Search
Search results
Bob Mann (459 KP) rated The Mauritanian (2021) in Movies
Apr 14, 2021
Great acting from all four leads, especially Tahar Rahim (2 more)
Great use of screen ratios for flashbacks
Very thought provoking
War crimes don't just happen on the battlefield
It’s 2001. Bush and Rumsfeld seek vengeance on the perpetrators of 9/11. Quite right too. But rounding up hundreds of suspects and incarcerating them for years, without charge, in Guantánamo Bay in Cuba was an appalling act for a supposedly first-world country.
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
Hadley (567 KP) rated The Shining in Books
Apr 6, 2019
Different from the movie (1 more)
Well written
Contains spoilers, click to show
In his most well-known horror story, 'The Shining,' which is either a ghost story or the collapse of a man's mental state, Jack Torrance, a recovering alcoholic who just lost his job teaching at a school, gets hired to be the Winter caretaker of the infamous Overlook Hotel. In this book, the readers follow Jack into a nervous breakdown, as well as his possession by the ghosts of this hotel.
While the Torrance's seem like every other family - a small boy and moving to a new town - we find out that their son, Danny, has special abilities that help him to see things that may or may not happen in the future.
Soon after the family arrives to take over the hotel for the Winter, Danny meets a man named Hallorann - a chef at the hotel - who has the same abilities as him, which he calls 'Shine:' "What you got son, I call it shinin' on, the Bible calls it having visions, and there's scientists that call it precognition. I've read up on it, son. I've studied on it. They all mean seeing the future. Do you understand that?" Hallorann tells Danny.
Why does Danny, or anyone for that matter, have the Shine? King doesn't explain this in the book, it just seems to be something specific people are born with, even Danny's parents take him to a doctor before the snowfall hits to figure out what is going on,but even the doctor believes it's just a child's overactive imagination. Even so, Danny continues to have visions: one is of the room 217 in the Overlook, which even Hallorann told him to never go inside, and the other is of a creature-like man swinging a roque mallet, yelling about someone needing to take their medicine,"Come out! Come out, you little shit! Take your medicine!" We,also,meet his imaginary friend, Tony, who is the one whom continues to show Danny these visions over and over.
Unlike the movie, 'The Shining' book stands on it's own as an almost completely different story, even having Jack wielding a roque mallet and not an axe. Also the infamous scene of the Grady twins showing up in a hallway, asking Danny to play with them, never happened in the book; Hallorann also survives Jack's attack, Wendy is nearly beaten to-death by the roque mallet, and the hedge maze doesn't even exist! Instead, King wrote about topiary animals that came to life to kill you, "The rabbit was down on all fours, cropping grass. Its belly was against the ground. But not ten minutes ago it had been up on its hind legs, of course it had been, he had trimmed its ears...and its belly."
Jack begins to change when he finds a scrapbook in the basement that contains articles and such of things that happened at the Overlook. One such thing that sticks with Jack is about a Masked Ball that took place at the grand opening of the hotel. "Horace M. Derwent Requests The Pleasure of Your Company At a Masked Ball to Celebrate The Grand Opening of THE OVERLOOK HOTEL...Dinner Will Be Served At 8 P.M. Unmasking And Dancing At Midnight August 29,1945...RSVP"
Later on in the story, Jack, Wendy and Danny are awoken by the elevator going up and down by itself, but inside is a surprise,"Then she was up, her cheeks flushed, her forehead as pale and shining as a spirit lamp. 'What about this, Jack? Is this a short circuit?' She threw something and suddenly the hall was full of drifting confetti, red and white and blue and yellow. 'Is this?' A green party streamer, faded to a pale pastel color with age." Continuously, throughout the book,the past hotel guests make themselves known, either by showing up in rooms or leaving things for the family to find.
King shines (pun intended) with this book, he keeps things moving so that readers don't get bored. Known for his horror books, he doesn't disappoint in this one, which I personally think that this is his best work ever. He doesn't jump from scene to scene (like in many of his other books), he flawlessly keeps the timeline going even though he switches from character view points, between Jack, Danny, Wendy and Hallorann.
Although the film 'The Shining' is a classic in the horror movie genre, it is a huge step away from the book itself. "And the Red Death held sway over all." is a line that was never in the movie,but is quite frequent through the book. Even the most recognizable scene of "Here's Johnny!" is not in the book!
Also, Hallorann's character has a much bigger part in the story, the reader gets to see him living his Winter life in Florida, working as a chef in another hotel.. Hallorann even has a back story in the book that is wonderful to read about; we get to accompany him to a lawyer's office where he feels the need to get his Will made out for everything to be left to his sister when he is overcome with the feeling that his life may be about to end,"Hallorann had stepped in and told this McIver that he wanted to make a will,and could McIver help him out? Well, McIver asked,how soon do you want the document? Yesterday, said Hallorann, and threw his head back and laughed."
This 659- page book is well worth the read. You not only get a different take on 'The Shining' that is so well known,but you also get a different ending!'The Shining' will now always be a staple on my book shelf.
Even if you love the movie as much as I do (it is my favorite horror movie of all time), you will love the book just as much. King went above and beyond when he wrote 'The Shining.' Highly recommend!
While the Torrance's seem like every other family - a small boy and moving to a new town - we find out that their son, Danny, has special abilities that help him to see things that may or may not happen in the future.
Soon after the family arrives to take over the hotel for the Winter, Danny meets a man named Hallorann - a chef at the hotel - who has the same abilities as him, which he calls 'Shine:' "What you got son, I call it shinin' on, the Bible calls it having visions, and there's scientists that call it precognition. I've read up on it, son. I've studied on it. They all mean seeing the future. Do you understand that?" Hallorann tells Danny.
Why does Danny, or anyone for that matter, have the Shine? King doesn't explain this in the book, it just seems to be something specific people are born with, even Danny's parents take him to a doctor before the snowfall hits to figure out what is going on,but even the doctor believes it's just a child's overactive imagination. Even so, Danny continues to have visions: one is of the room 217 in the Overlook, which even Hallorann told him to never go inside, and the other is of a creature-like man swinging a roque mallet, yelling about someone needing to take their medicine,"Come out! Come out, you little shit! Take your medicine!" We,also,meet his imaginary friend, Tony, who is the one whom continues to show Danny these visions over and over.
Unlike the movie, 'The Shining' book stands on it's own as an almost completely different story, even having Jack wielding a roque mallet and not an axe. Also the infamous scene of the Grady twins showing up in a hallway, asking Danny to play with them, never happened in the book; Hallorann also survives Jack's attack, Wendy is nearly beaten to-death by the roque mallet, and the hedge maze doesn't even exist! Instead, King wrote about topiary animals that came to life to kill you, "The rabbit was down on all fours, cropping grass. Its belly was against the ground. But not ten minutes ago it had been up on its hind legs, of course it had been, he had trimmed its ears...and its belly."
Jack begins to change when he finds a scrapbook in the basement that contains articles and such of things that happened at the Overlook. One such thing that sticks with Jack is about a Masked Ball that took place at the grand opening of the hotel. "Horace M. Derwent Requests The Pleasure of Your Company At a Masked Ball to Celebrate The Grand Opening of THE OVERLOOK HOTEL...Dinner Will Be Served At 8 P.M. Unmasking And Dancing At Midnight August 29,1945...RSVP"
Later on in the story, Jack, Wendy and Danny are awoken by the elevator going up and down by itself, but inside is a surprise,"Then she was up, her cheeks flushed, her forehead as pale and shining as a spirit lamp. 'What about this, Jack? Is this a short circuit?' She threw something and suddenly the hall was full of drifting confetti, red and white and blue and yellow. 'Is this?' A green party streamer, faded to a pale pastel color with age." Continuously, throughout the book,the past hotel guests make themselves known, either by showing up in rooms or leaving things for the family to find.
King shines (pun intended) with this book, he keeps things moving so that readers don't get bored. Known for his horror books, he doesn't disappoint in this one, which I personally think that this is his best work ever. He doesn't jump from scene to scene (like in many of his other books), he flawlessly keeps the timeline going even though he switches from character view points, between Jack, Danny, Wendy and Hallorann.
Although the film 'The Shining' is a classic in the horror movie genre, it is a huge step away from the book itself. "And the Red Death held sway over all." is a line that was never in the movie,but is quite frequent through the book. Even the most recognizable scene of "Here's Johnny!" is not in the book!
Also, Hallorann's character has a much bigger part in the story, the reader gets to see him living his Winter life in Florida, working as a chef in another hotel.. Hallorann even has a back story in the book that is wonderful to read about; we get to accompany him to a lawyer's office where he feels the need to get his Will made out for everything to be left to his sister when he is overcome with the feeling that his life may be about to end,"Hallorann had stepped in and told this McIver that he wanted to make a will,and could McIver help him out? Well, McIver asked,how soon do you want the document? Yesterday, said Hallorann, and threw his head back and laughed."
This 659- page book is well worth the read. You not only get a different take on 'The Shining' that is so well known,but you also get a different ending!'The Shining' will now always be a staple on my book shelf.
Even if you love the movie as much as I do (it is my favorite horror movie of all time), you will love the book just as much. King went above and beyond when he wrote 'The Shining.' Highly recommend!
Night Reader Reviews (683 KP) rated Will Shaksper's Secret in Books
Feb 4, 2020
Honest Review for Free Copy of Book
As there is nothing to prove otherwise I have to label Will Shaksper’s Secret by John Hole as a work of fiction through the way it is written would almost suggest otherwise. Without a works-cited or a bibliography or anything saying it is even loosely based in fact I can not give this book any other category.
In 1584 John Heminges is dismissed from his job largely due to sleeping with his boss’s wife. During his interactions with her, she robs him, leaving him penniless and alone. It is because of this that he ends up on the outside of a playhouse and saves Henry Condell thus connecting him to the theater. Within the preforming group he meats Christopher Marlowe and Will Shaksper.
As it happens Christopher Marlowe gets into quite a bit of trouble for preaching atheism in a time when the church is struggling to begin with. This results in the threat of execution hanging over him. To protect him from this fate, other performers create a plan to make it appear that Christopher Marlowe is dead, allowing him to disappear. After he has been gone for some time Will Shaksper stars producing some wonder plays of amazing quality but they always come following a visit from a messenger.
The concept of Will Shakespear not actually being the famous playwright that everyone knows him to be is interesting. Also, the circumstances that allowed to trade of writing from Christopher Marlowe to Will Shaksper was strange in a way that makes one question if things could actually have worked out that way. Sadly to say thought the title and description on the back promise an interesting read yet the book fails to deliver. The book itself ended up being very dry and the “blustering, boiserous journey” ended up dragging and slow.
Adults who enjoy Shakspere both in language and historically would be the type of person ideally interested in this book. They dry style and language used best suits this book for those who are true fand of literary classics. Others may attempt to read it but might find the language a bit difficult. I rate this book 1 out of 4. The back of this book promises a much more interesting story than what it actually is. Besides being dry the plot is largely lost among the language. I understand what was being attempted and give the author credit for it, but I believe it largely missed the mark.
https://nightreaderreviews.blogspot.com
https://facebook.com/nightreaderreviews
https://smashbomb.com/nightreader
In 1584 John Heminges is dismissed from his job largely due to sleeping with his boss’s wife. During his interactions with her, she robs him, leaving him penniless and alone. It is because of this that he ends up on the outside of a playhouse and saves Henry Condell thus connecting him to the theater. Within the preforming group he meats Christopher Marlowe and Will Shaksper.
As it happens Christopher Marlowe gets into quite a bit of trouble for preaching atheism in a time when the church is struggling to begin with. This results in the threat of execution hanging over him. To protect him from this fate, other performers create a plan to make it appear that Christopher Marlowe is dead, allowing him to disappear. After he has been gone for some time Will Shaksper stars producing some wonder plays of amazing quality but they always come following a visit from a messenger.
The concept of Will Shakespear not actually being the famous playwright that everyone knows him to be is interesting. Also, the circumstances that allowed to trade of writing from Christopher Marlowe to Will Shaksper was strange in a way that makes one question if things could actually have worked out that way. Sadly to say thought the title and description on the back promise an interesting read yet the book fails to deliver. The book itself ended up being very dry and the “blustering, boiserous journey” ended up dragging and slow.
Adults who enjoy Shakspere both in language and historically would be the type of person ideally interested in this book. They dry style and language used best suits this book for those who are true fand of literary classics. Others may attempt to read it but might find the language a bit difficult. I rate this book 1 out of 4. The back of this book promises a much more interesting story than what it actually is. Besides being dry the plot is largely lost among the language. I understand what was being attempted and give the author credit for it, but I believe it largely missed the mark.
https://nightreaderreviews.blogspot.com
https://facebook.com/nightreaderreviews
https://smashbomb.com/nightreader
Kristy H (1252 KP) rated Mother Daughter Widow Wife in Books
Jul 2, 2020
Wendy Doe is found in Philadelphia without an ID and no memory of who she is. She becomes a patient at Dr. Benjamin Strauss' Meadowlark Institute--basically her only alternative for being cast out on the streets. Dr. Strauss and his young student, Lizzie, study Wendy, fascinated by her fugue diagnosis. Meanwhile, years later, Wendy's daughter Alice is looking for her mother, who has disappeared again. Wondering if her mother's past disappearance--which she never knew about--could be tied to the current one--Alice searches out Benjamin Strauss and Lizzie. She discovers Lizzie is now a young widow and begins a journey into both her mother's past, and Lizzie's.
"Every daughter became a mother, every mistress a wife--every wife a widow."
This is a hard book for me to rate, even several weeks after finishing it. Is it a brilliant work examining womanhood and love or a frustrating tale that leaves you feeling unresolved? This is certainly a complex book that features complex science, emotions, and feelings. Wasserman has done her research, and there are pages and pages devoted to the science of dissociative fugue, amnesia, and more. I won't lie: it's a lot. There were times I found myself just skimming those sections, because it was a bit much for me.
I didn't care much for the character of Alice, and I'm not entirely sure why, because her mother is missing (presumed dead by suicide by everyone except Alice), and she's worried. But there's something about Alice that just didn't make her particularly sympathetic to me. As for Lizzie, even though she didn't make the best of choices, I liked her more. Maybe I identified better with her. We get to see Lizzie in the past and present, and Wasserman does a good job of capturing the yearning of loving someone who doesn't deserve you and the idea of becoming someone else for love. Even Wendy is hard to care about sometimes, because she just doesn't seem care herself. To her, her memory is a thing she's lost, but because she can't remember, she doesn't seem too concerned.
"'You don't get it: I don't not want it back, and I don't want it back. There is no it. You can't miss what never happened.'"
What was so hard with this book is that there were just so many words. Oh the words. Words about science, words about feelings, words, words, words. It just felt long. I wasn't entirely invested in the story, but I did want to find Alice's mother, but then everything just felt sort of eh and unresolved, and yeah. I don't know. So much thinking, not much happening. I think this novel probably presents some brilliant ideas and representations, but they went over my head. 2.75 stars, rounded to 3 here.
"Every daughter became a mother, every mistress a wife--every wife a widow."
This is a hard book for me to rate, even several weeks after finishing it. Is it a brilliant work examining womanhood and love or a frustrating tale that leaves you feeling unresolved? This is certainly a complex book that features complex science, emotions, and feelings. Wasserman has done her research, and there are pages and pages devoted to the science of dissociative fugue, amnesia, and more. I won't lie: it's a lot. There were times I found myself just skimming those sections, because it was a bit much for me.
I didn't care much for the character of Alice, and I'm not entirely sure why, because her mother is missing (presumed dead by suicide by everyone except Alice), and she's worried. But there's something about Alice that just didn't make her particularly sympathetic to me. As for Lizzie, even though she didn't make the best of choices, I liked her more. Maybe I identified better with her. We get to see Lizzie in the past and present, and Wasserman does a good job of capturing the yearning of loving someone who doesn't deserve you and the idea of becoming someone else for love. Even Wendy is hard to care about sometimes, because she just doesn't seem care herself. To her, her memory is a thing she's lost, but because she can't remember, she doesn't seem too concerned.
"'You don't get it: I don't not want it back, and I don't want it back. There is no it. You can't miss what never happened.'"
What was so hard with this book is that there were just so many words. Oh the words. Words about science, words about feelings, words, words, words. It just felt long. I wasn't entirely invested in the story, but I did want to find Alice's mother, but then everything just felt sort of eh and unresolved, and yeah. I don't know. So much thinking, not much happening. I think this novel probably presents some brilliant ideas and representations, but they went over my head. 2.75 stars, rounded to 3 here.
Bong Mines Entertainment (15 KP) rated Dawn by SG Lewis in Music
Jun 26, 2019
SG Lewis is a London-based songwriter, producer, and multi-instrumentalist. Not too long ago, he released his “Dawn” EP ahead of his two high profile festival appearances at North Coast Music Festival and Jay-Z’s Made In America, and a headlining tour in September.
His 6-track project, released via Casablanca and Republic Records, is the third and final chapter of his three-part concept album, entitled, Dusk, Dark, Dawn.
“I forgive, I forget all the words I’ve never spoken. I’ve been lost, I’ve been hurt, I’ve been blamed. Sitting here on the floor feels like I’ve been high forever. Coming down, falling hard, all in vain.” – lyrics
‘Easy Loving You’ tells a bittersweet tale of a heavy-hearted young man who struggles to cope with the pain after suffering an emotional breakup with his girlfriend.
Looking back in hindsight, he realizes that she wasn’t an easy person to love, and their problematic relation was doomed from the start because they were oceans apart.
Later, he admits that both of them are broken and in need of emotional repair. Also, it hurts every time he remembers that they are no longer together.
‘Easy Loving You’ contains a gloomy storyline, heartfelt vocals, and melodic instrumentation flavored with sentimental and electro-R&B elements.
“Blue, in your eyes as I fall for the night. But you’ll fade away when morning light is rising. Leave a taste lingering on my skin. Have I been here before? You touch me and I fall. I close my eyes on the horizon, me and you. I can see the lights inside my mind are glowing blue.” – lyrics
Not too long ago, SG Lewis released the psychedelic, Rainbow Road tinged music video for his EP opener, entitled, “Blue”.
The likable tune was inspired by the countless amount of hours that Lewis spent in airports while touring over the last year.
Get acquainted with his music by streaming his “Dawn” EP via Spotify.
“‘Dawn’ is the final phase of the 3-part album I have spent the last 18 months working on. ‘Dawn’ captures the energy of the end of the night, the intimacy of the quieter moments, and the emotions felt after the energetic highs of ‘Dark’. It is a more introspective phase, and is the most personal music I think I have ever released.” – SG Lewis
It’s been an impressive year for SG Lewis, with SOLD-OUT shows across North America, Asia, and Europe.
Not too long ago, Dark‘s lead single, “Hurting”, hit No.1 on the Billboard Dance/Mix Show Airplay Chart.
Also, Lewis played a prime slot at this year’s Coachella and continues to cement his status as not one of London’s hottest new talents, capable of making a splash on both sides of the Atlantic.
His 6-track project, released via Casablanca and Republic Records, is the third and final chapter of his three-part concept album, entitled, Dusk, Dark, Dawn.
“I forgive, I forget all the words I’ve never spoken. I’ve been lost, I’ve been hurt, I’ve been blamed. Sitting here on the floor feels like I’ve been high forever. Coming down, falling hard, all in vain.” – lyrics
‘Easy Loving You’ tells a bittersweet tale of a heavy-hearted young man who struggles to cope with the pain after suffering an emotional breakup with his girlfriend.
Looking back in hindsight, he realizes that she wasn’t an easy person to love, and their problematic relation was doomed from the start because they were oceans apart.
Later, he admits that both of them are broken and in need of emotional repair. Also, it hurts every time he remembers that they are no longer together.
‘Easy Loving You’ contains a gloomy storyline, heartfelt vocals, and melodic instrumentation flavored with sentimental and electro-R&B elements.
“Blue, in your eyes as I fall for the night. But you’ll fade away when morning light is rising. Leave a taste lingering on my skin. Have I been here before? You touch me and I fall. I close my eyes on the horizon, me and you. I can see the lights inside my mind are glowing blue.” – lyrics
Not too long ago, SG Lewis released the psychedelic, Rainbow Road tinged music video for his EP opener, entitled, “Blue”.
The likable tune was inspired by the countless amount of hours that Lewis spent in airports while touring over the last year.
Get acquainted with his music by streaming his “Dawn” EP via Spotify.
“‘Dawn’ is the final phase of the 3-part album I have spent the last 18 months working on. ‘Dawn’ captures the energy of the end of the night, the intimacy of the quieter moments, and the emotions felt after the energetic highs of ‘Dark’. It is a more introspective phase, and is the most personal music I think I have ever released.” – SG Lewis
It’s been an impressive year for SG Lewis, with SOLD-OUT shows across North America, Asia, and Europe.
Not too long ago, Dark‘s lead single, “Hurting”, hit No.1 on the Billboard Dance/Mix Show Airplay Chart.
Also, Lewis played a prime slot at this year’s Coachella and continues to cement his status as not one of London’s hottest new talents, capable of making a splash on both sides of the Atlantic.
Lee (2222 KP) rated Eighth Grade (2018) in Movies
Apr 10, 2019
Eighth Grade had its US release back in July last year and since then, I've seen nothing but praise and high ratings for it online. Only now is it heading to UK cinemas and, for some reason, the powers that be have decided to go and release it at the same time as Avengers: Endgame later this month. Cineworld showed it earlier this week as one of their unlimited screenings, so I thought I'd give it a go before it gets lost among all the Avengers hype when it goes on general release.
Eighth Grade is the directorial debut of comedian and former YouTube star, Bo Burnham. It stars Elsie Fisher as Kayla, a young girl lacking in confidence, awkward around her fellow students at school and generally very quiet by nature. So quiet she even lands the award at school for being the quietest, nominated by fellow students in an awards ceremony held during assembly. The movie basically follows the daily struggles of Kayla and her life as a teenager. By night she endlessly scrolls through social media feeds and records her own YouTube videos. Her posts are confident, self help motivational videos about teenage issues, but rarely get more than a single like. She spends her days attempting to follow her own advice and dealing with the anxiety and heartbreak that brings. You feel genuinely awkward with her and spend the majority of the movie totally rooting for her, hoping she'll make it through this tough period of life. Even at home she struggles - mum is no longer on the scene and conversations with her dad are just strained and awkward. All of what makes this feel so natural and believable is down to Elsie Fisher, who is incredible as Kayla, a real star in the making. It all goes to show that growing up can be so hard, girls can be real bitches and boys can be absolute dicks!
I guess your overall enjoyment of the movie kind of depends on whether you can relate to, or appreciate, any of the experiences or feelings that Kayla has. Being a socially awkward father of two daughters, I guess I was hoping to find a lot more to relate to and enjoy than I actually did. To be fair, there are plenty of perfectly observed, wonderfully acted and genuinely beautiful moments throughout, but the movie plays too much like a documentary and that worked against it for me. Far too many moments, particularly around the middle section, when the movie really dragged. And at only 93 minutes long, I shouldn't really be checking my watch and hoping for it to end in the way that I did.
Probably only about 15 or so people attended the large screening of this at my local Cineworld, and around half a dozen of those got up and left during the movie. I wondered if this was indicative of the other screenings around the country but, judging by the reaction online afterwards, approximately 90% of Cineworld Unlimited members seem to have really loved it, with many declaring it their favourite movie so far this year! So I guess this is one of those movies that's really going to divide people. Worth checking out though, and hopefully you'll enjoy it a lot more than I did.
Eighth Grade is the directorial debut of comedian and former YouTube star, Bo Burnham. It stars Elsie Fisher as Kayla, a young girl lacking in confidence, awkward around her fellow students at school and generally very quiet by nature. So quiet she even lands the award at school for being the quietest, nominated by fellow students in an awards ceremony held during assembly. The movie basically follows the daily struggles of Kayla and her life as a teenager. By night she endlessly scrolls through social media feeds and records her own YouTube videos. Her posts are confident, self help motivational videos about teenage issues, but rarely get more than a single like. She spends her days attempting to follow her own advice and dealing with the anxiety and heartbreak that brings. You feel genuinely awkward with her and spend the majority of the movie totally rooting for her, hoping she'll make it through this tough period of life. Even at home she struggles - mum is no longer on the scene and conversations with her dad are just strained and awkward. All of what makes this feel so natural and believable is down to Elsie Fisher, who is incredible as Kayla, a real star in the making. It all goes to show that growing up can be so hard, girls can be real bitches and boys can be absolute dicks!
I guess your overall enjoyment of the movie kind of depends on whether you can relate to, or appreciate, any of the experiences or feelings that Kayla has. Being a socially awkward father of two daughters, I guess I was hoping to find a lot more to relate to and enjoy than I actually did. To be fair, there are plenty of perfectly observed, wonderfully acted and genuinely beautiful moments throughout, but the movie plays too much like a documentary and that worked against it for me. Far too many moments, particularly around the middle section, when the movie really dragged. And at only 93 minutes long, I shouldn't really be checking my watch and hoping for it to end in the way that I did.
Probably only about 15 or so people attended the large screening of this at my local Cineworld, and around half a dozen of those got up and left during the movie. I wondered if this was indicative of the other screenings around the country but, judging by the reaction online afterwards, approximately 90% of Cineworld Unlimited members seem to have really loved it, with many declaring it their favourite movie so far this year! So I guess this is one of those movies that's really going to divide people. Worth checking out though, and hopefully you'll enjoy it a lot more than I did.
Movie Metropolis (309 KP) rated Kong: Skull Island (2017) in Movies
Jun 10, 2019
Beauty and the Beast
The fact that Legendary Pictures are busying themselves with an epic Godzilla vs King Kong showdown is one of the worst kept secrets in Hollywood. Naturally, this presented a problem for Peter Jackson’s Kong who simply doesn’t measure up against the giant lizard in 2013’s Godzilla.
And in Hollywood, size really does matter; therefore the monstrous ape has been given a monumental upgrade featuring an all-star cast and some serious talent behind the camera. But is Kong: Skull Island as bananas as its trailers would suggest? Or are we looking at something a little more mainstream?
At the climax of the Vietnam War, a team of explorers and mercenaries head to an unchartered island in the South Pacific in an effort to document its inhabitants. Little do they know they are crossing into the domain of vicious man-eating monsters and the legendary Kong.
With a cast that includes Tom Hiddleston, Brie Larson, John Goodman, Samuel L Jackson and John C Reilly, you’d be forgiven for thinking everything is hunky dory over on Skull Island, but this spectacular film isn’t without its flaws. A lack of character development and a severe tonal imbalance mean it’s a beautiful near miss that thankfully manages to pull itself up from a crash landing.
Jordan Vogt-Roberts in his first big budget feature directs a film that is absolutely staggering to watch, with stunning cinematography and exceptionally well-choreographed battles between the gigantic ape and his many adversaries. Giving indie directors the chance to work with big studios to produce blockbusters is something that seems incredibly popular at the moment.
After all, Gareth Edwards took up the challenge of rebooting Godzilla in 2013 with stunning results and Colin Trevorrow was entrusted by Steven Spielberg to rekindle the public’s love affair with Jurassic Park back in 2015 and that worked a treat too.
Here, Vogt-Roberts utilises both of those franchises to great effect, even managing to shoehorn a tasteful reference to Samuel L Jackson’s Jurassic Park character, Ray Arnold. Elsewhere, though, the film falls a little flat. The constant switch in tone from comedy to action leaves a sour taste in the mouth, though John C Reilly’s stranded pilot is a pleasure to watch and lightens up proceedings.
Tom Hiddleston does well in the leading role, though as an SAS operative, he feels a little miscast and Samuel L Jackson’s Preston Packard is immensely dislikeable and his gripe with Kong is forced. It creates a subplot that doesn’t really need to be there.
The special effects, however, are top notch, helped by the splendid cinematography. The gorgeous sunsets and sweeping tropical landscapes have a whiff of Apocalypse Now and the misty terrain brings back memories of Jurassic Park’s first sequel, The Lost World.
Overall, Kong: Skull Island is a stunning film filled to the brim with colour, charming effects and great performances. However, it is a little light on character development and that tone issue is frustrating at times, but as a precursor to a mighty monster battle, it does a fine job in continuing the franchise and setting its future.
Leaving the cinema, though, I was left with a concern for when the two behemoths, Godzilla and Kong, finally meet. Each film has given their respective creature a ‘personality’, and if one of them must inevitably die, who on earth do you choose to perish?
https://moviemetropolis.net/2017/03/10/beauty-and-the-beast-kong-skull-island-review/
And in Hollywood, size really does matter; therefore the monstrous ape has been given a monumental upgrade featuring an all-star cast and some serious talent behind the camera. But is Kong: Skull Island as bananas as its trailers would suggest? Or are we looking at something a little more mainstream?
At the climax of the Vietnam War, a team of explorers and mercenaries head to an unchartered island in the South Pacific in an effort to document its inhabitants. Little do they know they are crossing into the domain of vicious man-eating monsters and the legendary Kong.
With a cast that includes Tom Hiddleston, Brie Larson, John Goodman, Samuel L Jackson and John C Reilly, you’d be forgiven for thinking everything is hunky dory over on Skull Island, but this spectacular film isn’t without its flaws. A lack of character development and a severe tonal imbalance mean it’s a beautiful near miss that thankfully manages to pull itself up from a crash landing.
Jordan Vogt-Roberts in his first big budget feature directs a film that is absolutely staggering to watch, with stunning cinematography and exceptionally well-choreographed battles between the gigantic ape and his many adversaries. Giving indie directors the chance to work with big studios to produce blockbusters is something that seems incredibly popular at the moment.
After all, Gareth Edwards took up the challenge of rebooting Godzilla in 2013 with stunning results and Colin Trevorrow was entrusted by Steven Spielberg to rekindle the public’s love affair with Jurassic Park back in 2015 and that worked a treat too.
Here, Vogt-Roberts utilises both of those franchises to great effect, even managing to shoehorn a tasteful reference to Samuel L Jackson’s Jurassic Park character, Ray Arnold. Elsewhere, though, the film falls a little flat. The constant switch in tone from comedy to action leaves a sour taste in the mouth, though John C Reilly’s stranded pilot is a pleasure to watch and lightens up proceedings.
Tom Hiddleston does well in the leading role, though as an SAS operative, he feels a little miscast and Samuel L Jackson’s Preston Packard is immensely dislikeable and his gripe with Kong is forced. It creates a subplot that doesn’t really need to be there.
The special effects, however, are top notch, helped by the splendid cinematography. The gorgeous sunsets and sweeping tropical landscapes have a whiff of Apocalypse Now and the misty terrain brings back memories of Jurassic Park’s first sequel, The Lost World.
Overall, Kong: Skull Island is a stunning film filled to the brim with colour, charming effects and great performances. However, it is a little light on character development and that tone issue is frustrating at times, but as a precursor to a mighty monster battle, it does a fine job in continuing the franchise and setting its future.
Leaving the cinema, though, I was left with a concern for when the two behemoths, Godzilla and Kong, finally meet. Each film has given their respective creature a ‘personality’, and if one of them must inevitably die, who on earth do you choose to perish?
https://moviemetropolis.net/2017/03/10/beauty-and-the-beast-kong-skull-island-review/
Gareth von Kallenbach (980 KP) rated Mad Max: Fury Road (2015) in Movies
Jun 19, 2019
When we last saw former cop turned wasteland warrior Max, it was nearly 30 years ago. Writer/Director George Miller had envisioned a follow up back in 2000, but various factors delayed the film so much that star Mel Gibson believed he had become too old to play the character which opened the door for Tom Hardy to don the knee brace of the famous character.
In “Fury Road”, fans are given a lavish spectacle that is one non-stop ride of intensity that is as my wife put it, “pushing me so far back into my seat that I am almost in the row behind us”.
When Max is captured by a vicious group lead by Immortal Joe, he stumbles into a true hell on earth as Joe has legions of warriors, most of whom have various health issues, it is assumed from the post nuclear world in which they live. They use captured individuals as blood donors to help make the sick live longer and Joe himself controls a large supply of fresh water as well as oversees what he considers his breeding stock of women.
When Imperator Furiosa (Charlize Theron), goes rogue and abducts Joe’s harem, this begins a breakneck and deadly pursuit across the wastelands where Max finds himself literally chained to the front of a car as a blood bag for the driver.
Amidst the eventually carnage that follows, Max is able to free himself and forges an uneasy alliance with Furiosa as she is attempting to lead the women she has liberated from Joe to safety.
With Joe and his large band of followers hot on their heels, Max must once again face overwhelming odds to save the day.
The film does an amazing job of creating an intense visual spectacle as the car chases and combat take up a good half the film and they are absolutely breathtaking to watch. CGI is kept to a minimum and what you see on the screen is a clash of metal as vehicles flip through the air, crash, and explode in spectacular fashion.
The film though is light on details as much of the story is left for you to read between the lines and fill in the blanks. Theron has explained her characters motivations very well in interviews but in the film it is at times murky. The limited dialogue in the film can at times be hard to understand due to accent and a form of “New Speak” but it is Hardy himself who is most interesting. He plays Max as a strong and silent type who is haunted by ghosts of his past, the people he could not save are a constant presence in his life as he sees them in his dreams and when he is awake, this leads to a character who is reduced to little more than pure survival instinct and does not allow for much in the way of character development.
In many ways this is a reintroduction of Max to a new generation so much of the charisma and intensity that was a part of Gibson’s portrayal has been scaled back to a world weary individual who has pretty much given up on finding the better life that he lost many years ago.
Miller has said he has enough material for two more films and if they are in the same league as this one, I would love to see further adventures for Max, let us just hope the wait is not as long next time out.
http://sknr.net/2015/05/14/mad-max-fury-road/
In “Fury Road”, fans are given a lavish spectacle that is one non-stop ride of intensity that is as my wife put it, “pushing me so far back into my seat that I am almost in the row behind us”.
When Max is captured by a vicious group lead by Immortal Joe, he stumbles into a true hell on earth as Joe has legions of warriors, most of whom have various health issues, it is assumed from the post nuclear world in which they live. They use captured individuals as blood donors to help make the sick live longer and Joe himself controls a large supply of fresh water as well as oversees what he considers his breeding stock of women.
When Imperator Furiosa (Charlize Theron), goes rogue and abducts Joe’s harem, this begins a breakneck and deadly pursuit across the wastelands where Max finds himself literally chained to the front of a car as a blood bag for the driver.
Amidst the eventually carnage that follows, Max is able to free himself and forges an uneasy alliance with Furiosa as she is attempting to lead the women she has liberated from Joe to safety.
With Joe and his large band of followers hot on their heels, Max must once again face overwhelming odds to save the day.
The film does an amazing job of creating an intense visual spectacle as the car chases and combat take up a good half the film and they are absolutely breathtaking to watch. CGI is kept to a minimum and what you see on the screen is a clash of metal as vehicles flip through the air, crash, and explode in spectacular fashion.
The film though is light on details as much of the story is left for you to read between the lines and fill in the blanks. Theron has explained her characters motivations very well in interviews but in the film it is at times murky. The limited dialogue in the film can at times be hard to understand due to accent and a form of “New Speak” but it is Hardy himself who is most interesting. He plays Max as a strong and silent type who is haunted by ghosts of his past, the people he could not save are a constant presence in his life as he sees them in his dreams and when he is awake, this leads to a character who is reduced to little more than pure survival instinct and does not allow for much in the way of character development.
In many ways this is a reintroduction of Max to a new generation so much of the charisma and intensity that was a part of Gibson’s portrayal has been scaled back to a world weary individual who has pretty much given up on finding the better life that he lost many years ago.
Miller has said he has enough material for two more films and if they are in the same league as this one, I would love to see further adventures for Max, let us just hope the wait is not as long next time out.
http://sknr.net/2015/05/14/mad-max-fury-road/
Darren (1599 KP) rated 8 Mile (2002) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 8 Mile starts as we head to Detroit to follow Jimmy B-Rabbit Smith (Eminem) as along with his friends David ‘Future’ Porter (Phifer) Cheddar Bob (Jones), Sol George (Miller) are trying to make an impact in the raping world, this world is dominated by the black community though he does have the skills.
The world is filled with gangs that are out for control, Jimmy must deal with his mother Stephanie (Basinger) and her problems as well as meeting a new love in Alex (Murphy), we follow as he is desperate to get out of the town which has held back man before.
Thoughts on 8 Mile
Characters – Jimmy B-Rabbit Smith is a young man who aspires to be a rapper, he is from the wrong side of town in Detroit, where he is given a chance to prove himself in the underground rap battle world, where any wrong move could be his last move with the gangs around him. He has the close friends that will watch his back, while working a dead-end job for any money he can get. Stephanie Smith is the mother of Rabbit, she is dating an aggressive man around he sons age and struggling to pay the rent to keep the roof over her daughter’s head. She does try to do the best things but has her own personal demons holding her back. David is the closest friend to Jimmy, he offers him the chance he wants to reach the next level but also needs to be the one to stop him making the mistakes in his life. Alex is the new romance in Jimmy’s life, she dreams of leaving too, to become a model which helps the to connect on a level unlike what Jimmy is used to.
Performances – Eminem is strong in this leading role, there are a few moments where he does look lost, one second too long for fight sequences, but the emotional levels he shows good. Kim Basinger is good in her role which shows that we have the most experience from her. Mekhi Phifer continued his rise in the early 2000s with this performance where he shows his ability to blend into any film. the whole cast performers well through the film with talent that went onto bigger things.
Story – The story shows the struggles of a young man trying to break into the world of rapping in the mean streets of Detroit, he is from the wrong side of the town and the gangs are always dangerous. Seeing the struggles for everyday life is very interesting to see unfold, however I was expecting something different with more rap battles. If you are a fan of the underground rap scene this will be a story that you want to watch.
Music – The music in the film starts with a battle rap and I was expecting more as the song Lose yourself did win Best Oscar Song.
Settings – The film shows us just how difficult growing up in Detroit can be, we feel the tension and feeling of abandonment the city is feeling.
Scene of the Movie – Battle rap.
That Moment That Annoyed Me – Not enough rapping.
Final Thoughts – This is a look at the mean streets of Detroit in the battle rap world where every corner could be dangerous.
Overall: The rap world unfolded.
https://moviesreview101.com/2019/02/27/abc-film-challenge-oscar-nomination-8-mile-2002/
The world is filled with gangs that are out for control, Jimmy must deal with his mother Stephanie (Basinger) and her problems as well as meeting a new love in Alex (Murphy), we follow as he is desperate to get out of the town which has held back man before.
Thoughts on 8 Mile
Characters – Jimmy B-Rabbit Smith is a young man who aspires to be a rapper, he is from the wrong side of town in Detroit, where he is given a chance to prove himself in the underground rap battle world, where any wrong move could be his last move with the gangs around him. He has the close friends that will watch his back, while working a dead-end job for any money he can get. Stephanie Smith is the mother of Rabbit, she is dating an aggressive man around he sons age and struggling to pay the rent to keep the roof over her daughter’s head. She does try to do the best things but has her own personal demons holding her back. David is the closest friend to Jimmy, he offers him the chance he wants to reach the next level but also needs to be the one to stop him making the mistakes in his life. Alex is the new romance in Jimmy’s life, she dreams of leaving too, to become a model which helps the to connect on a level unlike what Jimmy is used to.
Performances – Eminem is strong in this leading role, there are a few moments where he does look lost, one second too long for fight sequences, but the emotional levels he shows good. Kim Basinger is good in her role which shows that we have the most experience from her. Mekhi Phifer continued his rise in the early 2000s with this performance where he shows his ability to blend into any film. the whole cast performers well through the film with talent that went onto bigger things.
Story – The story shows the struggles of a young man trying to break into the world of rapping in the mean streets of Detroit, he is from the wrong side of the town and the gangs are always dangerous. Seeing the struggles for everyday life is very interesting to see unfold, however I was expecting something different with more rap battles. If you are a fan of the underground rap scene this will be a story that you want to watch.
Music – The music in the film starts with a battle rap and I was expecting more as the song Lose yourself did win Best Oscar Song.
Settings – The film shows us just how difficult growing up in Detroit can be, we feel the tension and feeling of abandonment the city is feeling.
Scene of the Movie – Battle rap.
That Moment That Annoyed Me – Not enough rapping.
Final Thoughts – This is a look at the mean streets of Detroit in the battle rap world where every corner could be dangerous.
Overall: The rap world unfolded.
https://moviesreview101.com/2019/02/27/abc-film-challenge-oscar-nomination-8-mile-2002/
Gareth von Kallenbach (980 KP) rated Pirates of the Caribbean: At Worlds End (2007) in Movies
Aug 14, 2019
Captain Jack Sparrow (Johnny Depp) returns in “Pirates of the Caribbean: At Worlds End”, the third film in the series which has set box office records the world over. Picking up shortly after the events of the previous film, “Dead Man’s Chest”, it’s a new world for pirates and those who associate with pirates. Once the hunters, they’ve become the hunted, rounded up by The East India Trading Company, headed by Lord Cutler Beckett (Tom Hollander). Now under Beckett’s command, The Flying Dutchman, and its miserable, unforgiving captain, Davy Jones (Bill Nighy), sails the seven seas hunting pirate ships and giving no quarter.
Will Turner (Orlando Bloom), Elizabeth Swann (Keira Knightley) and Captain Barbossa (Geoffrey Rush) journey to exotic Singapore and confront Chinese pirate Captain Sao Feng (Chow Yun-Fat) to gain charts, and a ship, that will take them off to world’s end, to rescue Jack from his cursed fate in Davy Jone’s Locker.
They need to gather the Nine Lords of the Brethren Court, their only hope to defeat Beckett, the Flying Dutchman, and his Armada. Sao Feng is one of the nine lords as is Captain Jack Sparrow (Johnny Depp). Their clandestine meeting does not go unnoticed, with the East India Trading Company dispatching troops to interfere, and soon a battle royale erupts in one of the films better moments, which sadly were few and far between.
British troops and treacherous waters dispensed with, Elizabeth, Captain Barbosa, and Will Turner (Orlando Bloom), are reunited with Jack, which sets into motion a very long, and at times confusing series of events. Jack is trying to avoid his debt to the squid faced Davy Jones, while Will is hoping to free his father from the Flying Dutchman as well, and at the same time restore his damaged relationship with Elizabeth.
While this covers the main three characters, the agenda for the others in the film are much more murky, especially that of Barbossa and other members of the Brethren Court who join together and seem content to risk life and limb without much in the way of compensation. There is a tacked on subplot about the Pieces of Eight that are needed to free a magical entity who may be of help in their battle with the deadly Jones and his otherworldly crew, but sadly most of the film’s nearly three hour running times seems either unnecessary and/or confusing as it works its way towards the final climax.
When the film does shift back into action mode which thankfully comes in the final 30 minutes or so of the film, with great special effects, the attractive and nimble cast really get a chance to shine. It is easily the most enjoyable and invigorating action sequence in all three of the films, and is almost worth the wait it took to get there. Almost. The film suffers mightily from the convoluted plot, dragging painfully on for long stretches of time, and only seems to come to life when Depp is on the screen. Sadly that is not nearly enough to save the film, weighed down as it is by the issues I’ve already detailed.
Although visually spectacular, I had high hopes for this film, especially after the great, but somewhat disturbing, opening sequence. Any momentum gained from that was quickly lost and the film soon became a bloated extravaganza of style over substance that was badly in need of having 45-60 minutes trimmed from its running time.
Will Turner (Orlando Bloom), Elizabeth Swann (Keira Knightley) and Captain Barbossa (Geoffrey Rush) journey to exotic Singapore and confront Chinese pirate Captain Sao Feng (Chow Yun-Fat) to gain charts, and a ship, that will take them off to world’s end, to rescue Jack from his cursed fate in Davy Jone’s Locker.
They need to gather the Nine Lords of the Brethren Court, their only hope to defeat Beckett, the Flying Dutchman, and his Armada. Sao Feng is one of the nine lords as is Captain Jack Sparrow (Johnny Depp). Their clandestine meeting does not go unnoticed, with the East India Trading Company dispatching troops to interfere, and soon a battle royale erupts in one of the films better moments, which sadly were few and far between.
British troops and treacherous waters dispensed with, Elizabeth, Captain Barbosa, and Will Turner (Orlando Bloom), are reunited with Jack, which sets into motion a very long, and at times confusing series of events. Jack is trying to avoid his debt to the squid faced Davy Jones, while Will is hoping to free his father from the Flying Dutchman as well, and at the same time restore his damaged relationship with Elizabeth.
While this covers the main three characters, the agenda for the others in the film are much more murky, especially that of Barbossa and other members of the Brethren Court who join together and seem content to risk life and limb without much in the way of compensation. There is a tacked on subplot about the Pieces of Eight that are needed to free a magical entity who may be of help in their battle with the deadly Jones and his otherworldly crew, but sadly most of the film’s nearly three hour running times seems either unnecessary and/or confusing as it works its way towards the final climax.
When the film does shift back into action mode which thankfully comes in the final 30 minutes or so of the film, with great special effects, the attractive and nimble cast really get a chance to shine. It is easily the most enjoyable and invigorating action sequence in all three of the films, and is almost worth the wait it took to get there. Almost. The film suffers mightily from the convoluted plot, dragging painfully on for long stretches of time, and only seems to come to life when Depp is on the screen. Sadly that is not nearly enough to save the film, weighed down as it is by the issues I’ve already detailed.
Although visually spectacular, I had high hopes for this film, especially after the great, but somewhat disturbing, opening sequence. Any momentum gained from that was quickly lost and the film soon became a bloated extravaganza of style over substance that was badly in need of having 45-60 minutes trimmed from its running time.