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BankofMarquis (1832 KP) rated Ghostbusters (1984) in Movies
Oct 30, 2020
A Comedy Classic
My daughter was flipping channels the other day and ran across the great 1984 Supernatural comedy GHOSTBUSTERS and stopped to watch for awhile. As happens with her generation, she eventually got more interested in her phone and friends and wandered away. Me? I was drawn back into this film so much so that I went downstairs, grabbed the DVD (yes, kids, I still own DVDs) and popped the film into my Home Theater System to give it a proper viewing.
I gotta say...I was so inspired by how terrific this film is that I changed course and devoted the 23rd BankofMarquis Movies podcast to this film.
Starring the comedic trio of Bill Murray, Dan Aykroyd and Harold Ramis and featuring Sigourney Weaver, Ernie Hudson and the great Rick Moranis, GHOSTBUSTERS tells the tale of supernatural exterminators called to save NYC when paranormal experiences start escalating in the Big Apple.
But it's not the destination, it's the journey that makes this film so much fun. Told in a standard 2 Act arc - Origin Story followed by a 2nd Act of battling the "Big Bad" - it is the comedic timing and chemistry of the 3 leads that makes this film work (aided by a wonderful "straight man" turn by Sigourney Weaver and a brilliant "side-kick" comedic turn by Rick Moranis).
Credit for keeping this film together, moving and more than just a "series of jokes" is Director Ivan Reitman (STRIPES, MEATBALLS), he had the comedic "cred" to appeal to these 3 big time comedians, but has a Producers sense of efficiency and a Director's command of subject and tone.
This film was Aykroyd's idea and he shines as, Ray Stantz, the heart of the Ghostbusters. He truly believes in what he is doing and has a child-like sense of wonder in his actions. Harold Ramis (more noted as a Writer and a Director) was brought in to co-write Aykroyd's idea, steering it more towards Reitman's idea of humor and writing in a way that would make Murray shine - but he is also wonderfully deadpan as techno-geek Egon Spengler. The serious nerd who never smiles.
But...make no mistake...this film revolves around the antics of con-man Dr. Peter Venkman, a scientist who doesn't believe any of this, but is willing to go along as long as it achieves his goals. And...what are his goals? Well...womanizing and getting through life with as little work as possible. Murray is at the top of his comedic game in this film and most of his scenes are improvised - but, to be fair to the writers, Murrya's riffs are what Ramos and Aykroyd put down on paper. He is the mouth of this film and his energy drives this movie throughout.
Sigourney Weaver proved that she could do more than Sci-Fi action (like ALIEN) when she plays the straightman to these 3 wild-men. She stated that she was channeling her inner Margaret Dumont (straightman to the Marx Brothers) and she does an admirable, charming job in a role that could have easily come off as annoying.
Rick Moranis, of course, almost steals the film as the nerdy accountant neighbor of Weaver's. His improvised riff as he goes around the room at his own party is the stuff of comedic gold.
Ernie Hudson comes along as the 4th Ghostbuster. Many folks thinks that he is the "unnecessary" GhostBuster, but I would argue that he comes along at a time (right after the origin story is complete) to be the audience surrogate - to ask the questions that need to be asked and to get necessary expository passages out.
And...finallly...there is William Atherton as EPA Agent Walter Peck. I kind of feel sorry for this actor, for he had a decent career going up to Ghostbusters, but he was so good as the annoying, buzzkill "anti-Ghostbuster" that serves as the foil for their antics, that he wasn't really accepted in any other kind of role the rest of his career (he would play a version of this character in the first 2 DIE HARD films).
The special effects hold up, just enough to make them passable. Keep in mind that this film was made over 35 years ago and the effects were state of the art back in the day, so I would recommend you cut that some slack.
And...if you do...you'll be rewarded with a rollicking fun time at the movies.
Letter Grade: A
9 stars (out of 10) and you can that to the Bank(OfMarquis)
I gotta say...I was so inspired by how terrific this film is that I changed course and devoted the 23rd BankofMarquis Movies podcast to this film.
Starring the comedic trio of Bill Murray, Dan Aykroyd and Harold Ramis and featuring Sigourney Weaver, Ernie Hudson and the great Rick Moranis, GHOSTBUSTERS tells the tale of supernatural exterminators called to save NYC when paranormal experiences start escalating in the Big Apple.
But it's not the destination, it's the journey that makes this film so much fun. Told in a standard 2 Act arc - Origin Story followed by a 2nd Act of battling the "Big Bad" - it is the comedic timing and chemistry of the 3 leads that makes this film work (aided by a wonderful "straight man" turn by Sigourney Weaver and a brilliant "side-kick" comedic turn by Rick Moranis).
Credit for keeping this film together, moving and more than just a "series of jokes" is Director Ivan Reitman (STRIPES, MEATBALLS), he had the comedic "cred" to appeal to these 3 big time comedians, but has a Producers sense of efficiency and a Director's command of subject and tone.
This film was Aykroyd's idea and he shines as, Ray Stantz, the heart of the Ghostbusters. He truly believes in what he is doing and has a child-like sense of wonder in his actions. Harold Ramis (more noted as a Writer and a Director) was brought in to co-write Aykroyd's idea, steering it more towards Reitman's idea of humor and writing in a way that would make Murray shine - but he is also wonderfully deadpan as techno-geek Egon Spengler. The serious nerd who never smiles.
But...make no mistake...this film revolves around the antics of con-man Dr. Peter Venkman, a scientist who doesn't believe any of this, but is willing to go along as long as it achieves his goals. And...what are his goals? Well...womanizing and getting through life with as little work as possible. Murray is at the top of his comedic game in this film and most of his scenes are improvised - but, to be fair to the writers, Murrya's riffs are what Ramos and Aykroyd put down on paper. He is the mouth of this film and his energy drives this movie throughout.
Sigourney Weaver proved that she could do more than Sci-Fi action (like ALIEN) when she plays the straightman to these 3 wild-men. She stated that she was channeling her inner Margaret Dumont (straightman to the Marx Brothers) and she does an admirable, charming job in a role that could have easily come off as annoying.
Rick Moranis, of course, almost steals the film as the nerdy accountant neighbor of Weaver's. His improvised riff as he goes around the room at his own party is the stuff of comedic gold.
Ernie Hudson comes along as the 4th Ghostbuster. Many folks thinks that he is the "unnecessary" GhostBuster, but I would argue that he comes along at a time (right after the origin story is complete) to be the audience surrogate - to ask the questions that need to be asked and to get necessary expository passages out.
And...finallly...there is William Atherton as EPA Agent Walter Peck. I kind of feel sorry for this actor, for he had a decent career going up to Ghostbusters, but he was so good as the annoying, buzzkill "anti-Ghostbuster" that serves as the foil for their antics, that he wasn't really accepted in any other kind of role the rest of his career (he would play a version of this character in the first 2 DIE HARD films).
The special effects hold up, just enough to make them passable. Keep in mind that this film was made over 35 years ago and the effects were state of the art back in the day, so I would recommend you cut that some slack.
And...if you do...you'll be rewarded with a rollicking fun time at the movies.
Letter Grade: A
9 stars (out of 10) and you can that to the Bank(OfMarquis)
Phillip McSween (751 KP) rated Thor (2011) in Movies
Jun 25, 2019
Action-packed and cracked me up
Thor, the God of Thunder, is about to ascend to his rightful place as King of Asgard and, in the process, will go up against the greatest opposition he has ever faced. While Thor doesn’t quite earn a spot in the upper echelon of Marvel films, it is still quite awesome and pleasing to watch. It’s the fun origin story of how Thor first came to interact with Earthlings.
Acting: 10
Although I cringe when Chris Hemsworth takes his shirt off and my wife is in the room, he plays a damn good Thor. Like Robert Downey’s Tony Stark, you can’t help but fall for Hemsworth’s charisma and how he treats the character. There is one particular moment I think he captured exceptionally well: After tearing through a number of dudes like it’s nothing, he’s staring down at his hammer which is stuck in the mud. He has this confident all-knowing smirk on his face as he prepares to lift it…and the hammer doesn’t budge. The absolute heartbreak he experiences after is definitely felt as you wanted him to succeed. There were a number of other solid performances throughout this film, but Hemsworth steals the show.
Beginning: 10
Characters: 10
It’s hard choosing a favorite Avenger and characters like Thor make it so. He’s got this flared ego about him that should be annoying but it’s somehow both endearing and funny. In one scene, the guy slams a coffee mug down in the middle of a diner because he demands “Another!” cup of the delicious drink. When love interest Jane Foster (Thor) tells him he could have just simply asked for more, he innocently shrugs it off like that was the only way he knew. It’s hilariously believable and one of many scenes that crack you up.
I’ve talked about Thor a lot, but the movie is packed with a number of other characters that make the film spin successfully. I loved Loki’s character arc and his internal struggles. He terribly wants the throne, but there are moments (albeit brief) where you can see him struggling with the things he is doing. Loki and Thor definitely had more depth to their characters than I expected.
Cinematography/Visuals: 10
Conflict: 8
Genre: 6
Memorability: 6
It hasn’t been too long since I watched the movie, but I am already starting to forget some of the things that have happened and it’s honestly blending a bit with the second (which was terrible). A film like Iron Man, in comparison, has stuck with me since the first time I watched it in theaters. Thor didn’t blow me away. Doesn’t mean it wasn’t fun, however.
Pace: 8
For the most part, the movie is good about keeping you motivated with consistent conflict. When it does slow down in spots, there are some funny parts (like the scene in the diner) that help maintain the entertainment value. Less than a handful of dead spots kept this category out of the perfect realm.
Plot: 10
I had no issues with the story or found any holes. It would be easy for a movie like this to cut corners, but it allowed itself to play out organically. I appreciated the nice touch of character development for the sake of adding depth and impact.
Resolution: 5
Definitely the weakest part of the movie overall. I hate when movies purposefully leave you hanging for a sequel a la Spider-Man. The best endings are just that: They end the story and provide closure. Missed the mark here.
Overall: 83
There is a really cool part during Thor where the hero and his crew are traveling to Jotunheim, home of the frost giants. I remember having a big grin on my face then which carried me through most of the movie. I won’t call it a classic, but I will say it’s a solid addition in the Marvel Cinematic Universe that should be recognized.
Acting: 10
Although I cringe when Chris Hemsworth takes his shirt off and my wife is in the room, he plays a damn good Thor. Like Robert Downey’s Tony Stark, you can’t help but fall for Hemsworth’s charisma and how he treats the character. There is one particular moment I think he captured exceptionally well: After tearing through a number of dudes like it’s nothing, he’s staring down at his hammer which is stuck in the mud. He has this confident all-knowing smirk on his face as he prepares to lift it…and the hammer doesn’t budge. The absolute heartbreak he experiences after is definitely felt as you wanted him to succeed. There were a number of other solid performances throughout this film, but Hemsworth steals the show.
Beginning: 10
Characters: 10
It’s hard choosing a favorite Avenger and characters like Thor make it so. He’s got this flared ego about him that should be annoying but it’s somehow both endearing and funny. In one scene, the guy slams a coffee mug down in the middle of a diner because he demands “Another!” cup of the delicious drink. When love interest Jane Foster (Thor) tells him he could have just simply asked for more, he innocently shrugs it off like that was the only way he knew. It’s hilariously believable and one of many scenes that crack you up.
I’ve talked about Thor a lot, but the movie is packed with a number of other characters that make the film spin successfully. I loved Loki’s character arc and his internal struggles. He terribly wants the throne, but there are moments (albeit brief) where you can see him struggling with the things he is doing. Loki and Thor definitely had more depth to their characters than I expected.
Cinematography/Visuals: 10
Conflict: 8
Genre: 6
Memorability: 6
It hasn’t been too long since I watched the movie, but I am already starting to forget some of the things that have happened and it’s honestly blending a bit with the second (which was terrible). A film like Iron Man, in comparison, has stuck with me since the first time I watched it in theaters. Thor didn’t blow me away. Doesn’t mean it wasn’t fun, however.
Pace: 8
For the most part, the movie is good about keeping you motivated with consistent conflict. When it does slow down in spots, there are some funny parts (like the scene in the diner) that help maintain the entertainment value. Less than a handful of dead spots kept this category out of the perfect realm.
Plot: 10
I had no issues with the story or found any holes. It would be easy for a movie like this to cut corners, but it allowed itself to play out organically. I appreciated the nice touch of character development for the sake of adding depth and impact.
Resolution: 5
Definitely the weakest part of the movie overall. I hate when movies purposefully leave you hanging for a sequel a la Spider-Man. The best endings are just that: They end the story and provide closure. Missed the mark here.
Overall: 83
There is a really cool part during Thor where the hero and his crew are traveling to Jotunheim, home of the frost giants. I remember having a big grin on my face then which carried me through most of the movie. I won’t call it a classic, but I will say it’s a solid addition in the Marvel Cinematic Universe that should be recognized.
Acanthea Grimscythe (300 KP) rated Annabelle: Creation (2017) in Movies
May 12, 2018
I’ve been waiting for quite some time to get the opportunity to watch Annabelle: Creation and thanks to my boyfriend, that chance finally arrived. My interest in the Conjuring universe as a whole began with the introduction of the Warrens in The Conuring. Having been a devout fan of anything paranormal, I knew their names and history long before I watched the fictionalized film. That said, I was definitely curious as to the story behind the doll, Annabelle. (I watched that film shortly after it came out, naturally.)
The plot of Annabelle: Creation is pretty self-explanatory. It delves into the origin of the possessed doll, providing viewers with the history of how it came to be. A la dead girl, Faustian deals, and things going, you guessed it, wrong. This is a bit cliché in the world of hauntings, but I feel Annabelle: Creation pulls it off well enough. Perhaps this is because the film doesn’t rely entirely on creepy sounds and eardrum-bursting music to accentuate creepy occurrences. (Yes, the film does have plenty of those, but that doesn’t mark every eerie happening.)
Keeping to the feel of being part of the Conjuring universe, there is a reference to the upcoming film, The Nun. I liked this, and am, naturally, looking forward to that film.
Of course, rarely do any of my reviews come without a complaint and in this instance, it has to do with character development. One of the things I love most about horror movies is the building need for certain characters to stay alive. In Annabelle: Creation none of the characters felt overly dynamic except for Janice. It’s like all the work went into making her the sort of gal you feel sorry for while nothing else is left for the others – especially Mr. Mullins.
Overall, I really enjoyed watching this film and would likely watch it again. While it wasn’t extremely original in its design, it did manage to catch me a few times and as a result, my heart rate elevated (and I felt some anxiety with at least one of the scenes). For me, this is a good thing. Couple that with the fact that the movie ends precisely where Annabelle begins, and it’s a pretty solid 4/5 for me.
The plot of Annabelle: Creation is pretty self-explanatory. It delves into the origin of the possessed doll, providing viewers with the history of how it came to be. A la dead girl, Faustian deals, and things going, you guessed it, wrong. This is a bit cliché in the world of hauntings, but I feel Annabelle: Creation pulls it off well enough. Perhaps this is because the film doesn’t rely entirely on creepy sounds and eardrum-bursting music to accentuate creepy occurrences. (Yes, the film does have plenty of those, but that doesn’t mark every eerie happening.)
Keeping to the feel of being part of the Conjuring universe, there is a reference to the upcoming film, The Nun. I liked this, and am, naturally, looking forward to that film.
Of course, rarely do any of my reviews come without a complaint and in this instance, it has to do with character development. One of the things I love most about horror movies is the building need for certain characters to stay alive. In Annabelle: Creation none of the characters felt overly dynamic except for Janice. It’s like all the work went into making her the sort of gal you feel sorry for while nothing else is left for the others – especially Mr. Mullins.
Overall, I really enjoyed watching this film and would likely watch it again. While it wasn’t extremely original in its design, it did manage to catch me a few times and as a result, my heart rate elevated (and I felt some anxiety with at least one of the scenes). For me, this is a good thing. Couple that with the fact that the movie ends precisely where Annabelle begins, and it’s a pretty solid 4/5 for me.
Harnessed: How Language and Music Mimicked Nature and Transformed Ape to Man
Book
The scientific consensus is that our ability to understand human speech has evolved over hundreds of...
Ross (3282 KP) rated Rogue: Untouched in Books
May 11, 2021
Great X-person origin story+
Anyone who has seen the first X-men film will be aware of Rogue's backstory to an extent - an unfortunate teenage snog leaving a boy in a coma and resulting in her spending all her time isolated from touching others and spending her allowance on gloves.
In that film, Rogue is played by the wonderful Anna Paquin, who also starred as Sookie Stackhouse in True Blood. It both helped and confused me that in this book Rogue is waiting tables in a smalltown diner, blurring the lines between Rogue and Sookie for me. I kept expecting a vampire to walk through the diner doors. Instead, we are treated to the superb cajun Gambit, my favourite character from the early 90s cartoon series. He helps Rogue (Anna Marie) to discover that she has some mutant powers and how they could be used.
At the same time, Rogue meets two mysterious ladies who are seeking new students for their academy and encourage her to take a chance and give up her waiting career.
Rogue then finds herself embroiled in Gambit's past exploits with a mutant slave trader and has to quickly learn to use her powers (and those of the mutants around her) to escape their capture.
The book flows well, with plenty of character development for Rogue and a satisfying cast of familiar and new (to me at least!) mutants along the way - including one late reveal that I'm sure all readers will see coming a mile off.
While the book never dragged and the pace was great, I did struggle to get through this book as quickly as I had hoped. This is more down to things going on outwith my reading schedule (stupidly listening to 500 albums, marking professional exams and the kids' school holidays). However, while I can't quite put my finger on anything specific, the book didn't quite drag me back in for a sneaky 10 minutes during the day.
I did enjoy this book, as with some of the other Marvel novels issued recently, and would recommend it to anyone looking for something a bit super-hero-y but in a novel.
I received a free advance copy of this book from the publishers and netgalley in exchange for an honest review.
In that film, Rogue is played by the wonderful Anna Paquin, who also starred as Sookie Stackhouse in True Blood. It both helped and confused me that in this book Rogue is waiting tables in a smalltown diner, blurring the lines between Rogue and Sookie for me. I kept expecting a vampire to walk through the diner doors. Instead, we are treated to the superb cajun Gambit, my favourite character from the early 90s cartoon series. He helps Rogue (Anna Marie) to discover that she has some mutant powers and how they could be used.
At the same time, Rogue meets two mysterious ladies who are seeking new students for their academy and encourage her to take a chance and give up her waiting career.
Rogue then finds herself embroiled in Gambit's past exploits with a mutant slave trader and has to quickly learn to use her powers (and those of the mutants around her) to escape their capture.
The book flows well, with plenty of character development for Rogue and a satisfying cast of familiar and new (to me at least!) mutants along the way - including one late reveal that I'm sure all readers will see coming a mile off.
While the book never dragged and the pace was great, I did struggle to get through this book as quickly as I had hoped. This is more down to things going on outwith my reading schedule (stupidly listening to 500 albums, marking professional exams and the kids' school holidays). However, while I can't quite put my finger on anything specific, the book didn't quite drag me back in for a sneaky 10 minutes during the day.
I did enjoy this book, as with some of the other Marvel novels issued recently, and would recommend it to anyone looking for something a bit super-hero-y but in a novel.
I received a free advance copy of this book from the publishers and netgalley in exchange for an honest review.
Gareth von Kallenbach (971 KP) rated The Addams Family (2019) in Movies
Oct 13, 2019
“They’re creepy and they’re kooky, Mysterious and spooky, They’re all together ooky, The Addams family…” a theme song that everyone aged five to ninety-five seem to know the words to. It’s amazing to think that a show that first aired in 1964 and only ran for two seasons could continue to have the impact that it does fifty-five years later. Let that sink in for just a couple of minutes, for reference the Apollo 11 moon landing occurred in 1969 almost three years after the show’s end date. To simply say that the Addams Family has made a cultural impact on our society is a bit of an understatement, so how would the first animated full-length movie treat these cultural icons?
The Addams Family is an origin story of sorts for everyone’s favorite kooky family. Gomez Addams (Oscar Isaac) and Morticia (Charlize Theron) are rudely interrupted during their wedding ceremony by a bunch of angry villagers carrying pitchforks. While this is a little cliché’ it sets the tone for the interaction between the Addams family and how they are perceived by “normal” folks. Morticia longs for a place where they can live in peace away from those who wish to disturb their lives. On a long and windy road in New Jersey, fate appears in the form of Lurch (Conrad Vernon) as he bounces off the hood of their car. In the distance, as lightning strikes, they peer up a mountain side to see an abandoned, haunted insane asylum. The perfect place to raise a family away from the peering eyes of the rest of the world.
For thirteen years the Addams Family lives in relative seclusion with their two young children, Wednesday (Chloë Grace Moretz) and Pugsley (Finn Wolfhard). Neither of the children are allowed to leave the Asylum grounds and know of nothing outside the cold iron gates. One day, the swamp is drained, the clouds part and the Addams Family life of seclusion comes to an abrupt end. Down in the valley the town of Assimilation, a town that as its name suggests was built by famous HAG TV designer Margaux Needler (Allison Janney). The asylum (and its inhabitants) do not “fit-in” with the designer’s vision and kookiness ensues as she attempts to make-over (and take-over) the family’s home.
Visually The Addams Family reminds me of several Tim Burton classics albeit with a more colorful palette. Each member of the family is a caricature of their infamous selves and stylistically imbues the spooky, ooky, kookiest versions we would expect. Backed by an incredible amount of supporting voice talent such as Bette Midler, Martin Short, and Snoop-Dog as everyone’s favorite fuzzy cousin…It, it’s a star-studded event that even the most die-hard Addams Family purist will enjoy.
The story goes through typical tropes that we’ve seen played out a thousand times already. A misunderstood family is misjudged by their neighbors, only to come together in the end. It’s a story about celebrating our differences and learning to appreciate what makes each of us unique. In a world of social media, cell phones and television shows that try to make us all conform, it teaches us that while people may look and act different than us, they all bring something special to the table. It’s this light-heartedness and sweet story telling which while not unique is something that I feel we need more of in the world today.
The Addams Family is a film for the entire family, there is light-hearted violence, but all done in jest with no one ever getting hurt. While it doesn’t bring anything unexpected to the table, its still enjoyable and a film that doesn’t ever attempt to take itself seriously. It won’t win any best picture awards, and likely will become another 30 days of Halloween past-time when it makes its way to television, it is still one that will leave you with a smile on your face long after it is over. The experience you get from it, will likely be based on the audience reaction to the film. In the theater I was in, there was lots of laughter, snapping and even a sing-along at the end. It’s a movie to see with other people, and even if you aren’t a fan of the TV series, it will still offer you something. Sometimes a simple movie, with a simple message, is exactly the escape we need from everything in the world today. The Addams Family makes a perfect escape for the entire family this Halloween Season.
3.5 out of 5 stars
http://sknr.net/2019/10/10/the-addams-family/
The Addams Family is an origin story of sorts for everyone’s favorite kooky family. Gomez Addams (Oscar Isaac) and Morticia (Charlize Theron) are rudely interrupted during their wedding ceremony by a bunch of angry villagers carrying pitchforks. While this is a little cliché’ it sets the tone for the interaction between the Addams family and how they are perceived by “normal” folks. Morticia longs for a place where they can live in peace away from those who wish to disturb their lives. On a long and windy road in New Jersey, fate appears in the form of Lurch (Conrad Vernon) as he bounces off the hood of their car. In the distance, as lightning strikes, they peer up a mountain side to see an abandoned, haunted insane asylum. The perfect place to raise a family away from the peering eyes of the rest of the world.
For thirteen years the Addams Family lives in relative seclusion with their two young children, Wednesday (Chloë Grace Moretz) and Pugsley (Finn Wolfhard). Neither of the children are allowed to leave the Asylum grounds and know of nothing outside the cold iron gates. One day, the swamp is drained, the clouds part and the Addams Family life of seclusion comes to an abrupt end. Down in the valley the town of Assimilation, a town that as its name suggests was built by famous HAG TV designer Margaux Needler (Allison Janney). The asylum (and its inhabitants) do not “fit-in” with the designer’s vision and kookiness ensues as she attempts to make-over (and take-over) the family’s home.
Visually The Addams Family reminds me of several Tim Burton classics albeit with a more colorful palette. Each member of the family is a caricature of their infamous selves and stylistically imbues the spooky, ooky, kookiest versions we would expect. Backed by an incredible amount of supporting voice talent such as Bette Midler, Martin Short, and Snoop-Dog as everyone’s favorite fuzzy cousin…It, it’s a star-studded event that even the most die-hard Addams Family purist will enjoy.
The story goes through typical tropes that we’ve seen played out a thousand times already. A misunderstood family is misjudged by their neighbors, only to come together in the end. It’s a story about celebrating our differences and learning to appreciate what makes each of us unique. In a world of social media, cell phones and television shows that try to make us all conform, it teaches us that while people may look and act different than us, they all bring something special to the table. It’s this light-heartedness and sweet story telling which while not unique is something that I feel we need more of in the world today.
The Addams Family is a film for the entire family, there is light-hearted violence, but all done in jest with no one ever getting hurt. While it doesn’t bring anything unexpected to the table, its still enjoyable and a film that doesn’t ever attempt to take itself seriously. It won’t win any best picture awards, and likely will become another 30 days of Halloween past-time when it makes its way to television, it is still one that will leave you with a smile on your face long after it is over. The experience you get from it, will likely be based on the audience reaction to the film. In the theater I was in, there was lots of laughter, snapping and even a sing-along at the end. It’s a movie to see with other people, and even if you aren’t a fan of the TV series, it will still offer you something. Sometimes a simple movie, with a simple message, is exactly the escape we need from everything in the world today. The Addams Family makes a perfect escape for the entire family this Halloween Season.
3.5 out of 5 stars
http://sknr.net/2019/10/10/the-addams-family/
Ryan Hill (152 KP) rated Ant-Man (2015) in Movies
May 10, 2019
"I Know a Guy"
I've been a comic book junkie all my life. I have, however, never been really interested in Ant-Man. It's not an easy super hero to fall for. It is therefore to me all the more astonishing they managed to pull it off so well in this troubled production.
There are only a handful of ways to treat an origin story an Ant-Man breaks no molds there. It hits every single beat you'd expect it to, builds up the story like you'd expect it to and concludes it like you'd expect it to. So it is left to the moments in between and the schwung with which it delivers them to make the film. And it works like a charm.
Every time I felt myself getting a bit annoyed with yet another piece of expository dialogue or predictable plot development, it sideswiped me with a fantastic action sequence, hilarious fight scene or the utterly brilliant Michael Peña. There is so much clever entertainment chucked into the film that it was very easy for me to just say 'Fuck it' and enjoy the ride.
What I loved about it was the toned down treatment of the bizarreness of the super powers. It would have been very easy to go completely overboard with this, but Reed actually manages to bring a level headedness to the fantastical which I appreciated and which actually strengthened what they were basically trying to instill in Rudd's character, some semblance of identifiable humanity. As much as I love Wright, I'm perhaps one of the few people who don't think he would have been able to restrain himself and gone the route of Scott Pilgrim which is not something that would have worked I feel.
Rudd is excellent and plays it straight, casting off a vibe of 'What the hell am I doing?' very successfully. He is likable and his transformation into this unlikely hero worked mainly because of the way he played it. The rest of the cast is great (CGI-Michael Douglas will haunt me forever) and Michael Peña truly is stellar. Give him his own film. Please.
The main attraction in this type of film is usually the action. And while the action in this is fantastic, there is surprisingly little of it, making the final confrontation actually something to look forward to And boy does it deliver. It uses the potential of the, let's be honest, silliness of the powers to its fullest, making it what it should be. A thrilling ride.
Ant-Man surprised me. Wright's involvement is palpable, which is good. But its main attraction lies in the simple fact that it is effortlessly entertaining. Fun, funny and exciting. Exactly what it should be.
There are only a handful of ways to treat an origin story an Ant-Man breaks no molds there. It hits every single beat you'd expect it to, builds up the story like you'd expect it to and concludes it like you'd expect it to. So it is left to the moments in between and the schwung with which it delivers them to make the film. And it works like a charm.
Every time I felt myself getting a bit annoyed with yet another piece of expository dialogue or predictable plot development, it sideswiped me with a fantastic action sequence, hilarious fight scene or the utterly brilliant Michael Peña. There is so much clever entertainment chucked into the film that it was very easy for me to just say 'Fuck it' and enjoy the ride.
What I loved about it was the toned down treatment of the bizarreness of the super powers. It would have been very easy to go completely overboard with this, but Reed actually manages to bring a level headedness to the fantastical which I appreciated and which actually strengthened what they were basically trying to instill in Rudd's character, some semblance of identifiable humanity. As much as I love Wright, I'm perhaps one of the few people who don't think he would have been able to restrain himself and gone the route of Scott Pilgrim which is not something that would have worked I feel.
Rudd is excellent and plays it straight, casting off a vibe of 'What the hell am I doing?' very successfully. He is likable and his transformation into this unlikely hero worked mainly because of the way he played it. The rest of the cast is great (CGI-Michael Douglas will haunt me forever) and Michael Peña truly is stellar. Give him his own film. Please.
The main attraction in this type of film is usually the action. And while the action in this is fantastic, there is surprisingly little of it, making the final confrontation actually something to look forward to And boy does it deliver. It uses the potential of the, let's be honest, silliness of the powers to its fullest, making it what it should be. A thrilling ride.
Ant-Man surprised me. Wright's involvement is palpable, which is good. But its main attraction lies in the simple fact that it is effortlessly entertaining. Fun, funny and exciting. Exactly what it should be.
Emma @ The Movies (1786 KP) rated Cruella (2021) in Movies
Jun 26, 2021
Until going back to the cinema this year I'd not watched a trailer or read any reviews of Cruella. When I finally saw it on the big screen, I was excited... but also terrified of the Disney live action antics.
Estella is a young aspiring designer with a wild side and an even wilder hairstyle. Making friends with a ragtag duo in London, she sets up in the shadows of a high profile department store that sets her down a path with a dark future.
Of all the live action films recently this has definitely given me some hope (which I'm sure I'll regret saying at some point). It starts the set-up of what we know Cruella to be. Origin story, villain, you know I'm in. And I loved the way that she wasn't inherently evil, it was the circumstances around her that created it by twisting her wild side.
My two favourite Emmas in one movie, it's a dream. Let's start with the lead, Emma Stone. It must have been amazing fun doing this role, at least it looked like that was the case and she could really let loose. You see Estella's spark of creativity, the embers of the young Cruella inside her even as an adult, and the blazing fire as the evil starts to peek through. I loved how they managed to get some nods in to the animated movie, and how she managed to capture them perfectly. If you asked me to cast someone in this role, I'm not sure I could have come up with someone better.
Emma Thompson was a surprise to me, it wasn't until the trailer that I realised she was in this. The instant I saw her I knew that I was going to love her. The Baroness is a force to be reckoned with and you can see the influence that she has. Ruthless and driven, every scene felt right.
Henchmen next, and of course I'm using "henchmen" in its loosest terms for Jasper and Horace. Another perfect vision of what's to come. Joel Fry as Jasper makes for an interesting take on the story, and while I can see why it's there, and I generally enjoy Fry's acting, I did not love Jasper quite as much as everyone around him. Particularly as he was paired with Paul Walter Hauser. Hauser is a great actor, if a little typecast in the slightly bumbling characters. His take on Horace is my favourite thing about this whole film. As a double act with Wink it was glorious and understated humour. I'd happily sit through a film entirely of them just being them.
I can't really talk Cruella without talking costume design. If this doesn't win all the awards then quite frankly it's complete insanity. Everything design-wise in this was amazing as far as I'm concerned. Cruella's hair changes and dresses blew me away. Eccentric, flamboyant, and just the right amount of crazy.
I'm not sure how I feel about the possibility of a sequel, but I really enjoyed this one. Everything from the film itself, to the posters, it ticked all the boxes.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/cruella-movie-review.html
Estella is a young aspiring designer with a wild side and an even wilder hairstyle. Making friends with a ragtag duo in London, she sets up in the shadows of a high profile department store that sets her down a path with a dark future.
Of all the live action films recently this has definitely given me some hope (which I'm sure I'll regret saying at some point). It starts the set-up of what we know Cruella to be. Origin story, villain, you know I'm in. And I loved the way that she wasn't inherently evil, it was the circumstances around her that created it by twisting her wild side.
My two favourite Emmas in one movie, it's a dream. Let's start with the lead, Emma Stone. It must have been amazing fun doing this role, at least it looked like that was the case and she could really let loose. You see Estella's spark of creativity, the embers of the young Cruella inside her even as an adult, and the blazing fire as the evil starts to peek through. I loved how they managed to get some nods in to the animated movie, and how she managed to capture them perfectly. If you asked me to cast someone in this role, I'm not sure I could have come up with someone better.
Emma Thompson was a surprise to me, it wasn't until the trailer that I realised she was in this. The instant I saw her I knew that I was going to love her. The Baroness is a force to be reckoned with and you can see the influence that she has. Ruthless and driven, every scene felt right.
Henchmen next, and of course I'm using "henchmen" in its loosest terms for Jasper and Horace. Another perfect vision of what's to come. Joel Fry as Jasper makes for an interesting take on the story, and while I can see why it's there, and I generally enjoy Fry's acting, I did not love Jasper quite as much as everyone around him. Particularly as he was paired with Paul Walter Hauser. Hauser is a great actor, if a little typecast in the slightly bumbling characters. His take on Horace is my favourite thing about this whole film. As a double act with Wink it was glorious and understated humour. I'd happily sit through a film entirely of them just being them.
I can't really talk Cruella without talking costume design. If this doesn't win all the awards then quite frankly it's complete insanity. Everything design-wise in this was amazing as far as I'm concerned. Cruella's hair changes and dresses blew me away. Eccentric, flamboyant, and just the right amount of crazy.
I'm not sure how I feel about the possibility of a sequel, but I really enjoyed this one. Everything from the film itself, to the posters, it ticked all the boxes.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/cruella-movie-review.html
BankofMarquis (1832 KP) rated Solo: A Star Wars Story (2018) in Movies
May 29, 2018
Surprised by how much I enjoyed this film
I have a confession to make - I was surprised by how much I enjoyed SOLO: A STAR WARS STORY.
Going into this film, I felt that this film had a few things going against it:
1). Trying to replace Harrison Ford with another actor in the title role.
2). Bringing in Ron Howard to "rescue" the film.
3). Overcoming Star Wars "fatigue" from the less than enthusiastic response to THE LAST JEDI.
And you know what? It has overcome these things - and more!
Set sometime between Episode 3 and Episode 4 (and before ROGUE ONE), SOLO is, in essence, the origin story of everyone's favorite rascal, but is told in an interesting way - as a heist/caper film.
Credit must be given to writers Lawrence Kasdan (THE EMPIRE STRIKES BACK) and his son Jonathan Kasdan. They have developed a fast paced, twisty, back and forth con-man film disguised as a sci-fi film set long ago in a galaxy far, far away.
Bringing in Howard was a good, competent move, for he moves the plot along sprightly and the special effects-laden chase sequences are tightly paced - if unspectacular - but they help move the action along - and doesn't get in the way. There is no "special effects for special effects-sake" sequences and Howard's workmanlike approach works well. He lets his strong cast strut on the screen with their strong characters which is wise of him for he inherited a film sprinkled with very good talent who looked like they were having fun with their characters.
Start with Woody Harrelson as Solo's mentor. He provides a solid anchor to the proceedings. As does Emilia Clarke as Solo's best friend/love interest. She more than holds her own with Solo and Harrelson - and is as much a "rascal" as the other two.. Also providing a good turn is Paul Bettany as the main villain.
As with most Star Wars films, the "non-human" continue to be interesting. Starting with Lady Proxima (voiced by Linda Hunt), followed by Rio Durant (voiced by Jon Favreau) and the robot L3 (voiced by Phoebe Waller-Bridge), all were interesting characters, rendered well.
And...of course...there is Chewbacca (performed by Joonas Suotamo). I was thrilled to revisit the friendship between "Chewie" and Han. It was really easy to forget that you were watching a person in a Wookie costume. There is a rumor of a Chewbacca movie - and I'm all for it.
Speaking of "friendships" - this film also explores the beginnings of the HAN SOLO/LANDO CALRISSIAN friendships - and Donald Glover almost steals the movie in his portrayal of Lando. He has the swagger, debonair (and slightly feminine) attitude of the character down.
Which leads me to Alden Ehrenreich's performance as Solo. I have mentioned Harrelson...and Clarke...and Glover...and Bettany...and the CG characters...and Chewbacca...and this leaves Ehreneich's portrayal somewhat in the background. Don't get me wrong, he does a GOOD job as Solo, but - I feel - he just lacks the charisma and screen presence of the rest of them, and, of course, of Harrison Ford. He grew on me as the film progressed, but I felt he faded into the background at times - where he should have been up front.
But...this is a quibble...in a film who's energy, pace and characters really worked for me - more than I thought it would.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Going into this film, I felt that this film had a few things going against it:
1). Trying to replace Harrison Ford with another actor in the title role.
2). Bringing in Ron Howard to "rescue" the film.
3). Overcoming Star Wars "fatigue" from the less than enthusiastic response to THE LAST JEDI.
And you know what? It has overcome these things - and more!
Set sometime between Episode 3 and Episode 4 (and before ROGUE ONE), SOLO is, in essence, the origin story of everyone's favorite rascal, but is told in an interesting way - as a heist/caper film.
Credit must be given to writers Lawrence Kasdan (THE EMPIRE STRIKES BACK) and his son Jonathan Kasdan. They have developed a fast paced, twisty, back and forth con-man film disguised as a sci-fi film set long ago in a galaxy far, far away.
Bringing in Howard was a good, competent move, for he moves the plot along sprightly and the special effects-laden chase sequences are tightly paced - if unspectacular - but they help move the action along - and doesn't get in the way. There is no "special effects for special effects-sake" sequences and Howard's workmanlike approach works well. He lets his strong cast strut on the screen with their strong characters which is wise of him for he inherited a film sprinkled with very good talent who looked like they were having fun with their characters.
Start with Woody Harrelson as Solo's mentor. He provides a solid anchor to the proceedings. As does Emilia Clarke as Solo's best friend/love interest. She more than holds her own with Solo and Harrelson - and is as much a "rascal" as the other two.. Also providing a good turn is Paul Bettany as the main villain.
As with most Star Wars films, the "non-human" continue to be interesting. Starting with Lady Proxima (voiced by Linda Hunt), followed by Rio Durant (voiced by Jon Favreau) and the robot L3 (voiced by Phoebe Waller-Bridge), all were interesting characters, rendered well.
And...of course...there is Chewbacca (performed by Joonas Suotamo). I was thrilled to revisit the friendship between "Chewie" and Han. It was really easy to forget that you were watching a person in a Wookie costume. There is a rumor of a Chewbacca movie - and I'm all for it.
Speaking of "friendships" - this film also explores the beginnings of the HAN SOLO/LANDO CALRISSIAN friendships - and Donald Glover almost steals the movie in his portrayal of Lando. He has the swagger, debonair (and slightly feminine) attitude of the character down.
Which leads me to Alden Ehrenreich's performance as Solo. I have mentioned Harrelson...and Clarke...and Glover...and Bettany...and the CG characters...and Chewbacca...and this leaves Ehreneich's portrayal somewhat in the background. Don't get me wrong, he does a GOOD job as Solo, but - I feel - he just lacks the charisma and screen presence of the rest of them, and, of course, of Harrison Ford. He grew on me as the film progressed, but I felt he faded into the background at times - where he should have been up front.
But...this is a quibble...in a film who's energy, pace and characters really worked for me - more than I thought it would.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)