"It's one of those pictures that puts the lie to that idea that the sequel is never better than the original. Again, you have a filmmaker in James Whale who has now been given more resources to explore the same themes and issues as he did in the first film but he brings along with it an attitude towards the material and a result he doesn?t so much kid it as parody it. It?s a beautiful film to look at, extremely well acted, very witty."

"Stranger by the Lake (2013), the previous film by Guiraudie, is almost a perfect movie, one of the strongest in the last decade. But the wildness, lack of self-discipline and strangeness of Staying Vertical makes it, in my opinion, even more fascinating. The images, the scenes, are so powerful and original and surprising – you have no idea where you are heading to, and you feel that you can no longer count on the movie to save you. But you are so intensely and happily lost."

"This book led me to all of her others and for that I am forever grateful. Her stories are cruel and sad and funny and very hard to put down. Highsmith has a very original perspective on the world—and it's not pretty. Her work is filled with fascinating sociopaths and lonely eccentrics, regular people like us revealing themselves to be sick or tortured in a variety of ways. She kind of feels like a sociologist; one who draws deeply dark and creepy conclusions."

"I read these out loud quite often. The letters are gathered from such a diverse range of people, from Steve Martin to Napoleon, and David Bowie to Mary, Queen of Scots—in this case on the night of her execution. There are love letters, letters of state, there’s a particularly funny one from a British ambassador to Moscow. They are tiny chinks of light into all these different lives, from Charlie Chaplin to Hitler. Each letter is reproduced as a facsimile of the original."