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Chris Sawin (602 KP) rated Texas Chainsaw Massacre (2022) in Movies
Feb 19, 2022 (Updated Feb 19, 2022)
Wasted backstories that go nowhere. (3 more)
Rehashes and recreates the original film while not offering much of its own material.
New characters fall flat.
Feels like a half-cocked attempt at a new "film. "
Tearing the Face Off of a Horror Franchise
Texas Chainsaw Massacre is a direct sequel to the original 1974 film nearly 50 years later. Directed by David Blue Garcia with a screenplay by Chris Thomas Devlin and a story by Fede Alvarez (co-writer and director of the 2013 Evil Dead remake) and Rodo Sayagues (Don’t Breathe 1 & 2), Texas Chainsaw Massacre follows a group of young 20-somethings as they venture from Austin to Harlow, TX; a seven hour drive.
Dante (Jacob Latimore, Detroit) and Melody (Sarah Yarkin, Happy Death Day 2U) are business partners with somewhat of an impressive internet following. Dante is a chef who is looking to expand and Harlow is just the type of remote town to do it in. Melody’s teenage sister Lila (Elsie Fisher, Eighth Grade) and Dante’s fiancé Ruth (Nell Hudson) have tagged along mostly for emotional support.
With bank investors on the way to scout the location, the young foursome discovers a dilapidated orphanage with an old woman (Alice Krige, Gretel & Hansel) still living inside along with the last of what she refers to as, “her boys.” Dante and his friends awaken the mostly dormant monster known as Leatherface. Sally Hardesty (Olwen Fouéré) has been searching for Leatherface since he killed her friends all those years ago and now she can finally have the vengeful closure that she deserves.
The Texas Chainsaw Massacre franchise is mostly trash. Leatherface has gotten the manure treatment outside of the original film, the 2003 remake, and maybe the 1986 sequel. The timeline is as messy and inconsistent as Halloween as whatever takes place behind the scenes between sequels, remakes, and reboots all seems to result in lackluster or sometimes atrocious outings for one of the most recognizable horror movie icons.
This new film can’t seem to decide what it wants to be. Sally is brought back for a half-hearted cameo as she does nothing but wear a cowboy hat, stare at a picture, cock a shotgun, and gut a pig. She’s meant to be the connection between this film and the original and it just doesn’t work. Texas Chainsaw Massacre also just seems to lift aspects from the original film as well as other non-genre films without ever offering its audience anything original or actually worthwhile.
The ending is basically lifted directly from the original as is the aspect of a group of young people running into trouble on a road trip far away from home. It’s young, city outsiders versus born-and-bred country veterans. The film also has a weird amount of homage to Terminator 2 (Melody’s leg wound and the shotgun blasts to Leatherface by the water being similar to Sarah Connor’s showdown with the T-1000 near the end of T2). It also feels like it’s trying to capitalize on the success Halloween has had since it follows a similar format (making a direct sequel to the original film decades later).
On the bright side, the kills and the gore are mostly satisfying. The wrist breaking scene followed by being stabbed in the neck with the broken bone is gnarly. There’s a brutal head smashing scene with a hammer and the bus sequence is essentially horror movie fan heaven even if the setup and dialogue in said sequence is awful. The swinging door kill feels like it could have been better than it was since it covers up more than it reveals. You can either leave the brutality to the audience’s imagination or show everything in its nasty and gruesome glory; trying to do both in the same sequence just results in disappointment.
You can make the argument that you watch a film like this for the gore and not the story anyway, but that isn’t the point. When there’s this much of a wait between new entries fans deserve better. The frustrating aspect is that Fede Alvarez and Rodo Sayagues are capable of providing a worthwhile story along with the blood and guts because they gave it to us with Evil Dead. There’s nothing here worth the nine year gap between this and the last Texas Chainsaw film (Texas Chainsaw 3D) or the five year gap between this and Leatherface. When it’s not recycling gags from the original film or borrowing from other franchises, it’s just young people being dumb for the sake of a cheap scare or kill.
Texas Chainsaw Massacre isn’t as unwatchable as some reviews are making it out to be, but it’s not a good film by any stretch of the imagination. It’s barely 80-minutes long, so it has a relatively quick pace and the kills are solid. But the story is seriously lacking as there are elements that literally go nowhere; Lila’s backstory about why she’s so quiet doesn’t add much of anything other than a reason for her to never leave a padded cell when and if a sequel to this is ever made.
The problem now is that the successful film formula revolves around nostalgia, rehashing familiar sequences and storylines, and bringing back survivors for one final confrontation. This has all proven to crush the box office, especially during the pandemic. This results in there being no originality or creativity anymore; it’s just a repetition of what we’ve already seen. Until Leatherface can get a fresh face to wear, the Texas Chainsaw Massacre franchise is doomed to run in circles with a sputtering chainsaw on a mostly deserted road no one wants to travel down.
Dante (Jacob Latimore, Detroit) and Melody (Sarah Yarkin, Happy Death Day 2U) are business partners with somewhat of an impressive internet following. Dante is a chef who is looking to expand and Harlow is just the type of remote town to do it in. Melody’s teenage sister Lila (Elsie Fisher, Eighth Grade) and Dante’s fiancé Ruth (Nell Hudson) have tagged along mostly for emotional support.
With bank investors on the way to scout the location, the young foursome discovers a dilapidated orphanage with an old woman (Alice Krige, Gretel & Hansel) still living inside along with the last of what she refers to as, “her boys.” Dante and his friends awaken the mostly dormant monster known as Leatherface. Sally Hardesty (Olwen Fouéré) has been searching for Leatherface since he killed her friends all those years ago and now she can finally have the vengeful closure that she deserves.
The Texas Chainsaw Massacre franchise is mostly trash. Leatherface has gotten the manure treatment outside of the original film, the 2003 remake, and maybe the 1986 sequel. The timeline is as messy and inconsistent as Halloween as whatever takes place behind the scenes between sequels, remakes, and reboots all seems to result in lackluster or sometimes atrocious outings for one of the most recognizable horror movie icons.
This new film can’t seem to decide what it wants to be. Sally is brought back for a half-hearted cameo as she does nothing but wear a cowboy hat, stare at a picture, cock a shotgun, and gut a pig. She’s meant to be the connection between this film and the original and it just doesn’t work. Texas Chainsaw Massacre also just seems to lift aspects from the original film as well as other non-genre films without ever offering its audience anything original or actually worthwhile.
The ending is basically lifted directly from the original as is the aspect of a group of young people running into trouble on a road trip far away from home. It’s young, city outsiders versus born-and-bred country veterans. The film also has a weird amount of homage to Terminator 2 (Melody’s leg wound and the shotgun blasts to Leatherface by the water being similar to Sarah Connor’s showdown with the T-1000 near the end of T2). It also feels like it’s trying to capitalize on the success Halloween has had since it follows a similar format (making a direct sequel to the original film decades later).
On the bright side, the kills and the gore are mostly satisfying. The wrist breaking scene followed by being stabbed in the neck with the broken bone is gnarly. There’s a brutal head smashing scene with a hammer and the bus sequence is essentially horror movie fan heaven even if the setup and dialogue in said sequence is awful. The swinging door kill feels like it could have been better than it was since it covers up more than it reveals. You can either leave the brutality to the audience’s imagination or show everything in its nasty and gruesome glory; trying to do both in the same sequence just results in disappointment.
You can make the argument that you watch a film like this for the gore and not the story anyway, but that isn’t the point. When there’s this much of a wait between new entries fans deserve better. The frustrating aspect is that Fede Alvarez and Rodo Sayagues are capable of providing a worthwhile story along with the blood and guts because they gave it to us with Evil Dead. There’s nothing here worth the nine year gap between this and the last Texas Chainsaw film (Texas Chainsaw 3D) or the five year gap between this and Leatherface. When it’s not recycling gags from the original film or borrowing from other franchises, it’s just young people being dumb for the sake of a cheap scare or kill.
Texas Chainsaw Massacre isn’t as unwatchable as some reviews are making it out to be, but it’s not a good film by any stretch of the imagination. It’s barely 80-minutes long, so it has a relatively quick pace and the kills are solid. But the story is seriously lacking as there are elements that literally go nowhere; Lila’s backstory about why she’s so quiet doesn’t add much of anything other than a reason for her to never leave a padded cell when and if a sequel to this is ever made.
The problem now is that the successful film formula revolves around nostalgia, rehashing familiar sequences and storylines, and bringing back survivors for one final confrontation. This has all proven to crush the box office, especially during the pandemic. This results in there being no originality or creativity anymore; it’s just a repetition of what we’ve already seen. Until Leatherface can get a fresh face to wear, the Texas Chainsaw Massacre franchise is doomed to run in circles with a sputtering chainsaw on a mostly deserted road no one wants to travel down.
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Nick Friesen (96 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jul 23, 2017
New Characters are Excellent (3 more)
God Bless Alan Tudyk
Perhaps the Best Space Battle in Star Wars Yet
The Rebels "Storming the Beach"
A Crazy Caper Set in a Galaxy Far, Far Away
Rogue One is a fantastic film. It feels so fresh, despite being "a Star Wars Story," mostly because it is so different than any of the movies in the main saga. Better yet, it functions as an awesome prequel to the original trilogy. Even if you're of mind to forget Star Wars 1-3, I'm betting you'll be more than willing to add this movie to the start of your Original Trilogy marathons. Rogue One is a delightful mash of a couple genres, most notably spy, heist, and war films, and it works so well. It's a ground level look at the Rebellion and their efforts to steal plans to the Death Star, shown through the point-of-view of regular soldiers with no apparent Force powers to speak of. It's a thrilling ride, and one that also gets you invested in its well-written characters in a fairly short amount of time. Oh, and Disney, is there any way Alan Tudyk can come back to the series?
Slade Jeffries (11 KP) rated Betrayal at Baldur's Gate in Tabletop Games
Mar 21, 2019
Just as great as the original with a fantasy twist.
Betrayal at Baldur's Gate is a fantastic game. The original Betrayal game is my all time favorite game and I was worried this game would be a cheap reskin, but I was mistaken. Baldur's sets itself apart with a few changes to the game that actually work very well. Now playable characters have abilities based on their class that are actually very useful. Instead of exploring a house you are exploring a city which has lots of cool areas to find and secrets to uncover. The best part about all the Betrayal games is the fact that almost every play through can be different because of the way scenarios are randomized. Every scenario I have played has been fun and completely different from others. The quality of the pieces is also fantastic the tokens are on thick cardboard that is very sturdy. Now this game is a little difficult for people new to more complex board games like this, and maybe there could be a better way to explain the rules to new players. All in all Betrayal at Baldur's Gate is a fantastic game that you will play again and again, while probably never playing the same scenario twice.
Andy K (10823 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Apr 27, 2019 (Updated Apr 27, 2019)
Still more dinosaurs...
I'm not sure what a 5th "Jurassic" film can say that wasn't said in the previous 4 films, but they tried anyways.
After a volcano spews hot lava and ash on the original Jurassic island, humanity is left with the choice whether to save the prehistoric beasts or let them become extinct again maybe as it was supposed to be.
One of John Hammond's original partners is involved in trying to relocate several species from the dying island to a new home where they can be free of tourists and left to live their lives out in peace. Of course evil animal poachers seeking to weaponize the ferocious beasts intervene and only Chris Pratt (overrated) and Bryce Dallas Howard (not sure if she wore high heels the entire film this time) are here to stop them.
Not enough new material here to keep the film exciting and fresh. The same people running, getting eaten, etc is present here and I was bored.
Some cool visuals during the first half with our heroes trying to escape the volcanic habitat were compelling, however, the second half was way too predictable and not very exciting.
This franchise should now become extinct.
After a volcano spews hot lava and ash on the original Jurassic island, humanity is left with the choice whether to save the prehistoric beasts or let them become extinct again maybe as it was supposed to be.
One of John Hammond's original partners is involved in trying to relocate several species from the dying island to a new home where they can be free of tourists and left to live their lives out in peace. Of course evil animal poachers seeking to weaponize the ferocious beasts intervene and only Chris Pratt (overrated) and Bryce Dallas Howard (not sure if she wore high heels the entire film this time) are here to stop them.
Not enough new material here to keep the film exciting and fresh. The same people running, getting eaten, etc is present here and I was bored.
Some cool visuals during the first half with our heroes trying to escape the volcanic habitat were compelling, however, the second half was way too predictable and not very exciting.
This franchise should now become extinct.
Film and stuff (30 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
May 15, 2019
Better than prequels. Not so much the originals.
Starring: John Boyega, Daisy Ridley, Adam Driver and Harrison Ford.
With the weight of the entire franchise and fans who have been burnt once before, Abrams had a monumental task to achieve in revitalising the Star Wars saga. Having had a huge amount of success with Star Trek, Abrams was the obvious choice for Disney.
With elements from all three of the original films and completely ignoring the second trilogy in every way it could, it would appear that 'The force Awakens' knew what it was doing, with enough nostalgia to take anyone back to the 70's.
Unfortunately that's where things go wrong.
The film shifts tone with such regularity it just seems confused and panicked as to what needs to be done. Instead of moments of humour and clever nods to the previous films, it vomits bucket loads of both which is more distracting than entertaining.
This is possibly the closest you can get to a remake without calling it a remake, where the ethos just seems to be "make it the same but bigger."
Instead of a continuation of the story, we are offered a setting up film. Don't we have six of those?
With the weight of the entire franchise and fans who have been burnt once before, Abrams had a monumental task to achieve in revitalising the Star Wars saga. Having had a huge amount of success with Star Trek, Abrams was the obvious choice for Disney.
With elements from all three of the original films and completely ignoring the second trilogy in every way it could, it would appear that 'The force Awakens' knew what it was doing, with enough nostalgia to take anyone back to the 70's.
Unfortunately that's where things go wrong.
The film shifts tone with such regularity it just seems confused and panicked as to what needs to be done. Instead of moments of humour and clever nods to the previous films, it vomits bucket loads of both which is more distracting than entertaining.
This is possibly the closest you can get to a remake without calling it a remake, where the ethos just seems to be "make it the same but bigger."
Instead of a continuation of the story, we are offered a setting up film. Don't we have six of those?
Lewis John Hatchett (23 KP) rated Aladdin (2019) in Movies
May 23, 2019 (Updated May 23, 2019)
Unexpectedly Fun
As a fan of the original 1992 animated film, I came into this film with not much hype but enough that I'd come out enjoying the film. I came our of the film loving it.
The story is pretty much the same as the original but director Guy Ritchie has fleshed out the story extending it with a couple of songs (I'm hoping written by Tim Rice) that are slotted in perfectly.
Guy Ritchie does what he does best and mixes a perfect blend of action, comedic humor and family fun, as he's done in his previous films.
Now the pressing question of Will Smith's portrayal of the Genie. I was sceptical about it at first but the more I watched the trailer for the film the more I adjusted to him. I'm a full fledged fan of the late and great Robin Williams' version of the Genie and Will Smith's version is a perfect interpretation of that character (with some nods to William's animated classic) so I say well done to Mr Smith.
Overall I certainly recommend the film for all fans, old and new, and definitely say go see it and (pardon the pun) experience a whole new world. 9/10
The story is pretty much the same as the original but director Guy Ritchie has fleshed out the story extending it with a couple of songs (I'm hoping written by Tim Rice) that are slotted in perfectly.
Guy Ritchie does what he does best and mixes a perfect blend of action, comedic humor and family fun, as he's done in his previous films.
Now the pressing question of Will Smith's portrayal of the Genie. I was sceptical about it at first but the more I watched the trailer for the film the more I adjusted to him. I'm a full fledged fan of the late and great Robin Williams' version of the Genie and Will Smith's version is a perfect interpretation of that character (with some nods to William's animated classic) so I say well done to Mr Smith.
Overall I certainly recommend the film for all fans, old and new, and definitely say go see it and (pardon the pun) experience a whole new world. 9/10
Paul dixon (6 KP) rated Aladdin (2019) in Movies
Jun 11, 2019
Hi all. I must admit I , like a lot of others, was a bit skeptic when the first trailer for this appeared. My wife downright refused to watch it as the original animated version is one of her favourites. However she eventually came round and we popped along to give it a whirl.
While comparisons to the original are inevitable, this version should be watched as a stand alone movie and not a reboot. It’s great fun from start to finish. It looks great, obviously a lot of money has been spent on sets, costumes and effects, and Will Smith is great as the genie. He doesn’t try to out do robin williams, he makes the character his own and does his own thing.
The one thing that does let it down are the new songs. They aren’t in the same league as the other, more well known songs and to me seem forced into the movie. I had forgot all about them before leaving the cinema, they definitely won’t be held in such high esteem as the other songs, a friend like me etc.
Overall go see it, make up your own mind and forget the trailer even exists
While comparisons to the original are inevitable, this version should be watched as a stand alone movie and not a reboot. It’s great fun from start to finish. It looks great, obviously a lot of money has been spent on sets, costumes and effects, and Will Smith is great as the genie. He doesn’t try to out do robin williams, he makes the character his own and does his own thing.
The one thing that does let it down are the new songs. They aren’t in the same league as the other, more well known songs and to me seem forced into the movie. I had forgot all about them before leaving the cinema, they definitely won’t be held in such high esteem as the other songs, a friend like me etc.
Overall go see it, make up your own mind and forget the trailer even exists
Awix (3310 KP) rated Terror of Mechagodzilla (1975) in Movies
Mar 24, 2018 (Updated Mar 25, 2018)
Final movie in the first Godzilla series often gets some stick for supposedly killing off the original continuity, but is actually not that bad. Bacofoil-wearing aliens team up with mad scientist and his cyborg daughter to conquer the world; there are many opportunities for evil laughter at the planning meetings. The usual strategy of using giant monsters as invasion weapons is employed, despite it having utterly failed in at least five previous movies.
Original director Honda comes back and at least ensures this film has a degree of dignity and craft to it: pretty good monster suits and model work, but the back projection is terrible. There's slightly more focus on character than usual (particularly that of the tragic cyborg girl), which the film seems unsure how to handle. To be honest, one of the main problems is that it's not really about Godzilla any more - he just turns up to fight the bad guys at the end and everyone else takes him for granted. By no means the worst Godzilla movie even of the 1970s, but you can see why Toho decided to take a break. Best line (possibly in the whole of cinema): 'Please kill me - Mechagodzilla's brain is installed in my stomach!'
Original director Honda comes back and at least ensures this film has a degree of dignity and craft to it: pretty good monster suits and model work, but the back projection is terrible. There's slightly more focus on character than usual (particularly that of the tragic cyborg girl), which the film seems unsure how to handle. To be honest, one of the main problems is that it's not really about Godzilla any more - he just turns up to fight the bad guys at the end and everyone else takes him for granted. By no means the worst Godzilla movie even of the 1970s, but you can see why Toho decided to take a break. Best line (possibly in the whole of cinema): 'Please kill me - Mechagodzilla's brain is installed in my stomach!'