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I am most familiar with the tale of the Phantom of the Opera from the musical of that name. It is likely different from the book by Gaston Leroux. I havent read the original novel that inspired the opera and RoseBlood itself in years. As a result, I am sure that I miss some nods to the original or nuances that people more familiar with the story will understand.
Our main character, Rune has a unique relationship with music. Certain works, usually arias written for women, speak to her and make their home in her soul. Upon hearing the soaring notes, she is immediately overtaken by the need to sing and expel the music. When she was younger and her father accompanied her on the violin, those moments were glorious but they did not last. Her father became ill and then died, leaving her with no accompaniment and the music began to cage her. No longer could she just release the notes inside her, but they took something with them and left her feeling ill. If the piece spoke to her she had no choice but let it overwhelm her vocal cords and release.
The Phantom lives in his classic dark dwelling beneath the school, which was once an opera house. He travels the underground river via a boat, has various neglected instruments strewn about and is friendly with a red swan. Just your normal phantom behavior. Pretty early on, we learn that who we first believe to be this iteration of the phantom is not the one from the book and are introduced to the Phantom himself. The Phantom is Thorns guardian and teacher, although he has been sickly lately and Thorn has been taking care of him.
There is an interesting addition in this version of auras and chakras. Rune, Thorn and the Phantom are able to see the music as it fills the air with colour. The Phantom even taught Thorn how to harness that auric energy from emotions, and the even more powerful music, to do things like manipulating feelings and thoughts. Together, Thorn and the Phantom plan to alienate Rune from her teachers and classmates until she discovers the lair surrenders to the darkness and they hope she gives up her music to them.
Runes first day at RoseBlood does not go exactly as she hoped, but her new friend and peer advisor, Sunny introduces her to Jackson Reynolds. My immediate feelings about the two were that they were playing this retelling's version of Meg and Raoul, whether that is, in fact, true you shall have to discover by reading the book. Her relationship with her Phantom parallels that of the original, as he helps her to calm the music inside her.
Although the author provides reasoning later on for their immediate connection and trust, it still feels like insta-love. To know someone for only a short while and frequently consider abandoning or betraying everything youve ever known and believed in for the past decade. That is intense and not something people could just easily give up on whether it is the right way or not.
While I did enjoy this book, I probably would not go out and purchase a copy for myself. In order to make this the next chapter of the Phantom of the Opera, rather than a re-telling the author added some different aspects to the story that were not in the original. I am not entirely sure how I feel about this change it was interesting but as I was reading I didnt feel or believe that it was as well thought out as it should have been. I think that the idea of the story was a lot more intriguing than the actual execution of it ended up being.
After the conclusion of the book, there is a note from the author that describes what inspired her to write this version of the story. It shows where she got each of her ideas and the amount of thought that went into them. As I stated before, I see the merit of each addition (and admire the research that went into them) but it just seemed to be a little too much added and it became unwieldy.
Our main character, Rune has a unique relationship with music. Certain works, usually arias written for women, speak to her and make their home in her soul. Upon hearing the soaring notes, she is immediately overtaken by the need to sing and expel the music. When she was younger and her father accompanied her on the violin, those moments were glorious but they did not last. Her father became ill and then died, leaving her with no accompaniment and the music began to cage her. No longer could she just release the notes inside her, but they took something with them and left her feeling ill. If the piece spoke to her she had no choice but let it overwhelm her vocal cords and release.
The Phantom lives in his classic dark dwelling beneath the school, which was once an opera house. He travels the underground river via a boat, has various neglected instruments strewn about and is friendly with a red swan. Just your normal phantom behavior. Pretty early on, we learn that who we first believe to be this iteration of the phantom is not the one from the book and are introduced to the Phantom himself. The Phantom is Thorns guardian and teacher, although he has been sickly lately and Thorn has been taking care of him.
There is an interesting addition in this version of auras and chakras. Rune, Thorn and the Phantom are able to see the music as it fills the air with colour. The Phantom even taught Thorn how to harness that auric energy from emotions, and the even more powerful music, to do things like manipulating feelings and thoughts. Together, Thorn and the Phantom plan to alienate Rune from her teachers and classmates until she discovers the lair surrenders to the darkness and they hope she gives up her music to them.
Runes first day at RoseBlood does not go exactly as she hoped, but her new friend and peer advisor, Sunny introduces her to Jackson Reynolds. My immediate feelings about the two were that they were playing this retelling's version of Meg and Raoul, whether that is, in fact, true you shall have to discover by reading the book. Her relationship with her Phantom parallels that of the original, as he helps her to calm the music inside her.
Although the author provides reasoning later on for their immediate connection and trust, it still feels like insta-love. To know someone for only a short while and frequently consider abandoning or betraying everything youve ever known and believed in for the past decade. That is intense and not something people could just easily give up on whether it is the right way or not.
While I did enjoy this book, I probably would not go out and purchase a copy for myself. In order to make this the next chapter of the Phantom of the Opera, rather than a re-telling the author added some different aspects to the story that were not in the original. I am not entirely sure how I feel about this change it was interesting but as I was reading I didnt feel or believe that it was as well thought out as it should have been. I think that the idea of the story was a lot more intriguing than the actual execution of it ended up being.
After the conclusion of the book, there is a note from the author that describes what inspired her to write this version of the story. It shows where she got each of her ideas and the amount of thought that went into them. As I stated before, I see the merit of each addition (and admire the research that went into them) but it just seemed to be a little too much added and it became unwieldy.
African Theatre: China, India & the Eastern World: Volume 15
Martin Banham, James Gibbs and Femi Osofisan
1.0
Rate It
Book
China is the main focus of this volume, and articles consider the way it is using "soft power" in...
ClareR (5869 KP) rated A Matter of Oaths in Books
Nov 15, 2017
Believable characters (1 more)
Great world building
A worthy Space Opera!
A story that drops you right in to the action. The world building is believable and the characters are diverse. Considering that this was first published in 1988, there are characters of colour. gay and women in positions of unquestioned authority. None of this seems forced, the gay relationship isn't contrived, the leading female character, Rally, isn't over-bearing as so many strong female characters are often written in the past, and she is very competent and highly thought of by other characters in the book.
How this has slipped through the net, I will never understand. This deserves to be more widely known, and it is such a shame that the author didn't publish anything else that I know of or have been able to find. If she did, I would find it, read it and no doubt recommend it!
I would like to thank Netgalley and the publisher, Bloomsbury Caravel, for my copy of the book and the opportunity to read and review it!
How this has slipped through the net, I will never understand. This deserves to be more widely known, and it is such a shame that the author didn't publish anything else that I know of or have been able to find. If she did, I would find it, read it and no doubt recommend it!
I would like to thank Netgalley and the publisher, Bloomsbury Caravel, for my copy of the book and the opportunity to read and review it!
BobbiesDustyPages (1259 KP) rated Arrow - Season 1 in TV
Feb 23, 2018
What DC really needed at the time
Arrow season one was definitely one of the best seasons and really helped DC since they were kinda struggling along at the time this came out compared to Marvel who was put ping out media left and right.
I absolutely loved the cast and characters they all had such great chemistry and really helped to suck you into to the show. While they had plenty of hidden and not so hidden things for long time comic fans you didn't feel like you had to know anything about the characters or the plot before watching but at the same time as a long time standing fan of the comics it was fresh and fun enough where you didn't feel bored.
The only thing that would get to me and that carries on into later seasons which ultimately led to me stop watching the series is it would get very soap opera-y to the point of rolling your eyes at the screen.
I absolutely loved the cast and characters they all had such great chemistry and really helped to suck you into to the show. While they had plenty of hidden and not so hidden things for long time comic fans you didn't feel like you had to know anything about the characters or the plot before watching but at the same time as a long time standing fan of the comics it was fresh and fun enough where you didn't feel bored.
The only thing that would get to me and that carries on into later seasons which ultimately led to me stop watching the series is it would get very soap opera-y to the point of rolling your eyes at the screen.
Goddess in the Stacks (553 KP) rated Redshirts in Books
Dec 23, 2018
Some books are surreal suspensions of disbelief. Some books just make you go "WHAT the FUCK" every couple of chapters when a new twist is revealed, and this is one of the latter. Just - what the FUCK.
Imagine your average sci-fi space opera TV show on cable television with hand-wavey science and half-assed special effects - take those characters and make them realize they're IN A TV SHOW. Let them realize all of their woes are due to shitty writing, and see what they do with that knowledge. THAT is this book, and it is crazy and hilarious and weird and eye-roll-inducing.
Between the time travel, the Box that does magic science behind the scenes so things work out on-screen, the Narrative taking control and making people say and do things they wouldn't otherwise do - this book is wacky and just full of what-the-fuckery. It's fun, though, and if you can keep yourself from groaning out loud every few pages, it's a pretty good read.
You can find all my reviews at http://goddessinthestacks.com
Imagine your average sci-fi space opera TV show on cable television with hand-wavey science and half-assed special effects - take those characters and make them realize they're IN A TV SHOW. Let them realize all of their woes are due to shitty writing, and see what they do with that knowledge. THAT is this book, and it is crazy and hilarious and weird and eye-roll-inducing.
Between the time travel, the Box that does magic science behind the scenes so things work out on-screen, the Narrative taking control and making people say and do things they wouldn't otherwise do - this book is wacky and just full of what-the-fuckery. It's fun, though, and if you can keep yourself from groaning out loud every few pages, it's a pretty good read.
You can find all my reviews at http://goddessinthestacks.com
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