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Matthew Krueger (10051 KP) rated the Xbox One version of DOOM in Video Games
Mar 20, 2020
Kick Some Ass 2016 Style
Doom 2016- yes i called it this because when you talk about it to people, sometimes their like "which one". So i call this one "Doom 2016". So lets talk about it.
The Gameplay:
According to the game's executive producer Marty Stratton, the key principles of Doom's single-player mode are "badass demons, big effing guns, and moving really fast".
"Glory Kills" is a newly-introduced melee execution system; when enough damage has been dealt to an enemy, the game will highlight it and allow the player to perform a quick and violent melee takedown, rewarding the player with small health recovery.
The game features a large arsenal of weapons which can be collected and freely switched by players throughout the game and require no reloading.
Many enemies also return from the original game, such as the Revenant, Pinky, Mancubus, and Cyberdemon, with many also redesigned. Doom's campaign was made to be at least 13 hours long, and the "Ultra-Nightmare" difficulty level features permadeath, which causes the savegame to be lost once the player dies. The campaign also features 13 levels.
Many of the levels have multiple pathways and open areas, which allow players to explore and find collectibles and secrets throughout the levels. Other pickups include small Doomguy figurines that allow the player to view 3D models of different characters, and data files that expand on the characters and story. Additionally, each of the game's levels contains a hidden lever which opens an area extracted from a classic level in the original Doom or Doom II. Finding each of these areas unlocks them, making them accessible from the game's main menu in a section called Classic Maps.
The Plot:
Players take the role of an unnamed space marine as he battles demonic forces from Hell that have been unleashed by the Union Aerospace Corporation on a future-set colonized planet Mars.
The Thankz:
Thank you id software and Bethesda software for rebooting this game.
Doom 2016- is a epic game and return to the Doom format that once was and adds more new.
The Gameplay:
According to the game's executive producer Marty Stratton, the key principles of Doom's single-player mode are "badass demons, big effing guns, and moving really fast".
"Glory Kills" is a newly-introduced melee execution system; when enough damage has been dealt to an enemy, the game will highlight it and allow the player to perform a quick and violent melee takedown, rewarding the player with small health recovery.
The game features a large arsenal of weapons which can be collected and freely switched by players throughout the game and require no reloading.
Many enemies also return from the original game, such as the Revenant, Pinky, Mancubus, and Cyberdemon, with many also redesigned. Doom's campaign was made to be at least 13 hours long, and the "Ultra-Nightmare" difficulty level features permadeath, which causes the savegame to be lost once the player dies. The campaign also features 13 levels.
Many of the levels have multiple pathways and open areas, which allow players to explore and find collectibles and secrets throughout the levels. Other pickups include small Doomguy figurines that allow the player to view 3D models of different characters, and data files that expand on the characters and story. Additionally, each of the game's levels contains a hidden lever which opens an area extracted from a classic level in the original Doom or Doom II. Finding each of these areas unlocks them, making them accessible from the game's main menu in a section called Classic Maps.
The Plot:
Players take the role of an unnamed space marine as he battles demonic forces from Hell that have been unleashed by the Union Aerospace Corporation on a future-set colonized planet Mars.
The Thankz:
Thank you id software and Bethesda software for rebooting this game.
Doom 2016- is a epic game and return to the Doom format that once was and adds more new.
High Strung: Bjorn Borg, John Mcenroe, and the Untold Story of Tennis's Fiercest Rivalry
Book
For all the upsets, unexpected career turnarounds, and bizarre instances of violence tennis has...
Neon's Nerd Nexus (360 KP) rated Dora and the Lost City of Gold (2019) in Movies
Aug 21, 2019
The last crusade
Dora And The Explorer And The Lost City Of Gold maybe this years biggest shocker. A mix of Tomb Raider & Indiana Jones this one really does hit you right in the nostalgia gland. After not knowing anything about this character what so ever I was seriously expecting to walk out this movie shortly after it began, so imagine my surprise when just 15 minutes in I found myself not only highly entertained but actually full on laughing constantly at all the jokes too. Ok so Im not really sure who this movie is aimed at to be honest as theres not much in here that will apeal to young kids bar the strange inclusion of two horribly animated cgi characters (which I feel didn't fit at all with the look of the film & ruined the overall visual style of the movie). Dora the movie is also so self aware & full of strange adult humour/jokes that seemingly mock its own source material too which found hilarious. This along with how the overall tone was handled made such a fun & fresh aproach for a kids film that made it exciting & enjoyable to watch. Visually its beautiful with such vibrancy & vastness that sets feel alive/exciting to explore. They really captured the sense of adventure & discovery here & although most of the film is just a re-skin of Indiana jones and the last crusade it never felt stale or any less thrilling bringing back the same feelings I had while watching those films way back when I first saw them in my youth. Cast wise everyone one does a smashing job at over acting which only adds to the tone & humour with Michael Pena owning every scene he's in with his energy alone. Miles better than the last Tomb Raider & Indy films & filled with such randomness, strangeness, 4th wall breaking & fun Dora is a film recent Disney movies could learn a thing or to from, its genuinely hilarious, has great production values, a decent sense of threat, positive messages about leaving your comfort zone & a smart self awareness making it a really enjoyable watch. Oh & that Danny Trejo cameo đ
Private Camera Pro - Keep Lock Picture Vault Safe
Photo & Video and Utilities
App
Over 2,000,000 people trust Private Camera. The Best Private Photo app! Did you worried about that...
Kristy H (1252 KP) rated First Comes Love in Books
Feb 13, 2018
Josie and Meredith are sisters with an often antagonistic relationship. Older, impulsive Josie is single and seems to approach life head-on. Meredith, a married lawyer with a four-year-old daughter is more cautious and often annoyed by what she sees as her sister's antics. Josie, a first grade teacher, wants to find a man and settle down, but she wants to become a mom more than anything. Meanwhile, Meredith feels restless and trapped in her marriage, plagued by doubts and insecurities. Meredith and Josie lost their older brother in a tragic accident: an incident that influences and affects their entire family, even after fifteen years. With the anniversary of Daniel's accident looming, Josie and Meredith have to face their painful past, for once and for all.
This was a difficult book, but one I really enjoyed. I will warn you up front: neither Josie nor Meredith is a particularly likeable character. However, they were, at least to me, relatable, which is key. Their flaws are human and ones we can spot in ourselves and those around us. This book particularly hit home to me as a very real portrayal of how families deal with with loss and grief. Giffin did an excellent job of showing how Meredith, Josie, and Daniel's parents and close friends were still so affected by his passing after fifteen years. This will hit home to others in similar situations, grappling with the guilt and grief that comes with losing someone you love.
The book isn't always easy to read because of this, but I do think it's worth it. There are some comedic moments in there as well. Still, sometimes it's good to read about real life and to see it portrayed so realistically and clearly. The characters are flawed, but vivid and real and you become invested in their lives. Their tangled web is a twisted one, but it's one you want to see them emerge from. By the end, I found myself smiling and feeling at peace; I had really become caught up in these characters' lives, which I feel is the sign of a good book. It's not the tense sort of novel I'd like to read all the time, but this one resonated with me.
I received a copy of this novel from Netgalley (thank you!); it is available everywhere as of 06/28/2016.
This was a difficult book, but one I really enjoyed. I will warn you up front: neither Josie nor Meredith is a particularly likeable character. However, they were, at least to me, relatable, which is key. Their flaws are human and ones we can spot in ourselves and those around us. This book particularly hit home to me as a very real portrayal of how families deal with with loss and grief. Giffin did an excellent job of showing how Meredith, Josie, and Daniel's parents and close friends were still so affected by his passing after fifteen years. This will hit home to others in similar situations, grappling with the guilt and grief that comes with losing someone you love.
The book isn't always easy to read because of this, but I do think it's worth it. There are some comedic moments in there as well. Still, sometimes it's good to read about real life and to see it portrayed so realistically and clearly. The characters are flawed, but vivid and real and you become invested in their lives. Their tangled web is a twisted one, but it's one you want to see them emerge from. By the end, I found myself smiling and feeling at peace; I had really become caught up in these characters' lives, which I feel is the sign of a good book. It's not the tense sort of novel I'd like to read all the time, but this one resonated with me.
I received a copy of this novel from Netgalley (thank you!); it is available everywhere as of 06/28/2016.
Hazel (1853 KP) rated Rotham Race in Books
Jul 4, 2018
This ARC was provided by the author in exchange for an honest review
Jordan Elizabeth has aced the dystopia genre in her first attempt at a post-apocalyptic story. Set in what remains of the United States in 2057, thirty-seven years after âThe Happeningâ, the country is a broken place. Some states no longer exist and the ones that do are barely inhabitable. Civilian lives have been reduced to mere survival rather than living, however, there is one small hope. The US lost a microchip in the desert containing data that would help them restore the country to its better days. The only problem is finding it.
Orphan Troy, aged seventeen, is determined to be the one to locate the precious microchip. For ten years, bike riders have joined the âRotham Raceâ into the desert in hopes of being the one to bring it back and return the US back to its former glory, however, within that decade, only one rider has ever returned. Undeterred, Troy sets off from Maryland to New York to sign up for the biggest race in history.
Along the way, Troy meets Barbie, a seventeen-year-old mechanic who helps him fix up his bike. Whilst staying with her, awaiting new cycle parts, the teenage pair falls in love, giving Troy a strong reason to make sure he wins and returns from the race.
Unbeknownst to the racers, the government has secrets that render the race a futile endeavour. Whilst hundreds hope for a victory, there is almost no chance of anyone returning.
Rotham Race is an exciting page-turner and original concept. Dystopian stories have been recycled again and again but Jordan Elizabeth brings something new to the table. The characters are likeable and strong, and the storyline is carefully thought out and gripping.
As a novella, Rotham Race is not very long and can be read in a matter of hours. Whilst some people prefer short stories, Jordan Elizabeth has the potential of turning it into a full-length novel or series. Since the storyâs conclusion leaves matters unfinished, perhaps there will be a follow-up novella.
Previously, Jordan Elizabeth has concentrated on short fantasy stories but, as Rotham Race proves, her strengths lie in science fiction and dystopia. Rotham Race would not look out of place amongst popular novels such as Divergent and The Hunger Games.
Jordan Elizabeth has aced the dystopia genre in her first attempt at a post-apocalyptic story. Set in what remains of the United States in 2057, thirty-seven years after âThe Happeningâ, the country is a broken place. Some states no longer exist and the ones that do are barely inhabitable. Civilian lives have been reduced to mere survival rather than living, however, there is one small hope. The US lost a microchip in the desert containing data that would help them restore the country to its better days. The only problem is finding it.
Orphan Troy, aged seventeen, is determined to be the one to locate the precious microchip. For ten years, bike riders have joined the âRotham Raceâ into the desert in hopes of being the one to bring it back and return the US back to its former glory, however, within that decade, only one rider has ever returned. Undeterred, Troy sets off from Maryland to New York to sign up for the biggest race in history.
Along the way, Troy meets Barbie, a seventeen-year-old mechanic who helps him fix up his bike. Whilst staying with her, awaiting new cycle parts, the teenage pair falls in love, giving Troy a strong reason to make sure he wins and returns from the race.
Unbeknownst to the racers, the government has secrets that render the race a futile endeavour. Whilst hundreds hope for a victory, there is almost no chance of anyone returning.
Rotham Race is an exciting page-turner and original concept. Dystopian stories have been recycled again and again but Jordan Elizabeth brings something new to the table. The characters are likeable and strong, and the storyline is carefully thought out and gripping.
As a novella, Rotham Race is not very long and can be read in a matter of hours. Whilst some people prefer short stories, Jordan Elizabeth has the potential of turning it into a full-length novel or series. Since the storyâs conclusion leaves matters unfinished, perhaps there will be a follow-up novella.
Previously, Jordan Elizabeth has concentrated on short fantasy stories but, as Rotham Race proves, her strengths lie in science fiction and dystopia. Rotham Race would not look out of place amongst popular novels such as Divergent and The Hunger Games.
JE
Jubal Early: Robert E. Lee's Bad Old Man
Book
In Jubal Early: Robert E. Lee's Bad Old Man, a new critical biography of Confederate Lieutenant...
Gareth von Kallenbach (980 KP) rated Cloud Atlas (2012) in Movies
Aug 7, 2019
While I am not familiar with the novel, I was not excited to review the film adaptation of David Mitchellâs Cloud Atlas. Though the Screenplay was written and directed by the Wachowskis (The Matrix) and Tom Tykwer (Run Lola Run) I did not know exactly what I was getting into. The trailer shows it as an epic sci-fi film crossing the time and lives of several stories and how everything and everyone is connected. Needless to say my curiosity was piqued. But I was nervous because I knew it would take a grand effort to keep this epic and ambitious project from falling flat. And well, I can honestly say that I am not quite sure if the combined effort succeeded.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher whoâs life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family⌠Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Whereâs Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his characterâs soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an âeverymanâ that he has played in recent years.
Halle Berryâs performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James DâArcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors holdâs their own against their older more notable counterparts. Whishawâs performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher whoâs life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family⌠Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Whereâs Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his characterâs soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an âeverymanâ that he has played in recent years.
Halle Berryâs performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James DâArcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors holdâs their own against their older more notable counterparts. Whishawâs performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.
Whatchareadin (174 KP) rated A Man Called Ove in Books
Apr 10, 2019
Ove is a cranky old man who has recently lost his wife. He would like nothing more than to join her in the afterlife. He has made all of the arrangements, paid all of the bills, now he just has to find the best way to off himself. But when the neighbors seem to take a new interest in Ove, his plans keep getting thwarted. Will he be able to go through with his plans or will the neighbors have other plans?
I listened to this book and at first I wasn't sure if I was going to like it. But slowly Ove started to grow on me. He's the kind of guy who you know is stuck in his ways and there is nothing that you can say or do that will change that. But eventually you see a change, not one that is at first noticeable, but a slight softening.
Even though Ove is ready to leave this world, his neighbors, have a different idea. It starts with Parvana and her family. When they move into the neighborhood, they need help backing their trailer up on the street in order to move in. Then Parvana needs a ride to the hospital when her husband, Patrick has fallen off a ladder. Then another resident has to go to the hospital, then another neighbor needs help with their radiator and so on and so on. My favorite part of the book is toward the end **SPOILER ALERT** when Ove himself ends up going to the hospital and when Parvana goes to see him, the doctor tells her that one of Ove's problems is that his heart is too big. That makes Parvana bust out laughing.
At the end of this book, I cried like a baby and I highly recommend this book.
I listened to this book and at first I wasn't sure if I was going to like it. But slowly Ove started to grow on me. He's the kind of guy who you know is stuck in his ways and there is nothing that you can say or do that will change that. But eventually you see a change, not one that is at first noticeable, but a slight softening.
Even though Ove is ready to leave this world, his neighbors, have a different idea. It starts with Parvana and her family. When they move into the neighborhood, they need help backing their trailer up on the street in order to move in. Then Parvana needs a ride to the hospital when her husband, Patrick has fallen off a ladder. Then another resident has to go to the hospital, then another neighbor needs help with their radiator and so on and so on. My favorite part of the book is toward the end **SPOILER ALERT** when Ove himself ends up going to the hospital and when Parvana goes to see him, the doctor tells her that one of Ove's problems is that his heart is too big. That makes Parvana bust out laughing.
At the end of this book, I cried like a baby and I highly recommend this book.
Billie Wichkan (118 KP) rated Demons in the Big Easy in Books
May 22, 2019
Adventurous in her youth, Cassandra built gateways between Domhan and its parallel realm of Earth. Now sheÂs too old for that kind of thing. But something is making it easier for demons to pass into Domhan. Not only that, but their behavior becomes inexplicable: whenever Cassandra banishes one, it laughs at her rather than resists, and it promises it will soon devour her essence and that of every resident of her small village. Cassandra is certain such a thing is impossible, for strong wards protect her village.
But then CassandraÂs granddaughter Aine falls through an unstable gateway. Cassandra is the only one within a hundred miles capable of creating a gateway and bringing Aine back. Despite her aching joints, Cassandra goes after her, and the gateway lands her in New Orleans. But something goes wrong with her tracking spell, which indicates Aine exists in four different places at once. As Cassandra struggles to find the true location of her granddaughter in the Big Easy, she discovers the source of the demons confidence. Now, with an unlikely pair of alliesÂher timid granddaughter and a homeless man who may or may not be crazyÂshe has to not only save her granddaughter but also prevent both Domhan and Earth from being overrun by demons.
I really enjoyed this novella.
Demons in the Big Easy is a short urban fantasy novella following an elderly witch Cassandra as she searches for her lost granddaughter across dimensions.
I think this story has more to tell and would be first in line if the author decided to expand on it.
This story had a perfect mix of mystery, bad guys and horror. I could not believe the end, I never would have thought who the head demon was.
I am hoping for a sequel!
But then CassandraÂs granddaughter Aine falls through an unstable gateway. Cassandra is the only one within a hundred miles capable of creating a gateway and bringing Aine back. Despite her aching joints, Cassandra goes after her, and the gateway lands her in New Orleans. But something goes wrong with her tracking spell, which indicates Aine exists in four different places at once. As Cassandra struggles to find the true location of her granddaughter in the Big Easy, she discovers the source of the demons confidence. Now, with an unlikely pair of alliesÂher timid granddaughter and a homeless man who may or may not be crazyÂshe has to not only save her granddaughter but also prevent both Domhan and Earth from being overrun by demons.
I really enjoyed this novella.
Demons in the Big Easy is a short urban fantasy novella following an elderly witch Cassandra as she searches for her lost granddaughter across dimensions.
I think this story has more to tell and would be first in line if the author decided to expand on it.
This story had a perfect mix of mystery, bad guys and horror. I could not believe the end, I never would have thought who the head demon was.
I am hoping for a sequel!