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Picture You Dead (Roy Grace #18)
8.0
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Harry and Freya, an ordinary couple, dreamed for years of finding something priceless buried amongst...
The Black Madonna (Roundheads and Cavaliers #1)
Book
As England slides into Civil War, master-goldsmith and money-lender, Luciano Falcieri del Santi...
Historical Fiction Historical Romance English Civil War
Salvation (Protectors #2)
10.0
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Trauma surgeon Ronan Grisham lost everything the day the man he loved was stolen from him in a...
audio 5 stars darker/grittier male/male romance
Hazel (2934 KP) rated A Child for the Reich in Books
Dec 4, 2022
Inspired by a true story, this book is absolutely gripping and full of tension, heartbreak and the story of one woman's quest to find and rescue her daughter from the Nazi's Lebensborn programme.
Anna Dankova and her family live in Nazi-occupied Prague. Her husband and brother-in-law have joined the Czech Resistance leaving them to try and raise their children with the ever present danger of the Nazi soldiers, the Gestapo and the much feared Brown Sisters; female nurses who were dedicated to the Nazi cause. They worked for the Nazi Welfare Organization and searched through villages and towns for Aryan-looking children.
Anna and her sister's children are blonde-haired and blue-eyed and their fears are only too real but they are powerless against the might of the Nazi regime and one day, Anna's daughter, Ema is literally ripped from her arms in broad daylight leaving Anna, understandably, distraught and determined to get her back whatever the risks before she is lost forever.
Anna uses all her skills, courage and guile to find her daughter, infiltrate the children's home where she has been placed to be indoctrinated into the German way and to figure out a way to get her out of there whilst under the ever present threat of exposure and certain death.
This is a story full of tension and heartbreak and one mother's determination to find her daughter no matter what and it was absolutely gripping and I have no hesitation recommending it to those of you who 'enjoy' reading historical fiction based on true stories and events.
Thank you to HarperCollins UK, One More Chapter and NetGalley for enabling me to read and share my thoughts of A Child for the Reich.
Anna Dankova and her family live in Nazi-occupied Prague. Her husband and brother-in-law have joined the Czech Resistance leaving them to try and raise their children with the ever present danger of the Nazi soldiers, the Gestapo and the much feared Brown Sisters; female nurses who were dedicated to the Nazi cause. They worked for the Nazi Welfare Organization and searched through villages and towns for Aryan-looking children.
Anna and her sister's children are blonde-haired and blue-eyed and their fears are only too real but they are powerless against the might of the Nazi regime and one day, Anna's daughter, Ema is literally ripped from her arms in broad daylight leaving Anna, understandably, distraught and determined to get her back whatever the risks before she is lost forever.
Anna uses all her skills, courage and guile to find her daughter, infiltrate the children's home where she has been placed to be indoctrinated into the German way and to figure out a way to get her out of there whilst under the ever present threat of exposure and certain death.
This is a story full of tension and heartbreak and one mother's determination to find her daughter no matter what and it was absolutely gripping and I have no hesitation recommending it to those of you who 'enjoy' reading historical fiction based on true stories and events.
Thank you to HarperCollins UK, One More Chapter and NetGalley for enabling me to read and share my thoughts of A Child for the Reich.
Merissa (13043 KP) rated Curses and Chaos (Arcane Souls World: The Lost Witch #1) in Books
May 30, 2023
CURSES AND CHAOS is the first book in The Lost Witch series, which is a spin-off from The Wrong Witch. I would suggest you do read that series as this one runs concurrently with the last book in that series but from the perspective of Fiona and Theo. Personally, I loved that as I got to see the events through different eyes.
Anyway, back to this one. Fiona is the best friend of Wren and will do anything to get her back from the Fae Realm, including killing twelve witches. Theo is the older brother of Nico, Wren's husband, and Second to the Alpha of the Acosta Pack. Theo has his issues with witches and doesn't hide them. Fiona knows he hates her and accepts it; she's got bigger things on her mind.
I am so glad Fiona got her story told, even if this is just the beginning! I loved how Theo and Fiona's relationship changed without them both fully realising it. And one thing I absolutely adored? There is no "I love you's" in this book! Oh, don't get me wrong, the possessiveness of the wolf is all there, but their relationship will need longer than one book to reach that stage! I'm all over that. I can't wait to see what comes next and how they react to it.
Fiona is sweetness and spice with a whole lot of sass. Theo is Mr Grumpy Pants (with reason) with a darkness that suits Fiona. I love this pair and have absolutely no hesitation in recommending this brilliant start to their story.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 29, 2023
Anyway, back to this one. Fiona is the best friend of Wren and will do anything to get her back from the Fae Realm, including killing twelve witches. Theo is the older brother of Nico, Wren's husband, and Second to the Alpha of the Acosta Pack. Theo has his issues with witches and doesn't hide them. Fiona knows he hates her and accepts it; she's got bigger things on her mind.
I am so glad Fiona got her story told, even if this is just the beginning! I loved how Theo and Fiona's relationship changed without them both fully realising it. And one thing I absolutely adored? There is no "I love you's" in this book! Oh, don't get me wrong, the possessiveness of the wolf is all there, but their relationship will need longer than one book to reach that stage! I'm all over that. I can't wait to see what comes next and how they react to it.
Fiona is sweetness and spice with a whole lot of sass. Theo is Mr Grumpy Pants (with reason) with a darkness that suits Fiona. I love this pair and have absolutely no hesitation in recommending this brilliant start to their story.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 29, 2023
RəX Regent (349 KP) rated The Big Trail (1930) in Movies
Feb 19, 2019
“The Indians are my friends…” Breck Coleman – John Wayne
Not exactly a statement that would exemplify the Career of a man rightly or wrongly associated as being the Cowboy of the Cowboy and Indian movies. But there is no doubt that John Wayne was certainly one of the biggest western stars of cinema.
And The Big Trail is where it really begins for Wayne, but this 1930’s classic was a box office failure, coming not only at the dawn of sound film, but at the time of The Great Depression. It would be another decade by the time “The Duke” wold be born and John Wayne would take his crown as the western superstar which we all know today.
But The Big Trail, originally entitled The Oregon Trail, is not really a John Wayne vehicle. He was a relative unknown actor alongside stage talent, many of whom were drafted into Hollywood at this time simply because they could give a decent vocal performance, as many a silent star was falling, failing to adapt the talkies.
But again, sound is not the selling point of this movie. This was one of a handful of films which pioneered the 70mm film format, in this case, Fox Grandeur, or Grandeur 70. A none anamorphic widescreen format, which whilst not the first attempt, nor the first 70mm film format, it was the nearest to which would succeed later.
2oth Century Fox would change cinema in 1953 with the release of the first CinemaScope film, The Robe, a year after the debut of Cinerama, but Grandeur more closest resembles Todd AO, a format which is still technically used today though in a somewhat different way. The secret to CinemaScope’s later success was in many ways the reason for the failure of Grandeur and that was the fact that CinemaScope was an anamorphic process, screening the image from a regular 35mm film and expanding with the lens, therefore making it a lot cheaper to adapt existing projectors and auditoriums.
Grandeur on the other hand was a larger film format and required a complete upgrade to theatres and therefore, especially at the dawn of the depression era, was financially untenable. Only two theatres in the U.S. would ever show this film in its widescreen glory, with rest showing the alternate 35mm Academy version.
And this film, had SIX versions shot simultaneously, in four different languages, 35mm and 70mm, each requiring different takes with different cameras or casts. This was an incredible feet but one which would soon be reduced with the use of audio dubbing, subtitles and ability to pan and scan.
The problem with this film is simple. It has a loose plot but no real twists and turns. This is almost a documentary following the wagon train trail across the west as group of pioneers make their way to the better life and building the United States, or at least personifying the romantic version of it.
But the film’s pacing and visual style works best through the widescreen lens, a beautiful journey with the untamed west as backdrop, but this is not the the version that most people have seen. The majority only saw the 35mm version which is 20 minutes shorter, edited more quickly and simply doesn’t have the visual flare of the Grandeur version. And without this vast visual canvas, the thousands of extras and props are almost cut from the film, a film with now feels a bit pointless and bit wayward.
Starring an unknown, though despite his hammy acting, Wayne manages to hold his own, the pacing is rushed and the fact that this is an epic journey which we are embarking on with them is somewhat lost.
The widescreen version’s main failing is the sound, which is inferior and poorly mixed in comparison to the 35mm cut, which is crisper and louder, but sound was never going to this movie’s strength and it was still rudimentary at this point. But on a visual level, considering the age of the print, the cinematography is up there as being some of the best, with scale and dare I say, “grandeur” about it.
This is an interesting film to watch now, though unless you are a strong western fan, I would say that it will not thrill, though as a peace of cinematic history, it is littered with footnotes and it very watchable.
And The Big Trail is where it really begins for Wayne, but this 1930’s classic was a box office failure, coming not only at the dawn of sound film, but at the time of The Great Depression. It would be another decade by the time “The Duke” wold be born and John Wayne would take his crown as the western superstar which we all know today.
But The Big Trail, originally entitled The Oregon Trail, is not really a John Wayne vehicle. He was a relative unknown actor alongside stage talent, many of whom were drafted into Hollywood at this time simply because they could give a decent vocal performance, as many a silent star was falling, failing to adapt the talkies.
But again, sound is not the selling point of this movie. This was one of a handful of films which pioneered the 70mm film format, in this case, Fox Grandeur, or Grandeur 70. A none anamorphic widescreen format, which whilst not the first attempt, nor the first 70mm film format, it was the nearest to which would succeed later.
2oth Century Fox would change cinema in 1953 with the release of the first CinemaScope film, The Robe, a year after the debut of Cinerama, but Grandeur more closest resembles Todd AO, a format which is still technically used today though in a somewhat different way. The secret to CinemaScope’s later success was in many ways the reason for the failure of Grandeur and that was the fact that CinemaScope was an anamorphic process, screening the image from a regular 35mm film and expanding with the lens, therefore making it a lot cheaper to adapt existing projectors and auditoriums.
Grandeur on the other hand was a larger film format and required a complete upgrade to theatres and therefore, especially at the dawn of the depression era, was financially untenable. Only two theatres in the U.S. would ever show this film in its widescreen glory, with rest showing the alternate 35mm Academy version.
And this film, had SIX versions shot simultaneously, in four different languages, 35mm and 70mm, each requiring different takes with different cameras or casts. This was an incredible feet but one which would soon be reduced with the use of audio dubbing, subtitles and ability to pan and scan.
The problem with this film is simple. It has a loose plot but no real twists and turns. This is almost a documentary following the wagon train trail across the west as group of pioneers make their way to the better life and building the United States, or at least personifying the romantic version of it.
But the film’s pacing and visual style works best through the widescreen lens, a beautiful journey with the untamed west as backdrop, but this is not the the version that most people have seen. The majority only saw the 35mm version which is 20 minutes shorter, edited more quickly and simply doesn’t have the visual flare of the Grandeur version. And without this vast visual canvas, the thousands of extras and props are almost cut from the film, a film with now feels a bit pointless and bit wayward.
Starring an unknown, though despite his hammy acting, Wayne manages to hold his own, the pacing is rushed and the fact that this is an epic journey which we are embarking on with them is somewhat lost.
The widescreen version’s main failing is the sound, which is inferior and poorly mixed in comparison to the 35mm cut, which is crisper and louder, but sound was never going to this movie’s strength and it was still rudimentary at this point. But on a visual level, considering the age of the print, the cinematography is up there as being some of the best, with scale and dare I say, “grandeur” about it.
This is an interesting film to watch now, though unless you are a strong western fan, I would say that it will not thrill, though as a peace of cinematic history, it is littered with footnotes and it very watchable.
Emma @ The Movies (1786 KP) rated Gemini Man (2019) in Movies
Dec 8, 2019
I saw the trailers for this and thought it looked pretty good, the story sounded interesting and even though the effects in the clips looked a little dubious I was excited for one reason... Jerry Bruckheimer was involved, and I've never seen anything he's done that I didn't enjoy.
Henry Brogan is a master assassin, his whole life has been dedicated to perfecting his craft, but when he discovers he's been misled about a recent kill he decides it's time to hang up his gun. Such a high profile asset can't just retire from his life though and he soon finds himself being pursued. His would-be killer is agile and surprisingly capable, Henry is impressed by the improvising skills, and so he should be... they're his.
I've only just learnt that this film has been on the cards for 20 odd years. When it was first discussed technology wasn't up for the task the idea was pitching. Knowing that fact makes me wonder if they kept a 90's/00's script because the action does have that nostalgic quality. There have been lots of directors and actors attached to it and there's a fun thought experiment to have by exploring the possible outcomes it could have had.
Before I talk about my thoughts on the film I want to touch on the experience I had. Being out of town for the release meant that I was able to go to a cinema showing it in HFR 3D. This is the way it was filmed and intended to be seen but hardly any cinemas (in the world it seems) are able to show it that way. Cineworld Crawley were one of the cinemas that could, initially I wasn't bothered about seeing it in this format, but to be so close and have it snatched away was a real trauma.
I saw roughly the first 3 minutes of the film in HFR 3D and it seems this was the same fate of the screening before too. What I saw of it was mind-blowing, Will Smith was so crystal clear that he probably wouldn't have even looked that good if he was performing it in the room with me. But as I say, (several) 3-minute viewings were all we got before they had to give up and show us the 2D version. I'd be interested to know if anyone has a successful HFR screening. I would like to have seen it all the way through to see how it changed the visuals, sadly that's unlikely to happen now.
Let me put this out there straight away... this film is not good, and yet somehow good.
Gemini Man is a conventional idea with a twist and has an average script, but there's something engaging about the action. Oh, and while the script wasn't great it's entirely accurate when it states "Everyone hates cilantro." Yes, quite right.
De-aging technology has come a long way recently, but it has ups and downs depending on budget. In this respect Gemini Man had me stumped. The CGI in the trailer didn't look great and I assumed that was maybe early footage to get it out in front of audiences, but the film genuinely wasn't much better. There are moments where you don't notice it, you could almost pass Little Will off as the original, but the main problem is he's too familiar. On a lesser-known actor this might have played off better in more scenes. There are several moments where Little Will is lit with a flashlight and those moments caused me the most problems because that lighting looked wrong, particularly on his neck, and any quality work that may have been there was lost with the one bad piece. Most other effects are pretty reasonable until we get to the parkour ninja assassin towards the end... that sequence appears to be CG and everything is too fast and very cartoony.
I don't feel much of a need to talk about acting, it's all... fine. Without an epic script there's not much to work with but everyone makes it work as it needs to. It's a little sad that with 20 years to play with this wasn't a masterpiece on all fronts, or at least the script.
Gemini Man may have had a lot of issues for me but in the moment it's good to watch... even with the cheesy ending and the point where I thought it was directed by John Woo. I won't feel the need to buy this when it comes out but I'll definitely watch it again while hoping to see the HFR version in full.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/gemini-man-movie-review.html
Henry Brogan is a master assassin, his whole life has been dedicated to perfecting his craft, but when he discovers he's been misled about a recent kill he decides it's time to hang up his gun. Such a high profile asset can't just retire from his life though and he soon finds himself being pursued. His would-be killer is agile and surprisingly capable, Henry is impressed by the improvising skills, and so he should be... they're his.
I've only just learnt that this film has been on the cards for 20 odd years. When it was first discussed technology wasn't up for the task the idea was pitching. Knowing that fact makes me wonder if they kept a 90's/00's script because the action does have that nostalgic quality. There have been lots of directors and actors attached to it and there's a fun thought experiment to have by exploring the possible outcomes it could have had.
Before I talk about my thoughts on the film I want to touch on the experience I had. Being out of town for the release meant that I was able to go to a cinema showing it in HFR 3D. This is the way it was filmed and intended to be seen but hardly any cinemas (in the world it seems) are able to show it that way. Cineworld Crawley were one of the cinemas that could, initially I wasn't bothered about seeing it in this format, but to be so close and have it snatched away was a real trauma.
I saw roughly the first 3 minutes of the film in HFR 3D and it seems this was the same fate of the screening before too. What I saw of it was mind-blowing, Will Smith was so crystal clear that he probably wouldn't have even looked that good if he was performing it in the room with me. But as I say, (several) 3-minute viewings were all we got before they had to give up and show us the 2D version. I'd be interested to know if anyone has a successful HFR screening. I would like to have seen it all the way through to see how it changed the visuals, sadly that's unlikely to happen now.
Let me put this out there straight away... this film is not good, and yet somehow good.
Gemini Man is a conventional idea with a twist and has an average script, but there's something engaging about the action. Oh, and while the script wasn't great it's entirely accurate when it states "Everyone hates cilantro." Yes, quite right.
De-aging technology has come a long way recently, but it has ups and downs depending on budget. In this respect Gemini Man had me stumped. The CGI in the trailer didn't look great and I assumed that was maybe early footage to get it out in front of audiences, but the film genuinely wasn't much better. There are moments where you don't notice it, you could almost pass Little Will off as the original, but the main problem is he's too familiar. On a lesser-known actor this might have played off better in more scenes. There are several moments where Little Will is lit with a flashlight and those moments caused me the most problems because that lighting looked wrong, particularly on his neck, and any quality work that may have been there was lost with the one bad piece. Most other effects are pretty reasonable until we get to the parkour ninja assassin towards the end... that sequence appears to be CG and everything is too fast and very cartoony.
I don't feel much of a need to talk about acting, it's all... fine. Without an epic script there's not much to work with but everyone makes it work as it needs to. It's a little sad that with 20 years to play with this wasn't a masterpiece on all fronts, or at least the script.
Gemini Man may have had a lot of issues for me but in the moment it's good to watch... even with the cheesy ending and the point where I thought it was directed by John Woo. I won't feel the need to buy this when it comes out but I'll definitely watch it again while hoping to see the HFR version in full.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/gemini-man-movie-review.html
Emma @ The Movies (1786 KP) rated A Dog's Way Home (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Being by the same author as A Dog's Purpose you basically know the sort of film you're going to be getting and it doesn't disappoint on that front.
All the real life floofs were amazing and Shelby as Bella obviously gets five stars. The CGI floofs however should probably get a minus amount of stars. You notice it right from the start but once you get to that cougar that's when you think "oh it really is that bad!" It kind of feels like they found a cartoon of a cougar instead of a photo of one to work from.
I don't know where Ashley Judd has been hiding but it was good to see her back in a film. It was a nice little role and she did well with what she was given.
Bryce Dallas Howard was the voice of Bella and she does manage to give her the right tone for all the different situations. It's exactly what you think a dog would sound like if it could talk.
Bella's script is quite fun. Snow is ice cream falling from the sky and cutting the grass is indeed taking the mower for a walk, she even dislikes playing "go to work"... so do we Bella, so do we.
This had potential to be a 3.5/4 star film if it hadn't been for the frankly awful CGI, but I don't think I could see my way clear to give it more than that. It's predictable, just from the synopsis above you can make guesses at what's going to happen... something/someone is the reason Bella is far from home, she'll run away the first chance she gets, danger and camaraderie will be the themes while she's on her journey, she will somehow make it back even though it looks like everything is lost and they'll all live happily ever after.
What you should do
There are probably a lot of classic family films to stream or you already own which do the same job so there's probably no rush to see this one at the cinema. If you do though... take tissues.
Movie thing you wish you could take home
Any amount of floofs will do me!
All the real life floofs were amazing and Shelby as Bella obviously gets five stars. The CGI floofs however should probably get a minus amount of stars. You notice it right from the start but once you get to that cougar that's when you think "oh it really is that bad!" It kind of feels like they found a cartoon of a cougar instead of a photo of one to work from.
I don't know where Ashley Judd has been hiding but it was good to see her back in a film. It was a nice little role and she did well with what she was given.
Bryce Dallas Howard was the voice of Bella and she does manage to give her the right tone for all the different situations. It's exactly what you think a dog would sound like if it could talk.
Bella's script is quite fun. Snow is ice cream falling from the sky and cutting the grass is indeed taking the mower for a walk, she even dislikes playing "go to work"... so do we Bella, so do we.
This had potential to be a 3.5/4 star film if it hadn't been for the frankly awful CGI, but I don't think I could see my way clear to give it more than that. It's predictable, just from the synopsis above you can make guesses at what's going to happen... something/someone is the reason Bella is far from home, she'll run away the first chance she gets, danger and camaraderie will be the themes while she's on her journey, she will somehow make it back even though it looks like everything is lost and they'll all live happily ever after.
What you should do
There are probably a lot of classic family films to stream or you already own which do the same job so there's probably no rush to see this one at the cinema. If you do though... take tissues.
Movie thing you wish you could take home
Any amount of floofs will do me!
Deborah (162 KP) rated The Jane Austen Guide to Happily Ever After in Books
Dec 21, 2018
Oh dear.
I decided to take this book for review as Austen is by far my favourite novelist and I thought this sounded like an interesting concept - what makes the protagonists' matches so good. And there is always the sticky Charlotte Lucas question to ponder over. This isn't really what I got; I felt that this book couldn't decide if it wanted to be a work of literary criticism/analysis or a self help manual. I'm also not entirely sure who the target audience for this book are supposed to be. I got a very strong impression that it wasn't supposed to be me! References to 'we Americans' can be somewhat alienating to the rest of the world. Although the whole book seems to push Austen as a main selling point, it also seems to be aimed at people who don't really know the novels that well - too much of obvious plot details have to be explained and there is an over use of quotation, beyond what was needed to make the point.
The text of the book is only about 250 pages, but there must be at least another 100 pages of endnotes. This is an area of complete overkill, in my opinion. When a single endnote can go on for a couple of pages, by the time you get back to the main text, you've pretty much lost whatever plot there was. Endnotes; just too many and too long and in many cases just too unnecessary.
I was only reading from a proof copy, but there were textual errors - Maria Crawford, anyone?! Hopefully someone familiar with Austen can pick this up.
At the time of writing I see that only one other amazon.co.uk reviewer has come forth to note that they didn't like it much either, while the amazon.com reviews seem to be positive. Maybe this has something to do with targeting, as the writing style was very informal and slangy and with a number of American cultural references that meant very little to me. Such a narrow focus seems a bad error of judgement as far as the rest of the world is concerned. If you want my recommendation, I wouldn't bother with this one.
I decided to take this book for review as Austen is by far my favourite novelist and I thought this sounded like an interesting concept - what makes the protagonists' matches so good. And there is always the sticky Charlotte Lucas question to ponder over. This isn't really what I got; I felt that this book couldn't decide if it wanted to be a work of literary criticism/analysis or a self help manual. I'm also not entirely sure who the target audience for this book are supposed to be. I got a very strong impression that it wasn't supposed to be me! References to 'we Americans' can be somewhat alienating to the rest of the world. Although the whole book seems to push Austen as a main selling point, it also seems to be aimed at people who don't really know the novels that well - too much of obvious plot details have to be explained and there is an over use of quotation, beyond what was needed to make the point.
The text of the book is only about 250 pages, but there must be at least another 100 pages of endnotes. This is an area of complete overkill, in my opinion. When a single endnote can go on for a couple of pages, by the time you get back to the main text, you've pretty much lost whatever plot there was. Endnotes; just too many and too long and in many cases just too unnecessary.
I was only reading from a proof copy, but there were textual errors - Maria Crawford, anyone?! Hopefully someone familiar with Austen can pick this up.
At the time of writing I see that only one other amazon.co.uk reviewer has come forth to note that they didn't like it much either, while the amazon.com reviews seem to be positive. Maybe this has something to do with targeting, as the writing style was very informal and slangy and with a number of American cultural references that meant very little to me. Such a narrow focus seems a bad error of judgement as far as the rest of the world is concerned. If you want my recommendation, I wouldn't bother with this one.
Debbiereadsbook (1466 KP) rated Fade In (Tales of Bryant Novellas #1) in Books
Jan 29, 2020
I NEEDED Caiden!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book three in the Tales of Bryant series, and while I would RECOMMEND that you read the other two books first, its not really necessary. Books one and two are abotu Isamu and Brian, and this book is about Isamu's friend, Devon. It woud just give you a better picture of these people and how they interact.
It was the interaction between Brian and Caiden in the first two books that piqued my interest in Caiden! Devon is smitten immediately, and you knew when they eventually came together it was gonna be hot and it really is! I just didn't expect to he hauled through the emotional wringer too!
Caiden and Devon get together at Brian and Isamu's wedding and they fall into a brief affair, thats all it can be, cos Caiden leaves twon for 3 months shortly. But Devon can't fight his feelings and runs. Caiden brings him back, time again until Devon finally calls time, when Caiden is leaving town.
Because a huge chunk of the book is set over two weeks, it IS fast that Devon falls, and utters those 3 little words, and usually I wouldn't like that but since Devon knows there is a limited time available, he goes in feet first. While Caiden doesn't say them til MUCH later, I felt he did fell the words for Devon, he showed him in other ways. It's just, Devon doesn't see it like that and all his past insecurities come crashing down around his ears.
It's hot and steamy in places, and sweet and emotional in others. It hit THAT spot in all but one.
Again, its only Devon who has a say, and thats the only reason I can't stretch to 5 stars! Cos let me tell ya, Devon falling hard and fast for Caiden was great reading but I NEEDED Caiden too, and I don't get him. So I'm a bit miffed about that!
Adrian is up next, the wedding planner who lost the plot when dealing with Isamu's Baba (grandmother) and he is a character and a half!
4 solid stars
**same worded review will appear elsewhere**
This is book three in the Tales of Bryant series, and while I would RECOMMEND that you read the other two books first, its not really necessary. Books one and two are abotu Isamu and Brian, and this book is about Isamu's friend, Devon. It woud just give you a better picture of these people and how they interact.
It was the interaction between Brian and Caiden in the first two books that piqued my interest in Caiden! Devon is smitten immediately, and you knew when they eventually came together it was gonna be hot and it really is! I just didn't expect to he hauled through the emotional wringer too!
Caiden and Devon get together at Brian and Isamu's wedding and they fall into a brief affair, thats all it can be, cos Caiden leaves twon for 3 months shortly. But Devon can't fight his feelings and runs. Caiden brings him back, time again until Devon finally calls time, when Caiden is leaving town.
Because a huge chunk of the book is set over two weeks, it IS fast that Devon falls, and utters those 3 little words, and usually I wouldn't like that but since Devon knows there is a limited time available, he goes in feet first. While Caiden doesn't say them til MUCH later, I felt he did fell the words for Devon, he showed him in other ways. It's just, Devon doesn't see it like that and all his past insecurities come crashing down around his ears.
It's hot and steamy in places, and sweet and emotional in others. It hit THAT spot in all but one.
Again, its only Devon who has a say, and thats the only reason I can't stretch to 5 stars! Cos let me tell ya, Devon falling hard and fast for Caiden was great reading but I NEEDED Caiden too, and I don't get him. So I'm a bit miffed about that!
Adrian is up next, the wedding planner who lost the plot when dealing with Isamu's Baba (grandmother) and he is a character and a half!
4 solid stars
**same worded review will appear elsewhere**