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LoganCrews (2861 KP) rated Jarhead (2005) in Movies
Sep 20, 2020
šš°šÆš¦š©š¦š¢š„. At least 90% surface-level and even more largely reductive - of course it is - but it's also totally incompetent. A 2+ hour torture session slog through a barren wasteland visually (Deakins of course shoots the living hell out of it, so there's some damn fine imagery every now and again but Jesus Christ could we do more than two fucking [mawkish and over-obviously symbolized] colors for this whole thing?) but moreso narratively, where this has absolutely nothing to say. You'd think this intentionally dances right around any sort of gift-wrapped commentary about the Gulf War, toxic masculinity, the late 1980s, the American military for young men, or literally anything at all with how dead and non-thematic this awkward crawl is. It can't even be bothered in exploring its own characters lives, I kept forgetting who these people even were - the movie clearly didn't care about them so why should I? Also has the same problem most of these one-dimensional, pandering, tedious war flicks have where it rushes right through the supposed pivotal moment all of this arduous buildup was clearly meant for when they all return home and it's only like 5 minutes of soap opera-level crap and a cheesy 'mic drop' finisher. At its best when it gets weird and Sam Mendes-y, and I can't say it's without solid moments of haunt - plus Gyllenhaal, Sarsgaard, and Foxx keep it marginally more tolerable - but even if it *could* handle its tone (spoiler alert, it can't) this still plays like it was made by complete idiots who only cared about this being would-be Oscar bait.
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I have to admit, Iām not a huge fan of opera, but Diva held me in its thrall from the off. Maria Callasā life was fascinating: she was dramatic, striking, dedicated and vulnerable. Her mother had exploited her voice in Nazi-occupied Greece, which Maria never forgave her for, and she cuts her off when she makes it big. But even though Callas makes out that she canāt be used again for otherās financial gain, it does happen.
Then she meets Aristotle Onassis - the love of her life. This relationship must have looked so romantic at the time, and it seems that Maria thought so. She believed that Onassis saw her for who she really was. I thought this was where her vulnerability was really brought to the fore - and as she lets her guard down, he does the inevitable and lets her down.
I really liked the way this was set out: Callasā career was interspersed with flashbacks of her early life, and as I was listening to the audiobook there were excerpts from songs (arias?)in between chapters. I actually headed to Spotify to listen to more after listening to a couple of these (thereās a playlist linked to the book: Diva by Daisy Goodwin). The narrator, Lorelei King made for an excellent Maria Callas as well as ājustā a narrator. She was very convincing.
I was completely sucked in to Maria Callasā life whilst I was listening to this. She was quite some woman, and she was brought to life whilst I listened. My only complaint is that it ended too soon!
Then she meets Aristotle Onassis - the love of her life. This relationship must have looked so romantic at the time, and it seems that Maria thought so. She believed that Onassis saw her for who she really was. I thought this was where her vulnerability was really brought to the fore - and as she lets her guard down, he does the inevitable and lets her down.
I really liked the way this was set out: Callasā career was interspersed with flashbacks of her early life, and as I was listening to the audiobook there were excerpts from songs (arias?)in between chapters. I actually headed to Spotify to listen to more after listening to a couple of these (thereās a playlist linked to the book: Diva by Daisy Goodwin). The narrator, Lorelei King made for an excellent Maria Callas as well as ājustā a narrator. She was very convincing.
I was completely sucked in to Maria Callasā life whilst I was listening to this. She was quite some woman, and she was brought to life whilst I listened. My only complaint is that it ended too soon!
Rachel King (13 KP) rated Never Let You Go in Books
Feb 11, 2019
I was originally drawn to this book because it was about a mother fighting for her daughter. As a mother of two young daughters who has already been through quite a bit of fighting for them, I can relate. Once I got into the book, I was a bit put off partly because I was introduced to too many characters so soon into the plot and a lack of unique characterization made it difficult for me to keep up with the plot (and this is coming from someone who has read Sara Douglass). A second reason was that it somewhat reminded me of another book I read recently with the meth theme. Drugs are just not something that I purposely want to read about in my fiction. The only thing that really kept me reading was Lexi's relationship with her daughter, Molly. Along the way, I discovered that there actually is a fantasy-like aspect to the book that is difficult to see for at least half the book. This is probably as close as you can get to the fantasy genre without actually qualifying for the classification. I so badly wanted the book to come "out with it" over the supernatural aspect that I flew through the rest of the book. The ending was mostly satisfying in that the bad guy gets his just desserts and all the lose ends are tied up appropriately, but my fantasy-loving side wanted a more fantastical intervention than what actually occurred. At times, the plot felt like a soap-opera, with Lexi's affair and two other characters being convicts, as well as Ward's constant harrassments and almost reality-defying omnipresence. I would describe the book as high-intensity suspense combined with overdramatic reality and a dash of supernatural.
Kristy H (1252 KP) rated Winter in Paradise in Books
Apr 4, 2019 (Updated Apr 5, 2019)
Great, engaging read
This was such a good book. I found it to be totally engrossing. It was a compelling read: dramatic in some places and fun and engaging in others. As always, Hilderbrand has a way of reeling you in. Her characters are so real and fully formed. I could feel Irene's pain and shock; Baker and Cash's disbelief; and the horror of those on the island, who lost someone they loved, as well.
Maybe it's just the part of me who loves a good soap opera, but I was totally swept up in the drama of this novel. I felt completely transported into the world of the Steeles and St. John island. While I'll have to wait a while for the next book in this series (more on that in a bit), I enjoyed this book so much that it had me tracking down Hilderbrand's Winter series, so I could continue reading her work. I have the first three books (of four), so I will be digging into those soon. Not since I read a book by Liane Moriarty and then read her entire catalog, have I felt so into an author at the moment.
And speaking of this series, there's definitely a cliffhanger at the end. Be prepared. I'm quite excited to read the next book and see where the Steele family and all their drama and intrigue takes us. Such unlikely partnerships form in this one; there's an exciting love triangle; there are interesting island characters--it's such a fun book.
Overall, this is a great read. It's engaging, and heartbreaking at times and sweet and funny at others. I loved the characters and felt totally caught up in the story. I am very much looking forward to book #2 (if not the wait for it!).
Maybe it's just the part of me who loves a good soap opera, but I was totally swept up in the drama of this novel. I felt completely transported into the world of the Steeles and St. John island. While I'll have to wait a while for the next book in this series (more on that in a bit), I enjoyed this book so much that it had me tracking down Hilderbrand's Winter series, so I could continue reading her work. I have the first three books (of four), so I will be digging into those soon. Not since I read a book by Liane Moriarty and then read her entire catalog, have I felt so into an author at the moment.
And speaking of this series, there's definitely a cliffhanger at the end. Be prepared. I'm quite excited to read the next book and see where the Steele family and all their drama and intrigue takes us. Such unlikely partnerships form in this one; there's an exciting love triangle; there are interesting island characters--it's such a fun book.
Overall, this is a great read. It's engaging, and heartbreaking at times and sweet and funny at others. I loved the characters and felt totally caught up in the story. I am very much looking forward to book #2 (if not the wait for it!).
Scott Tostik (389 KP) rated Zombeavers (2015) in Movies
Jan 4, 2019
Cool Cameos (2 more)
John Mayer and Bill Burr... That's right I said John Fuckin Mayer
B Movie Hall of Fame candidate
Zom what???
Upon forst look, a title like Zombeavers, kind of makes you think of porn... Rob Rotten porn... But once you dive ( get it...dive) into Zombeavers you cant help bit want to stick around and see what these creatures look like.
And, in all cheesey movie goodness... The hand puppeted varments look like shit... They flop around aimlessly in an attempt to look like they are attacking with great vigor... Only to come across like a dying trout, flipping and slopping through the air on the ground.
Bill Burr and a nearly unrecognizable John Mayer open the movie as two good ol boy toxic waste drivers who "unknowingly" dump a barrel of some kind of hazardous chemicals off their truck as they're discussing prison sex and gettin blown by dudes... Comedic genius honestly... It's brilliant.
But overall, this cast of not a lot of anyones... Including some chick from American Soap Opera Days of our Lives... And some other girl from Death House can not save this trainwreck of a film. Its good in a way that is meant not to be good.
Over all cheese factor... Tostitos Con Queso Cheese Dip... That was left out of the fridge and had papers piled in top of it on your coffee table... So when you open it, it attacks your senses in all the wrong days.
While I'd love to give it a higher rating... I can not see giving it over a five.
And, in all cheesey movie goodness... The hand puppeted varments look like shit... They flop around aimlessly in an attempt to look like they are attacking with great vigor... Only to come across like a dying trout, flipping and slopping through the air on the ground.
Bill Burr and a nearly unrecognizable John Mayer open the movie as two good ol boy toxic waste drivers who "unknowingly" dump a barrel of some kind of hazardous chemicals off their truck as they're discussing prison sex and gettin blown by dudes... Comedic genius honestly... It's brilliant.
But overall, this cast of not a lot of anyones... Including some chick from American Soap Opera Days of our Lives... And some other girl from Death House can not save this trainwreck of a film. Its good in a way that is meant not to be good.
Over all cheese factor... Tostitos Con Queso Cheese Dip... That was left out of the fridge and had papers piled in top of it on your coffee table... So when you open it, it attacks your senses in all the wrong days.
While I'd love to give it a higher rating... I can not see giving it over a five.