"Knowing it is my favorite book, for my 34th birthday, a boyfriend once gave me a signed first edition of Erica Jong’s Fear of Flying. Having always read tattered paperback versions, I had no idea the original was adorned with a spectacularly ornate cover that’s evocative of a Hieronymus Bosch. I’m not a big collector of anything but no matter how often I pare down my belongings, I never get rid of this. (Even though the boyfriend was long-ago lost to history, his accompanying birthday card remains tucked inside the book.)"

"I discovered the film on TV in Spain and still like the Spanish title, Rufufu—signaling it as a travesty of a Rififi-style clever caper. The original Italian title—I soliti ignoti (Persons unknown)— also becomes very good once you’ve seen the film. Just the way the characters eat food in the movie is delightful, and the filming style classic and brilliant—a comedy of great elegance. The only two autographs I’ve collected are Mario Monicelli’s and Diana Ross’s (whose “I’m Coming Out” greatly aided the Last Days of Disco soundtrack)."

"Clash of the Titans raised me, to the point where I probably watched it in my old apartment 35 times. It was a constant. It was so advanced for its time. Harry Hamlin was in it; he went on to be in L.A. Law with Blair Underwood. And the Kraken… It was so good! I could watch it over and over. I think they tried to remake it, right? With Sam Worthington? The original Clash of the Titans, though, is just… I could watch that all the time."

"My admiration for Pessoa goes beyond reading his prose. I am in awe of his invention of the heteronym which allows him to be a multitude of authors. Pessoa creates different authors with different languages, voices, putting forth different, often contradictory representations of the world. His strategy is not to be confused with appropriation. All voices/authors are original and distinct. The lesson I took from Pessoa is that I must constantly distance myself from the activity of making so that I can observe my work from a vantage point other than my own."

"Probably the most famous countertenor of the 20th century – unless you count Frankie Valli – was the wonderful Alfred Deller, a major figure in the revival of original performance techniques for early and Baroque music. When I was a child we had this album,so I grew up thinking everyone knew and loved 'Where The Bee Sucks' and 'We Be Soldiers Three'. The liner notes, at least on the CD version, are woefully inadequate (who wrote what? when? for which play? Did Henry VIII really write 'Greensleeves'?) but the music is lovely. "

"The father of a good friend of mine back in Canada used to own a video store in the VHS days. Once it closed down, he let me pick from a bunch of leftover, discarded movies nobody else wanted, which led me to my VHS copy of this that I still own (with Ronald Reagan on the cover!). Though they’re both great, I prefer this 1964 version to the 1946 version, largely due to its unique focus on the story through the hit men themselves (though I’ve never read Hemingway’s original story)."

"Over the years I’ve collected dozens of how-to and instruction manuals for knitting techniques, but Stitch ‘n Bitch is the one knitting book I come back to time-and-time again. Written by the cofounder of the third-wave feminist magazine BUST, the pages are filled with puns and simple to follow patterns including a skull and crossbone sweater, and the original pussy hat. This was the book that finally helped me learn to fix my mistakes, instead of frantically undoing hours of work. A must have for any practical knitting library."