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Man 2.0: Engineering the Alpha
Book
What would you say if you knew there was ONE solution to every man’s most vexing problems? -...
Death (The Four Horsemen #4) by T.A. Chase
10.0
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Book
Death, the Pale Rider and the most feared member of the Four Horsemen, has been searching through...
MM Paranormal Romance
AniMatch: Animal Pairs and Sounds Matching Game
Games and Entertainment
10.0
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AniMatch is great FUN for kids and adults alike! "This is a MUST HAVE APP for anyone with an...
An enjoyable Victorian mystery
Julia McAllister is a female photographer in 1895 who works for herself - which is a struggle in England at this time, as she would have had no legal rights. She pretends to her clients that she is working for a male photographer, but in reality he left her the business when he died. So, in order to make ends meet she finds work taking ‘French Style’ photos. These were risqué pornographic photos. Julia makes sure her models are comfortable with what they’re doing and that they’re well paid. She feels responsible for these young women.
When three of them are found murdered, and Julia is visited by an Inspector Collingwood asking questions because her stamp is on the back of the photos found with these women, Julia is devastated. Devastated that she is in the frame, and devastated that she has lost women who she considers to be friends. So Julia sets out to find the killer herself, because she has secrets that she doesn’t want anyone finding out.
This book is pretty jam packed with dead bodies, if I’m honest. The dead models and two unconnected men. Julia is involved with finding the perpetrators of these deaths too. So if you don’t like dead bodies, you’re going to struggle with this one! Although it’s not graphic in any way. It’s not a salacious book - the photos aren’t really described in any great detail: the making of them is just a part of the story.
I liked Julia. She is a caring character who looks after her models, her neighbours, and she even gives a home to a street urchin. I found the photography descriptions (taking photos and developing them) really interesting, and I thought the setting was really well described: the sights and sounds of a busy urban Victorian England especially. This is a very enjoyable book, and one for those who enjoy an easy reading mystery.
Many thanks to Sapere Books for sending me my copy to read and honestly review.
When three of them are found murdered, and Julia is visited by an Inspector Collingwood asking questions because her stamp is on the back of the photos found with these women, Julia is devastated. Devastated that she is in the frame, and devastated that she has lost women who she considers to be friends. So Julia sets out to find the killer herself, because she has secrets that she doesn’t want anyone finding out.
This book is pretty jam packed with dead bodies, if I’m honest. The dead models and two unconnected men. Julia is involved with finding the perpetrators of these deaths too. So if you don’t like dead bodies, you’re going to struggle with this one! Although it’s not graphic in any way. It’s not a salacious book - the photos aren’t really described in any great detail: the making of them is just a part of the story.
I liked Julia. She is a caring character who looks after her models, her neighbours, and she even gives a home to a street urchin. I found the photography descriptions (taking photos and developing them) really interesting, and I thought the setting was really well described: the sights and sounds of a busy urban Victorian England especially. This is a very enjoyable book, and one for those who enjoy an easy reading mystery.
Many thanks to Sapere Books for sending me my copy to read and honestly review.
JT (287 KP) rated A Good Year (2006) in Movies
Mar 10, 2020
This is certainly not your conventional Ridley Scott film, but it’s one that was well shot but not very well written. Investment broker Max Skinner (Russell Crowe) knows only one thing, how to make money. But when he inherits his Uncle’s chateau in Provence where he spent much of his childhood he must decide between the life he has in London or the life in France.
After arriving in Provence the only thing on his mind is to sell, but with childhood memories floating all around him as well as women it’s not long before the predictable is happening.It provides enough and features some telling performances but it’s simply not funny enough to register as the comedy it so desperately strives to be. The film most notably reunited Scott with Crowe and their first foray into a romantic comedy, with not a great deal of success.
A Good Year has scenery could not be more fitting for a romantic comedy, and the picturesque winery is paramount to the beautiful shots it creates. However, at times it looks more like a car advert than a film.
On the comedy aspect there are a few small laughs but they fall flat as Crowe is not able to deliver on them, you wonder if Hugh Grant might have done a better job. Crowe’s upper class English accent is out of place against the free flowing French that is predominant throughout and he’d probably feel more at home with large sword in his hand as opposed to a wine bottle.
The introduction of Uncle Henry’s supposedly long lost daughter throws a complicated spanner in the works which does more harm than good. It’s a heartwarming tale and it will tug on the heart strings of all the old romantics out there, but Scott and Crowe have never made a romantic comedy before and it certainly shows. It’s not got the characteristics of a fine wine, but may get past some peoples tastes.
After arriving in Provence the only thing on his mind is to sell, but with childhood memories floating all around him as well as women it’s not long before the predictable is happening.It provides enough and features some telling performances but it’s simply not funny enough to register as the comedy it so desperately strives to be. The film most notably reunited Scott with Crowe and their first foray into a romantic comedy, with not a great deal of success.
A Good Year has scenery could not be more fitting for a romantic comedy, and the picturesque winery is paramount to the beautiful shots it creates. However, at times it looks more like a car advert than a film.
On the comedy aspect there are a few small laughs but they fall flat as Crowe is not able to deliver on them, you wonder if Hugh Grant might have done a better job. Crowe’s upper class English accent is out of place against the free flowing French that is predominant throughout and he’d probably feel more at home with large sword in his hand as opposed to a wine bottle.
The introduction of Uncle Henry’s supposedly long lost daughter throws a complicated spanner in the works which does more harm than good. It’s a heartwarming tale and it will tug on the heart strings of all the old romantics out there, but Scott and Crowe have never made a romantic comedy before and it certainly shows. It’s not got the characteristics of a fine wine, but may get past some peoples tastes.
The Summit: How Triumph Turned to Tragedy on K2's Deadliest Days
Book
On 1 August 2008, 18 climbers from across the world reached the summit of K2, the world's second...
Origin
7.3
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The spellbinding new Robert Langdon novel from the author of The Da Vinci Code. 'Dan Brown is the...
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Kristy H (1252 KP) rated Good Company in Books
Apr 15, 2021
Well-written albeit slow going look at marriage and motherhood
Flora Mancini has been happily married for twenty years. But that foundation crumbles when she finds her husband's wedding ring--the one he claimed he lost when their daughter was five--in the back of a drawer. Now she wonders what exactly Julian has kept hidden from her all these years. Is their whole marriage, their whole life, based on a lie?
This is such a hard book to review, because I loved Sweeney's THE NEST so very much. And GOOD COMPANY, while a nice book, is just not THE NEST. Don't get me wrong, it's not a bad book, it just did not move me as much as THE NEST.
GOOD COMPANY offers a thoughtful look into marriage and relationships. It's one of those interesting novels where it feels like not much happens, yet it truly covers the span of an entire relationship--a whole marriage. But there is a lot of ruminating, a lot of speculation, and a lot of angst. It's a very New York sort of book, even if Flora and Julian move to Los Angeles when their daughter, Ruby, is young.
This book is well-written, of course. Sweeney is a wonderful writer. It switches between time periods (the present, and going back in Flora and Julian's relationship) and various points of view, which include Flora, Julian, Ruby, and Flora's best friend, famous actress Margot Ledder. I probably felt the most for Ruby--it's hard to really sympathize much for the adults here. And this is a very "theater" book, with Flora, Julian, and Margot all being in the business. If that's not your thing (it's not mine), it's a little harder to feel engaged in some of the story.
Overall, this is an interesting read, but it can be slow going at times and hard to feel engaged with all the characters. If you like introspective, character-driven reads or you're a theater geek, GOOD COMPANY may be for you. 3 stars.
This is such a hard book to review, because I loved Sweeney's THE NEST so very much. And GOOD COMPANY, while a nice book, is just not THE NEST. Don't get me wrong, it's not a bad book, it just did not move me as much as THE NEST.
GOOD COMPANY offers a thoughtful look into marriage and relationships. It's one of those interesting novels where it feels like not much happens, yet it truly covers the span of an entire relationship--a whole marriage. But there is a lot of ruminating, a lot of speculation, and a lot of angst. It's a very New York sort of book, even if Flora and Julian move to Los Angeles when their daughter, Ruby, is young.
This book is well-written, of course. Sweeney is a wonderful writer. It switches between time periods (the present, and going back in Flora and Julian's relationship) and various points of view, which include Flora, Julian, Ruby, and Flora's best friend, famous actress Margot Ledder. I probably felt the most for Ruby--it's hard to really sympathize much for the adults here. And this is a very "theater" book, with Flora, Julian, and Margot all being in the business. If that's not your thing (it's not mine), it's a little harder to feel engaged in some of the story.
Overall, this is an interesting read, but it can be slow going at times and hard to feel engaged with all the characters. If you like introspective, character-driven reads or you're a theater geek, GOOD COMPANY may be for you. 3 stars.
ClareR (5906 KP) rated Case Histories (Jackson Brodie, #1) in Books
Jul 21, 2021
I quite honestly don’t know why it took me so long to get round to reading/ listening to these books. I listened to Case Histories on my library’s audiobook app, and loved how the narrator, Susan Jameson, brought the story to life. The cases at first sight seem unrelated, but coincidences occur as the story goes on. They’re all quite quirky characters, which I enjoyed, particularly the sisters from case one. They ask Jackson to find out what happened to their little sister 40 years ago. Whilst sleeping in a tent in the back garden, three year old Olivia went missing. When find her beloved Blue Mouse in their deceased fathers desk drawer, they start to think that there is more to her disappearance - and it’s close to home.
Case two is about the death of a young woman at her fathers solicitors offices. After many years, the man who murdered her in broad daylight in the busy office, has still never been found.
The third case is a famous one. Tanya, a nurse, had been given the task of bringing up her niece after her sister murders her husband with an axe. However, Tanya has lost contact with the child (now a woman), and wants to find her again.
The fourth case is that of Jacksons own sister. After their mothers death, Jacksons sister is murdered on her way home from work. The murderer is never found.
It was really interesting to see how the cases wove together as the story went on, but what I really found interesting were the flashbacks to around the times of the murders.
Many of the characters are pretty unpleasant - except for the very moral Jackson Brodie - and I found that an interesting contrast.
I think that this is a series that I’m going to have to read more of. I like the Brodie character, and I’m intrigued to see if the next book is set up in a similar way.
Case two is about the death of a young woman at her fathers solicitors offices. After many years, the man who murdered her in broad daylight in the busy office, has still never been found.
The third case is a famous one. Tanya, a nurse, had been given the task of bringing up her niece after her sister murders her husband with an axe. However, Tanya has lost contact with the child (now a woman), and wants to find her again.
The fourth case is that of Jacksons own sister. After their mothers death, Jacksons sister is murdered on her way home from work. The murderer is never found.
It was really interesting to see how the cases wove together as the story went on, but what I really found interesting were the flashbacks to around the times of the murders.
Many of the characters are pretty unpleasant - except for the very moral Jackson Brodie - and I found that an interesting contrast.
I think that this is a series that I’m going to have to read more of. I like the Brodie character, and I’m intrigued to see if the next book is set up in a similar way.
Hazel (2934 KP) rated The Castaways in Books
Oct 3, 2021
An intriguing and enjoyable mystery about one sister's quest for survival and the other's hunt for answers.
Lori and Erin are close having lost their parents at an early age. Things are not going too well for either of them but Lori in particular, so she books a holiday of a lifetime for them both to a Fijian island. Unfortunately, things don't go to plan and Lori finds herself on the plane without her sister. Disaster then ensues when the plan goes missing. Two years later, the pilot turns up - he has been working under an alias in Fiji.
What the heck happened? Why wasn't Erin on the plane? Where are the rest of the passengers? Did anyone else survive and why did the pilot go into hiding? So many questions!
Written in two distinct voices and time lines - Lori in the then and Erin in the now - the story follows Erin's search for the truth about what happened to her sister and the rest of the passengers and Lori's experience from the moment she realised something was going terribly wrong with the plane.
Lucy Clarke's writing is captivating and puts you right at the heart of the story; the two main characters are really well developed and you absolutely get a sense of the strong bond between the two sisters. The pacing is pretty good - the beginning is riveting, it dips a bit in the middle but then ramps up again towards the end. The plot is expertly weaved throughout with twists jumping from nowhere, just when you think you've worked it out, and with an ending that is quite satisfactory.
Overall, I enjoyed this book from an author I've never read anything from before and I would recommend to those who enjoy a bit of escapism albeit one with a few twists and hair-raising moments.
Thank you to HarperCollinsUK / HarperFiction and NetGalley for my copy in return for an honest, unbiased and unedited review.
Lori and Erin are close having lost their parents at an early age. Things are not going too well for either of them but Lori in particular, so she books a holiday of a lifetime for them both to a Fijian island. Unfortunately, things don't go to plan and Lori finds herself on the plane without her sister. Disaster then ensues when the plan goes missing. Two years later, the pilot turns up - he has been working under an alias in Fiji.
What the heck happened? Why wasn't Erin on the plane? Where are the rest of the passengers? Did anyone else survive and why did the pilot go into hiding? So many questions!
Written in two distinct voices and time lines - Lori in the then and Erin in the now - the story follows Erin's search for the truth about what happened to her sister and the rest of the passengers and Lori's experience from the moment she realised something was going terribly wrong with the plane.
Lucy Clarke's writing is captivating and puts you right at the heart of the story; the two main characters are really well developed and you absolutely get a sense of the strong bond between the two sisters. The pacing is pretty good - the beginning is riveting, it dips a bit in the middle but then ramps up again towards the end. The plot is expertly weaved throughout with twists jumping from nowhere, just when you think you've worked it out, and with an ending that is quite satisfactory.
Overall, I enjoyed this book from an author I've never read anything from before and I would recommend to those who enjoy a bit of escapism albeit one with a few twists and hair-raising moments.
Thank you to HarperCollinsUK / HarperFiction and NetGalley for my copy in return for an honest, unbiased and unedited review.