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Rob Bell's book wins on pathos and good intentions, but not on solid argumentation or exegesis. He has a heart for the lost and the suffering, which is admirable. But he has to turn the Bible into theological silly putty to make his case.
There are a few major errors in Love Wins, which leads to his making other more minor mistakes. The first error is giving precedence to certain biblical themes (to the exclusion of others) over clear and specific biblical teaching. Bell makes much of themes like restoration in Scripture, but ignores themes of final punishment. By dwelling on those themes, he can transition to reading them into texts where they don't belong without being found out by biblical illiterates, such as Jesus' claim that Sodom and Gomorrah will fare better on the day of judgement than cities which rejected the direct revelation of God in Jesus Christ. Instead of reading this in its obvious sense-- that there are degrees of punishment on the final day and those who reject direct revelation of Jesus will suffer most-- he understands Jesus to be saying that there is a great deal of hope for Sodom and Gomorrah's salvation-- that their punishment was corrective instead of destructive. Even though he doesn't get anywhere close to proving his case (certainly only God knows whether or not some in Sodom will be saved, but the story of Abraham bargaining would suggest otherwise), he seems to fall back on the emotionally-driven claim that God saving everyone is a "better story" than damning some and saving others.
On his overuse of the word "story," it is one example where Bell is obnoxiously post-modern and emergent. He uses the word "story/stories" in his short book 138 times. For a book of around 200 pages, large font, and constantly skipped lines/single words on their own lines*, that's an impressive display of post-modernism.
Another major error is that he conflates a strong exclusivism with eternal conscious punishment which has the effect that when he attacks one, he is in effect attacking the other, making his job easier. In addition, he ignores annihilationism as an alternative to eternal conscious torment, which also strengthens the emotional pull of his position, since it is contrasted with an eternal conscious punishment where God damns people for never being able to hear the name of Jesus. (note: while I am annoyed at Bell's misrepresentations of eternal conscious torment, I am myself an annihilationist)
Bell explains that God will eventually win everyone over, but it must be of their accord. However, he doesn't explain how it is that everyone will be saved of their own free will. For emotional effect, Bell criticizes the eternal conscious hell camp with having a God that would turn his back on people in hell who are repenting and turning to God. Of course, this assumes that sinners turn to God on their own instead of by His grace. Bell here appears to be a Pelagian, or else doesn't know enough about soteriology to make such distinctions (a terrifying prospect for a Pastor). In any case, this is another example where he is misrepresenting eternal conscious hell proponents (the first I mentioned was when he claimed they were all strict exclusivists), which makes his book far harder to take seriously.
One strange and interesting point that Rob Bell makes comes from making the afterlife analogous to the parable of the prodigal son. He claims that hell is not being cast out of "the party," (despite Jesus' parable about the marriage supper being like a party where people are cast out of) but being at the party but not enjoying it. "Hell is being at the party," Bell claims. The message to take from that is never go to one of Rob Bell's parties.
*Bell's book is filled with skipped lines and one word sentences sitting on their own lines. I suppose this is done for dramatic effect-- indicating places where Bell would pause if this were one of his Nooma videos. However, it tends to just look irritating and faux artsy. I mostly listened to the book on Kindle's text-to-speech feature, and I could still tell when he was doing it. Like,
You put a series of short sentences on their own lines to make a point?
Really?
You do that?
And it's repetitive?
Extremely?
And annoying?
There are a few major errors in Love Wins, which leads to his making other more minor mistakes. The first error is giving precedence to certain biblical themes (to the exclusion of others) over clear and specific biblical teaching. Bell makes much of themes like restoration in Scripture, but ignores themes of final punishment. By dwelling on those themes, he can transition to reading them into texts where they don't belong without being found out by biblical illiterates, such as Jesus' claim that Sodom and Gomorrah will fare better on the day of judgement than cities which rejected the direct revelation of God in Jesus Christ. Instead of reading this in its obvious sense-- that there are degrees of punishment on the final day and those who reject direct revelation of Jesus will suffer most-- he understands Jesus to be saying that there is a great deal of hope for Sodom and Gomorrah's salvation-- that their punishment was corrective instead of destructive. Even though he doesn't get anywhere close to proving his case (certainly only God knows whether or not some in Sodom will be saved, but the story of Abraham bargaining would suggest otherwise), he seems to fall back on the emotionally-driven claim that God saving everyone is a "better story" than damning some and saving others.
On his overuse of the word "story," it is one example where Bell is obnoxiously post-modern and emergent. He uses the word "story/stories" in his short book 138 times. For a book of around 200 pages, large font, and constantly skipped lines/single words on their own lines*, that's an impressive display of post-modernism.
Another major error is that he conflates a strong exclusivism with eternal conscious punishment which has the effect that when he attacks one, he is in effect attacking the other, making his job easier. In addition, he ignores annihilationism as an alternative to eternal conscious torment, which also strengthens the emotional pull of his position, since it is contrasted with an eternal conscious punishment where God damns people for never being able to hear the name of Jesus. (note: while I am annoyed at Bell's misrepresentations of eternal conscious torment, I am myself an annihilationist)
Bell explains that God will eventually win everyone over, but it must be of their accord. However, he doesn't explain how it is that everyone will be saved of their own free will. For emotional effect, Bell criticizes the eternal conscious hell camp with having a God that would turn his back on people in hell who are repenting and turning to God. Of course, this assumes that sinners turn to God on their own instead of by His grace. Bell here appears to be a Pelagian, or else doesn't know enough about soteriology to make such distinctions (a terrifying prospect for a Pastor). In any case, this is another example where he is misrepresenting eternal conscious hell proponents (the first I mentioned was when he claimed they were all strict exclusivists), which makes his book far harder to take seriously.
One strange and interesting point that Rob Bell makes comes from making the afterlife analogous to the parable of the prodigal son. He claims that hell is not being cast out of "the party," (despite Jesus' parable about the marriage supper being like a party where people are cast out of) but being at the party but not enjoying it. "Hell is being at the party," Bell claims. The message to take from that is never go to one of Rob Bell's parties.
*Bell's book is filled with skipped lines and one word sentences sitting on their own lines. I suppose this is done for dramatic effect-- indicating places where Bell would pause if this were one of his Nooma videos. However, it tends to just look irritating and faux artsy. I mostly listened to the book on Kindle's text-to-speech feature, and I could still tell when he was doing it. Like,
You put a series of short sentences on their own lines to make a point?
Really?
You do that?
And it's repetitive?
Extremely?
And annoying?
Darren (1599 KP) rated The Little Stranger (2018) in Movies
Sep 2, 2019
Thoughts on The Little Stranger
Characters – Dr Faraday is a young doctor who takes a fondness of an outcasted family, he wants to help the injured brother, wants to save Caroline, while being left in the middle being able to help them or a potential supernatural presence in the house. Roderick is the injured war hero, he was left with a limp and burns to his face, which make him feel outcasted from the rest of the village and useless to his family, he is struggling with the mental side of everything too, leaving him to make rash decisions. Caroline is the daughter of the household, she is the one that they family has hope of seeing escape their impending poverty and becomes the ones that Faraday takes an interest in. she comes off unsure of what to make of her own future. Mrs Ayres is the mother of the house, she wants the best for her children and is still haunted by the one that she lost.
Performances – I don’t think any of the performances in this film are bad, Domhnall Gleeson does everything he can in the leading role, as does Will Poulter in his supporting role, Ruth Wilson and Charlotte Rampling don’t disappoint with what they try to bring to the film, the problem with most of this film, comes from the characters be so bland and the story not going anywhere.
Story – The story here follows a doctor getting close to a family that are seen as outcasts only to start to fall in love with one member of the family just as the strange events start to happen within the mansion. This is where the story just doesn’t get going, we are promised a horror element to this film which just never comes to life, which makes the story feel like more of a class position story. if that sounds confusing, well that doesn’t change from the story in full, because we have very little happening here and end up just shrugging our shoulders at the end, wondering if anything was actually meant to happen.
Horror/Mystery – The horror in this film does seem to be non-existent, where anything supernatural does seem to only be part of the mystery over anything else going on in the film.
Settings – The film is set mostly in the mansion in a village in the English countryside, it shows how the family can be seen as outcasts and how people can look out at these types of buildings hoping to be part of this society.
Special Effects – The effects in the film are down the practical additions to Will Poulter, they look great, everything else just seems basic.
Scene of the Movie – The dog attack.
That Moment That Annoyed Me – The aftermath of the dog attack.
Final Thoughts – This is a film that seems to hint at something big, only to end up feeling dull and uninspiring.
Overall: Just fails to deliver.
Characters – Dr Faraday is a young doctor who takes a fondness of an outcasted family, he wants to help the injured brother, wants to save Caroline, while being left in the middle being able to help them or a potential supernatural presence in the house. Roderick is the injured war hero, he was left with a limp and burns to his face, which make him feel outcasted from the rest of the village and useless to his family, he is struggling with the mental side of everything too, leaving him to make rash decisions. Caroline is the daughter of the household, she is the one that they family has hope of seeing escape their impending poverty and becomes the ones that Faraday takes an interest in. she comes off unsure of what to make of her own future. Mrs Ayres is the mother of the house, she wants the best for her children and is still haunted by the one that she lost.
Performances – I don’t think any of the performances in this film are bad, Domhnall Gleeson does everything he can in the leading role, as does Will Poulter in his supporting role, Ruth Wilson and Charlotte Rampling don’t disappoint with what they try to bring to the film, the problem with most of this film, comes from the characters be so bland and the story not going anywhere.
Story – The story here follows a doctor getting close to a family that are seen as outcasts only to start to fall in love with one member of the family just as the strange events start to happen within the mansion. This is where the story just doesn’t get going, we are promised a horror element to this film which just never comes to life, which makes the story feel like more of a class position story. if that sounds confusing, well that doesn’t change from the story in full, because we have very little happening here and end up just shrugging our shoulders at the end, wondering if anything was actually meant to happen.
Horror/Mystery – The horror in this film does seem to be non-existent, where anything supernatural does seem to only be part of the mystery over anything else going on in the film.
Settings – The film is set mostly in the mansion in a village in the English countryside, it shows how the family can be seen as outcasts and how people can look out at these types of buildings hoping to be part of this society.
Special Effects – The effects in the film are down the practical additions to Will Poulter, they look great, everything else just seems basic.
Scene of the Movie – The dog attack.
That Moment That Annoyed Me – The aftermath of the dog attack.
Final Thoughts – This is a film that seems to hint at something big, only to end up feeling dull and uninspiring.
Overall: Just fails to deliver.
Mark @ Carstairs Considers (2434 KP) rated Murky Waters in Books
Mar 14, 2020
Kyra is the youngest of the three mermaid sisters we are learning about in Diane Vallere’s Mermaid Mystery novellas. She has been coddled and babied her entire life. Known for her beauty and her singing voice, she plays into both of those roles, flirting with every merman who shows interest. On her way to music lessons one morning, she finds the Nautilus Vault opened and several squid tied up near the entrance. She frees them, but she can tell someone has been inside the vault. Can she figure out who is responsible?
In many ways, this novella feels like a coming of age tale since Kyra really grows as the story progresses. No, she doesn’t start out as shallow as she may at first appear. I really enjoyed getting to know her and watching the growth happen over the course of the story. Now, this isn’t to say that we don’t get a mystery as well with plenty to keep us engaged. The growth comes directly from the events of the story, and it all feels very natural. There isn’t quite as much background on mermaid culture as there was in the first story, but we do get enough that if you jumped in with this story you wouldn’t be lost. The other characters are interesting, and we see some other sides of them than we did in the first novella. More than anything, I had fun imaging I lived in the ocean as well.
NOTE: This story, along with the stories of Kyra’s sisters, are included in the Mermaid Mysteries anthology. Buy them individually or as a set, but there is no need to buy both.
In many ways, this novella feels like a coming of age tale since Kyra really grows as the story progresses. No, she doesn’t start out as shallow as she may at first appear. I really enjoyed getting to know her and watching the growth happen over the course of the story. Now, this isn’t to say that we don’t get a mystery as well with plenty to keep us engaged. The growth comes directly from the events of the story, and it all feels very natural. There isn’t quite as much background on mermaid culture as there was in the first story, but we do get enough that if you jumped in with this story you wouldn’t be lost. The other characters are interesting, and we see some other sides of them than we did in the first novella. More than anything, I had fun imaging I lived in the ocean as well.
NOTE: This story, along with the stories of Kyra’s sisters, are included in the Mermaid Mysteries anthology. Buy them individually or as a set, but there is no need to buy both.
Gareth von Kallenbach (980 KP) rated Prom (2011) in Movies
Aug 7, 2019
“Prom is like the Olympics of high school; You wait four years, only like three people have a good time, and everyone else leaves with shattered hopes and dreams.” Nova Prescott had it all, class president, popularity and a bright future. What more can a teenage high school girl ask for? Well, how about a perfect prom for starters?
Prom stars Aimee Teergarden (Friday Night Lights) as Nova Prescott and Thomas McDonald (soon to portray young Barnabas Collins in Dark Shadows) as Jesse Richter. Nova is obsessed with planning the perfect prom as a final farewell to high school and a big jump to college. Her dreams are shattered after a fire has ruined all her prom decorations and she is in need of some help to get things back on track. “Walking misdemeanor” Jesse Richter is forced to help Nova fix what was lost and in the end they end up finding love. Prom includes different stories about couples who have problems of their own that all revolve around the most important night of a senior’s life: the prom
Disney’s Prom is another cheesy, lackluster high school film with awkward scenes and awkward actors. This movie is unrealistic and uneventful and may put parents at ease but leave kids wondering why they would pour their heart and soul into one specific yet anti-climactic night that most adults end up forgetting anyways. Although the film lacked humor and good writing, the most promising part is the soundtrack.
The film is too familiar and uses the same old scenarios that have been played out in other films about high school countless times and offers nothing new.
Prom stars Aimee Teergarden (Friday Night Lights) as Nova Prescott and Thomas McDonald (soon to portray young Barnabas Collins in Dark Shadows) as Jesse Richter. Nova is obsessed with planning the perfect prom as a final farewell to high school and a big jump to college. Her dreams are shattered after a fire has ruined all her prom decorations and she is in need of some help to get things back on track. “Walking misdemeanor” Jesse Richter is forced to help Nova fix what was lost and in the end they end up finding love. Prom includes different stories about couples who have problems of their own that all revolve around the most important night of a senior’s life: the prom
Disney’s Prom is another cheesy, lackluster high school film with awkward scenes and awkward actors. This movie is unrealistic and uneventful and may put parents at ease but leave kids wondering why they would pour their heart and soul into one specific yet anti-climactic night that most adults end up forgetting anyways. Although the film lacked humor and good writing, the most promising part is the soundtrack.
The film is too familiar and uses the same old scenarios that have been played out in other films about high school countless times and offers nothing new.
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Lyndsey Gollogly (2893 KP) rated Infected (Releasing the Magic #1) in Books
Jul 14, 2020
126 of 200
Kindle
Infected ( Releasing the magic book1)
By Maya Riley
What's the worst that could happen? Sit down and let me tell you.
The Void Virus has been let loose on the Earth. Caused by experiments gone wrong, an outbreak has ravaged the world. Anyone infected has turned into a decaying empty shell, void of their former selves. The animate decomposing bodies have become known as Rotters, stumbling around for the scent of the living.
Alone in the dark new world where even the dead don’t die, I must fight to survive. Not only against the Rotters, but the remaining uninfected who have turned savage in their plight of survival; the scavers.
As the world I once knew is lost, a new one emerges. Strange things begin to happen. Some are able to wield power over the elements. I develop a strange healing ability. It is unknown if this is a rogue symptom of the virus, or if the solitude is driving me crazy.
Puppy, my German Shepherd, and I have been on our own until four guys enter my life and refuse to leave. Strangely enough, they’re just as broken as I am.
My name is Blyss and we will set this world on fire if necessary. After all… What’s the worst that could happen?
I don’t give many 5 stars but I absolutely loved this book! It was well written and packed with action! I loved the romantic stuff too as it wasn’t shoved In your face every other page! You could feel the tension building. Highly recommended the best “zombie” book I’ve read in a long time!
Kindle
Infected ( Releasing the magic book1)
By Maya Riley
What's the worst that could happen? Sit down and let me tell you.
The Void Virus has been let loose on the Earth. Caused by experiments gone wrong, an outbreak has ravaged the world. Anyone infected has turned into a decaying empty shell, void of their former selves. The animate decomposing bodies have become known as Rotters, stumbling around for the scent of the living.
Alone in the dark new world where even the dead don’t die, I must fight to survive. Not only against the Rotters, but the remaining uninfected who have turned savage in their plight of survival; the scavers.
As the world I once knew is lost, a new one emerges. Strange things begin to happen. Some are able to wield power over the elements. I develop a strange healing ability. It is unknown if this is a rogue symptom of the virus, or if the solitude is driving me crazy.
Puppy, my German Shepherd, and I have been on our own until four guys enter my life and refuse to leave. Strangely enough, they’re just as broken as I am.
My name is Blyss and we will set this world on fire if necessary. After all… What’s the worst that could happen?
I don’t give many 5 stars but I absolutely loved this book! It was well written and packed with action! I loved the romantic stuff too as it wasn’t shoved In your face every other page! You could feel the tension building. Highly recommended the best “zombie” book I’ve read in a long time!
