for four seasons, and racking up over 200 episodes before ending in 2015, the show also spawned a number of crossover specials involving Marvel and Star Wars.
Candace against the universe is the second feature length Phineas and Ferb movie and opens with Candace, lamenting the sad fact that no matter what she does, she never manages to successfully bust her brothers. All of this is delivered in the form of a song, and acts as a nostalgic reminder of some of the crazy inventions and adventures the boys have been involved in over the course of the series. The song ends with another perfect chance for Candace to bust the boys, who are currently enjoying themselves with their friends in the back garden. But of course, she fails. After heading out to the front of the house, and meeting up with friend Vanessa, she spots an alien spaceship. Believing her brothers to be behind it somehow, she and Vanessa are sucked up inside, before taking off and shooting up into the sky.
The boys see Candace flying away in the ship, and after photographing the alien license plate, are able to quickly identify where she’s headed (as you do…). They round up the gang and quickly rustle up a portal in their back garden (as you do…), in order to jump to the planet where Candace is being taken. The portal takes them via Doofenshmirtz Evil Inc, where they pick up Heinz Doofenshmirtz and Perry the Platypus (unknowingly), before heading off in a spaceship of their own. When they do catch up with Candace, they discover that she is being hailed as ‘the chosen one’ by the alien race that captured her. But does the queen of the planet have a more sinister reason for bringing Candace all this way?
It’s fair to say that, unless you’re already a fan of the show, you’re unlikely to have any interest whatsoever in watching Candace Against the Universe. For fans of the show though, this is a wonderful trip down memory lane, unless you’ve already spent all of lockdown recently catching up on all of the episodes on Disney+, and it feels so good to be back in the company of such wonderful characters. There’s a lot of comfort to be had from the running gags and themes of the episode format of the show, and the only thing I found with this movie, and the crossover shows, is that they end up feeling like a dragged out episode at times, tending to sag a little around the middle.
It’s a very minor complaint though. The songs are as good as ever, including a song from Doofenshmirtz about ‘adulting’, and the humour is still smart and on point, although Buford does tend to get some of the funnier lines in my opinion. And when Buford gets ridiculed for bringing a canoe with him on their trip to the alien planet, and Doofenshmirtz gets laughed at for inventing something as stupid as a “Chicken Replace-inator” – basically a gun which swaps whatever you fire at with the nearest chicken – you just know they’re working on delivering us some great gags later on throughout the movie. And obviously, Perry the Platypus gets to save the day as usual, and without anyone even realising it. It’s like being back in the company of old friends. Fingers crossed that this isn’t the last we see of Phineas, Ferb and the gang.
For the uninitiated, Phineas and Ferb are two step-brothers who spend their summer holiday coming up with highly elaborate ways to occupy every day, usually resulting in some wacky adventures and an extremely frustrated sister, Candace. Candace is forever trying to bust the boys and get their mum to catch them in the act, only to fail every time as some last second incident conveniently erases any evidence. Oh, and they also have a pet platypus called Perry, who without their knowledge works as an agent for a secret animal organisation, trying each episode to thwart the latest evil scheme hatched by Dr Doofenshmirtz. It’s very funny, features some incredibly catchy songs, and is just an extremely well written show for both kids and adults to enjoy. Running for four seasons, and racking up over 200 episodes before ending in 2015, the show also spawned a number of crossover specials involving Marvel and Star Wars.
Candace against the universe is the second feature length Phineas and Ferb movie and opens with Candace, lamenting the sad fact that no matter what she does, she never manages to successfully bust her brothers. All of this is delivered in the form of a song, and acts as a nostalgic reminder of some of the crazy inventions and adventures the boys have been involved in over the course of the series. The song ends with another perfect chance for Candace to bust the boys, who are currently enjoying themselves with their friends in the back garden. But of course, she fails. After heading out to the front of the house, and meeting up with friend Vanessa, she spots an alien spaceship. Believing her brothers to be behind it somehow, she and Vanessa are sucked up inside, before taking off and shooting up into the sky.
The boys see Candace flying away in the ship, and after photographing the alien license plate, are able to quickly identify where she’s headed (as you do…). They round up the gang and quickly rustle up a portal in their back garden (as you do…), in order to jump to the planet where Candace is being taken. The portal takes them via Doofenshmirtz Evil Inc, where they pick up Heinz Doofenshmirtz and Perry the Platypus (unknowingly), before heading off in a spaceship of their own. When they do catch up with Candace, they discover that she is being hailed as ‘the chosen one’ by the alien race that captured her. But does the queen of the planet have a more sinister reason for bringing Candace all this way?
It’s fair to say that, unless you’re already a fan of the show, you’re unlikely to have any interest whatsoever in watching Candace Against the Universe. For fans of the show though, this is a wonderful trip down memory lane, unless you’ve already spent all of lockdown recently catching up on all of the episodes on Disney+, and it feels so good to be back in the company of such wonderful characters. There’s a lot of comfort to be had from the running gags and themes of the episode format of the show, and the only thing I found with this movie, and the crossover shows, is that they end up feeling like a dragged out episode at times, tending to sag a little around the middle.
It’s a very minor complaint though. The songs are as good as ever, including a song from Doofenshmirtz about ‘adulting’, and the humour is still smart and on point, although Buford does tend to get some of the funnier lines in my opinion. And when Buford gets ridiculed for bringing a canoe with him on their trip to the alien planet, and Doofenshmirtz gets laughed at for inventing something as stupid as a “Chicken Replace-inator” – basically a gun which swaps whatever you fire at with the nearest chicken – you just know they’re working on delivering us some great gags later on throughout the movie. And obviously, Perry the Platypus gets to save the day as usual, and without anyone even realising it. It’s like being back in the company of old friends. Fingers crossed that this isn’t the last we see of Phineas, Ferb and the gang.