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David Duchovny recommended Chinatown (1974) in Movies (curated)

 
Chinatown (1974)
Chinatown (1974)
1974 | Classics, Drama, Mystery
8.1 (8 Ratings)
Movie Favorite Watch

"I’m gonna say Chinatown. That’s just great storytelling, acting, directing. I think Polanski’s an amazing director. It’s opera, you know. It’s the biggest issues. You can’t tell an epic without a big problem, and Chinatown is brilliant in the sense of Los Angeles history — the whole creation of the Valley, and the diversion of water to make the Valley. [Screenwriter] Robert Towne was able to take a very interesting historical fact — what’d he call it, Mulwray instead of Mulholland? — and tell this amazing personal story about it. I like that very much. I guess The Godfather is similar to that in many ways; obviously based on certain facts. I like that historical aspect to Chinatown as well."

Source
  
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Rufus Wainwright recommended Sweet Dreams (Are Made of This) by Eurythmics in Music (curated)

 
Sweet Dreams (Are Made of This) by Eurythmics
Sweet Dreams (Are Made of This) by Eurythmics
1983 | Rock
(0 Ratings)
Album Favorite

"This record was the precursor to my operatic downfall when I was 13. Before opera there was Annie Lennox - she inhabited that realm of drama and beauty and the ephemeral. So I was obsessed with that record and I think also, even though at the time I wasn't necessarily aware of my sexuality, it definitely spoke to this self-discovery that was bound to happen, regarding the tenuous nature of gender. That album cover with her looking like a man was just so life-changing – I imagine a bit like when people saw Bowie's record covers. For me, Annie Lennox in that macho pose made so much sense without me knowing what the hell it meant."

Source
  
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David McK (3425 KP) rated V for Vendetta (2005) in Movies

Oct 23, 2022  
V for Vendetta (2005)
V for Vendetta (2005)
2005 | Action, Thriller
7
7.7 (58 Ratings)
Movie Rating Watch
Remember, remember, the fifth of November ...
2005 adaptation of the 1980's Alan Moore classic, set in a near-future dystopian Britain where the populous is afraid of the (fascist) government, and where a vigilant known only as V uses terrorist tactics to rebel against said government and slowly falls for a young reporter named Evie

The story, then, has more than a hint of The Phantom of the Opera about it - both involve masked figures who live in the shadowy underworld, both involve melodrama and a star-crossed love story - with Hugo Weaving never once showing his face through the entire runtime, but still - impressively - able to convey his emotions through his acting.