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Darren (1599 KP) rated The Veil (TBD) in Movies
Oct 24, 2019
Characters – Jim Jacobs is the leader of the cult, he wants to prove the spirit can be separated from the body, did he die in the mass suicide or did he achieve his goal with the other members of the cult. Maggie the lead in the documentary team, she introduces the team and arranges for Sarah to return, she does also have a connection to what happened during the mass suicide. Sarah is the lone survivor from the suicide, she returns as a grown up even if she does seem to be happy to be back to learn the truth.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Darren (1599 KP) rated Wounds (2019) in Movies
Oct 24, 2019
Characters – Jim Jacobs is the leader of the cult, he wants to prove the spirit can be separated from the body, did he die in the mass suicide or did he achieve his goal with the other members of the cult. Maggie the lead in the documentary team, she introduces the team and arranges for Sarah to return, she does also have a connection to what happened during the mass suicide. Sarah is the lone survivor from the suicide, she returns as a grown up even if she does seem to be happy to be back to learn the truth.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
James P. Sumner (65 KP) rated Rambo: Last Blood (2019) in Movies
Sep 19, 2019
Hopefully this truly is Last Blood.
In Sylvester Stallone's fifth and (hopefully) final outing as one-man army John Rambo, we find the eponymous hero enjoying the quiet life on the Texas ranch he returned to at the end of "Rambo (2008)".
The character is still as reflective and composed as ever, with hints and flashbacks to his ongoing struggle with PTSD following his experiences in Vietnam. He trains horses on the ranch and acts as surrogate father to his college-bound niece, played by the relatively-unknown and absolutely stunning Yvette Monreal. He also has an unfathomably complex network of tunnels dug beneath his property, which could never have been done by one man, even in the 11 years that have past since the last movie.
The first ten minutes set the scene and familiarizes the audience with characters old and new. Having watched all four previous films in preparation for this one, it's quite sad to see how much the essence of Rambo as a person has changed. The first three all followed the same theme - a reluctant warrior with a muted self-loathing of the terrible abilities he has been blessed with, begrudgingly fighting someone else's war because he can't stop himself from doing what he thinks is right. The fourth one took the series in a different yet understandable direction - he's getting older, he's retired from the world, and he's minding his own business when trouble happens to find him. Then, the old Rambo we saw in "Rambo: First Blood - Part II (1985)" comes out and lays waste to everyone. But in this latest film, you barely recognize the character compared to the previous entries. He doesn't look or feel like the Rambo we've known over the years, which means this film struggles to look and feel like a Rambo film.
The next five minutes establishes the upcoming plot of the movie (such as it is), which is transparent and predictable. It then morphs into "Taken (2008)" on steroids! It takes a nice diversion at first, showing Rambo take on an entire Mexican people-trafficking ring, only to get the living hell beaten out of him. What you might think would happen in real life, but you kind of expected Rambo to go all "Rambo" on them, so when he doesn't, it's almost a pleasant surprise.
However, normal business soon resumes. Another tussle with some of the Mexican bad guys sets up the final act, which is Rambo vs. Every Mexican Criminal Ever - clips of which you will have seen in the trailer.
This is where the film lets itself down, if I'm honest. You would expect the finale to be the big payoff, but it actually ruins what would otherwise have been a half-decent film. It would be silly of me to criticize a Rambo film for being unrealistic. That being said, there's pushing the boundaries of belief, and then there's just lazy writing!
The final act begins. Five trucks of bad guys show up. Around 20-25 armed men are shown approaching Rambo's location. It's no spoiler to say he probably kills about 50 in total. Not sure where all the disposable enemies came from, but he didn't seem to mind.
Then there's the five-minute montage of him booby-trapping his ranch prior to the bad guys showing up. Something he did without any actual evidence they would come for him - just an assumption that somewhere there's a group of people who probably want to try and kill him, so best to be prepared. The whole scene feels like what would happen if "Deadpool (2016)" and "Home Alone (1990)" had a baby. Don't get me wrong, it was mindless, cringe-inducing, blood-soaked fun, but a lot of it felt unnecessarily complicated.
And then there's the violence itself. I love an action movie that drowns in crimson as much as the next person, but a lot of the violence felt like it was there for the sake of it. Like the producers said, 'We've got the 18-certificate, so let's make use of it.' I'm sure there's a deep-rooted psychological argument to be made for it. Like it's intentionally over the top to serve as a metaphor for the horrors Rambo suffered in Vietnam or something. Personally, I don't think this film is capable of being that deep and meaningful.
I really, really wanted this film to be good. I enjoyed the others and I wanted to enjoy this one. And I did, to an extent, I guess. But the whole film felt pointless. I understand the thinking that the series needed a proper and fitting end to the character's arc. But, if I'm being honest, you could've said the last film did that. It actually provides a better ending to the character than this one. The way he returned from Burma and is last seen approaching the family ranch after 30+ years away... you could've ended it there and left it to the audience's imaginations as to how he lived out the rest of his life. But money talks, and unfortunately, it ruined an otherwise successful and enjoyable franchise that had simply ran its course. A prime example of not knowing when to quit, this sentiment is echoed by Stallone's aging appearance, which takes away what credibility this character had left.
A real shame, but sadly, this isn't a film that's worth watching, unless you're a true die-hard fan of the character, in which case you'll want to watch it just because, but you'll be left disappointed.
The character is still as reflective and composed as ever, with hints and flashbacks to his ongoing struggle with PTSD following his experiences in Vietnam. He trains horses on the ranch and acts as surrogate father to his college-bound niece, played by the relatively-unknown and absolutely stunning Yvette Monreal. He also has an unfathomably complex network of tunnels dug beneath his property, which could never have been done by one man, even in the 11 years that have past since the last movie.
The first ten minutes set the scene and familiarizes the audience with characters old and new. Having watched all four previous films in preparation for this one, it's quite sad to see how much the essence of Rambo as a person has changed. The first three all followed the same theme - a reluctant warrior with a muted self-loathing of the terrible abilities he has been blessed with, begrudgingly fighting someone else's war because he can't stop himself from doing what he thinks is right. The fourth one took the series in a different yet understandable direction - he's getting older, he's retired from the world, and he's minding his own business when trouble happens to find him. Then, the old Rambo we saw in "Rambo: First Blood - Part II (1985)" comes out and lays waste to everyone. But in this latest film, you barely recognize the character compared to the previous entries. He doesn't look or feel like the Rambo we've known over the years, which means this film struggles to look and feel like a Rambo film.
The next five minutes establishes the upcoming plot of the movie (such as it is), which is transparent and predictable. It then morphs into "Taken (2008)" on steroids! It takes a nice diversion at first, showing Rambo take on an entire Mexican people-trafficking ring, only to get the living hell beaten out of him. What you might think would happen in real life, but you kind of expected Rambo to go all "Rambo" on them, so when he doesn't, it's almost a pleasant surprise.
However, normal business soon resumes. Another tussle with some of the Mexican bad guys sets up the final act, which is Rambo vs. Every Mexican Criminal Ever - clips of which you will have seen in the trailer.
This is where the film lets itself down, if I'm honest. You would expect the finale to be the big payoff, but it actually ruins what would otherwise have been a half-decent film. It would be silly of me to criticize a Rambo film for being unrealistic. That being said, there's pushing the boundaries of belief, and then there's just lazy writing!
The final act begins. Five trucks of bad guys show up. Around 20-25 armed men are shown approaching Rambo's location. It's no spoiler to say he probably kills about 50 in total. Not sure where all the disposable enemies came from, but he didn't seem to mind.
Then there's the five-minute montage of him booby-trapping his ranch prior to the bad guys showing up. Something he did without any actual evidence they would come for him - just an assumption that somewhere there's a group of people who probably want to try and kill him, so best to be prepared. The whole scene feels like what would happen if "Deadpool (2016)" and "Home Alone (1990)" had a baby. Don't get me wrong, it was mindless, cringe-inducing, blood-soaked fun, but a lot of it felt unnecessarily complicated.
And then there's the violence itself. I love an action movie that drowns in crimson as much as the next person, but a lot of the violence felt like it was there for the sake of it. Like the producers said, 'We've got the 18-certificate, so let's make use of it.' I'm sure there's a deep-rooted psychological argument to be made for it. Like it's intentionally over the top to serve as a metaphor for the horrors Rambo suffered in Vietnam or something. Personally, I don't think this film is capable of being that deep and meaningful.
I really, really wanted this film to be good. I enjoyed the others and I wanted to enjoy this one. And I did, to an extent, I guess. But the whole film felt pointless. I understand the thinking that the series needed a proper and fitting end to the character's arc. But, if I'm being honest, you could've said the last film did that. It actually provides a better ending to the character than this one. The way he returned from Burma and is last seen approaching the family ranch after 30+ years away... you could've ended it there and left it to the audience's imaginations as to how he lived out the rest of his life. But money talks, and unfortunately, it ruined an otherwise successful and enjoyable franchise that had simply ran its course. A prime example of not knowing when to quit, this sentiment is echoed by Stallone's aging appearance, which takes away what credibility this character had left.
A real shame, but sadly, this isn't a film that's worth watching, unless you're a true die-hard fan of the character, in which case you'll want to watch it just because, but you'll be left disappointed.
Darren (1599 KP) rated A Beautiful Mind (2001) in Movies
Jun 20, 2019
Story: A Beautiful Mind starts as we see John Nash (Crowe) start his time at Princeton University where we meet fellow students Sol (Goldberg), Hansen (Lucas), Bender (Rapp), Ainsley (Gray-Stanford) and his roommate Charles (Bettany). Struggling to find his place in the University it takes an everyday occurrence for John to final start rolling on his theory.
After becoming the brightest student John moves onto becoming a teacher while secretly working for the government on code breaking reporting to Parcher (Harris). While teaching he meets the beautiful Alicia Nash (Connelly) and the two strike it off before starting their lives together.
When it becomes apparent John is struggling to manage both live the people that care about him with Charles returning to his life, Parcher pushing him too much and his wife wondering what he is up to, but this beautiful mind is about to be tested when Dr Rosen (Plummer) a psychologist enters his life.
A Beautiful Mind is a wonderfully drama showing us the story of one of the greatest minds of our generation. We see how difficult the life was for John before learning of his mind being damaged due to his schizophrenia. We follow from his time in school until his Noble Peace Prize. We see John deal and learn with his condition to still go on achieve greatness in his life. This is such a brilliant story that shows how success you can achieve your potential regardless.
Actor Review
Russell Crowe: John Nash is the brilliant mathematician that believes he has been working for the government cracking codes, but when we and he learns the truth we discover this beautiful mind is damaged in other ways. We see John’s life from early Princeton till his final acceptance in the scientific world. Russell gives the best performance of his career her where he shines in the drama.john
Ed Harris: Parcher is the man John believes works for the government as he lives the life of mystery and code breaking John believes he is part of. Ed is great in this supporting role.parcher
Jennifer Connelly: Alicia Nash starts off as a student of John’s before being the only person that sees there is something wrong with his mind, she supports him through every decision in their lives. Jennifer is brilliant in this role of the patience wife.
Paul Bettany: Charles is the roommate John has at Princeton that helps him break out of the problems he has been suffering through but we learn the truth about Charles once we learn John’s mental state. Paul put himself on the map with this great supporting role.charles
Support Cast: A Beautiful Mind has a brilliant supporting cast that all give performances worthy of this subject matter.
Director Review: Ron Howard – Ron shows that he can handle the serious films that are important to see the greatest people in human history.
Biographical: A Beautiful Mind shows the struggles John Nash had with his own sanity to achieve unlocking all of the potential inside his mind.
History: A Beautiful Mind is one film that shows the mind of someone so troubled achieving so much.
Settings: A Beautiful Mind uses the real life location re-created for the story to be unfolded in.
Suggestion: A Beautiful Mind is one for everyone to watch at least once. (Watch)
Best Part: The Pen scene.
Worst Part: Slightly too much time on the imagined side of John’s life.
Favourite Quote: Dr Rosen ‘Imagine if you suddenly learned that the people, the places, the moments most important to you were not gone, not dead, but worse, had never been. What kind of hell would that be?’
Believability: Based on the John Nash and his amazing story.
Chances of Tears: Maybe a few nearer the end.
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Won 4 Oscars including Best Picture, Director and Supporting Actress with another 4 Nomination including Best Actor.
Budget: $60 Million
Runtime: 2 Hours 15 Minutes
Tagline: The Only Thing Greater Than the Power of the Mind is the Courage of the Heart
Trivia: John Nash is shown smoking in the film. In reality, he was a militant anti-smoker.
Overall: Brilliant Biographical film that is a must watch for all.
https://moviesreview101.com/2016/05/27/paul-bettany-weekend-a-beautiful-mind-2001/
After becoming the brightest student John moves onto becoming a teacher while secretly working for the government on code breaking reporting to Parcher (Harris). While teaching he meets the beautiful Alicia Nash (Connelly) and the two strike it off before starting their lives together.
When it becomes apparent John is struggling to manage both live the people that care about him with Charles returning to his life, Parcher pushing him too much and his wife wondering what he is up to, but this beautiful mind is about to be tested when Dr Rosen (Plummer) a psychologist enters his life.
A Beautiful Mind is a wonderfully drama showing us the story of one of the greatest minds of our generation. We see how difficult the life was for John before learning of his mind being damaged due to his schizophrenia. We follow from his time in school until his Noble Peace Prize. We see John deal and learn with his condition to still go on achieve greatness in his life. This is such a brilliant story that shows how success you can achieve your potential regardless.
Actor Review
Russell Crowe: John Nash is the brilliant mathematician that believes he has been working for the government cracking codes, but when we and he learns the truth we discover this beautiful mind is damaged in other ways. We see John’s life from early Princeton till his final acceptance in the scientific world. Russell gives the best performance of his career her where he shines in the drama.john
Ed Harris: Parcher is the man John believes works for the government as he lives the life of mystery and code breaking John believes he is part of. Ed is great in this supporting role.parcher
Jennifer Connelly: Alicia Nash starts off as a student of John’s before being the only person that sees there is something wrong with his mind, she supports him through every decision in their lives. Jennifer is brilliant in this role of the patience wife.
Paul Bettany: Charles is the roommate John has at Princeton that helps him break out of the problems he has been suffering through but we learn the truth about Charles once we learn John’s mental state. Paul put himself on the map with this great supporting role.charles
Support Cast: A Beautiful Mind has a brilliant supporting cast that all give performances worthy of this subject matter.
Director Review: Ron Howard – Ron shows that he can handle the serious films that are important to see the greatest people in human history.
Biographical: A Beautiful Mind shows the struggles John Nash had with his own sanity to achieve unlocking all of the potential inside his mind.
History: A Beautiful Mind is one film that shows the mind of someone so troubled achieving so much.
Settings: A Beautiful Mind uses the real life location re-created for the story to be unfolded in.
Suggestion: A Beautiful Mind is one for everyone to watch at least once. (Watch)
Best Part: The Pen scene.
Worst Part: Slightly too much time on the imagined side of John’s life.
Favourite Quote: Dr Rosen ‘Imagine if you suddenly learned that the people, the places, the moments most important to you were not gone, not dead, but worse, had never been. What kind of hell would that be?’
Believability: Based on the John Nash and his amazing story.
Chances of Tears: Maybe a few nearer the end.
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Won 4 Oscars including Best Picture, Director and Supporting Actress with another 4 Nomination including Best Actor.
Budget: $60 Million
Runtime: 2 Hours 15 Minutes
Tagline: The Only Thing Greater Than the Power of the Mind is the Courage of the Heart
Trivia: John Nash is shown smoking in the film. In reality, he was a militant anti-smoker.
Overall: Brilliant Biographical film that is a must watch for all.
https://moviesreview101.com/2016/05/27/paul-bettany-weekend-a-beautiful-mind-2001/
Darren (1599 KP) rated All the Boys Love Mandy Lane (2006) in Movies
Jun 20, 2019
Story: All the Boys Love Mandy Lane starts with a teenage house party where one of the cool kids tries to hit on the beautiful Mandy Lane (Heard) but when one of the boys chasing her dies in an attempt to impress her we see how close Mandy is to Emmet (Welch). 9 months have passed since the accident and Red (Himelstein) is arranging a party at his family’s ranch which will include the invitation of Mandy Lane.
We watch as a group of high school friends head off to a ranch for a weekend off fun with plenty or drinks, drugs and sex with all the boys after Mandy Lane. We watch as the friend go through the traditional high school relationship issues and adding in the alcohol we get everything elevated to the next level. The weekend away takes twist when somebody starts picking off the friends before we learn that there is a bigger motive behind everything that happens.
All the Boys Love Mandy Lane really is just a bogged standard slasher film for the most part, but it does have an interesting twist you don’t see coming. The characters are very painful generic and the story just follows everything you would expect to see in a slasher film. The film tries something different with the ending which is the only positive about this film otherwise it really is just offer nothing new. (5/10)
Actor Review
Amber Heard: Mandy Lane is the gorgeous girl that all the high school guys want to be with but she is very independent not falling for any of the guys lines. She strikes jealousy between the friends who each believe they are in the driving seat to get her. Amber does a solid job in the role but clearly only works because of how beautiful she is. (6/10)
mandy
Anson Mount: Garth is the ranch hand on the ranch that all the girls fall for but he ends up planning babysitter to all of the high school kids who can’t handle their drinks. Anson does a basic job as the older wise protector of the film but doesn’t do enough with the whole story. (4/10)
Whitney Able: Chloe is the insecure member of the friends who thinks all the girls need a perfect skinny body to impress the guys. Whitney does end up being the very generic character that we are all expecting to get what is coming to her early on. (5/10)
Michael Welch: Emmet is Mandy’s old friend who is the guy picking off the popular kids to make them pay for what happened after the party incident. Michael plays the killer well using no remorse through the film. (6/10)
Support Cast: All the Boys Love Mandy Lane has a supporting cast that is basically there just to be disposable and only become helpful to make Emmet look more crazed.
Director Review: Jonathan Levine – Jonathan does a solid job with the horror film because it follows the same old routine but throws you out of the comfort zone with the ending. (5/10)
Horror: All the Boys Love Mandy Lane follows all the slasher ABC style very easily. (8/10)
Settings: All the Boys Love Mandy Lane puts our characters in an isolated location for the horror to take place where the killer can get away with whatever they wants. (7/10)
Suggestion: All the Boys Love Mandy Lane is one for the horror fans to enjoy otherwise it will just end up being very average. (Horror Fans Try)
Best Part: Final Twist.
Worst Part: Nothing new in the opening part.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Most Slasher films.
Oscar Chances: No
Budget: $750,000
Runtime: 1 Hour 30 Minutes
Tagline: Everyone is dying to be with her. Someone is killing for it.
Overall: Just another slasher that we have seen too many times before.
https://moviesreview101.com/2015/10/02/movie-reviews-101-halloween-midnight-horror-all-the-boys-love-mandy-lane-2006/
We watch as a group of high school friends head off to a ranch for a weekend off fun with plenty or drinks, drugs and sex with all the boys after Mandy Lane. We watch as the friend go through the traditional high school relationship issues and adding in the alcohol we get everything elevated to the next level. The weekend away takes twist when somebody starts picking off the friends before we learn that there is a bigger motive behind everything that happens.
All the Boys Love Mandy Lane really is just a bogged standard slasher film for the most part, but it does have an interesting twist you don’t see coming. The characters are very painful generic and the story just follows everything you would expect to see in a slasher film. The film tries something different with the ending which is the only positive about this film otherwise it really is just offer nothing new. (5/10)
Actor Review
Amber Heard: Mandy Lane is the gorgeous girl that all the high school guys want to be with but she is very independent not falling for any of the guys lines. She strikes jealousy between the friends who each believe they are in the driving seat to get her. Amber does a solid job in the role but clearly only works because of how beautiful she is. (6/10)
mandy
Anson Mount: Garth is the ranch hand on the ranch that all the girls fall for but he ends up planning babysitter to all of the high school kids who can’t handle their drinks. Anson does a basic job as the older wise protector of the film but doesn’t do enough with the whole story. (4/10)
Whitney Able: Chloe is the insecure member of the friends who thinks all the girls need a perfect skinny body to impress the guys. Whitney does end up being the very generic character that we are all expecting to get what is coming to her early on. (5/10)
Michael Welch: Emmet is Mandy’s old friend who is the guy picking off the popular kids to make them pay for what happened after the party incident. Michael plays the killer well using no remorse through the film. (6/10)
Support Cast: All the Boys Love Mandy Lane has a supporting cast that is basically there just to be disposable and only become helpful to make Emmet look more crazed.
Director Review: Jonathan Levine – Jonathan does a solid job with the horror film because it follows the same old routine but throws you out of the comfort zone with the ending. (5/10)
Horror: All the Boys Love Mandy Lane follows all the slasher ABC style very easily. (8/10)
Settings: All the Boys Love Mandy Lane puts our characters in an isolated location for the horror to take place where the killer can get away with whatever they wants. (7/10)
Suggestion: All the Boys Love Mandy Lane is one for the horror fans to enjoy otherwise it will just end up being very average. (Horror Fans Try)
Best Part: Final Twist.
Worst Part: Nothing new in the opening part.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Most Slasher films.
Oscar Chances: No
Budget: $750,000
Runtime: 1 Hour 30 Minutes
Tagline: Everyone is dying to be with her. Someone is killing for it.
Overall: Just another slasher that we have seen too many times before.
https://moviesreview101.com/2015/10/02/movie-reviews-101-halloween-midnight-horror-all-the-boys-love-mandy-lane-2006/
Darren (1599 KP) rated Child's Play (2019) in Movies
Jun 22, 2019
Thoughts on Child’s Play
Characters – Andy is a young teenager that has just moved to a new city with his mother, he hasn’t made any friends, turning to his phone to keep him busy, he does have a hearing aid, but it is never clear how bad his hearing is, he gets a Buddi doll that will keep him company as he starts to become friends with the doll. Once he learns of the evil inside the doll, he does all he can to make sure his loved ones are safe, as he starts to make friends away from the doll, he never seems to go to school though. Karen is the single mother that is working double shifts to keep Andy happy, she starts dating a new man, which doesn’t please Andy and does all she can to put Andy first when things start getting out of hand. Chucky is the Buddi doll that has been unleashed from his safety restrictions, he is constantly learning from watching people, which brings out his violent side, which will see him going on a killing spree targeting anyone that hurts or tries to replace him as a friend to Andy. Detective Norris visits the apartment building where his mother lives for dinner once a week, he does notice Andy around the apartment building making sure he is safe.
Performances – Aubrey Plaza as the single mother is strong in her role, she does bring added character to a character that could have come off plain. Gabriel Bateman is great too because he shows us the isolation that he is going through during the film. Mark Hamill does voice the character of Chucky well giving us an entertaining character that get plenty of laughs. Brian Tyree Henry does bring comedy to his role, which is usually a more uptight figure in the film.
Story – The story here follows a boy that given a Buddi doll which soon starts to go on a killing rampage after learning from the technology around him. I do have conflicting feelings about this story, on one side I am disappointed we have scrapped the serial killer trying to get his soul into another body, which I feel is the main part of the franchise. On the positive side we do get to dive into the world where people are letting themselves are being controlled by technology, connecting everything to one source where an error could break everything. seeing Chucky learn is interesting to see too because we see how he processing each clip, line and environmental side of the world. it does borrow from a lot of different films from the past which can be picked up on. This des come off very fun, only it could have been its own new doll instead of just using Chucky showing the lack of originality coming out of the Hollywood.
Horror – The horror in the film is mostly slasher material, we see Chucky getting kills with plenty of blood splatter, with some original kills along the way.
Settings – The film keeps the settings looking very similar with the apartment building showing how hard up the family is, the department store does bring us a great showdown location too.
Special Effects – The effects in the film are strong with the Chucky doll being both creepy and moving in a robotic motion which seems nature.
Scene of the Movie – Chucky has a present for Andy.
That Moment That Annoyed Me – No Serial Killer side.
Final Thoughts – This is a fun horror that does get laughs and blood splatter, it does frustrate though by having to use the Chucky doll for what is a completely original idea.
Overall: Blood Splattering fun.
Characters – Andy is a young teenager that has just moved to a new city with his mother, he hasn’t made any friends, turning to his phone to keep him busy, he does have a hearing aid, but it is never clear how bad his hearing is, he gets a Buddi doll that will keep him company as he starts to become friends with the doll. Once he learns of the evil inside the doll, he does all he can to make sure his loved ones are safe, as he starts to make friends away from the doll, he never seems to go to school though. Karen is the single mother that is working double shifts to keep Andy happy, she starts dating a new man, which doesn’t please Andy and does all she can to put Andy first when things start getting out of hand. Chucky is the Buddi doll that has been unleashed from his safety restrictions, he is constantly learning from watching people, which brings out his violent side, which will see him going on a killing spree targeting anyone that hurts or tries to replace him as a friend to Andy. Detective Norris visits the apartment building where his mother lives for dinner once a week, he does notice Andy around the apartment building making sure he is safe.
Performances – Aubrey Plaza as the single mother is strong in her role, she does bring added character to a character that could have come off plain. Gabriel Bateman is great too because he shows us the isolation that he is going through during the film. Mark Hamill does voice the character of Chucky well giving us an entertaining character that get plenty of laughs. Brian Tyree Henry does bring comedy to his role, which is usually a more uptight figure in the film.
Story – The story here follows a boy that given a Buddi doll which soon starts to go on a killing rampage after learning from the technology around him. I do have conflicting feelings about this story, on one side I am disappointed we have scrapped the serial killer trying to get his soul into another body, which I feel is the main part of the franchise. On the positive side we do get to dive into the world where people are letting themselves are being controlled by technology, connecting everything to one source where an error could break everything. seeing Chucky learn is interesting to see too because we see how he processing each clip, line and environmental side of the world. it does borrow from a lot of different films from the past which can be picked up on. This des come off very fun, only it could have been its own new doll instead of just using Chucky showing the lack of originality coming out of the Hollywood.
Horror – The horror in the film is mostly slasher material, we see Chucky getting kills with plenty of blood splatter, with some original kills along the way.
Settings – The film keeps the settings looking very similar with the apartment building showing how hard up the family is, the department store does bring us a great showdown location too.
Special Effects – The effects in the film are strong with the Chucky doll being both creepy and moving in a robotic motion which seems nature.
Scene of the Movie – Chucky has a present for Andy.
That Moment That Annoyed Me – No Serial Killer side.
Final Thoughts – This is a fun horror that does get laughs and blood splatter, it does frustrate though by having to use the Chucky doll for what is a completely original idea.
Overall: Blood Splattering fun.
JT (287 KP) rated The Raid 2 (2014) in Movies
Mar 10, 2020
Stop….pause….take a breath, you’ll need to catch it after witnessing one of the finest action films made for some time.
The follow up to The Raid packs an even harder punch, with our hero Rama (Iko Uwais) sent undercover to bring down a crime family and uncover yet more police corruption.
The first film was simplistic enough, a SWAT team enter a building and (without the use of an elevator) must navigate their way up to the top floor to bring down a powerful but mediocre drug lord. Praised for its gritty no holds barred fight sequences, and perfectly timed action it was nothing short of a hit.
Part 2 follows practically from where the last ended, Rama is hurried away to a secluded location and given the rundown explaining that all his efforts were for nothing, but that he still has a big part to play. Although he doesn’t have much of a choice in the matter.
The-Raid-2-Gareth-Evans
To keep his family safe he has to get close to the arrogant son of a mob boss, Ucok (Arifin Putra), and to do this must infiltrate a prison by committing a high profile crime that will get him noticed by the mafia top brass. What is only supposed to be a few months turns into a couple of years, giving Rama more than enough time to get right under the skin of Ucok.
The storyline isn’t anything unique with shades of Infernal Affairs about it, police corruption, undercover cops and feuding mafia families probably seem all too familiar but director Gareth Evans lays it out in such a way that the similarities end right there.
The story delves deeper into several subplots all of which trail off on their own, but they don’t hamper the overall narrative or confuse things in a way which will make the film harder to follow and at an ass numbing 150 minutes that might be easier said than done.
Then there is the inclusion of three of the badest characters you’re ever likely to see. Hammer Girl, whose special moves entail ripping people in two with claw hammers, Baseball Bat Man, you can probably guess his unique ability and then The Assassin, who armed with a pair of kerambits’ is a silent but very much a deadly force.
There’s returning actor Yayan Ruhian who played Mad Dog in the first film but who has reappeared here as an ass-kicking hobo aiding one of the families, but ends up in the crosshairs of an instigated war were blood hasn’t been spilt in over ten years.
Evans cuts from the action with dramatic undertones, of which the performances are very good, its the gratuitous violence that Raid fans will have shelled out their money for. It’s wince-inducing on another level, whether it’s getting an arm snapped in half, a pelvis dislocated or a hammer ripped through someone’s cheek you’ll probably find yourself twisting and turning in your seat.
the-raid-2-berandal-26
The choreography is mesmerising as Evans interlocks a Godfather-like tale with action that doesn’t give you enough time to look away from the screen. From a mass prison yard scrap, an epic car chase where back seat driving takes on a whole different meaning and a jaw-dropping kitchen fight finale, it’s a film that will live long in the action memory.
Leaving the confines of a tower block behind the action and story run riot through lush green marshes, back streets and bars to city streets. The editing is short and sharp like a punch to the head, moving gracefully enough that it doesn’t judder the explosive action or disjoint the scenes of real drama.
It’s thoroughly entertaining which has justified all the hype beforehand, wonderfully shot and exhilarating throughout Evans will have his work cut out to make sure that The Raid 3 caps an action trilogy masterclass.
The follow up to The Raid packs an even harder punch, with our hero Rama (Iko Uwais) sent undercover to bring down a crime family and uncover yet more police corruption.
The first film was simplistic enough, a SWAT team enter a building and (without the use of an elevator) must navigate their way up to the top floor to bring down a powerful but mediocre drug lord. Praised for its gritty no holds barred fight sequences, and perfectly timed action it was nothing short of a hit.
Part 2 follows practically from where the last ended, Rama is hurried away to a secluded location and given the rundown explaining that all his efforts were for nothing, but that he still has a big part to play. Although he doesn’t have much of a choice in the matter.
The-Raid-2-Gareth-Evans
To keep his family safe he has to get close to the arrogant son of a mob boss, Ucok (Arifin Putra), and to do this must infiltrate a prison by committing a high profile crime that will get him noticed by the mafia top brass. What is only supposed to be a few months turns into a couple of years, giving Rama more than enough time to get right under the skin of Ucok.
The storyline isn’t anything unique with shades of Infernal Affairs about it, police corruption, undercover cops and feuding mafia families probably seem all too familiar but director Gareth Evans lays it out in such a way that the similarities end right there.
The story delves deeper into several subplots all of which trail off on their own, but they don’t hamper the overall narrative or confuse things in a way which will make the film harder to follow and at an ass numbing 150 minutes that might be easier said than done.
Then there is the inclusion of three of the badest characters you’re ever likely to see. Hammer Girl, whose special moves entail ripping people in two with claw hammers, Baseball Bat Man, you can probably guess his unique ability and then The Assassin, who armed with a pair of kerambits’ is a silent but very much a deadly force.
There’s returning actor Yayan Ruhian who played Mad Dog in the first film but who has reappeared here as an ass-kicking hobo aiding one of the families, but ends up in the crosshairs of an instigated war were blood hasn’t been spilt in over ten years.
Evans cuts from the action with dramatic undertones, of which the performances are very good, its the gratuitous violence that Raid fans will have shelled out their money for. It’s wince-inducing on another level, whether it’s getting an arm snapped in half, a pelvis dislocated or a hammer ripped through someone’s cheek you’ll probably find yourself twisting and turning in your seat.
the-raid-2-berandal-26
The choreography is mesmerising as Evans interlocks a Godfather-like tale with action that doesn’t give you enough time to look away from the screen. From a mass prison yard scrap, an epic car chase where back seat driving takes on a whole different meaning and a jaw-dropping kitchen fight finale, it’s a film that will live long in the action memory.
Leaving the confines of a tower block behind the action and story run riot through lush green marshes, back streets and bars to city streets. The editing is short and sharp like a punch to the head, moving gracefully enough that it doesn’t judder the explosive action or disjoint the scenes of real drama.
It’s thoroughly entertaining which has justified all the hype beforehand, wonderfully shot and exhilarating throughout Evans will have his work cut out to make sure that The Raid 3 caps an action trilogy masterclass.
BankofMarquis (1832 KP) rated Ticket to paradise (2022) in Movies
Nov 10, 2022
Charismatic Leads Saves This Underwritten Film
Have you watched one of the two ABBA Musical MAMA MIA films (MAMA MIA or MAMA MIA: HERE WE GO AGAIN) and thought to yourself, “I want more of this, but with no music”.
If so, do I have a film for you.
The George Clooney/Julie Roberts Romantic Family Comedy TICKET TO PARADISE is a slight, somewhat fun lightweight film that won’t eat up too many brain cells while watching, but you’ll walk away satisfied and entertained if this sort of thing is in your wheelhouse. It is a movie geared towards older adults who just want to get away from the world and watch beautiful people in beautiful costumes tromping around beautiful scenery.
Written and Directed by Ol Parker (MAMA MIA: HERE WE GO AGAIN, naturally), TICKET TO PARADISE tells the tale of an unhappily divorced couple (Clooney and Roberts, of course) who must overcome their differences and join together to stop their daughter from a hasty marriage - a mistake they both think they made when they married each other.
The opening of this movie is frenetic and tries just a bit too hard to establish the hate/hate competitive relationship between these 2 characters. Roberts fairs better in this part as she settles into her character fairly quickly - and she becomes the rock of the film. From the get go you understand her character and when all else fails in a scene, you know that Roberts will be there to rescue things. It is a steady, sturdy performance that shows that Roberts “still has it” as a movie star.
Clooney has more of a rollercoaster of a performance. For my tastes he tries to hard to be comedically funny in the first part of the film (a fault of his that can be scene in such Clooney comedic failures as O BROTHER WHERE ART THOU and BURN AFTER READING), but once we get past the initial scenes, Clooney settles down to be a somewhat comedic version of the calm, suave and sophisticated Clooney that we have grown to know and love.
The supporting characters are underwritten and are thin and nondescript with character arcs that really go nowhere. This is a shame for Billie Lourd (as the Best Friend of Clooney and Roberts’ daughter) and the couple that plays the grooms parents were interesting characters that could have/should have been fleshed out more.
The script and Direction by Parker are nothing special. It’s not bad but it also doesn’t elevate the proceedings above the pleasantness that it is - with one key exception. About 1/3 of the way through the film, Clooney launches into a monologue about how he and Roberts’ seemingly wonderful love fell apart, leading to divorce. It is a beautifully shot and directed scene and Clooney absolutely nails the speech mixing in anger and regret skillfully. This scene made me sit up in my chair thinking that maybe this film was taking a deeper, more dramatic turn at this point and it is shifting from a RomCom to a family drama.
But, alas, we head into a scene where Clooney and Roberts get drunk and shenanigans ensue. True…it looks like good friends Clooney and Roberts are having a good time playing with each other in the beautiful location of this film…but this fun never really translates to the audience.
The perfect airplane film - there is no intricate plot points that you’ll miss if you dose off for a moment or 2 - but perfectly, acceptably entertaining, this TICKET TO PARADISE could be worse…but could have been better.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
If so, do I have a film for you.
The George Clooney/Julie Roberts Romantic Family Comedy TICKET TO PARADISE is a slight, somewhat fun lightweight film that won’t eat up too many brain cells while watching, but you’ll walk away satisfied and entertained if this sort of thing is in your wheelhouse. It is a movie geared towards older adults who just want to get away from the world and watch beautiful people in beautiful costumes tromping around beautiful scenery.
Written and Directed by Ol Parker (MAMA MIA: HERE WE GO AGAIN, naturally), TICKET TO PARADISE tells the tale of an unhappily divorced couple (Clooney and Roberts, of course) who must overcome their differences and join together to stop their daughter from a hasty marriage - a mistake they both think they made when they married each other.
The opening of this movie is frenetic and tries just a bit too hard to establish the hate/hate competitive relationship between these 2 characters. Roberts fairs better in this part as she settles into her character fairly quickly - and she becomes the rock of the film. From the get go you understand her character and when all else fails in a scene, you know that Roberts will be there to rescue things. It is a steady, sturdy performance that shows that Roberts “still has it” as a movie star.
Clooney has more of a rollercoaster of a performance. For my tastes he tries to hard to be comedically funny in the first part of the film (a fault of his that can be scene in such Clooney comedic failures as O BROTHER WHERE ART THOU and BURN AFTER READING), but once we get past the initial scenes, Clooney settles down to be a somewhat comedic version of the calm, suave and sophisticated Clooney that we have grown to know and love.
The supporting characters are underwritten and are thin and nondescript with character arcs that really go nowhere. This is a shame for Billie Lourd (as the Best Friend of Clooney and Roberts’ daughter) and the couple that plays the grooms parents were interesting characters that could have/should have been fleshed out more.
The script and Direction by Parker are nothing special. It’s not bad but it also doesn’t elevate the proceedings above the pleasantness that it is - with one key exception. About 1/3 of the way through the film, Clooney launches into a monologue about how he and Roberts’ seemingly wonderful love fell apart, leading to divorce. It is a beautifully shot and directed scene and Clooney absolutely nails the speech mixing in anger and regret skillfully. This scene made me sit up in my chair thinking that maybe this film was taking a deeper, more dramatic turn at this point and it is shifting from a RomCom to a family drama.
But, alas, we head into a scene where Clooney and Roberts get drunk and shenanigans ensue. True…it looks like good friends Clooney and Roberts are having a good time playing with each other in the beautiful location of this film…but this fun never really translates to the audience.
The perfect airplane film - there is no intricate plot points that you’ll miss if you dose off for a moment or 2 - but perfectly, acceptably entertaining, this TICKET TO PARADISE could be worse…but could have been better.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (974 KP) rated The Longest Yard (2005) in Movies
Aug 14, 2019
Continuing the current trend of remakes, Adam Sandler’s Happy Madison production company set their sights on remaking the classic prison football film The Longest Yard. Like most projects that Sandler puts his Midas touch upon, this too has some moments of true gold.
The film stars Adam Sandler as Paul Crewe, a former NFL star quarterback who was banned from the league after allegedly throwing a game. As the film opens, Crewe is spending his time as a boy toy for a snobby socialite who is happy to capitalize on being seen with him, and parading Paul through various promotional ventures.
After reaching his breaking point, Paul lashes back by “borrowing” her car and leading several police officers on a high speed, and drunken chase through the streets. The resulting carnage is not only captured on live television, but awards Paul a three year prison term.
Upon arriving in the remote prison location, Crewe is introduced to Warden Hazen (James Cromwell), who attempts to recruit Crewe to help him with his semi-pro team. Crewe declines as he was urged to forcibly by Captain of the Guards Captain Knauer (William Fitchtner).
Paul eventually meets a helpful inmate known as Caretaker (Chris Rock), who shows him the ropes of prison life, and becomes a good friend for Crewe, who certainly needs friends, as there are more than a few guards and prisoners who lost money on the game he through years ago.
In time, Crew is forced by the Warden to organize a team of prisoners for a tune up game with the guards. In a series of comedic moments, Paul and Caretaker have to take drastic measures in order to organize a team from the prisoners including a game of basketball that is rougher than most games Paul had to face on the playing fields of the NFL.
Onboard to assist Paul is Coach Nate Scarborough (Burt Reynolds), who provides a much needed spark and wisdom to the team and as a former football great, allows Paul to unload some of the burden of getting the team and himself ready to play.
Of course there will be some subterfuge afoot, and the guards are not about to allow the prisoners any sense of hope, which all leads to a very funny series of point/counterpoint moves on the part of both teams to undermine the other.
When news of the game gets out, it is not long before ESPN 2 wants to televise the return of Paul Crewe, and the game soon becomes a national showcase. Since Warden Hazen has political aspirations, the outcome of the game in his favor becomes paramount forcing him to increase the pressure, and forces Paul to make a very important choice.
While the film follows the basic premise of the original, it has been updated to take advantage of modern humor and fine supporting cast. Many ex-NFL players ranging from Brian Bosworth, Michael Irvin, Bill Romanowski, and Bill Goldberg are in the film as well as wrestlers Steve Austin, Kevin Nash, and rapper Nelly.
While some may say the film is predictable, Sandler and the supporting cast do a great job in mixing humor with some of the more serious issues of prison life which results in a film that masterfully mixes humor, sports action, and human drama to create one of the better sports films in recent memory.
The film stars Adam Sandler as Paul Crewe, a former NFL star quarterback who was banned from the league after allegedly throwing a game. As the film opens, Crewe is spending his time as a boy toy for a snobby socialite who is happy to capitalize on being seen with him, and parading Paul through various promotional ventures.
After reaching his breaking point, Paul lashes back by “borrowing” her car and leading several police officers on a high speed, and drunken chase through the streets. The resulting carnage is not only captured on live television, but awards Paul a three year prison term.
Upon arriving in the remote prison location, Crewe is introduced to Warden Hazen (James Cromwell), who attempts to recruit Crewe to help him with his semi-pro team. Crewe declines as he was urged to forcibly by Captain of the Guards Captain Knauer (William Fitchtner).
Paul eventually meets a helpful inmate known as Caretaker (Chris Rock), who shows him the ropes of prison life, and becomes a good friend for Crewe, who certainly needs friends, as there are more than a few guards and prisoners who lost money on the game he through years ago.
In time, Crew is forced by the Warden to organize a team of prisoners for a tune up game with the guards. In a series of comedic moments, Paul and Caretaker have to take drastic measures in order to organize a team from the prisoners including a game of basketball that is rougher than most games Paul had to face on the playing fields of the NFL.
Onboard to assist Paul is Coach Nate Scarborough (Burt Reynolds), who provides a much needed spark and wisdom to the team and as a former football great, allows Paul to unload some of the burden of getting the team and himself ready to play.
Of course there will be some subterfuge afoot, and the guards are not about to allow the prisoners any sense of hope, which all leads to a very funny series of point/counterpoint moves on the part of both teams to undermine the other.
When news of the game gets out, it is not long before ESPN 2 wants to televise the return of Paul Crewe, and the game soon becomes a national showcase. Since Warden Hazen has political aspirations, the outcome of the game in his favor becomes paramount forcing him to increase the pressure, and forces Paul to make a very important choice.
While the film follows the basic premise of the original, it has been updated to take advantage of modern humor and fine supporting cast. Many ex-NFL players ranging from Brian Bosworth, Michael Irvin, Bill Romanowski, and Bill Goldberg are in the film as well as wrestlers Steve Austin, Kevin Nash, and rapper Nelly.
While some may say the film is predictable, Sandler and the supporting cast do a great job in mixing humor with some of the more serious issues of prison life which results in a film that masterfully mixes humor, sports action, and human drama to create one of the better sports films in recent memory.
Darren (1599 KP) rated Annabelle Comes Home (2019) in Movies
Jul 10, 2019
Director: Gary Dauberman
Writer: Gary Dauberman (Screenplay) James Wan (Story)
Starring: Vera Farmiga, Patrick Wilson, Mckenna Grace, Madison Iseman, Katie Sarife, Michael Cimino, Samara Lee
Plot: While babysitting the daughter of Ed and Lorraine Warren, a teenager and her friend unknowingly awaken an evil spirit trapped in a doll.
Tagline – The Next Chapter In The Conjuring Universe
Runtime: 1 Hour 46 Minutes
There may be spoilers in the rest of the review
Verdict: Relentless Scares
Story: Annabelle Comes Home starts one year after the Warren’s Ed (Wilson) and Lorraine (Farmiga) bring the Annabelle doll home, knowing its power to control the other items inside their blessed room. With Ed and Lorraine going on a business trip, it leaves their daughter Judy (Grace) with girl next door babysitter Mary Ellen (Iseman), who has planned a little birthday surprise.
When Mary Ellen’s best friend Daniela (Sarife) decides to visit, with questions about the house, getting a moment alone, she sneaks into the blessed room, only to unleash a host of evil upon the three for a night of terror, all thanks to the dreaded Annabelle doll.
Thoughts on Annabelle Comes Home
Characters – Judy Warren is the daughter of the famous paranormal investigators, she is treated differently at school because of this, with some students being scared, while others just bully her, she does see spirits too and is a shy little girl, she just wants to make friends like any young girl and is struggling with the fact nobody will be her friend except her babysitter Mary Ellen. She does know how to handle herself when hauntings start happening around her house though. Mary Ellen is the girl next door babysitter, she might well be worried about who will take her to homecoming, but she is a friend that Judy needs. Daniela Rios is the best friend of Mary Ellen, she invites herself over to look around, in hopes that she could find a way to connect with her deceased father, whose death was an accident, but she believes was her fault, she unleashes all the evil items on the household, which would make her truly horrible, until you add in the reason why she is trying to find forgiveness. Ed and Lorraine are the familiar faces, only they are basically extended cameos in the film. Bob is the love interest of Mary Ellen and he does through the generic awkward moments of trying to ask her out, he is good for a laugh too.
Performances – McKenna Grace takes over the role of the daughter, she does make us believe that her character has become distant from the world around her, makes us believe she is feeling lonely and isolated too. Madison Iseman makes for an easy pick for the babysitter, she comes off friendly and gives the scream level required to show the fear. Katie Sarife is strong as friend who unleashes everything, somehow making a character we could hate feel sympathy towards. Vera Farmiga and Patrick Wilson do seem to be here as a draw, only they are barely even in the film.
Story – The story here follows a babysitter’s friend visiting the Warren’s house who unleashes all the evil from the safety, only for the three girls needing to put a halt to this before they can become the latest victims of the curses they have. This story does have a few positives and negatives, the first positive being see how the daughter of the Warren’s is struggling with making connections in life because of their work, we could have easily dived deeper with this, but it was nice to see a change in why somebody is isolated. The pure number of different evil figures we meet through the film is brilliant to see because this opens the doors to seemingly endless amounts of spin off movies now, which could be seen as a negative because, while this is an Annabelle movie, it does tend to focus on the other evil, instead of the main one attached to Annabelle. We could get into character decisions, which aren’t the smartest especially when it comes to knowing who the character of Judy is meant to be.
Horror/Mystery – The horror in the film, is an endless amounts of jump scares, this does work because each does have its own way of being effective, even if a lot if music goes silent and either a boom or something charging the screen. The mystery comes from each new evil that we get to see, we get glimpses into a few leading us to only want to know more.
Settings – The film is set in one singular location, the Warren house, this has all the evil set up within it, which means once it comes out and traps them, they don’t know what will come next.
Special Effects – The effect in the film are strong throughout, with each creation look different, with a couple of tricks for the Ferryman coming off nicely.
Scene of the Movie – The circular shot, I am a fan of this shot even if it was the same as the Nun.
That Moment That Annoyed Me – I can’t help but think one of the rules for babysitting at the Warren’s, would be, anything slightly strange happens, get out until we come home.
Final Thoughts – This is a nice jump scare filled horror, it has plenty of references to the previous films and does leave us wanting more from this universe.
Overall: Jump scares for everyone.
Rating
Writer: Gary Dauberman (Screenplay) James Wan (Story)
Starring: Vera Farmiga, Patrick Wilson, Mckenna Grace, Madison Iseman, Katie Sarife, Michael Cimino, Samara Lee
Plot: While babysitting the daughter of Ed and Lorraine Warren, a teenager and her friend unknowingly awaken an evil spirit trapped in a doll.
Tagline – The Next Chapter In The Conjuring Universe
Runtime: 1 Hour 46 Minutes
There may be spoilers in the rest of the review
Verdict: Relentless Scares
Story: Annabelle Comes Home starts one year after the Warren’s Ed (Wilson) and Lorraine (Farmiga) bring the Annabelle doll home, knowing its power to control the other items inside their blessed room. With Ed and Lorraine going on a business trip, it leaves their daughter Judy (Grace) with girl next door babysitter Mary Ellen (Iseman), who has planned a little birthday surprise.
When Mary Ellen’s best friend Daniela (Sarife) decides to visit, with questions about the house, getting a moment alone, she sneaks into the blessed room, only to unleash a host of evil upon the three for a night of terror, all thanks to the dreaded Annabelle doll.
Thoughts on Annabelle Comes Home
Characters – Judy Warren is the daughter of the famous paranormal investigators, she is treated differently at school because of this, with some students being scared, while others just bully her, she does see spirits too and is a shy little girl, she just wants to make friends like any young girl and is struggling with the fact nobody will be her friend except her babysitter Mary Ellen. She does know how to handle herself when hauntings start happening around her house though. Mary Ellen is the girl next door babysitter, she might well be worried about who will take her to homecoming, but she is a friend that Judy needs. Daniela Rios is the best friend of Mary Ellen, she invites herself over to look around, in hopes that she could find a way to connect with her deceased father, whose death was an accident, but she believes was her fault, she unleashes all the evil items on the household, which would make her truly horrible, until you add in the reason why she is trying to find forgiveness. Ed and Lorraine are the familiar faces, only they are basically extended cameos in the film. Bob is the love interest of Mary Ellen and he does through the generic awkward moments of trying to ask her out, he is good for a laugh too.
Performances – McKenna Grace takes over the role of the daughter, she does make us believe that her character has become distant from the world around her, makes us believe she is feeling lonely and isolated too. Madison Iseman makes for an easy pick for the babysitter, she comes off friendly and gives the scream level required to show the fear. Katie Sarife is strong as friend who unleashes everything, somehow making a character we could hate feel sympathy towards. Vera Farmiga and Patrick Wilson do seem to be here as a draw, only they are barely even in the film.
Story – The story here follows a babysitter’s friend visiting the Warren’s house who unleashes all the evil from the safety, only for the three girls needing to put a halt to this before they can become the latest victims of the curses they have. This story does have a few positives and negatives, the first positive being see how the daughter of the Warren’s is struggling with making connections in life because of their work, we could have easily dived deeper with this, but it was nice to see a change in why somebody is isolated. The pure number of different evil figures we meet through the film is brilliant to see because this opens the doors to seemingly endless amounts of spin off movies now, which could be seen as a negative because, while this is an Annabelle movie, it does tend to focus on the other evil, instead of the main one attached to Annabelle. We could get into character decisions, which aren’t the smartest especially when it comes to knowing who the character of Judy is meant to be.
Horror/Mystery – The horror in the film, is an endless amounts of jump scares, this does work because each does have its own way of being effective, even if a lot if music goes silent and either a boom or something charging the screen. The mystery comes from each new evil that we get to see, we get glimpses into a few leading us to only want to know more.
Settings – The film is set in one singular location, the Warren house, this has all the evil set up within it, which means once it comes out and traps them, they don’t know what will come next.
Special Effects – The effect in the film are strong throughout, with each creation look different, with a couple of tricks for the Ferryman coming off nicely.
Scene of the Movie – The circular shot, I am a fan of this shot even if it was the same as the Nun.
That Moment That Annoyed Me – I can’t help but think one of the rules for babysitting at the Warren’s, would be, anything slightly strange happens, get out until we come home.
Final Thoughts – This is a nice jump scare filled horror, it has plenty of references to the previous films and does leave us wanting more from this universe.
Overall: Jump scares for everyone.
Rating