"Ok, I know this one’s cheating. I don’t care. So it’s not a movie, so what? It did start as a movie, so it totally counts. No TV show has meant more to me than Buffy the Vampire Slayer. Stop laughing, I’m serious. It’s one of the greatest things ever created in the history of mankind. I said stop. How dare you?! I will fight you! I will fight you and I will win. It’s the best. Every right-thinking person knows that. When Buffy was on the air, I recorded every single episode on my TiVo. I’m pretty sure my DVR thought I was a fourteen year-old girl. Whatever. The show was incredible. It refused to be pigeonholed. It defied, merged, bent, and blended genres, masterfully commingling fantasy and reality. It dealt with issues of real substance. It treated its audience intelligently, with the utmost respect. Over a decade after it went off the air, it still had residence in my head and heart, and served as a model for what Kubo became: real life wrapped in metaphor. Like Buffy, we explore triumph and tragedy, loss and healing, and compassion, and forgiveness through the stylized prism of fantasy. We acknowledge that part of life… is death. That lives can be thrown away and lost and upended in an unfair and random act of casual violence, without the grandeur and rousing speechifying often found in heroic movie deaths. People we love are often ripped away from us, in an instant. And we need to find a way to reconcile that a part of life is struggle, and it has a cost. Kubo and the Two Strings, like life, like Buffy, is wonderfully bittersweet. So thank you, Joss Whedon, for giving me so much high-spirited joy and gut-wrenching heartache. You saved the world. A lot."

"It’s a very personal choice because when I came to America from mainland China, I was an actress, but I never knew about Hollywood. I had heard of Hollywood but we didn’t have access to see Hollywood movies. A photographer was taking pictures of me and said, “You remind me of this actress named Audrey Hepburn.” I said, “Who is that?” He said, “Bai Ling, you have to watch her films,” and he found me Roman Holiday. That was the first Hollywood movie I’d ever seen. And it’s still one of my favorites, because it first introduced me to Hollywood — beautiful, romantic, very graceful, and elegant. I would like to remake it — I hope some director can help me, maybe Steven Soderbergh or Wong Kar-Wai. [Laughs] What I remember about those old Hollywood films is that when a leading lady and a leading man meet, they don’t have to say anything; you already know they’re in love. You root for them; you want them to be together. That’s the magic of Hollywood. I think somehow today we’ve lost a little bit of it, and you don’t care as much if two characters get together. But Roman Holiday makes you smile, makes your heart smile, makes your heart sing for these two people. Gregory Peck is gentle and elegant, the kind of tall leading man that I like. I think we should remake the film. Everybody in America, in Asia, and in Europe, would appreciate it. The beautiful, pure, romantic story — I wish I would play a role like that, because I have a romantic soul. I’d like to bring that purity to the audience, to have their fantasy fulfilled."