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A Bibliophagist (113 KP) rated Space Opera in Books
Jan 25, 2020 (Updated Jan 25, 2020)
Fun writing (2 more)
Creative
Witty
Overwritten (3 more)
Lacking plot
Disjointed and distracted
Boring
Technicolor Encyclopedia entry
Space Opera seems to be a book, that based on other reviews, you either love or hate. The love reviewers can't seem to tell me why they love it, most attempting to replicate the style of the author and relying on a menagerie of adjectives to express themselves. "A glitter punk, Eurovision romp!" "Technicolor whirlwind!" but not actually saying WHY they liked it, or just saying "well you didn't get the humor". The ones who disliked it are pretty clear, and as I struggled with this book I found I agreed with their complaints. However, I have to thank the sheer number of DNFs from the disliked group for causing me to, ironically, finish it. I hate DNFing books, to begin with, but when I saw just how many bad reviews didn't make it through, it felt as bad as the good reviews not actually reviewing anything. So I powered through, and honestly, it was worth finishing. The author really got back on track and it was a great ending.
Valente has in fact given us a Eurovision, glitter punk, electric baby with Douglas Adams, her writing fantastical and humorous, her characters vapid but in a washed-out musician kind of way. She really thought about this book, creating droves of aliens and probably destroying a number of thesauri to bring them to life. We follow Decibel Jones of the "oh you haven't heard of it, well we used to be a thing" Decibel Jones and the Absolute Zeros. A washed-up, no longer active glitter punk band who is an amalgam of every band you probably are thinking of when trying to grasp what that description means.
The book opens with a wonderfully witty description of how there is in fact other life out there in the universe, life is easy to come by, they've just been off doing a galactic war and while they were gone we kind of popped up. Life is stupid. This part is the best part of the book. The humor is on point, the prose magnificant. She is spot on and very pointed in her argument for why war happens. It's people vs meat, and how does one determine something isn't meat, but in fact sentient? Well, no one really figured that out, hence the galactic war, but NOW post-war they think they've figured it out. Intergalactic Music competition. Makes sense, only something sentient could create music right?
Well, this year is a special year because Earth is invited, we've been deemed "may be sentient", but questionable enough that they'd rather not let us just hang out and become annoying someday. So we have to present a band and performance for consideration. We just have to not place last. If we don't place last, we're part of the club and we'll be a-ok. If we place last, we'll be destroyed, because they already think we're annoying and that will mean we're meat. People vs meat remember?
So, one day everyone on the planet earth, everyone, awake or sleeping is visited by the blue birdlike projection of our assigned guides, the Esca, and alien species that are new to the whole being accepted as a sentient thing, and will guide us through the competition. Which it is now telling us about, Suprise! They've chosen a list of musicians they think will do well, however it's outdated and only one band is really able to do it, the has-beens, who are they, Decibel Jones and the Absolute Zeros. Time was rough on our glam-punk friends as it tends to be on musicians, they lost the third member about a decade ago, the two remaining no longer talk. Decibel is a trainwreck, and Oort St Ultraviolet is now just a dad who very much wants to be a regular dude. But now they're being whisked off into space to sing for the world's salvation.
Sounds pretty fun right? This plus Douglas Adams type prose and humor? A real knock out. Unfortunately, that story I just described takes up... maybe a quarter of the book, MAYBE. You can pull the main story out and put it into a book that might be too small to be a novella. Because of this, the backstory, development, and exploration of these characters are slim to nothing. There is some mind you, but very little. It isn't until the 180pg mark or so that Valente actually decides to focus on the plot, giving very little time to do the entire Grand Prix, the actual competition takes up a page. A 288-page book about a singing competition and only 1-2 pages is actually the singing competition. Tack on another 10 maybe for the weird cocktail death party right before, that didn't have enough attempted death to make any real point of it, plus maybe another 5-10 scattered throughout the book on the back story and leading up to the story, and we've got MAYBE 25 pages of the actual plot. My math is wrong, I know, but it sure FEELS like this.
So, in a 288-page book, with 25 pages being the actual story, what are the other 263 pages? It was the author being somewhat... I don't mean to sound mean, but full of herself? She tried WAY too hard on this style she was going for. It felt like an "oh, you liked that opening chapter, didn't you? You totally read it out loud to your boyfriend, well here let me give it to you again, and again, and ... again". This book suffers from a severe case of needing to be edited. Of someone saying "that's enough now dear, but what about the story". Every few pages of the backstory of the plot we got were met with full chapters, sometimes multiple of Valente describing yet another alien species she's created, in yet another chain of witty simile and metaphor. To the point where sometimes I no longer knew what was happening, they were all interchangeable, which alien are we talking about now? It went on and on and on, and I never knew how such humorous writing could be just so soul suckingly boring. When she ran out of aliens it was describing previous grand prix's and how the aliens sang. In the exact same, formulaic, witty simile, witty simile, witty simile. Don't get me wrong, there were some absolute gems in here. Some that made me laugh out loud. But it's all about the ratio. I would trade in a heartbeat the ratio in this book. 263 pages of plot, and 25 pages of aliens described in witty simile. It took everything in my power after the third alien chapter to not skim. But she fit so much into a sentence that I was scared somewhere hiding would be a plot point (spoiler alert, there wasn't, skim away).
Then around the 180 page mark, a flip was switched, it was almost as if she went "crap, a story!" the adjective use was slimmed down dramatically and we actually got more than one chapter in a row with a plot point. But at this point, it was too late, the end of the book was hurdling at us and very little had happened and the book pretty much fizzled out with an "oh yeah, the Grand Prix happened". Mind you, the finale was very heartwarming and I liked it a lot. I just wish I hadn't had to read a full chapter about hairbrush interspecies sex to get there, and instead had more of it. But ironically, the hairbrush sex had more plot advancement that the majority of the book.
The ending did, however, for one moment, make me forget that I had just read an encyclopedia of descriptors and was happy for a few minutes. So good on her for that. That proves to me that she can write more than glittery descriptions, which then made me sad I didn't have more of that writing. With just a spattering of the gold of her opening chapters. I am glad I finished the book, the story, what little there was, was worth the read. However, I have no desire to read any other of Valente's writing now, and if there was a sequel, I just don't think I have it in me to read another 263 pages of description. Cool idea, good ability, just terribly executed. She could easily have released a separate book, expanding on a handful of species she established in the book, like an alien compendium, and I would have read it, and laughed, and been okay because I went into it expecting it. But I went into this wanting a story, not a neon throwup encyclopedia of just how "oh so creative" Valente is. That came off harsh, I know, but they blew past the fine line of interesting and well into the self-serving, look what I can do, territory. What suffered for it wasn't just a large number of DNFs, and my sanity for a few days, but an actually interesting, fun, Eurovision, glitter punk, heartwarming story about loss, life, how stupid it is, how beautiful it is, and why we should fight for it. It's in there, hiding beneath the layers and layers of word vomit. I want that story. Please release a second edition that is just that, the opening, and say... 3-5 of your favorite aliens Valente, I promise I'll give it another try if you do.
Valente has in fact given us a Eurovision, glitter punk, electric baby with Douglas Adams, her writing fantastical and humorous, her characters vapid but in a washed-out musician kind of way. She really thought about this book, creating droves of aliens and probably destroying a number of thesauri to bring them to life. We follow Decibel Jones of the "oh you haven't heard of it, well we used to be a thing" Decibel Jones and the Absolute Zeros. A washed-up, no longer active glitter punk band who is an amalgam of every band you probably are thinking of when trying to grasp what that description means.
The book opens with a wonderfully witty description of how there is in fact other life out there in the universe, life is easy to come by, they've just been off doing a galactic war and while they were gone we kind of popped up. Life is stupid. This part is the best part of the book. The humor is on point, the prose magnificant. She is spot on and very pointed in her argument for why war happens. It's people vs meat, and how does one determine something isn't meat, but in fact sentient? Well, no one really figured that out, hence the galactic war, but NOW post-war they think they've figured it out. Intergalactic Music competition. Makes sense, only something sentient could create music right?
Well, this year is a special year because Earth is invited, we've been deemed "may be sentient", but questionable enough that they'd rather not let us just hang out and become annoying someday. So we have to present a band and performance for consideration. We just have to not place last. If we don't place last, we're part of the club and we'll be a-ok. If we place last, we'll be destroyed, because they already think we're annoying and that will mean we're meat. People vs meat remember?
So, one day everyone on the planet earth, everyone, awake or sleeping is visited by the blue birdlike projection of our assigned guides, the Esca, and alien species that are new to the whole being accepted as a sentient thing, and will guide us through the competition. Which it is now telling us about, Suprise! They've chosen a list of musicians they think will do well, however it's outdated and only one band is really able to do it, the has-beens, who are they, Decibel Jones and the Absolute Zeros. Time was rough on our glam-punk friends as it tends to be on musicians, they lost the third member about a decade ago, the two remaining no longer talk. Decibel is a trainwreck, and Oort St Ultraviolet is now just a dad who very much wants to be a regular dude. But now they're being whisked off into space to sing for the world's salvation.
Sounds pretty fun right? This plus Douglas Adams type prose and humor? A real knock out. Unfortunately, that story I just described takes up... maybe a quarter of the book, MAYBE. You can pull the main story out and put it into a book that might be too small to be a novella. Because of this, the backstory, development, and exploration of these characters are slim to nothing. There is some mind you, but very little. It isn't until the 180pg mark or so that Valente actually decides to focus on the plot, giving very little time to do the entire Grand Prix, the actual competition takes up a page. A 288-page book about a singing competition and only 1-2 pages is actually the singing competition. Tack on another 10 maybe for the weird cocktail death party right before, that didn't have enough attempted death to make any real point of it, plus maybe another 5-10 scattered throughout the book on the back story and leading up to the story, and we've got MAYBE 25 pages of the actual plot. My math is wrong, I know, but it sure FEELS like this.
So, in a 288-page book, with 25 pages being the actual story, what are the other 263 pages? It was the author being somewhat... I don't mean to sound mean, but full of herself? She tried WAY too hard on this style she was going for. It felt like an "oh, you liked that opening chapter, didn't you? You totally read it out loud to your boyfriend, well here let me give it to you again, and again, and ... again". This book suffers from a severe case of needing to be edited. Of someone saying "that's enough now dear, but what about the story". Every few pages of the backstory of the plot we got were met with full chapters, sometimes multiple of Valente describing yet another alien species she's created, in yet another chain of witty simile and metaphor. To the point where sometimes I no longer knew what was happening, they were all interchangeable, which alien are we talking about now? It went on and on and on, and I never knew how such humorous writing could be just so soul suckingly boring. When she ran out of aliens it was describing previous grand prix's and how the aliens sang. In the exact same, formulaic, witty simile, witty simile, witty simile. Don't get me wrong, there were some absolute gems in here. Some that made me laugh out loud. But it's all about the ratio. I would trade in a heartbeat the ratio in this book. 263 pages of plot, and 25 pages of aliens described in witty simile. It took everything in my power after the third alien chapter to not skim. But she fit so much into a sentence that I was scared somewhere hiding would be a plot point (spoiler alert, there wasn't, skim away).
Then around the 180 page mark, a flip was switched, it was almost as if she went "crap, a story!" the adjective use was slimmed down dramatically and we actually got more than one chapter in a row with a plot point. But at this point, it was too late, the end of the book was hurdling at us and very little had happened and the book pretty much fizzled out with an "oh yeah, the Grand Prix happened". Mind you, the finale was very heartwarming and I liked it a lot. I just wish I hadn't had to read a full chapter about hairbrush interspecies sex to get there, and instead had more of it. But ironically, the hairbrush sex had more plot advancement that the majority of the book.
The ending did, however, for one moment, make me forget that I had just read an encyclopedia of descriptors and was happy for a few minutes. So good on her for that. That proves to me that she can write more than glittery descriptions, which then made me sad I didn't have more of that writing. With just a spattering of the gold of her opening chapters. I am glad I finished the book, the story, what little there was, was worth the read. However, I have no desire to read any other of Valente's writing now, and if there was a sequel, I just don't think I have it in me to read another 263 pages of description. Cool idea, good ability, just terribly executed. She could easily have released a separate book, expanding on a handful of species she established in the book, like an alien compendium, and I would have read it, and laughed, and been okay because I went into it expecting it. But I went into this wanting a story, not a neon throwup encyclopedia of just how "oh so creative" Valente is. That came off harsh, I know, but they blew past the fine line of interesting and well into the self-serving, look what I can do, territory. What suffered for it wasn't just a large number of DNFs, and my sanity for a few days, but an actually interesting, fun, Eurovision, glitter punk, heartwarming story about loss, life, how stupid it is, how beautiful it is, and why we should fight for it. It's in there, hiding beneath the layers and layers of word vomit. I want that story. Please release a second edition that is just that, the opening, and say... 3-5 of your favorite aliens Valente, I promise I'll give it another try if you do.
Debbiereadsbook (1664 KP) rated Storm Of The Gods: An Areios Brothers Novel #1 in Books
Sep 1, 2018
a good solid 3 stars
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
30 years ago, the Greek gods re-emerged into the modern world from their enforced sleep. Since then, scions, direct descendants of those gods, have been doing their bidding and keeping the human population safe from the mythical beats of old. Derek and his 18 year old brother Liam, are war scions, doing the bidding of Ares, the god of war. Ares orders Derek to find and kill four rogue scions, by threatening Liam and Derek will do anything to keep his brother safe. But not all is as it seems, and Derek, Liam and the four scions find themselves in a battle to keep the mighty Titans at sleep.
**insert sigh**
For the most part,I did enjoy this. It took a while for me to get into it. There are several HUGE info dumps near the beginning and I didn't like that., It came at you all in one go, and I did not process all of that information, there was so much. It meant I got lost a little in places later on.
But it's all the history of the gods that dumps on you. You don't get all of Derek and Liam's history in that dump. That comes out in dribs and drabs, slow enough for you to process their history, before the next bit is thrown at you. And I think there may be more to come, I really do.
It is HEAVY on the fighting. Derek, Liam and the scions do a lot of fighting and it is described in all its detail. A bit too much for me.
Only Derek has his say, in the first person. I think if Liam, and maybe one of the scions, Selena, had their say too, even in the first, I might have enjoyed this one a little more.
I DID like the story itself, info dump and fighting aside, I did not see a lot coming at me, kept me on my toes.
There is something brewing between Derek and Selena, and I hope that plays out how I see playing out! But Derek has more secrets to reveal, some I don't think he even knows about yet. And he still has to get out of the war pact made with Ares, but to do that, Derek has to do what Ares asked him to. Derek does not want to do that now.
Will I read the next book?? Yes, I'd like to, if only to see how this all goes down.
So, because of the massive info dump, and because only Derek has a say....
3 solid good stars
**same worded review will appear elsewhere**
30 years ago, the Greek gods re-emerged into the modern world from their enforced sleep. Since then, scions, direct descendants of those gods, have been doing their bidding and keeping the human population safe from the mythical beats of old. Derek and his 18 year old brother Liam, are war scions, doing the bidding of Ares, the god of war. Ares orders Derek to find and kill four rogue scions, by threatening Liam and Derek will do anything to keep his brother safe. But not all is as it seems, and Derek, Liam and the four scions find themselves in a battle to keep the mighty Titans at sleep.
**insert sigh**
For the most part,I did enjoy this. It took a while for me to get into it. There are several HUGE info dumps near the beginning and I didn't like that., It came at you all in one go, and I did not process all of that information, there was so much. It meant I got lost a little in places later on.
But it's all the history of the gods that dumps on you. You don't get all of Derek and Liam's history in that dump. That comes out in dribs and drabs, slow enough for you to process their history, before the next bit is thrown at you. And I think there may be more to come, I really do.
It is HEAVY on the fighting. Derek, Liam and the scions do a lot of fighting and it is described in all its detail. A bit too much for me.
Only Derek has his say, in the first person. I think if Liam, and maybe one of the scions, Selena, had their say too, even in the first, I might have enjoyed this one a little more.
I DID like the story itself, info dump and fighting aside, I did not see a lot coming at me, kept me on my toes.
There is something brewing between Derek and Selena, and I hope that plays out how I see playing out! But Derek has more secrets to reveal, some I don't think he even knows about yet. And he still has to get out of the war pact made with Ares, but to do that, Derek has to do what Ares asked him to. Derek does not want to do that now.
Will I read the next book?? Yes, I'd like to, if only to see how this all goes down.
So, because of the massive info dump, and because only Derek has a say....
3 solid good stars
**same worded review will appear elsewhere**
Sophia (Bookwyrming Thoughts) (530 KP) rated Gambit (The Prodigy Chronicles, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<i>Gambit </i>is one of those books that are slow, but the slow feel of the book fits with the plot decently. Willow Kent, the main character, lives in a world where people with extraordinary powers live good lives in the Core (analogize it to the Capitol in the Hunger Games, if you will) and those without live in poverty. She doesn't really know much about her childhood aside from the fact she got left with a family and adopted by them at a really young age, and it remains that way until a Core officer discovers she is really a lost heiress and strives to bring her back to her original family.
Nearly half the book is located in a small village where Willow grows up in trading items is a thing, messengers traveling from the Core and back exist, and it's basically back to the old fashioned world where wearing a swimming suit is bad for ladies (because <em>perverts</em>). The characters in the villages have the <em>weirdest</em> character names I've ever seen, like Patchie and Temsik Temsik doesn't bother me as much as Patchie does. As for the Core... I'm not too sure about that one yet.
Every once in a while a name I've heard of actually pops up, like Willow, for instance. Willow has a fire in her that I like for some reason she's fierce, stubborn, and there's definitely some humor in her snark, especially towards Commander Reece (she's like a ball trying to bounce at the wall that won't budge).
The other half of the book is dedicated to a small portion of the Core where Willow was <em>supposed</em> to have grown up in. Although it's only one particular area and then some more, Denault gives enough information that gives a good idea on what the rest of the Core is really like. Blinds don't exist and it's the coolest technology ever. I personally think Willow will do perfectly fine harnessing the reins of the Core from the way she negotiates.
The first of the Prodigy Chronicles is a slow first book as Willow transitions from village life to Core life, but Denault is fantastic at not boring the readers with her writing <i>Gambit </i>has a lightheartedness to it that I really enjoyed and it seems to promise of better things and more action further in the sequels.
<a href="https://bookwyrmingthoughts.com/review-gambit-by-cl-denault/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<i>Gambit </i>is one of those books that are slow, but the slow feel of the book fits with the plot decently. Willow Kent, the main character, lives in a world where people with extraordinary powers live good lives in the Core (analogize it to the Capitol in the Hunger Games, if you will) and those without live in poverty. She doesn't really know much about her childhood aside from the fact she got left with a family and adopted by them at a really young age, and it remains that way until a Core officer discovers she is really a lost heiress and strives to bring her back to her original family.
Nearly half the book is located in a small village where Willow grows up in trading items is a thing, messengers traveling from the Core and back exist, and it's basically back to the old fashioned world where wearing a swimming suit is bad for ladies (because <em>perverts</em>). The characters in the villages have the <em>weirdest</em> character names I've ever seen, like Patchie and Temsik Temsik doesn't bother me as much as Patchie does. As for the Core... I'm not too sure about that one yet.
Every once in a while a name I've heard of actually pops up, like Willow, for instance. Willow has a fire in her that I like for some reason she's fierce, stubborn, and there's definitely some humor in her snark, especially towards Commander Reece (she's like a ball trying to bounce at the wall that won't budge).
The other half of the book is dedicated to a small portion of the Core where Willow was <em>supposed</em> to have grown up in. Although it's only one particular area and then some more, Denault gives enough information that gives a good idea on what the rest of the Core is really like. Blinds don't exist and it's the coolest technology ever. I personally think Willow will do perfectly fine harnessing the reins of the Core from the way she negotiates.
The first of the Prodigy Chronicles is a slow first book as Willow transitions from village life to Core life, but Denault is fantastic at not boring the readers with her writing <i>Gambit </i>has a lightheartedness to it that I really enjoyed and it seems to promise of better things and more action further in the sequels.
<a href="https://bookwyrmingthoughts.com/review-gambit-by-cl-denault/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Emma @ The Movies (1786 KP) rated Underwater (2020) in Movies
Mar 5, 2020
Underwater was in my top picks for February, it looked like a cross between Deep Rising, Alien and a selection of Doctor Who episodes... I was definitely in.
Down on a drilling station in the Mariana Trench the researchers and crew are thrown into chaos as an earthquake rips through the facility. Desperately trying to get to their escape pods the handful of remaining crew gather to assess their options. They're short on equipment and their best hope appears to be making it to another part of the complex, the only problem? It's 2 miles across the ocean floor... in the pitch black... without a craft. Oh, and unbeknownst to them, they're not alone.
The film does a great job of its opening, diagrams, reports and images of the station and their mission give us instant background which allows us to drop right into (what feels like) the middle of a scene. It reminds me of various monster movies with some of the recent Godzilla ones having similar montages, I like it because there's always something new to pick up when you watch the film again. The other thing the opening does is use sound in a very interesting way, the music builds and when we land in the station it instantly cuts and gives you a feeling of isolation. Sandwich that with the chaos of the earthquake soon after and it gives you a very odd and almost uncomfortable feeling.
While I was impressed by the opening I was also confused. There's a moment where you see a massive horror trope that doesn't actually go anywhere, it was like some strange red herring. It felt like a deliberate misdirect, but I have no idea what the purpose would have been for it.
My mixed feelings didn't end there, in the ensuing chaos we get a slow-motion shot of Stewart flying backwards in an explosion... it didn't fit with any of the style around it and was the last effect I expected to see.
Shortly after this I was dealt another blow when they access the last transmission from another part of the station. These are peak creature feature moments, cast get to gasp and scream in distress and it gives us a sneak peek of what's to come... what we got wasn't clear and wasn't intriguing. Underwater is a film filled with classic tropes of multiple genres and yet it doesn't seem to carry through with any of them.
As the cast get out into the water the film does start to pick up. Cutting from helmet cam footage to inside the suits with the characters starts to build some of that intrigue that's been missing. It gets a little more claustrophobic and finally feels like the films I'd been hoping for.
This whole section is filled with great moments because we're finally becoming aware of a presence with them. In some ways it reminds me of Blair Witch, it does well to hide from us what they're actually up against, it's just a shadow or a movement on the edge of the light. That really got me back on board.
But these feelings were fleeting. All the tension was broken again. I do wonder if someone went "the tension should come in waves... because... water". The constant up and down didn't work for me.
From this point on I didn't feel much for the film. It's clear from the building of the story how the film is going to end, and even the big reveal moments weren't exciting.
Kristen Stewart has been appearing in a lot of things recently and I've never been a big fan but I was looking forward to her in this off the back of the last couple of films I saw her in. The most I can say is it was fine, there weren't any moments I hated, there weren't any that wowed me. The same is true for most of the cast in fact. I enjoyed T.J. Miller's comedic role but the light-heartedness it brought also became a little frustrating as the scripting seemed unnecessarily crass at time.
I can't fault the effects, it felt right and the magnitude of what they created underwater, and how they filmed it felt solid. With a little less underwater and a little more creature though, I think they would have been on to something.
The rollercoaster ride this story went on left me exhausted. The momentum was repeatedly lost and the intrigue wasn't there to hook me in. I can tell you that I will watch it again though. I know, after I just moaned about it and everything! There's definitely something in this film and I'm still struggling as to the reasons why it didn't click more with me, it feels like this is one that might benefit from a second viewing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/underwater-movie-review.html
Down on a drilling station in the Mariana Trench the researchers and crew are thrown into chaos as an earthquake rips through the facility. Desperately trying to get to their escape pods the handful of remaining crew gather to assess their options. They're short on equipment and their best hope appears to be making it to another part of the complex, the only problem? It's 2 miles across the ocean floor... in the pitch black... without a craft. Oh, and unbeknownst to them, they're not alone.
The film does a great job of its opening, diagrams, reports and images of the station and their mission give us instant background which allows us to drop right into (what feels like) the middle of a scene. It reminds me of various monster movies with some of the recent Godzilla ones having similar montages, I like it because there's always something new to pick up when you watch the film again. The other thing the opening does is use sound in a very interesting way, the music builds and when we land in the station it instantly cuts and gives you a feeling of isolation. Sandwich that with the chaos of the earthquake soon after and it gives you a very odd and almost uncomfortable feeling.
While I was impressed by the opening I was also confused. There's a moment where you see a massive horror trope that doesn't actually go anywhere, it was like some strange red herring. It felt like a deliberate misdirect, but I have no idea what the purpose would have been for it.
My mixed feelings didn't end there, in the ensuing chaos we get a slow-motion shot of Stewart flying backwards in an explosion... it didn't fit with any of the style around it and was the last effect I expected to see.
Shortly after this I was dealt another blow when they access the last transmission from another part of the station. These are peak creature feature moments, cast get to gasp and scream in distress and it gives us a sneak peek of what's to come... what we got wasn't clear and wasn't intriguing. Underwater is a film filled with classic tropes of multiple genres and yet it doesn't seem to carry through with any of them.
As the cast get out into the water the film does start to pick up. Cutting from helmet cam footage to inside the suits with the characters starts to build some of that intrigue that's been missing. It gets a little more claustrophobic and finally feels like the films I'd been hoping for.
This whole section is filled with great moments because we're finally becoming aware of a presence with them. In some ways it reminds me of Blair Witch, it does well to hide from us what they're actually up against, it's just a shadow or a movement on the edge of the light. That really got me back on board.
But these feelings were fleeting. All the tension was broken again. I do wonder if someone went "the tension should come in waves... because... water". The constant up and down didn't work for me.
From this point on I didn't feel much for the film. It's clear from the building of the story how the film is going to end, and even the big reveal moments weren't exciting.
Kristen Stewart has been appearing in a lot of things recently and I've never been a big fan but I was looking forward to her in this off the back of the last couple of films I saw her in. The most I can say is it was fine, there weren't any moments I hated, there weren't any that wowed me. The same is true for most of the cast in fact. I enjoyed T.J. Miller's comedic role but the light-heartedness it brought also became a little frustrating as the scripting seemed unnecessarily crass at time.
I can't fault the effects, it felt right and the magnitude of what they created underwater, and how they filmed it felt solid. With a little less underwater and a little more creature though, I think they would have been on to something.
The rollercoaster ride this story went on left me exhausted. The momentum was repeatedly lost and the intrigue wasn't there to hook me in. I can tell you that I will watch it again though. I know, after I just moaned about it and everything! There's definitely something in this film and I'm still struggling as to the reasons why it didn't click more with me, it feels like this is one that might benefit from a second viewing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/underwater-movie-review.html
Neon's Nerd Nexus (360 KP) rated Bohemian Rhapsody (2018) in Movies
May 13, 2019
Killer queen
#BohemianRhapsody while maybe not the moast truthful #queen film still manages to be an extremely well made/incredibly entertaining & at times quite an #emotionally powerful film. Just like #thegreatestshowman this film has been panned by critics & for the first 30 minutes I was worried. With a run time of over 2 hours I felt a little disoriented at the start by its seemingly abrupt pacing, wishing the #film would #chill out for a bit with its characters instead of skipping through time & the forming of the #band. Thankfully just after this the film flips when we hit the #heart of the story slowing down & we really get to see the real #Freddiemercury the things that drive him & the torments in his mind. #ramimalek is the clear star of the #show here, he doesn't just play freddie he actually has become him in a performance so mesmerising, fascinating & remarkable he really does deserve an award for what he has achived here. Every scene with him in is entrancing to watch & I found myself getting lost in the film by his performance alone. Make no mistake about it the film doesnt do much different to other films in this genre but having a film be about a mainstream #band that can unite the world with their #music there was that extra level of impact, connection & #heart to the story. Maybe I enjoyed it so much because its a story is so relatable too, playing out almost like a failed #relationship with someone you love starting in the #happy phase then moving gradually right through to the break up & then onto the struggle after it & I won't lie when I say it got to me a bit (I could also hear other people #crying too). Visualy there are some very #creative shots/great cinematography to & the #concert scenes felt so real & well constructed that I felt like I was there at one point clapping away. While it may bend the truth, sugar coat what actually happened & probably wouldnt be the same without such an incredible lead performance carrying it my god is it a good time & for me anyway quite though provoking & moving too. A must see on the big screen. #odeonlimitless #odeon #filmcritic #filmbuff #fridayfeeling #weekend #famous #rockandroll #disco #love #wewillrockyou
Erika Kehlet (21 KP) rated Station Eleven in Books
Feb 21, 2018
This is an instance of a book cover catching my attention, and refusing to let it go. I started seeing this one first in magazines, and then bookstores and websites all over the place, until I decided I had to read it. I had the impression that it took place in a post-pandemic world, but that was about it. I'm glad I didn't read the book blurb more carefully, because I don't think that I would have been interested in the story of a Hollywood star and a band of travelling actors. I would probably not have picked it up, and I would have missed something beautiful.
This book is, at its heart, a story of survival and resilience. It starts at a point in time just as the flu pandemic is beginning. We meet a variety of individuals at a performance of Kind Lear, and then follow several of them both forward and back ward in time, learning about their past, and watching as their futures unfold in the new world. The author's main focus is on the characters, what drives them, what mattered to them before the collapse of civilization and afterwards, and their personal relationships more than the disaster itself.
Kirsten Potter does an excellent job with the narration - her voice and timing were a pleasure to listen to.
I thoroughly enjoyed this audiobook, and would recommend it to fans of almost any type of fiction or word lovers in general. It was so full of memorable quotes, that I caught myself jotting them down to read later, and that isn't something I normally do. Since I have them though, I'd like to leave you with a few of my favorites....
Hell is the absence of the people you long for.
It was gorgeous and claustrophobic. I loved it and I always wanted to escape.
What I mean to say is, the more you remember, the more youve lost.
First we only want to be seen, but once were seen, thats not enough anymore. After that, we want to be remembered.
She had never entirely let go of the notion that if she reached far enough with her thoughts she might find someone waiting, that if two people were to cast their thoughts outward at the same moment they might somehow meet in the middle.
There are certain qualities of light that blur the years.
This book is, at its heart, a story of survival and resilience. It starts at a point in time just as the flu pandemic is beginning. We meet a variety of individuals at a performance of Kind Lear, and then follow several of them both forward and back ward in time, learning about their past, and watching as their futures unfold in the new world. The author's main focus is on the characters, what drives them, what mattered to them before the collapse of civilization and afterwards, and their personal relationships more than the disaster itself.
Kirsten Potter does an excellent job with the narration - her voice and timing were a pleasure to listen to.
I thoroughly enjoyed this audiobook, and would recommend it to fans of almost any type of fiction or word lovers in general. It was so full of memorable quotes, that I caught myself jotting them down to read later, and that isn't something I normally do. Since I have them though, I'd like to leave you with a few of my favorites....
Hell is the absence of the people you long for.
It was gorgeous and claustrophobic. I loved it and I always wanted to escape.
What I mean to say is, the more you remember, the more youve lost.
First we only want to be seen, but once were seen, thats not enough anymore. After that, we want to be remembered.
She had never entirely let go of the notion that if she reached far enough with her thoughts she might find someone waiting, that if two people were to cast their thoughts outward at the same moment they might somehow meet in the middle.
There are certain qualities of light that blur the years.
BookwormMama14 (18 KP) rated Captive Trail (Texas Trails, #2) in Books
Jan 2, 2019
An escaped Comanche captive looking for her true family. An Ursaline mission run by the Sisters who nurse and protect Taabe Waipu. A stagecoach driver who will stop at nothing to reunite Taabe with her family. And a band of Comanche warriors who want their prisoner back.
The second book in the Morgan Family Series takes place about 12 years after the first book Lone Star Trail, and it does stand alone if you choose not to read the first book. Beginning in 1857, we follow the story Taabe Waipu in her journey to discovering her true identity. She has been with the Comanche for so long that she has forgotten almost everything, even English, except for the fact that she does not belong with the Comanche. She finds a safe haven with the Nuns at the mission and a friend in Ned Bright, the stagecoach driver. As her affections for Ned grow, so does her doubt. Will he accept her once he knows the secrets of her past? As time progresses, Taabe relearns English and can communicate more about who she is and inquires are sent from families in Texas that have lost children to the Indians. Will she ever find her family? Will she be protected from her captors, or will they find her and force her return?
I thoroughly enjoyed reading Captive Trail. The “Old West” is one of my favorite time periods to read. I was skeptical at first because each book in this series is written by a different author. But because it stands alone, there were no real comparisons to make regarding changes in characters. Susan Page Davis (www.susanpagedavis.com) does an excellent job of continuing the story of the Morgan family. This book was a pretty laid back easy read. The first 18 chapters (there are 24 chapter in all) were mostly building to the climax, that I knew was coming, but wasn’t sure how it would all come about. But it wasn’t boring. We learn a lot about Taabe’s character and learn more about her life with the Comanche and the heartache and sorrow she had to endure as their captive. I highly recommend this book for a quick read if you enjoy learning about the perils and danger of life in the time of Cowboys and Indians.
I received a free copy of Captive Trail from Moody Publishers in exchange for my honest review.
The second book in the Morgan Family Series takes place about 12 years after the first book Lone Star Trail, and it does stand alone if you choose not to read the first book. Beginning in 1857, we follow the story Taabe Waipu in her journey to discovering her true identity. She has been with the Comanche for so long that she has forgotten almost everything, even English, except for the fact that she does not belong with the Comanche. She finds a safe haven with the Nuns at the mission and a friend in Ned Bright, the stagecoach driver. As her affections for Ned grow, so does her doubt. Will he accept her once he knows the secrets of her past? As time progresses, Taabe relearns English and can communicate more about who she is and inquires are sent from families in Texas that have lost children to the Indians. Will she ever find her family? Will she be protected from her captors, or will they find her and force her return?
I thoroughly enjoyed reading Captive Trail. The “Old West” is one of my favorite time periods to read. I was skeptical at first because each book in this series is written by a different author. But because it stands alone, there were no real comparisons to make regarding changes in characters. Susan Page Davis (www.susanpagedavis.com) does an excellent job of continuing the story of the Morgan family. This book was a pretty laid back easy read. The first 18 chapters (there are 24 chapter in all) were mostly building to the climax, that I knew was coming, but wasn’t sure how it would all come about. But it wasn’t boring. We learn a lot about Taabe’s character and learn more about her life with the Comanche and the heartache and sorrow she had to endure as their captive. I highly recommend this book for a quick read if you enjoy learning about the perils and danger of life in the time of Cowboys and Indians.
I received a free copy of Captive Trail from Moody Publishers in exchange for my honest review.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Indigo Spell (Bloodlines, #3) in Books
Jan 23, 2020
Original Review posted at <a title="The Indigo Spell" href="http://bookwyrming-thoughts.blogspot.com/2013/10/review-the-indigo-spell-by-richelle-mead.html">Bookwyrming Thoughts</a>
Original Rating: 4.5 out of 5 Owls
<i><b>Note:</b> Formatting is lost due to copy and paste</i>
I'm developing a "bad" habit with making lists as reviews now... and have no clue why. Maybe it's the fact that it's usually concise and straight on? O_o
I'll let you guys be the judge. Oh, and this won't be a listyish review.
Well, I can't take us down memory lane, because unfortunately, despite the fact I recently did a skim-a-refresh-a-thon with both Vampire Academy and Bloodlines series, I still don't remember half the things that happened in the prior books.
The really unfortunate part is the fact I can't go do another one because I'm pretty much piled high on books. And this isn't the ever so famous TBR.
But keep the tomatoes to yourself, fandom peeps. Really. I'm probably asking for mercy from my friend on a daily basis already (oh, and if the anonymous friend is reading this... well. Hi. Forgive me? :D?).
That friend might also murder me for forgetting, which is why I'm asking for a spare of life... O_o
So basically throughout the entire course of the book, I was practically wondering how in the world I didn't remember the little details for some books... but I do for others. And I was making a lot of ">_<." (I have Booknesia?! :o)
The thing is, I'm extremely glad Sydney's taken some advice from a fifteen-year-old. And if my tiny fragments of memory will allow me to remember, Sydney's also changed quite a lot from the prior two books throughout the course of The Indigo Spell.
I may have also been warned of a major cliffhanger. I was bracing myself for the last words.
Pillow? Check. Music? Check. Book? Check-ity-check. And then I basically tucked myself in and braced for the "worst" that might get thrown at me.
This might get a nice tomato thrown at me, but...
It wasn't so major. I am totally eh about it.
But do I still want to read the fourth book when it comes out?
Why yes. Yes, I am.
And I would love to have a callistana. I picture it as cute and adorable...
Original Rating: 4.5 out of 5 Owls
<i><b>Note:</b> Formatting is lost due to copy and paste</i>
I'm developing a "bad" habit with making lists as reviews now... and have no clue why. Maybe it's the fact that it's usually concise and straight on? O_o
I'll let you guys be the judge. Oh, and this won't be a listyish review.
Well, I can't take us down memory lane, because unfortunately, despite the fact I recently did a skim-a-refresh-a-thon with both Vampire Academy and Bloodlines series, I still don't remember half the things that happened in the prior books.
The really unfortunate part is the fact I can't go do another one because I'm pretty much piled high on books. And this isn't the ever so famous TBR.
But keep the tomatoes to yourself, fandom peeps. Really. I'm probably asking for mercy from my friend on a daily basis already (oh, and if the anonymous friend is reading this... well. Hi. Forgive me? :D?).
That friend might also murder me for forgetting, which is why I'm asking for a spare of life... O_o
So basically throughout the entire course of the book, I was practically wondering how in the world I didn't remember the little details for some books... but I do for others. And I was making a lot of ">_<." (I have Booknesia?! :o)
The thing is, I'm extremely glad Sydney's taken some advice from a fifteen-year-old. And if my tiny fragments of memory will allow me to remember, Sydney's also changed quite a lot from the prior two books throughout the course of The Indigo Spell.
I may have also been warned of a major cliffhanger. I was bracing myself for the last words.
Pillow? Check. Music? Check. Book? Check-ity-check. And then I basically tucked myself in and braced for the "worst" that might get thrown at me.
This might get a nice tomato thrown at me, but...
It wasn't so major. I am totally eh about it.
But do I still want to read the fourth book when it comes out?
Why yes. Yes, I am.
And I would love to have a callistana. I picture it as cute and adorable...
LeftSideCut (3776 KP) rated Alita: Battle Angel (2019) in Movies
May 26, 2020 (Updated Jun 18, 2020)
Alita: Battle Angel is great. Is there a good helping of sci-fi dumbfuckery to be found? Of course. But the positives far outweigh any negatives in this instance.
Based on a Manga series and subsequent Anime from the early nineties, Alita brings the signature Japanese comic style to life in style, as a whole heap of (mostly) decent digital effects collides with real-life.
The world of A:BA is really well realised, with the film taking place in the 26th Century, a future that sees man and cyborg live side by side. The plot takes place in The Iron City on the ground, eclipsed by the floating city of Zalem above. It's a striking aesthetic that reminded me of something from a Final Fantasy game. The main narrative follows Dr. Ido (Christoph Waltz) who finds the remains of a deactivated cyborg in a trash heap. He gives the cyborg a new body and a new life, and gives her the name Alita. She has no memory of who she was before, but as she begins to explore the world, her memories slowly return. Alita (Rosa Salazar) is a stupidly likable protagonist. She's a fiery, lethal weapon who has a child like innocence. The motion capture combined with Salazar's performance work really well. In fact, the whole cast is great. Christoph Waltz, Mahershala Ali, Jennifer Connelly, Jackie Earl-Hailey - it's a stellar line up. The only cast member I couldn't get on with was Hugo (Keean Johnson) who mainly serves as Alita's love interest. I didn't particularly like his character and as a result didn't fully buy their romance side plot.
The main issue I had was the pacing. The plot is trying to pack so much into 2 hours, that it moved forward at breakneck speed at times. Some plot points become a bit lost in the whole thing, and a few of the characters seemed inconsequential as a result.
It does go a bit CGI overload at times but that's to be expected by the very nature of what A:BA is. The effects on some of the other cyborg characters are ropey as well, but honestly, these are small gripes against a film that I found myself really enjoying.
I sincerely hope a sequel gets green lit as I for one want more of this world to be explored.
Based on a Manga series and subsequent Anime from the early nineties, Alita brings the signature Japanese comic style to life in style, as a whole heap of (mostly) decent digital effects collides with real-life.
The world of A:BA is really well realised, with the film taking place in the 26th Century, a future that sees man and cyborg live side by side. The plot takes place in The Iron City on the ground, eclipsed by the floating city of Zalem above. It's a striking aesthetic that reminded me of something from a Final Fantasy game. The main narrative follows Dr. Ido (Christoph Waltz) who finds the remains of a deactivated cyborg in a trash heap. He gives the cyborg a new body and a new life, and gives her the name Alita. She has no memory of who she was before, but as she begins to explore the world, her memories slowly return. Alita (Rosa Salazar) is a stupidly likable protagonist. She's a fiery, lethal weapon who has a child like innocence. The motion capture combined with Salazar's performance work really well. In fact, the whole cast is great. Christoph Waltz, Mahershala Ali, Jennifer Connelly, Jackie Earl-Hailey - it's a stellar line up. The only cast member I couldn't get on with was Hugo (Keean Johnson) who mainly serves as Alita's love interest. I didn't particularly like his character and as a result didn't fully buy their romance side plot.
The main issue I had was the pacing. The plot is trying to pack so much into 2 hours, that it moved forward at breakneck speed at times. Some plot points become a bit lost in the whole thing, and a few of the characters seemed inconsequential as a result.
It does go a bit CGI overload at times but that's to be expected by the very nature of what A:BA is. The effects on some of the other cyborg characters are ropey as well, but honestly, these are small gripes against a film that I found myself really enjoying.
I sincerely hope a sequel gets green lit as I for one want more of this world to be explored.
Kara Skinner (332 KP) rated The Queen's Consorts in Books
Sep 10, 2019
“We should feel nothing toward her, yet I’m drawn to her– as powerfully as I’m drawn to you.”
If you’ve been reading Lover’s Quarrel reviews, then you know how much I love plot and character with my sex scenes. I mean, look at how much I hate The Doctor’s Slave compared to Mine for Tonight when they (very) roughly have the same concept. The scarcity of plot in erotica can be particularly vexing when I’m in the mood for a MMF threesome. (Doesn’t happen often, but even then I want some plot and good characters.)
The Queen’s Consorts definitely delivered. “In the days before the darkness the sun shone so brightly flowers grew right out of the ground,” Sari said softly. “Just like magic.”
Like everyone else on the planet of Auroria, Sari has never seen sunlight, and she never will unless the Queen returns to her Consorts and takes her proper place on the throne. But she doubts that will ever happen. After all, the young Queen has been missing since infancy, separated from her Consorts who were kept away from the world in the Sacred City, the palace in the Capital.
It took me a little bit to get used to Auroria. It’s common in this world for a woman to have two husbands, who will love and please her. With women so rare, they are valuable and meant to be cherished. Or they are meant to be extremely profitable sex slaves.
Sari resisted the urge to take Aria to a shelter, knowing there was usually a far worse fate than a life on the streets for young, unclaimed females. Being much more rare than males, if a girl was unfortunate enough to be orphaned and alone, they were usually seized for the underground sex market that was saturated with males.
Pretty crazy for a Queendom, where women are revered, huh? But it’s actually not a flaw. It just goes to show how out of whack everything is without the Queen there.
Unfortunately, the scarcity of women get Aria and Sari hunted down by a pack of teenaged boys, looking to make some quick money. Sari is able to fight them off enough for them to run, but she takes a bad beating. She only lives when a Sacred City guard recognizes her as a Rayian Sister. The guard takes her into the Sacred City, where she’s left to the care of the Consorts, Taryen and Calder, in their private chambers. After years of being abused by the Rayian Sisters, Taryen and Calder are used to only relying on and trusting each other. But it isn’t long before they realize Sari isn’t like the other Sisters.
Both Taryen and Calder are extremely sexy in their own way. Right away I had Taryen pegged as the kinder one who would freely love Sari first and Calder would take longer to learn to love and trust Sari.
“I want to care for her,” the other man said before his friend Calder could answer. “It’s not fair for her to suffer for misdeeds of others, Cal. I know you know that.”
“She’s Rayian, Taryen. Her needs will be the same as the rest of them.”
Calder is definitely the more wary of the two. He’s incredibly protective of Taryen, and he doesn’t trust Rayians for good reason. I knew he’d come around eventually, but for the time being I enjoyed Taryen’s amazingness. He was quick to take care of Sari, even at his own risk.
“She will be angry and inclined to punish if others of our sex have abused her.”
“That’s all right,” Taryen whispered a breath away from Sari. “I will bear their punishment for them if that’s what she needs to heal.”
Can I also just say that I love it when authors know that “alright” isn’t a word and they use the correct form? Good editing gets to me just as much as good characters.
If you’re thinking Taryen’s character is over the top and unrealistic, then you would be right. But that’s explained! He was born with a defect that makes him pure of heart. He’s unable to hold onto negative feelings and he’s incredibly selfless because of it. And damn, he’s pretty wonderful. Just perfectly wonderful.
Calder’s not pure of heart and like most people who have been sexually abused for years, he’s angry and resentful. The only person he trusts is Taryen. I was hoping for a long love story between him and Sari, honestly. He needs to work through trust issues, and even if he is attracted to her, he can’t bring himself to fall in love with a Rayian after what he’s been through. Right?
No.
Calder is wary of Sari… for like an hour. I know that the laws of nature have demanded that he love her and everything, but it was still too insta-love. Taryen is pure of heart and doesn’t have the emotional baggage Calder and Sari has. Of course Taryen is going to fall in love quicker. Calder, however, should have held out a little longer. I wanted one of them to take his time falling in love with her.
But I love Calder and Taryen together. They are beautiful without a doubt, and their love for each other actually made it really difficult for me to imagine them loving Sari just as much.
“Never treat me like one of them,” Calder growled as if the words themselves were hurting him. “I’m your lifemate. You’re allowed to take pleasure from me.”
Taryen’s groan was breathy in a way that betrayed his desire. “I’m sorry. It just slipped out.”
Don’t apologize.” Calder’s tone softened as his touch became gentle, his fingers tracing the line of Taryen’s jaw. “Just tell me what you want. Tell me what you think about when you’re with them. What thought makes it bearable?”
“I think of you.”
I was swooning in the college library when I read this. SWOONING!
I mean seriously, Calder and Taryen have way too much heat and love for me to handle. They alone can put the entire erotica industry to shame, let alone adding Sari into the mix. I mean, it’s like having both Sayid and Sawyer from Lost in all their sexiness.
My biggest problem with the story was the question of who the Queen was. After all, the Queen is the only woman the Consorts are supposed to be attracted to, she’s the same age as them, and because she was missing, she would be a Rayian without a clear past. And yet it’s not until over a third of the way through the book that Taryen and Calder figure out who she is. Seriously? It’s not like there are many Rayians running around who are their own age and have a clear past. It also irritates me that everyone believed Laysa when she claimed to be the Queen. Of course she would claim credit when the sun came back because she’s an opportunistic bitch. But if she was really the Queen, then wouldn’t she have brought the sun back when she started using the Consorts? Years ago?
The only other thing that bothered me was the sound effect when they were performing, um… fellatio. Whenever the action is completed, it’s completed with a soft popping sound. What the hell is that? That’s not sexy. No. Stop it. Sound effects are never appreciated in sex scenes.
But all in all, this book rocks. I loved the world of Auroria and the political war. The love story was fantastic, all things considered. And if you’re looking for a substantial erotica book with good writing and a well-developed plot, then you really need to check out The Queen’s Consorts.
If you’ve been reading Lover’s Quarrel reviews, then you know how much I love plot and character with my sex scenes. I mean, look at how much I hate The Doctor’s Slave compared to Mine for Tonight when they (very) roughly have the same concept. The scarcity of plot in erotica can be particularly vexing when I’m in the mood for a MMF threesome. (Doesn’t happen often, but even then I want some plot and good characters.)
The Queen’s Consorts definitely delivered. “In the days before the darkness the sun shone so brightly flowers grew right out of the ground,” Sari said softly. “Just like magic.”
Like everyone else on the planet of Auroria, Sari has never seen sunlight, and she never will unless the Queen returns to her Consorts and takes her proper place on the throne. But she doubts that will ever happen. After all, the young Queen has been missing since infancy, separated from her Consorts who were kept away from the world in the Sacred City, the palace in the Capital.
It took me a little bit to get used to Auroria. It’s common in this world for a woman to have two husbands, who will love and please her. With women so rare, they are valuable and meant to be cherished. Or they are meant to be extremely profitable sex slaves.
Sari resisted the urge to take Aria to a shelter, knowing there was usually a far worse fate than a life on the streets for young, unclaimed females. Being much more rare than males, if a girl was unfortunate enough to be orphaned and alone, they were usually seized for the underground sex market that was saturated with males.
Pretty crazy for a Queendom, where women are revered, huh? But it’s actually not a flaw. It just goes to show how out of whack everything is without the Queen there.
Unfortunately, the scarcity of women get Aria and Sari hunted down by a pack of teenaged boys, looking to make some quick money. Sari is able to fight them off enough for them to run, but she takes a bad beating. She only lives when a Sacred City guard recognizes her as a Rayian Sister. The guard takes her into the Sacred City, where she’s left to the care of the Consorts, Taryen and Calder, in their private chambers. After years of being abused by the Rayian Sisters, Taryen and Calder are used to only relying on and trusting each other. But it isn’t long before they realize Sari isn’t like the other Sisters.
Both Taryen and Calder are extremely sexy in their own way. Right away I had Taryen pegged as the kinder one who would freely love Sari first and Calder would take longer to learn to love and trust Sari.
“I want to care for her,” the other man said before his friend Calder could answer. “It’s not fair for her to suffer for misdeeds of others, Cal. I know you know that.”
“She’s Rayian, Taryen. Her needs will be the same as the rest of them.”
Calder is definitely the more wary of the two. He’s incredibly protective of Taryen, and he doesn’t trust Rayians for good reason. I knew he’d come around eventually, but for the time being I enjoyed Taryen’s amazingness. He was quick to take care of Sari, even at his own risk.
“She will be angry and inclined to punish if others of our sex have abused her.”
“That’s all right,” Taryen whispered a breath away from Sari. “I will bear their punishment for them if that’s what she needs to heal.”
Can I also just say that I love it when authors know that “alright” isn’t a word and they use the correct form? Good editing gets to me just as much as good characters.
If you’re thinking Taryen’s character is over the top and unrealistic, then you would be right. But that’s explained! He was born with a defect that makes him pure of heart. He’s unable to hold onto negative feelings and he’s incredibly selfless because of it. And damn, he’s pretty wonderful. Just perfectly wonderful.
Calder’s not pure of heart and like most people who have been sexually abused for years, he’s angry and resentful. The only person he trusts is Taryen. I was hoping for a long love story between him and Sari, honestly. He needs to work through trust issues, and even if he is attracted to her, he can’t bring himself to fall in love with a Rayian after what he’s been through. Right?
No.
Calder is wary of Sari… for like an hour. I know that the laws of nature have demanded that he love her and everything, but it was still too insta-love. Taryen is pure of heart and doesn’t have the emotional baggage Calder and Sari has. Of course Taryen is going to fall in love quicker. Calder, however, should have held out a little longer. I wanted one of them to take his time falling in love with her.
But I love Calder and Taryen together. They are beautiful without a doubt, and their love for each other actually made it really difficult for me to imagine them loving Sari just as much.
“Never treat me like one of them,” Calder growled as if the words themselves were hurting him. “I’m your lifemate. You’re allowed to take pleasure from me.”
Taryen’s groan was breathy in a way that betrayed his desire. “I’m sorry. It just slipped out.”
Don’t apologize.” Calder’s tone softened as his touch became gentle, his fingers tracing the line of Taryen’s jaw. “Just tell me what you want. Tell me what you think about when you’re with them. What thought makes it bearable?”
“I think of you.”
I was swooning in the college library when I read this. SWOONING!
I mean seriously, Calder and Taryen have way too much heat and love for me to handle. They alone can put the entire erotica industry to shame, let alone adding Sari into the mix. I mean, it’s like having both Sayid and Sawyer from Lost in all their sexiness.
My biggest problem with the story was the question of who the Queen was. After all, the Queen is the only woman the Consorts are supposed to be attracted to, she’s the same age as them, and because she was missing, she would be a Rayian without a clear past. And yet it’s not until over a third of the way through the book that Taryen and Calder figure out who she is. Seriously? It’s not like there are many Rayians running around who are their own age and have a clear past. It also irritates me that everyone believed Laysa when she claimed to be the Queen. Of course she would claim credit when the sun came back because she’s an opportunistic bitch. But if she was really the Queen, then wouldn’t she have brought the sun back when she started using the Consorts? Years ago?
The only other thing that bothered me was the sound effect when they were performing, um… fellatio. Whenever the action is completed, it’s completed with a soft popping sound. What the hell is that? That’s not sexy. No. Stop it. Sound effects are never appreciated in sex scenes.
But all in all, this book rocks. I loved the world of Auroria and the political war. The love story was fantastic, all things considered. And if you’re looking for a substantial erotica book with good writing and a well-developed plot, then you really need to check out The Queen’s Consorts.