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Hadley (567 KP) rated The Woman in Black in Books
Jan 1, 2020
Great paranormal aspect (1 more)
Good narrative
Overuse of some words (1 more)
Some scenes that could have been written better
In Susan Hill's novel, "The Woman in Black," she puts a small twist on an urban legend that is widely known to most - - - 'the lady in white,' which if you haven't heard of it, it's a spectral woman that is seen throughout the world, dressed all in white, only to show up in places of tragic events. This novel only has one main character, Arthur Kipps, a 23-year-old young man who is a lawyer in late 1800's England. He usually takes care of the conveyance of property leases, but one day, when his boss, Mr. Bentley, hands over a case and responsibility of finding a newly deceased's Last Will and Testament for their lawfirm, Kipp graciously accepts the new adventure without knowing that what is ahead will haunt him the rest of his life.
As Kipp soon finds out after traveling to the town just outside of the deceased's home, there is more to this woman, Alice Drablow, than just an old hermit- - - anytime her name is mentioned, people fall silent; the same goes for her home: Eel Marsh House. Kipp doesn't allow this to put him off from doing his job, but when he finds out about the marshes the house lives on, he is told that there are only certain times of the day that he can cross before the marshes become too flooded to cross. 'The Woman in Black' has spine-chilling moments and great descriptive details to make this a quick ghost story to be enjoyed.
Before Kipp heads off to the Eel Marsh House, he must attend Mrs. Drablow's funeral; he is accompanied by a man named Mr. Jerome, an agent that had dealt with Mrs. Drablow's property and land business while she was alive. While at the church, only one other person turns up for the funeral: a woman dressed all in black. Kipp takes note that this woman does not look well and, being the gentleman that he is, tells himself that he will offer his arm to her for stability after the funeral, but when they are leaving the church yard, the woman is suddenly gone. Kipp brings this up to Mr. Jerome, but he merely states that they were the only ones at the funeral.
The best scene to come is Kipp's first night at Eel Marsh House, where he experiences his first real scare in the ruins close by the house that is a dilapidated cemetery. " Suddenly conscious of the cold and the extreme bleakness and eeriness of the spot and of the gathering dusk of the November afternoon, and not wanting my spirits to become so depressed that I might begin to be affected by all sorts of morbid fancies, I was about to leave, and walk briskly back to the house, where I intended to switch on a good many lights and even light a small fire if it were possible, before beginning my preliminary work on Mrs. Drablow's papers. But, as I turned away, I glanced once again round the burial ground and then I saw again the woman with the wasted face, who had been at Mrs. Drablow's funeral. She was at the far end of the plot, close to one of the few upright headstones, and she wore the same clothing and bonnet, but it seemed to have slipped back so that I could make out her face a little more clearly. "
Over the entire course of the book, Kipp only visits the house one more time after this incident. The book has a good story, but it isn't flawless; first, there is the overuse of the word 'estuary,' which is practically used on every page whenever Kipp is at the Eel Marsh House or discussing it. It gets very tiresome. There is also instances of bad writing, where I feel that Hill could have delivered the scenes better than she did: Kipp changing his mind the very next sentence (if you read my reviews pretty regularly, you will realize that I can't stand it when a character contradicts themselves within a page or two), and then Kipp saying he can't do something, than directly after, does it. When you read this book, you will realize that Kipp is not the type of character that would change his mind on a whim.
Kipp is also an interesting character for a male set in this era. Most men in the late 1800's were stoic and refused to show an ounce of emotion in public, but Kipp is not afraid to have other men see him fall apart, and he is also very considerate of other people. There isn't much of a backstory on where Kipp came from or how his parents raised him, but it wasn't really needed for this story. Yet, we meet Kipp's step-children and his first and second wife, without too much of a story about them, so when certain things happen (to not give a spoiler), it doesn't really leave an impression.
There isn't much I can say that wouldn't give away what makes this story enjoyable to read. Overall, this is a good and quick ghost story that may cause shivers for some, but even if it doesn't, the Woman in Black is a must-read for lovers of the paranormal. To me, this seems like a good book to read while traveling because it's easy to pick up and set down without getting lost as to what was going on.
As Kipp soon finds out after traveling to the town just outside of the deceased's home, there is more to this woman, Alice Drablow, than just an old hermit- - - anytime her name is mentioned, people fall silent; the same goes for her home: Eel Marsh House. Kipp doesn't allow this to put him off from doing his job, but when he finds out about the marshes the house lives on, he is told that there are only certain times of the day that he can cross before the marshes become too flooded to cross. 'The Woman in Black' has spine-chilling moments and great descriptive details to make this a quick ghost story to be enjoyed.
Before Kipp heads off to the Eel Marsh House, he must attend Mrs. Drablow's funeral; he is accompanied by a man named Mr. Jerome, an agent that had dealt with Mrs. Drablow's property and land business while she was alive. While at the church, only one other person turns up for the funeral: a woman dressed all in black. Kipp takes note that this woman does not look well and, being the gentleman that he is, tells himself that he will offer his arm to her for stability after the funeral, but when they are leaving the church yard, the woman is suddenly gone. Kipp brings this up to Mr. Jerome, but he merely states that they were the only ones at the funeral.
The best scene to come is Kipp's first night at Eel Marsh House, where he experiences his first real scare in the ruins close by the house that is a dilapidated cemetery. " Suddenly conscious of the cold and the extreme bleakness and eeriness of the spot and of the gathering dusk of the November afternoon, and not wanting my spirits to become so depressed that I might begin to be affected by all sorts of morbid fancies, I was about to leave, and walk briskly back to the house, where I intended to switch on a good many lights and even light a small fire if it were possible, before beginning my preliminary work on Mrs. Drablow's papers. But, as I turned away, I glanced once again round the burial ground and then I saw again the woman with the wasted face, who had been at Mrs. Drablow's funeral. She was at the far end of the plot, close to one of the few upright headstones, and she wore the same clothing and bonnet, but it seemed to have slipped back so that I could make out her face a little more clearly. "
Over the entire course of the book, Kipp only visits the house one more time after this incident. The book has a good story, but it isn't flawless; first, there is the overuse of the word 'estuary,' which is practically used on every page whenever Kipp is at the Eel Marsh House or discussing it. It gets very tiresome. There is also instances of bad writing, where I feel that Hill could have delivered the scenes better than she did: Kipp changing his mind the very next sentence (if you read my reviews pretty regularly, you will realize that I can't stand it when a character contradicts themselves within a page or two), and then Kipp saying he can't do something, than directly after, does it. When you read this book, you will realize that Kipp is not the type of character that would change his mind on a whim.
Kipp is also an interesting character for a male set in this era. Most men in the late 1800's were stoic and refused to show an ounce of emotion in public, but Kipp is not afraid to have other men see him fall apart, and he is also very considerate of other people. There isn't much of a backstory on where Kipp came from or how his parents raised him, but it wasn't really needed for this story. Yet, we meet Kipp's step-children and his first and second wife, without too much of a story about them, so when certain things happen (to not give a spoiler), it doesn't really leave an impression.
There isn't much I can say that wouldn't give away what makes this story enjoyable to read. Overall, this is a good and quick ghost story that may cause shivers for some, but even if it doesn't, the Woman in Black is a must-read for lovers of the paranormal. To me, this seems like a good book to read while traveling because it's easy to pick up and set down without getting lost as to what was going on.
Goddess in the Stacks (553 KP) rated Walking Baltimore: An Insider's Guide to... in Books
Sep 7, 2017
A walking guidebook for central Baltimore
So this is a series of walking tours of Baltimore. I’ve only been on two of these walks so far, but I plan to take many more of them. It’s just been SO. HOT. And I’m not a person who likes walking much to begin with! But Pokemon Go makes walking a lot more fun. (Go Team Mystic!) That little bit of motivation of “well, I’ll walk to that Pokestop. Alright, there’s another Pokestop two blocks away, I can make it to that one. Maybe a little further to that next Pokestop. OOoo there’s a Tangela nearby!” It makes it just enough fun that I walk a lot more before I’ve even realized it..
Walking Baltimore gives me general guides for walks so I’m not just wandering Pokestop to Pokestop until I get lost! It has very detailed instructions – turn left at this corner, cross the street here so you can see this monument, then look up at the architecture in front of you – it’s really well done. My only wish is that there was an appendix that rated the walks in order of difficulty – each walk has a rating, from easy to moderate to strenuous – but there’s no way to see all of the difficulties side by side. With 33 walks all over Baltimore, with all levels of difficulty and lengths, there’s definitely something here for everyone, and the history and points of interest covered by the walks are fascinating.
The two that I’ve actually walked are half of #4, Inner Harbor Promenade, and #11, The Civil War Trail: Path of the War’s First Bloodshed. Both are mostly on the Inner Harbor, where my husband works, so I hitched a ride down with him, walked, and caught Pokemon until he got off work and we came home. (We live outside Baltimore City limits.) I’d been down in the area many times, but had no idea the Civil War’s first bloodshed occurred when a mob waylaid Union troops travelling through Baltimore! There are medallions laid in the sidewalks commemorating some of the events of the Civil War march, and most of those are Pokestops too.
Currently I have this book out from the library, but I think this is one I’ll be adding to my personal library soon. I want the walking guides! The author has also written 60 Hikes Within 60 Miles of Baltimore and Best in Tent Camping: Maryland. So he knows his stuff.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Walking Baltimore gives me general guides for walks so I’m not just wandering Pokestop to Pokestop until I get lost! It has very detailed instructions – turn left at this corner, cross the street here so you can see this monument, then look up at the architecture in front of you – it’s really well done. My only wish is that there was an appendix that rated the walks in order of difficulty – each walk has a rating, from easy to moderate to strenuous – but there’s no way to see all of the difficulties side by side. With 33 walks all over Baltimore, with all levels of difficulty and lengths, there’s definitely something here for everyone, and the history and points of interest covered by the walks are fascinating.
The two that I’ve actually walked are half of #4, Inner Harbor Promenade, and #11, The Civil War Trail: Path of the War’s First Bloodshed. Both are mostly on the Inner Harbor, where my husband works, so I hitched a ride down with him, walked, and caught Pokemon until he got off work and we came home. (We live outside Baltimore City limits.) I’d been down in the area many times, but had no idea the Civil War’s first bloodshed occurred when a mob waylaid Union troops travelling through Baltimore! There are medallions laid in the sidewalks commemorating some of the events of the Civil War march, and most of those are Pokestops too.
Currently I have this book out from the library, but I think this is one I’ll be adding to my personal library soon. I want the walking guides! The author has also written 60 Hikes Within 60 Miles of Baltimore and Best in Tent Camping: Maryland. So he knows his stuff.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Kristy H (1252 KP) rated Be Frank With Me in Books
Feb 8, 2018
Alice has worked a string of dead-end jobs until she winds up as an assistant for a literary agent, Mr. Vargas. He is impressed with her work at a tech store (think Apple Genius Bar) and takes her under his wing. Eventually Mr. Vargas dispatches Alice to assist with one of his most famous, but reclusive, clients: M.M. "Mimi" Banning. Mimi wrote a famous bestseller book as a young woman and then basically disappeared off the grid. She's recently lost all her money in a Ponzi scheme, however, and she needs an assistant to help with delivery of a new manuscript. Enter Alice. However, when Alice arrives in California, she finds herself mainly acting as caretaker to Mimi's nine-year-old son, Frank: a quirky and unique boy who changes Alice's life.
There's really no way to describe this book. It was an excellent way to round out 2015 - it's a lovely and touching novel. While in theory it describes a bit of time in Alice's life, with most of the story coming from her point of view, the true hero of this story is Frank - amazing, wonderful, funny Frank. Frank would probably be deemed autistic, or at least somewhere on the spectrum, in our society, as he clearly has issues with being touched, interacting with his peers, and many other things. But he's also this amazing, unique, and smart boy - he dresses like a movie star from the '30s, has an endless supply of facts in his brain about everything (but doesn't comprehend sarcasm or humor), loves old films, and has a fierce and deep devotion for his mother -- no matter what she does.
As Alice gets to know Frank, Mimi, and the small cast of characters around them - mainly, Xander, Frank's piano teacher, who flits in and out of his life - she is as drawn to the boy as the rest of us. But can she save Frank (and Mimi) from the harshness of the outside world and their past? It's an interesting thought and one that doesn't lend itself to a typical beginning/middle/end plot. In some ways, not a lot happens in this book (though in some ways, a lot does), but its story is propelled by Johnson's excellent character development and descriptions. Frank, Alice, Mimi, and Xander really come to life in her hands. It's a funny book, a sad book, but a beautiful book. Certainly a worthwhile read. You'll find yourself thinking about these characters long after you turn the last page.
(Note: I received an advance copy of this novel from Edelweiss in return for an unbiased review.)
There's really no way to describe this book. It was an excellent way to round out 2015 - it's a lovely and touching novel. While in theory it describes a bit of time in Alice's life, with most of the story coming from her point of view, the true hero of this story is Frank - amazing, wonderful, funny Frank. Frank would probably be deemed autistic, or at least somewhere on the spectrum, in our society, as he clearly has issues with being touched, interacting with his peers, and many other things. But he's also this amazing, unique, and smart boy - he dresses like a movie star from the '30s, has an endless supply of facts in his brain about everything (but doesn't comprehend sarcasm or humor), loves old films, and has a fierce and deep devotion for his mother -- no matter what she does.
As Alice gets to know Frank, Mimi, and the small cast of characters around them - mainly, Xander, Frank's piano teacher, who flits in and out of his life - she is as drawn to the boy as the rest of us. But can she save Frank (and Mimi) from the harshness of the outside world and their past? It's an interesting thought and one that doesn't lend itself to a typical beginning/middle/end plot. In some ways, not a lot happens in this book (though in some ways, a lot does), but its story is propelled by Johnson's excellent character development and descriptions. Frank, Alice, Mimi, and Xander really come to life in her hands. It's a funny book, a sad book, but a beautiful book. Certainly a worthwhile read. You'll find yourself thinking about these characters long after you turn the last page.
(Note: I received an advance copy of this novel from Edelweiss in return for an unbiased review.)
Gareth von Kallenbach (980 KP) rated The Woman in Black (2012) in Movies
Aug 7, 2019
“During afternoon tea, there’s a shift in the air. A bone-trembling chill that tells you she’s there. There are those who believe the whole town is cursed. But the house in the marsh is by far the worst. What she wants is unknown, but she always comes back. The specter of darkness, the Woman in Black.”
Arthur Kipps (Daniel Radcliff) is a young lawyer who lost his wife during the birth of his son. He is a hardworking man who will do anything to take care of his family. Duty calls when he is ordered to go to the home of a recently diseased woman who lives in a remote marsh. When the local town catches wind that Mr. Kipps will be working at the remote house they start to fear what he might uncover while he works within the walls of the creepy home. He soon starts hearing noises and seeing shadows of an old woman in black. The town seems to think that it is somehow cursed as children keep dying unexpectedly and in bizarre circumstances. Is this the result of a woman scorned or is it just a superstition? Without the help from the town Mr. Kipps races to find out what the secret of the Woman in Black is.
Daniel Radcliff picked the perfect project to stray away from the Harry Potter series and I am glad he did. Now don’t get me wrong; the Harry Potter series is pretty awesome but the fact of the matter is most child actors don’t go very far within their acting careers. Take Shirley Temple for instance, she ended up not getting any major roles after growing out of her child faze. In any case it was a perfect decision on his part to take the chance on this character and just proves that we will be seeing much more of him throughout the coming years.
If you enjoy a good ghost story from time to time, The Woman in Black is such a treat to watch. Finally a really good ghost story that is not filmed like a home movie or a documentary but encompasses what a good ghost story should. The movie also has tidbits of British humor which I am a big fan of. Really good ghost stories like this one will chill you to the bone and startle your senses. Not an award winning movie but an excellent spine tingling story without the gore and special effects we have all become anesthetized to. Don’t miss this one in theaters I promise you won’t be disappointed.
Arthur Kipps (Daniel Radcliff) is a young lawyer who lost his wife during the birth of his son. He is a hardworking man who will do anything to take care of his family. Duty calls when he is ordered to go to the home of a recently diseased woman who lives in a remote marsh. When the local town catches wind that Mr. Kipps will be working at the remote house they start to fear what he might uncover while he works within the walls of the creepy home. He soon starts hearing noises and seeing shadows of an old woman in black. The town seems to think that it is somehow cursed as children keep dying unexpectedly and in bizarre circumstances. Is this the result of a woman scorned or is it just a superstition? Without the help from the town Mr. Kipps races to find out what the secret of the Woman in Black is.
Daniel Radcliff picked the perfect project to stray away from the Harry Potter series and I am glad he did. Now don’t get me wrong; the Harry Potter series is pretty awesome but the fact of the matter is most child actors don’t go very far within their acting careers. Take Shirley Temple for instance, she ended up not getting any major roles after growing out of her child faze. In any case it was a perfect decision on his part to take the chance on this character and just proves that we will be seeing much more of him throughout the coming years.
If you enjoy a good ghost story from time to time, The Woman in Black is such a treat to watch. Finally a really good ghost story that is not filmed like a home movie or a documentary but encompasses what a good ghost story should. The movie also has tidbits of British humor which I am a big fan of. Really good ghost stories like this one will chill you to the bone and startle your senses. Not an award winning movie but an excellent spine tingling story without the gore and special effects we have all become anesthetized to. Don’t miss this one in theaters I promise you won’t be disappointed.
Binocular Vision
Clare Skeats and Edith Pearlman
Book
Edith Pearlman's Binocular Vision are the collected stories of an award-winning author who has been...
The Abyssal Plain: The R'lyeh Cycle
1.0
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With The Abyssal Plain, Holloway and Talley have managed to transform the Cthulhu Mythos into...
Bob Mann (459 KP) rated Old (2021) in Movies
Jul 28, 2021
Cinematography and Sound Design - very Hitchcockian (1 more)
Concept and initial set-up of the movie
Dafter than the Dharma initiative.
"Old" is the latest from the gloriously inconsistent writer/director M. Night Shyamalan. Will this be great Shyamalan (à la "The Sixth Sense") or dire Shyamalan (à la "The Last Airbender")? The answer, in my view, is somewhere in the middle. It's a curate's egg of a movie.
Positives:
- The premise feels very familiar (desert island beach; time slips; weird things happening.... "Lost" anyone?). But as a shell for a big screen adventure it kept me well-engaged.
- Shyamalan and his "Glass" cinematographer Mike Gioulakis use some novel techniques to portray the ageing effects. The angles they utilize feel quite Hitchcockian at times. Shyamalan supports this with the sound design, which makes this a REALLY good movie to watch in a cinema with good surround sound. Often the camera will be spinning showing nothing but ocean or rocks, with the character's conversation rotating behind you in the cinema. It's really quite effective.
- Shyamalan knows that no visual effects can improve on the horrors your mind can come up with. Although a '15' certificate, the "sustained threat, strong violence and injury detail" referenced by the BBFC pales into insignificance (in terms of what you actually see) compared to the equally rated "Freaky".
- I've seen other reviews comment that the "twist" (no spoilers here) was obvious. But, although not a ground-breaking idea, I was sufficiently satisfied with the denouement. It made sense, albeit twisted sense.
Negatives:
- I enjoyed the movie's leisurely set-up, introducing the characters and the movie's concept. (In many ways, it felt like the start of one of Irwin Allen's disaster movies of the 70's and 80's). But then Shyamalan turns the dial up to 11 and the action becomes increasingly farcical. Add into that the fact that you can see some of the 'jolts' coming a mile off, and the movie becomes progressively more disappointing, with a high ERQ (eye-rolling quotient) by the end.
- In particular, there are inconsistencies to the story that get you asking uncomfortable questions. For example, wounds can heal in the blink of an eye.... but not stab wounds apparently.
- The cast is truly global in nature: Vicky ("Phantom Thread") Krieps hails from Luxembourg; Bernal is Mexican; Sewell is a Brit; Amuka-Bird ("David Copperfield") is Nigerian; Leung is American; Eliza Scanlan is an Aussie; and Thomasin McKenzie (so good in "Jojo Rabbit", and good here too) is a Kiwi. But although it's clearly quite natural that an exotic beach resort would attract guests from all over the world, the combination of accents here makes the whole thing, unfortunately, sound like a dodgy spaghetti western!
Summary Thoughts: 'Time' and 'ageing' have of course been a popular movie topic for many years. I remember being both gripped and horrified by George Pal's wonderful 1960's version of "The Time Machine" when Rod Taylor threw his machine into fast forward and the dead Morlock decomposed in front of his eyes! Ursula Andress did the same as the rapidly ageing Ayesha in 1965's "She". And, more recently and with better effects, Julian Glover did the same in "Indiana Jones and the Last Crusade".
Unfortunately, "Old" isn't likely to join any of these classic movies in my consciousness. It's a diverting enough movie, with fabulous views of the Dominican Republic (which the local tourist board will no doubt be delighted with). A "less is more" approach might have made this a classic. But unfortunately, that's not what Shyamalan delivered here. Since what we get is a 'Lost-lite' with farcical elements.
And, by the way.... The movie that Charles (Rufus Sewell) refers to starring Jack Nicholson and Marlon Brando is "The Missouri Breaks". It has a very unusual John Williams soundtrack, which I have on vinyl somewhere and is probably worth a few bob!
(For the full graphical review, please check out One Mann's Movies on t'interweb, Facebook and Tiktok. Thanks.)
Positives:
- The premise feels very familiar (desert island beach; time slips; weird things happening.... "Lost" anyone?). But as a shell for a big screen adventure it kept me well-engaged.
- Shyamalan and his "Glass" cinematographer Mike Gioulakis use some novel techniques to portray the ageing effects. The angles they utilize feel quite Hitchcockian at times. Shyamalan supports this with the sound design, which makes this a REALLY good movie to watch in a cinema with good surround sound. Often the camera will be spinning showing nothing but ocean or rocks, with the character's conversation rotating behind you in the cinema. It's really quite effective.
- Shyamalan knows that no visual effects can improve on the horrors your mind can come up with. Although a '15' certificate, the "sustained threat, strong violence and injury detail" referenced by the BBFC pales into insignificance (in terms of what you actually see) compared to the equally rated "Freaky".
- I've seen other reviews comment that the "twist" (no spoilers here) was obvious. But, although not a ground-breaking idea, I was sufficiently satisfied with the denouement. It made sense, albeit twisted sense.
Negatives:
- I enjoyed the movie's leisurely set-up, introducing the characters and the movie's concept. (In many ways, it felt like the start of one of Irwin Allen's disaster movies of the 70's and 80's). But then Shyamalan turns the dial up to 11 and the action becomes increasingly farcical. Add into that the fact that you can see some of the 'jolts' coming a mile off, and the movie becomes progressively more disappointing, with a high ERQ (eye-rolling quotient) by the end.
- In particular, there are inconsistencies to the story that get you asking uncomfortable questions. For example, wounds can heal in the blink of an eye.... but not stab wounds apparently.
- The cast is truly global in nature: Vicky ("Phantom Thread") Krieps hails from Luxembourg; Bernal is Mexican; Sewell is a Brit; Amuka-Bird ("David Copperfield") is Nigerian; Leung is American; Eliza Scanlan is an Aussie; and Thomasin McKenzie (so good in "Jojo Rabbit", and good here too) is a Kiwi. But although it's clearly quite natural that an exotic beach resort would attract guests from all over the world, the combination of accents here makes the whole thing, unfortunately, sound like a dodgy spaghetti western!
Summary Thoughts: 'Time' and 'ageing' have of course been a popular movie topic for many years. I remember being both gripped and horrified by George Pal's wonderful 1960's version of "The Time Machine" when Rod Taylor threw his machine into fast forward and the dead Morlock decomposed in front of his eyes! Ursula Andress did the same as the rapidly ageing Ayesha in 1965's "She". And, more recently and with better effects, Julian Glover did the same in "Indiana Jones and the Last Crusade".
Unfortunately, "Old" isn't likely to join any of these classic movies in my consciousness. It's a diverting enough movie, with fabulous views of the Dominican Republic (which the local tourist board will no doubt be delighted with). A "less is more" approach might have made this a classic. But unfortunately, that's not what Shyamalan delivered here. Since what we get is a 'Lost-lite' with farcical elements.
And, by the way.... The movie that Charles (Rufus Sewell) refers to starring Jack Nicholson and Marlon Brando is "The Missouri Breaks". It has a very unusual John Williams soundtrack, which I have on vinyl somewhere and is probably worth a few bob!
(For the full graphical review, please check out One Mann's Movies on t'interweb, Facebook and Tiktok. Thanks.)
Wild, creepy & a little stressful
When Joe Lynch and his young son, William, spot his wife's car while out driving, they decide to surprise her. Instead they see his wife, Melissa, fighting with a friend, Ben. Joe knows he should help Melissa, but when he goes to confront Ben, it goes horribly wrong. The two fight and after Ben hits him, Joe pushes him back and Ben falls and hits his head. At the same time, his son has an asthma attack--and realizing he doesn't have William's inhaler--Joe has to make a choice: race home for the inhaler or stay and make sure Ben is okay. He chooses his son, setting off a chain of crazy events that will forever alter the course of his life.
"I put the car in gear. Made a spur-of-the-moment decision that would change my life. 'Let's go and surprise Mummy.'"
This was an odd book that messes with your head as much as all the insane events seem to do to Joe's. It got off to a slow start for me, and I almost didn't keep reading, but I have a terrible time putting any book in a "DNF" pile, and of course, this one picked up and got pretty exciting about halfway through. (This only adds to my inability to ever not finish a book.)
The main shtick with this one is sort of an unreliable narrator/unreliable plot, as you really don't know who or what to believe as you read. Hence the title, obviously. As it all happens we have Joe, who sort of bumbles along, our hapless narrator, who seems to think he's in control, but really, just no. Poor guy, he's certainly not the brightest--just this clueless guy whom I had a tough time rooting for, hence my inability to really get into the book.
Yes, most of the cast of characters around him are lying to him in some fashion, but still. After Joe leaves Ben in the parking garage to save William, he finds some weird and cryptic posts on his Facebook page, because (of course) he lost his (unlocked) cell phone during his altercation with (obviously tech-savvy) Ben who runs (wait for it) a technology firm. Then Melissa reveals to him that the wealthy Ben has been pining after her for ages, despite that fact that Ben's wife, Beth, is Melissa's best friend. Things unravel from there. I'll admit that they don't necessarily happen predictably, but they do happen in a crazy fashion, so be prepared to suspend a lot of your disbelief.
The book is kind of wild, a little creepy, and there's a good twist at the end, which bumped my rating up a half bomb. This wasn't a particularly fun read for me--it sort of stressed me out--and I didn't really like any of the characters, but once it picked it up, it was at least interesting.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
"I put the car in gear. Made a spur-of-the-moment decision that would change my life. 'Let's go and surprise Mummy.'"
This was an odd book that messes with your head as much as all the insane events seem to do to Joe's. It got off to a slow start for me, and I almost didn't keep reading, but I have a terrible time putting any book in a "DNF" pile, and of course, this one picked up and got pretty exciting about halfway through. (This only adds to my inability to ever not finish a book.)
The main shtick with this one is sort of an unreliable narrator/unreliable plot, as you really don't know who or what to believe as you read. Hence the title, obviously. As it all happens we have Joe, who sort of bumbles along, our hapless narrator, who seems to think he's in control, but really, just no. Poor guy, he's certainly not the brightest--just this clueless guy whom I had a tough time rooting for, hence my inability to really get into the book.
Yes, most of the cast of characters around him are lying to him in some fashion, but still. After Joe leaves Ben in the parking garage to save William, he finds some weird and cryptic posts on his Facebook page, because (of course) he lost his (unlocked) cell phone during his altercation with (obviously tech-savvy) Ben who runs (wait for it) a technology firm. Then Melissa reveals to him that the wealthy Ben has been pining after her for ages, despite that fact that Ben's wife, Beth, is Melissa's best friend. Things unravel from there. I'll admit that they don't necessarily happen predictably, but they do happen in a crazy fashion, so be prepared to suspend a lot of your disbelief.
The book is kind of wild, a little creepy, and there's a good twist at the end, which bumped my rating up a half bomb. This wasn't a particularly fun read for me--it sort of stressed me out--and I didn't really like any of the characters, but once it picked it up, it was at least interesting.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
If you are looking for a refreshing Young-Adult read, with college unlike any other - this is the perfect book for you. I'd Tell You I Love You, But Then I'd Have to Kill You is the first book from the Gallagher Girl series, where we meet girls that go to a school for spies, and nobody except them, knows it.
The Gallagher Academy is a typical all-girls-school, except, instead of normal subjects, they learn advanced martial arts and chemical warfare studies, they have exams where they need to spy, or go unnoticed, or steal.
We meet Cammie Morgan, who happens to be the headmistress's daughter, and when she goes on a mission and gets noticed by a boy - everything changes and her life is suddenly everything but normal. She knows how to kill a man in seven different ways, and she can speak fourteen languages, but when a cute boy comes and says hi - she is definitely not trained for that. What's worst - he thinks she's just an ordinary girl, and she is falling in love with him.
Sure, she can tap his phone, hack into his computer, and track him through town without his ever being the wiser - but can she have a relationship with a regular boy who can never know the truth about her? Cammie may be an elite spy-in-training, but in her sophomore year, she's beginning her most dangerous mission - falling in love.
I loved the writing style, and I loved something new and refreshing - it is a plot that I haven't read before, and I really enjoyed it. Sometimes when it felt a bit childish, I would remember I am not thirteen anymore, but even now at twenty-one, I got lost into this silly world of spy girls and the drama and love life of Cammie.
I liked Cammie - she is the type of girl that you would love to have as a friend, because she always makes you giggle with her silly comments. I also liked how brave and honest she was - not always honest though… Sometimes, she was too whiney for her own good, and making little things out of nothing, but then again, all teens kind of do that all the time, so it's acceptable.
I loved her friends - they were such a team, and always covering their backs. I loved how, even despite all their differences, they manages to fit right in and have their own impact to the group friendship.
Overall, quite an enjoyable read and I would definitely recommend it to you guys, if you love anything YA, or fantasy, or spy girls, or college related. I enjoyed this book, and I wish I read it way sooner. I can't wait to read the rest of the series as well.
Thank you to my friend and author, Michael Kott, that send me this book after recommending it to me, as Ally Carter is one of his favourite authors, and he enjoyed this book as well. Check out his book Piasa - it is amazing!
The Gallagher Academy is a typical all-girls-school, except, instead of normal subjects, they learn advanced martial arts and chemical warfare studies, they have exams where they need to spy, or go unnoticed, or steal.
We meet Cammie Morgan, who happens to be the headmistress's daughter, and when she goes on a mission and gets noticed by a boy - everything changes and her life is suddenly everything but normal. She knows how to kill a man in seven different ways, and she can speak fourteen languages, but when a cute boy comes and says hi - she is definitely not trained for that. What's worst - he thinks she's just an ordinary girl, and she is falling in love with him.
Sure, she can tap his phone, hack into his computer, and track him through town without his ever being the wiser - but can she have a relationship with a regular boy who can never know the truth about her? Cammie may be an elite spy-in-training, but in her sophomore year, she's beginning her most dangerous mission - falling in love.
I loved the writing style, and I loved something new and refreshing - it is a plot that I haven't read before, and I really enjoyed it. Sometimes when it felt a bit childish, I would remember I am not thirteen anymore, but even now at twenty-one, I got lost into this silly world of spy girls and the drama and love life of Cammie.
I liked Cammie - she is the type of girl that you would love to have as a friend, because she always makes you giggle with her silly comments. I also liked how brave and honest she was - not always honest though… Sometimes, she was too whiney for her own good, and making little things out of nothing, but then again, all teens kind of do that all the time, so it's acceptable.
I loved her friends - they were such a team, and always covering their backs. I loved how, even despite all their differences, they manages to fit right in and have their own impact to the group friendship.
Overall, quite an enjoyable read and I would definitely recommend it to you guys, if you love anything YA, or fantasy, or spy girls, or college related. I enjoyed this book, and I wish I read it way sooner. I can't wait to read the rest of the series as well.
Thank you to my friend and author, Michael Kott, that send me this book after recommending it to me, as Ally Carter is one of his favourite authors, and he enjoyed this book as well. Check out his book Piasa - it is amazing!
Bob Mann (459 KP) rated Mary Poppins Returns (2018) in Movies
Sep 28, 2021
A valiant attempt to recreate a masterpiece.
How do you repaint a masterpiece: the Mona Lisa of children’s fantasy cinema? Some would say “You shouldn’t try”.
As I’ve said before, Mary Poppins was the first film I saw when it came out (or soon afterwards) at a very impressionable age…. I was said to have bawled my eyes out with “THE MAGIC NANNY IS GOING AWAY!!” as Julie Andrews floated off! So as my last cinema trip of 2018 I went to see this sequel, 54 years after the original, with a sense of dread. I’m relieved to say that although the film has its flaws it’s by no means the disaster I envisaged.
The plot
It’s a fairly lightweight story. Now all grown up, young Michael from the original film (Ben Whishaw) has his own family. His troubles though come not singly but in battalions since not only is he grieving a recent loss but he is also about to be evicted from 17 Cherry Tree Lane. Help is at hand in that his father, George Banks, had shares with the Fidelity Fiduciary Bank. But despite their best efforts neither he, his sister Jane (Emily Mortimer) nor their chirpy “strike a light” lamplighter friend Jack (Lin-Manuel Miranda) can find the all-important share certificates. With the deadline from bank manager Wilkins (Colin Firth) approaching, it’s fortuitous that Mary Poppins (Emily Blunt) drops in to look after the Banks children – John (Nathanael Saleh), Anabel (Pixie Davies) and Georgie (Joel Dawson) – in her own inimitable fashion.
Songs that are more Meh-ry Poppins
I know musical taste is very personal. My biggest problem with the film though was that the songs by Marc Shaiman were, to me, on the lacklustre side. Only one jumped out and struck me: the jaunty vaudeville number “A Cover is not the Book”. Elsewhere they were – to me – unmemorable and nowhere near as catchy as those of “The Greatest Showman“. (What amplified this for me was having some of the classic Sherman-brothers themes woven into the soundtrack that just made me realise what I was missing!) Richard M Sherman – now 90 – was credited with “Music Consultant” but I wonder how much input he actually had?
The other flaws
Another issue I had with the film was that it just tried WAAYYY too hard to tick off the key attributes of the original:
‘Mary in the mirror’ – check
‘Bottomless carpet bag’ – check
‘Initial fun in the nursery’ – check
‘Quirky trip to a cartoon land’ – check
‘Dance on the ceiling with a quirky relative’ – check
‘Chirpy chimney sweeps’ – check (“Er… Mr Marshall… we couldn’t get chimney sweeps… will lamplighters do?” “Yeah, good enough”)
Another thing that struck me about the film – particularly as a film aimed at kids – is just how long it is. At 2 hours and 10 minutes it’s a bladder-testing experience for adults let alone younger children. (It’s worth noting that this is still 9 minutes shorter than the original, but back in the 60’s we had FAR fewer options to be stimulated by entertainment and our attention spans were – I think – much longer as a result!)
What it does get right
But with this whinging aside, the film does get a number of things spit-spot on.
Emily Blunt is near perfection as Poppins. (In the interests of balance my wife found her bizarrely clipped accent very grating, but I suspect P.L. Travers would have approved!). Broadway star Lin-Manuel Miranda also does a good job as Jack, although you wonder whether the ‘society of cockney actors’ must again be in a big grump about the casting! I found Emily Mortimer just delightful as the grown-up Jane, although Ben Whishaw‘s Michael didn’t particularly connect with me.
Almost unrecognisable was David Warner as the now wheelchair-bound Admiral Boom. His first mate is none other than Jim Norton of “Father Ted” Bishop Brennan fame (thanks to my daughter Jenn for pointing that one out)!
Also watch out (I’d largely missed it before I realised!) for a nice pavement cameo by Karen Dotrice, the original Jane, asking directions to number 19 Cherry Tree Lane.
What the film also gets right is to implement the old-school animation of the “Jolly Holidays” segment of the original. That’s a really smart move. Filmed at Shepperton Studios in London, this is once again a great advert for Britain’s film technicians. The London sets and the costumes (by the great Sandy Powell) are just superb.
Some cameo cherries on the cake
Finally, the aces in the hole are the two cameos near the end of the film. And they would have been lovely surprises as well since neither name appears in the opening credits. It’s therefore a CRYING SHAME that they chose to let the cat out of the bag in the trailer (BLOODY MARKETING EXECS!). In case you haven’t seen the trailer, I won’t spoil it for you here. But as a magical movie experience the first of those cameos moved me close to tears. He also delivers a hum-dinger of a plot twist that is a genuinely welcome crossover from the first film.
Final Thoughts
Rob Marshall directs, and with a pretty impossible task he delivers an end-product that, while it didn’t completely thrill me, did well not to trash my delicate hopes and dreams either. Having just listened to Kermode and Mayo’s review (and it seems that Mark Kermode places Poppins on a similar pedestal to me) the songs (and therefore the “Place Where Lost Things Go” song) just didn’t resonate with me in the same way, and so, unlike Kermode, I mentally never bridged the gap to safely enjoying it.
But what we all think is secondary. Because if some three or four year old out there gets a similarly lifelong love of the cinema by watching this, then that’s all that matters.
As I’ve said before, Mary Poppins was the first film I saw when it came out (or soon afterwards) at a very impressionable age…. I was said to have bawled my eyes out with “THE MAGIC NANNY IS GOING AWAY!!” as Julie Andrews floated off! So as my last cinema trip of 2018 I went to see this sequel, 54 years after the original, with a sense of dread. I’m relieved to say that although the film has its flaws it’s by no means the disaster I envisaged.
The plot
It’s a fairly lightweight story. Now all grown up, young Michael from the original film (Ben Whishaw) has his own family. His troubles though come not singly but in battalions since not only is he grieving a recent loss but he is also about to be evicted from 17 Cherry Tree Lane. Help is at hand in that his father, George Banks, had shares with the Fidelity Fiduciary Bank. But despite their best efforts neither he, his sister Jane (Emily Mortimer) nor their chirpy “strike a light” lamplighter friend Jack (Lin-Manuel Miranda) can find the all-important share certificates. With the deadline from bank manager Wilkins (Colin Firth) approaching, it’s fortuitous that Mary Poppins (Emily Blunt) drops in to look after the Banks children – John (Nathanael Saleh), Anabel (Pixie Davies) and Georgie (Joel Dawson) – in her own inimitable fashion.
Songs that are more Meh-ry Poppins
I know musical taste is very personal. My biggest problem with the film though was that the songs by Marc Shaiman were, to me, on the lacklustre side. Only one jumped out and struck me: the jaunty vaudeville number “A Cover is not the Book”. Elsewhere they were – to me – unmemorable and nowhere near as catchy as those of “The Greatest Showman“. (What amplified this for me was having some of the classic Sherman-brothers themes woven into the soundtrack that just made me realise what I was missing!) Richard M Sherman – now 90 – was credited with “Music Consultant” but I wonder how much input he actually had?
The other flaws
Another issue I had with the film was that it just tried WAAYYY too hard to tick off the key attributes of the original:
‘Mary in the mirror’ – check
‘Bottomless carpet bag’ – check
‘Initial fun in the nursery’ – check
‘Quirky trip to a cartoon land’ – check
‘Dance on the ceiling with a quirky relative’ – check
‘Chirpy chimney sweeps’ – check (“Er… Mr Marshall… we couldn’t get chimney sweeps… will lamplighters do?” “Yeah, good enough”)
Another thing that struck me about the film – particularly as a film aimed at kids – is just how long it is. At 2 hours and 10 minutes it’s a bladder-testing experience for adults let alone younger children. (It’s worth noting that this is still 9 minutes shorter than the original, but back in the 60’s we had FAR fewer options to be stimulated by entertainment and our attention spans were – I think – much longer as a result!)
What it does get right
But with this whinging aside, the film does get a number of things spit-spot on.
Emily Blunt is near perfection as Poppins. (In the interests of balance my wife found her bizarrely clipped accent very grating, but I suspect P.L. Travers would have approved!). Broadway star Lin-Manuel Miranda also does a good job as Jack, although you wonder whether the ‘society of cockney actors’ must again be in a big grump about the casting! I found Emily Mortimer just delightful as the grown-up Jane, although Ben Whishaw‘s Michael didn’t particularly connect with me.
Almost unrecognisable was David Warner as the now wheelchair-bound Admiral Boom. His first mate is none other than Jim Norton of “Father Ted” Bishop Brennan fame (thanks to my daughter Jenn for pointing that one out)!
Also watch out (I’d largely missed it before I realised!) for a nice pavement cameo by Karen Dotrice, the original Jane, asking directions to number 19 Cherry Tree Lane.
What the film also gets right is to implement the old-school animation of the “Jolly Holidays” segment of the original. That’s a really smart move. Filmed at Shepperton Studios in London, this is once again a great advert for Britain’s film technicians. The London sets and the costumes (by the great Sandy Powell) are just superb.
Some cameo cherries on the cake
Finally, the aces in the hole are the two cameos near the end of the film. And they would have been lovely surprises as well since neither name appears in the opening credits. It’s therefore a CRYING SHAME that they chose to let the cat out of the bag in the trailer (BLOODY MARKETING EXECS!). In case you haven’t seen the trailer, I won’t spoil it for you here. But as a magical movie experience the first of those cameos moved me close to tears. He also delivers a hum-dinger of a plot twist that is a genuinely welcome crossover from the first film.
Final Thoughts
Rob Marshall directs, and with a pretty impossible task he delivers an end-product that, while it didn’t completely thrill me, did well not to trash my delicate hopes and dreams either. Having just listened to Kermode and Mayo’s review (and it seems that Mark Kermode places Poppins on a similar pedestal to me) the songs (and therefore the “Place Where Lost Things Go” song) just didn’t resonate with me in the same way, and so, unlike Kermode, I mentally never bridged the gap to safely enjoying it.
But what we all think is secondary. Because if some three or four year old out there gets a similarly lifelong love of the cinema by watching this, then that’s all that matters.