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Sassy Brit (97 KP) rated Romanov in Books
Jun 6, 2019
^^ The Romanovs are an ancient family of vampires, to which Anna belongs, but after the death of her father, they are now in hiding for their own protection. When she meets a lad, Eric, college student and human, their bond is so strong they fall in love hard. Yes, it’s literally love at first sight. But unbeknown to Eric, danger is close, always watching and threatening to pounce from the shadows. Can Anna protect the ones she loves, when someone or something is out to eradicate the Romanov family and all those that stand in their way?
^^ This is written from different points of view, which allows us to see this intriguing story from several angles. At the end of every chapter there’s a sense of something lurking in the shadows, watching, following, and it could attack at any time. Whilst this added to the suspense and made for great foreshadowing, it was drawn out over a lot of pages, and felt a little repetitive at times.
^^ What I loved about this was the ‘new adult’ romance theme of which gave way to a large proportion of this book. With danger lurking around every corner, Anna soon discovers that she had to look out for not only her own family, but protect her beau, Eric, too. There is also an unusual shape-shifting, supernatural element to this tale, both of which I found added different levels to this modern vampire story. It’s not all as straightforward, as it might – at first – seem.
^^ This story feels like the beginning of a much larger tale, since we are introduced to a lot of characters and different families, all living their lives as they know how. It reminded me of a soap opera, where we watch the lives of many families unravel before our very eyes. An unknown danger is making every effort to thwart the Romanov’s survival, but is Anna strong enough to overcome this evil?
Overall: Samaire Provost has created an atmospheric vampire story with a difference, in that the creatures within are not your standard monsters and their world consists of different rules and ideals. That alone is quite refreshing in this vampire story. Saying that, this is not just a book about vampires, it’s about families, feuds, survival of the fittest and how far you’d go to protect the ones you love. I found it an enjoyable, clever read and it should appeal to readers of vampire fiction who like something a little different from the norm.
^^ This is written from different points of view, which allows us to see this intriguing story from several angles. At the end of every chapter there’s a sense of something lurking in the shadows, watching, following, and it could attack at any time. Whilst this added to the suspense and made for great foreshadowing, it was drawn out over a lot of pages, and felt a little repetitive at times.
^^ What I loved about this was the ‘new adult’ romance theme of which gave way to a large proportion of this book. With danger lurking around every corner, Anna soon discovers that she had to look out for not only her own family, but protect her beau, Eric, too. There is also an unusual shape-shifting, supernatural element to this tale, both of which I found added different levels to this modern vampire story. It’s not all as straightforward, as it might – at first – seem.
^^ This story feels like the beginning of a much larger tale, since we are introduced to a lot of characters and different families, all living their lives as they know how. It reminded me of a soap opera, where we watch the lives of many families unravel before our very eyes. An unknown danger is making every effort to thwart the Romanov’s survival, but is Anna strong enough to overcome this evil?
Overall: Samaire Provost has created an atmospheric vampire story with a difference, in that the creatures within are not your standard monsters and their world consists of different rules and ideals. That alone is quite refreshing in this vampire story. Saying that, this is not just a book about vampires, it’s about families, feuds, survival of the fittest and how far you’d go to protect the ones you love. I found it an enjoyable, clever read and it should appeal to readers of vampire fiction who like something a little different from the norm.
Janeeny (200 KP) rated Persuasion in Books
Jun 10, 2019
I’m always a little dubious about certain ‘Classics’. Give me a Charles Dickens or an HG Wells any day of the week and I’m happy. I become a little more dubious around what I call ‘society’ classics, like George Elliot and Jane Austen. It all stems from the time I read Middlemarch and found it to be a 900 page soap opera where NOTHING ACTUALLY HAPPENS!! Although so far I have never been disappointed by a Jane Austen novel, when I have to read a book that essentially revolves around social customs and classes I break out in a cold sweat! .
So I was a little apprehensive when my recommended book for the month from my Penguin Reading challenge was 'Persuasion', but at 249 pages I thought I’d just crack on and get it over with.
I was pleasantly surprised.
Persuasion is about a young woman named Anne Elliot who, previous to the beginning of the story, was betrothed to Naval Officer Frederick Wentworth, but broke it off after being 'persuaded' (see what they did there!) by her family and a close friend that the match was beneath her. It is seven years later and Anne discovers that Wentworth has returned and is, lamentably, involved in her social circle. What follows is a deep exploration of Anne's feelings, thoughts and regrets on the decision she made 7 years ago, and the circumstances that may allow her to make amends.
As I said before I haven’t been disappointed by a Jane Austen novel yet, and this one was no exception. It is essentially a ‘will they wont they’ story that does keep you guessing until the end. Whilst it is a basic storyline it is laced with little dramas that keep you engaged but do not overshadow the main story.
In the introduction in my book it says that Jane Austen once described Anne Elliot as “almost too good for me” I can understand what she means as Anne is a very self-effacing heroin. She puts others thoughts and needs before her own and has an equitable view of the world. Unfortunately in my eyes this does make her far too pliant, and whilst this aspect of her does lend to the back story of why she never married Wentworth seven years ago, when she is insulted and exploited by her family I did find myself wishing she had a little more gumption.
Aside from that I found it a very pleasant societal love story.
So I was a little apprehensive when my recommended book for the month from my Penguin Reading challenge was 'Persuasion', but at 249 pages I thought I’d just crack on and get it over with.
I was pleasantly surprised.
Persuasion is about a young woman named Anne Elliot who, previous to the beginning of the story, was betrothed to Naval Officer Frederick Wentworth, but broke it off after being 'persuaded' (see what they did there!) by her family and a close friend that the match was beneath her. It is seven years later and Anne discovers that Wentworth has returned and is, lamentably, involved in her social circle. What follows is a deep exploration of Anne's feelings, thoughts and regrets on the decision she made 7 years ago, and the circumstances that may allow her to make amends.
As I said before I haven’t been disappointed by a Jane Austen novel yet, and this one was no exception. It is essentially a ‘will they wont they’ story that does keep you guessing until the end. Whilst it is a basic storyline it is laced with little dramas that keep you engaged but do not overshadow the main story.
In the introduction in my book it says that Jane Austen once described Anne Elliot as “almost too good for me” I can understand what she means as Anne is a very self-effacing heroin. She puts others thoughts and needs before her own and has an equitable view of the world. Unfortunately in my eyes this does make her far too pliant, and whilst this aspect of her does lend to the back story of why she never married Wentworth seven years ago, when she is insulted and exploited by her family I did find myself wishing she had a little more gumption.
Aside from that I found it a very pleasant societal love story.
Gareth von Kallenbach (980 KP) rated Joy (2015) in Movies
Aug 6, 2019
Jennifer Lawrence (Joy), Robert De Niro (Rudy, Joy’s father),
Bradley Cooper (Neil Walker, Joy’s eventual boss), Edgar Ramirez (Tony,
Joy’s ex-husband), Isabella Rossellini (Trudy, Rudy’s girlfriend), Diane
Ladd (Mimi, Joy’s grandmother), Virginia Madsen (Terry, Joys mother),
and Elisabeth Röhm (Peggy, Joys half-sister)
Also making appearances that were notable to me were Susan Lucci as
Danica, a character seen on the TV soap opera that Joys mother Terry is
constantly watching, and Melissa Rivers, playing her mother Joan Rivers
on the TV channel QVC.
David O. Russel wrote, directed and produced the film, bringing the
headliners back for yet another go ‘round, after the successes of Silver
Linings Playbook and American Hustle.
Joy is a divorced mother of 2, living in a house with her Grandmother
Mimi, who she adores, her mother, who practically never leaves her room,
her 2 kids, and her ex-husband in the basement. Shortly after the film
begins, her father Rudy also moves into the basement.
Joy struggles through her life every day, never quite able to get ahead,
and always just barely making ends meet. Her grandmother has big dreams
for her and insists that Joy will “rise above” and “make something” of
her life, but Joy struggles to have faith, and indeed, to even begin to
figure out how to go about such a seeming monumental task.
The story follows Joy and her family through somewhat ridiculous
scenarios, and while it was acted well by Jennifer Lawrence, De Niro,
and most of the rest of the cast, I had a hard time really getting into
the film.
I kept finding myself wondering why Joys family wasn’t more supportive
and why they all, with the exception of her Mimi and her ex-husband,
seemed to be more trying to bring her down and keep her down, than
giving her a boost and a push up. I always have liked Robert De Niro,
but in this film found myself seriously disliking him. I suppose that
speaks to his ability as an actor and being able to portray a role in
which he is “supposed to be” less than 100% likeable.
Jennifer Lawrence as Joy shows tenaciousness, grit and a will to succeed
and “rise above”, at least once she gets to the point in the film where
she has “HAD ENOUGH” of being walked on and disregarded, and plays the
part wonderfully.
I kept hoping to like the movie better, but sadly, also kept waiting for
it to GET better.
Bradley Cooper (Neil Walker, Joy’s eventual boss), Edgar Ramirez (Tony,
Joy’s ex-husband), Isabella Rossellini (Trudy, Rudy’s girlfriend), Diane
Ladd (Mimi, Joy’s grandmother), Virginia Madsen (Terry, Joys mother),
and Elisabeth Röhm (Peggy, Joys half-sister)
Also making appearances that were notable to me were Susan Lucci as
Danica, a character seen on the TV soap opera that Joys mother Terry is
constantly watching, and Melissa Rivers, playing her mother Joan Rivers
on the TV channel QVC.
David O. Russel wrote, directed and produced the film, bringing the
headliners back for yet another go ‘round, after the successes of Silver
Linings Playbook and American Hustle.
Joy is a divorced mother of 2, living in a house with her Grandmother
Mimi, who she adores, her mother, who practically never leaves her room,
her 2 kids, and her ex-husband in the basement. Shortly after the film
begins, her father Rudy also moves into the basement.
Joy struggles through her life every day, never quite able to get ahead,
and always just barely making ends meet. Her grandmother has big dreams
for her and insists that Joy will “rise above” and “make something” of
her life, but Joy struggles to have faith, and indeed, to even begin to
figure out how to go about such a seeming monumental task.
The story follows Joy and her family through somewhat ridiculous
scenarios, and while it was acted well by Jennifer Lawrence, De Niro,
and most of the rest of the cast, I had a hard time really getting into
the film.
I kept finding myself wondering why Joys family wasn’t more supportive
and why they all, with the exception of her Mimi and her ex-husband,
seemed to be more trying to bring her down and keep her down, than
giving her a boost and a push up. I always have liked Robert De Niro,
but in this film found myself seriously disliking him. I suppose that
speaks to his ability as an actor and being able to portray a role in
which he is “supposed to be” less than 100% likeable.
Jennifer Lawrence as Joy shows tenaciousness, grit and a will to succeed
and “rise above”, at least once she gets to the point in the film where
she has “HAD ENOUGH” of being walked on and disregarded, and plays the
part wonderfully.
I kept hoping to like the movie better, but sadly, also kept waiting for
it to GET better.
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Lucy Buglass (45 KP) rated Lynn + Lucy (2019) in Movies
Oct 14, 2019
The titular characters in Lynn + Lucy are lifelong best friends, and even live opposite each other on the same street. But the film explores tragic circumstances where a bond this strong can swiftly be broken.
Lynn (Roxanne Scrimshaw) is a married stay-at-home mum turned hairdressing assistant, who is delighted when her best friend Lucy (Nichola Burley) gives birth to her first child. But she is clearly struggling with a new baby and her volatile relationship.
The two friends differ in a lot of ways, as Lynn seems more grounded and content with being a mother, whereas Lucy is a party animal, impulsive and misses life before motherhood. Yet their friendship works and has stood the test of time – until one awful day where everything changes.
Lynn + Lucy plays like an elevated soap opera, that’s reminiscent of kitchen sink realism. The film is fuelled by honest depictions of everyday domestic life, and as a result you won’t see any beautiful cinematography from this.
It’s bleak, it’s raw, and it even feels intrusive at times. It’s likely you’ll feel uncomfortable watching this as a result. Director and writer Fyzal Boulifa forces you to join this community even if you don’t want to be there.
As we’re given insight into what happens behind closed doors, we’re able to see exactly why Lynn and Lucy’s friendship rapidly falls apart. It’s not long before others start gossiping about the tragedy that unfolds for the two friends and the community they live in.
Lynn is forced to get a job as her husband is injured and she’s never been employed before, so she goes to a hairdressers owned by a former classmate. There is certainly a hierarchy there, Lynn sweeps the floors and makes teas and coffees, whilst being reminded that it’s typically a job for a school leaver.
But with no formal qualifications on her CV, it’s all she’s got. And salon owner Janelle (Jennifer Lee Moon) makes sure Lynn knows that, making her life hell and talking about her behind her back. However, Lynn grows close to hairdresser Caroline (Kacey Ainsworth) once her friendship with Lucy is tested.
The salon feels like a high school clique, and is a sad reminder of history repeating itself. I really enjoyed the performances here as it reflected the bleak, realistic nature of the overall story, and how horrible people can still be even when several years have passed.
Lynn + Lucy is a tragic, sometimes amusing, look at working class families and close knit communities, as well as the devastating effects of a personal tragedy.
Expect very difficult themes, lingering camera shots, and a sinking feeling in your stomach at the end. Bring tissues.
Lynn (Roxanne Scrimshaw) is a married stay-at-home mum turned hairdressing assistant, who is delighted when her best friend Lucy (Nichola Burley) gives birth to her first child. But she is clearly struggling with a new baby and her volatile relationship.
The two friends differ in a lot of ways, as Lynn seems more grounded and content with being a mother, whereas Lucy is a party animal, impulsive and misses life before motherhood. Yet their friendship works and has stood the test of time – until one awful day where everything changes.
Lynn + Lucy plays like an elevated soap opera, that’s reminiscent of kitchen sink realism. The film is fuelled by honest depictions of everyday domestic life, and as a result you won’t see any beautiful cinematography from this.
It’s bleak, it’s raw, and it even feels intrusive at times. It’s likely you’ll feel uncomfortable watching this as a result. Director and writer Fyzal Boulifa forces you to join this community even if you don’t want to be there.
As we’re given insight into what happens behind closed doors, we’re able to see exactly why Lynn and Lucy’s friendship rapidly falls apart. It’s not long before others start gossiping about the tragedy that unfolds for the two friends and the community they live in.
Lynn is forced to get a job as her husband is injured and she’s never been employed before, so she goes to a hairdressers owned by a former classmate. There is certainly a hierarchy there, Lynn sweeps the floors and makes teas and coffees, whilst being reminded that it’s typically a job for a school leaver.
But with no formal qualifications on her CV, it’s all she’s got. And salon owner Janelle (Jennifer Lee Moon) makes sure Lynn knows that, making her life hell and talking about her behind her back. However, Lynn grows close to hairdresser Caroline (Kacey Ainsworth) once her friendship with Lucy is tested.
The salon feels like a high school clique, and is a sad reminder of history repeating itself. I really enjoyed the performances here as it reflected the bleak, realistic nature of the overall story, and how horrible people can still be even when several years have passed.
Lynn + Lucy is a tragic, sometimes amusing, look at working class families and close knit communities, as well as the devastating effects of a personal tragedy.
Expect very difficult themes, lingering camera shots, and a sinking feeling in your stomach at the end. Bring tissues.