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RəX Regent (349 KP) rated Big Hero 6 (2014) in Movies
Feb 20, 2019
Based on a short lived and obscure Marvel comic book series of the same name, Big Hero 6 was an attempt by Disney to develop a Disney feature from their newly acquired catalogue of Marvel properties after Disney's Marvel buy-out in 2010.
Popular though this movie is, I find it to be a little slow, plodding, patronising and trying too hard to evoke an emotional reaction from its audience. Focusing on Hiro, an orphan who's older brother is also killed in an accident, he ends up creating a team of superheroes from a group of geeks and his late brother's medical robot, B-Max.
Big Hero 6 was an attempt at blending Disney's brand of sentimental animation with that of Pixar's more imaginative stylised family action, The Incredibles springs to mind, along with Marvel's more family friendly action romps which make up the Avenger's franchise.
The result? Well, not so good. Entertaining? Sort of. Interesting? Okay if not derivative and what about innovative? No.
The 3-D was deep but also flat and uninteresting as was the story and the plodding pacing. The ideas were there but the execution was weak, with 2-D characters to make up a confused team. Was it supposed to be the X-Men or The Avengers? I believe that the Comic book the team was started not by Hiro but by an X-Man in the source material and the tone did lean towards X-Men: First Class (2010) at times, but overall, I found this to tick all the boxes in order to meet the expectation of fans of both superhero and Disney films.
As Hiro and B-Max fly across the city of San Fransokyo, I thought that I was watching How To Train Your Dragon (2010)! This borrows too much and offers too little to impress me and it was a shame as the notion of Disney producing an action hero movie is interesting but the results are nothing short of disappointing.
Popular though this movie is, I find it to be a little slow, plodding, patronising and trying too hard to evoke an emotional reaction from its audience. Focusing on Hiro, an orphan who's older brother is also killed in an accident, he ends up creating a team of superheroes from a group of geeks and his late brother's medical robot, B-Max.
Big Hero 6 was an attempt at blending Disney's brand of sentimental animation with that of Pixar's more imaginative stylised family action, The Incredibles springs to mind, along with Marvel's more family friendly action romps which make up the Avenger's franchise.
The result? Well, not so good. Entertaining? Sort of. Interesting? Okay if not derivative and what about innovative? No.
The 3-D was deep but also flat and uninteresting as was the story and the plodding pacing. The ideas were there but the execution was weak, with 2-D characters to make up a confused team. Was it supposed to be the X-Men or The Avengers? I believe that the Comic book the team was started not by Hiro but by an X-Man in the source material and the tone did lean towards X-Men: First Class (2010) at times, but overall, I found this to tick all the boxes in order to meet the expectation of fans of both superhero and Disney films.
As Hiro and B-Max fly across the city of San Fransokyo, I thought that I was watching How To Train Your Dragon (2010)! This borrows too much and offers too little to impress me and it was a shame as the notion of Disney producing an action hero movie is interesting but the results are nothing short of disappointing.
Cynthia Armistead (17 KP) rated Spell Bound (Women of the Otherworld #12) in Books
Mar 1, 2018
[b:Waking the Witch|6725785|Waking the Witch (Women of the Otherworld, #11)|Kelley Armstrong|http://photo.goodreads.com/books/1265310260s/6725785.jpg|6921947] and [b:Spell Bound|7797032|Spell Bound (Women of the Otherworld, #12)|Kelley Armstrong|http://photo.goodreads.com/books/1292864599s/7797032.jpg|10767072] should truly be read back to back. In fact, they should be read with [b:13|10863148|13 (Women of the Otherworld, #13)|Kelley Armstrong|http://photo.goodreads.com/books/1328820694s/10863148.jpg|15778276] on hand, almost as a trilogy within the series.
At the end of <i>Waking the Witch</i>, Savannah silently thought that if it would reunite an orphan with her grandmother, Savannah would gladly give up her powers. Something heard her and took her up on that unintended deal, and she finds herself powerless for the first time in her life.
Savannah has always been so very powerful that she has counted on her spells more than most witches or sorcerors do, so she finds living without them to be very difficult — especially since a witch hunter and others are after her. There's a Supernatural Liberation Movement that wants to use her as one of its figureheads, with or without her cooperation, in their quest to bring supernaturals out of the closet and into the spotlight. She has to do some serious soul-searching and growth in the process of avoiding enemies and getting creative about staying alive.
The plot moves extremely quickly, so much so that I couldn't keep track of what day it was in the book. In fact, it moves right into the plot of [b:13|10863148|13 (Women of the Otherworld, #13)|Kelley Armstrong|http://photo.goodreads.com/books/1328820694s/10863148.jpg|15778276]. I'm having fits because I don't have it on hand, and I just can't wait for the library to get around to me on the hold list — I might have to break down and buy it instead.
At the end of <i>Waking the Witch</i>, Savannah silently thought that if it would reunite an orphan with her grandmother, Savannah would gladly give up her powers. Something heard her and took her up on that unintended deal, and she finds herself powerless for the first time in her life.
Savannah has always been so very powerful that she has counted on her spells more than most witches or sorcerors do, so she finds living without them to be very difficult — especially since a witch hunter and others are after her. There's a Supernatural Liberation Movement that wants to use her as one of its figureheads, with or without her cooperation, in their quest to bring supernaturals out of the closet and into the spotlight. She has to do some serious soul-searching and growth in the process of avoiding enemies and getting creative about staying alive.
The plot moves extremely quickly, so much so that I couldn't keep track of what day it was in the book. In fact, it moves right into the plot of [b:13|10863148|13 (Women of the Otherworld, #13)|Kelley Armstrong|http://photo.goodreads.com/books/1328820694s/10863148.jpg|15778276]. I'm having fits because I don't have it on hand, and I just can't wait for the library to get around to me on the hold list — I might have to break down and buy it instead.
Necole (36 KP) rated The Boy at the Keyhole in Books
Oct 25, 2018
Powers of persuasion in this thriller of a read. A fast paced page turner that kept you guessing and trying to figure out what exactly happened to Samuel's mom and who is Ruth truly. Your hurt tugged for poor Samuel, a 9 year old orphan in a way because his dad passed away and then in the middle of the night his mom disappears without saying goodbye. Ruth, the housekeeper says Samuel's mom left to go to America to help fix the financial situation the family is under, however throughout the book skepticism in the mind of some of the characters and you the reader make this an irresistible read as you try and figure out what happened exactly.
Samuels' heart is aching for his mother's return and in general just wants love and kindness from someone. Ruth takes him in as a caregiver when Samuel's mom leaves and his Uncle Felix and grandfather don't seem to care what happens to the boy …. or that is what we are told!!! Is this really true or is it a lie to keep the boy under the eyes and watch of Ruth. Ruth doesn't like Samuel to stray too far and keeps him close. What are Ruth's true intentions? Others are coming up with their own theories and telling Samuel their thoughts and stories, so Samuel's mind is manipulated and conjuring thoughts and ideas because of persuasion. But can you blame him, he is only a 9 year old boy. What is everyone telling him, is Ruth manipulative, how will this story unfold, will answers be given and what will become of Samuel?
I gave this book a 3 because I loved it, kept my attention, but I kept waiting for a climax, waiting for answers that never came and the ending just confused me and fell flat. Definitely a great read if you like thrillers and mysteries that keep you guessing and have manipulation in the mix, however will you be as confused and disappointed at the end as I was?
Samuels' heart is aching for his mother's return and in general just wants love and kindness from someone. Ruth takes him in as a caregiver when Samuel's mom leaves and his Uncle Felix and grandfather don't seem to care what happens to the boy …. or that is what we are told!!! Is this really true or is it a lie to keep the boy under the eyes and watch of Ruth. Ruth doesn't like Samuel to stray too far and keeps him close. What are Ruth's true intentions? Others are coming up with their own theories and telling Samuel their thoughts and stories, so Samuel's mind is manipulated and conjuring thoughts and ideas because of persuasion. But can you blame him, he is only a 9 year old boy. What is everyone telling him, is Ruth manipulative, how will this story unfold, will answers be given and what will become of Samuel?
I gave this book a 3 because I loved it, kept my attention, but I kept waiting for a climax, waiting for answers that never came and the ending just confused me and fell flat. Definitely a great read if you like thrillers and mysteries that keep you guessing and have manipulation in the mix, however will you be as confused and disappointed at the end as I was?
Andy K (10823 KP) rated Predestination (2015) in Movies
Nov 8, 2019
A story about a girl named Jane
It seems I've been watching a fair amount of Ethan Hawke lately, total coincidence. I have to say he is probably one of my favorite current actors as he always seems to select smart scripts. His recent film First Reformed was amazing as was another recent Hawke watch, Daybreakers. The directors of Daybreakers recast Hawke as a time traveling policeman of sorts trying to track down one last killer before hanging up his hat.
His current status as a lonely barkeep is interrupted when a stranger walks in, sits down and begins telling their story. Intrigued, Hawke sits down and listens to the tale of an unwanted orphan, a unique person misunderstood by society but maybe destined for great things. They try not to let the hardships of their life get them down, but disappointment lies around every turn. The interactions they have in their life may seem adrift and random, but maybe they have some deeper meaning about the meaning of life or at least their place in it.
Ok, this is kind of a vague description; however, if you take the time to watch this film (I sure wish you would) you will thank me for not saying too much
It is easy to get caught up in all the time paradox stuff when writing or watching a time travel film. What would happen if Marty McFly meets his future self or disrupts the meeting of his parents? Themes are a lot deeper here and the mystery continues to weave itself into a knot before slowly unraveling as the film reaches its end.
Hawke and Australian actress Sarah Snook are captivating together onscreen as their characters interact and their true feelings and motivations are revealed. Both are flawed in their own way, but also looking for redemption and validation that their time on Earth has meaning.
I was totally blown away by the smart, completely interesting story and hope I can convince others to view. Mesmerizing!
His current status as a lonely barkeep is interrupted when a stranger walks in, sits down and begins telling their story. Intrigued, Hawke sits down and listens to the tale of an unwanted orphan, a unique person misunderstood by society but maybe destined for great things. They try not to let the hardships of their life get them down, but disappointment lies around every turn. The interactions they have in their life may seem adrift and random, but maybe they have some deeper meaning about the meaning of life or at least their place in it.
Ok, this is kind of a vague description; however, if you take the time to watch this film (I sure wish you would) you will thank me for not saying too much
It is easy to get caught up in all the time paradox stuff when writing or watching a time travel film. What would happen if Marty McFly meets his future self or disrupts the meeting of his parents? Themes are a lot deeper here and the mystery continues to weave itself into a knot before slowly unraveling as the film reaches its end.
Hawke and Australian actress Sarah Snook are captivating together onscreen as their characters interact and their true feelings and motivations are revealed. Both are flawed in their own way, but also looking for redemption and validation that their time on Earth has meaning.
I was totally blown away by the smart, completely interesting story and hope I can convince others to view. Mesmerizing!
Phil Leader (619 KP) rated The Long Earth in Books
Nov 20, 2019
Step Day. A day that changed the world. A day when the designs for a strange device went viral. Relatively simple to make with a few electronic components and a potato, this small device allowed most people to move sideways into a parallel dimension... and from there they could keep going exploring multiple copies of Earth, each different and all of them untouched and available for colonisation by the population of the overcrowded, overdeveloped and worn out original.
Joshua Valiente is an orphan who discovers that he doesn't actually need a box to move dimensions - to Step - he is a natural, like a few others before him that have already discovered what becomes known as the Long Earth and have kept it to themselves. Big business isn't slow to take advantage, particularly the huge, powerful and shadowy Black Corporation, whose distributed super computer Lobsang claims to be the reincarnation of a Tibetan mechanic. Together Joshua and Lobsang will discover a few of the secrets of the Long Earth, as well as witnessing the worst it brings out in humanity.
With this central idea, Pratchett and Baxter tell the tales of various people affected by the events of Step Day in very different ways. As with the rest of humanity, the narrative is restless, keen to both rush out and see how far along the Long Earth it can travel and to watch how it turns the Earth we all know on its head. This is a book of wonders, a little like Gulliver's Travels in finding interesting variations to explore.
Those expecting the usual slew of jokes, gags, footnotes and humorous characters that typify his Discworld novels will be disappointed. There are light touches to the situations and characters that betray his hand but this is straight science fiction by two great authors who between them manage to convey the huge scale of thousands - millions - of Earths while still being able to tell the story from a human perspective.
Joshua Valiente is an orphan who discovers that he doesn't actually need a box to move dimensions - to Step - he is a natural, like a few others before him that have already discovered what becomes known as the Long Earth and have kept it to themselves. Big business isn't slow to take advantage, particularly the huge, powerful and shadowy Black Corporation, whose distributed super computer Lobsang claims to be the reincarnation of a Tibetan mechanic. Together Joshua and Lobsang will discover a few of the secrets of the Long Earth, as well as witnessing the worst it brings out in humanity.
With this central idea, Pratchett and Baxter tell the tales of various people affected by the events of Step Day in very different ways. As with the rest of humanity, the narrative is restless, keen to both rush out and see how far along the Long Earth it can travel and to watch how it turns the Earth we all know on its head. This is a book of wonders, a little like Gulliver's Travels in finding interesting variations to explore.
Those expecting the usual slew of jokes, gags, footnotes and humorous characters that typify his Discworld novels will be disappointed. There are light touches to the situations and characters that betray his hand but this is straight science fiction by two great authors who between them manage to convey the huge scale of thousands - millions - of Earths while still being able to tell the story from a human perspective.
Phil Leader (619 KP) rated The Winter Queen (Erast Fandorin #1) in Books
Nov 28, 2019
Erast Fandorin is a low level civil servant in nineteenth century Russia. An orphan with no real friends or prospects he has been assigned to the police department as a clerk simply because he has to be somewhere. But following a bizarre suicide Fandorin reveals that under his unassuming exterior is a keen mind and he soon uncovers sinister goings on both at home in Russia and abroad in London.
This is the first appearance of Akunin's master detective. Lacking the arrogance of either Holmes or Poirot but easily their equal in terms of deduction and intelligence he makes a good hero. Each of Akunin's novels is designed to represent a different type of novel and this is closest to spy novels with Fandorin spending much of his time going undercover to infiltrate a secret society or staking out and sneaking into houses. There are also plenty of physical scenes for the young hero to endure.
The plot is suitably obscure and opaque with each clue removing another layer and moving both the reader and Fandorin closer to finding out what is going on.
There is also fascinating detail of life in Tsarist Russia although as with any novel set during that time the seemingly endless Russian names - so hard to pronounce for my Anglophone brain - are sometimes a little overwhelming.
Special mention to the translator who does a fantastic job. Some Russion idioms are left intact for authenticity but others are rendered into English. This may have been originally written in Russian but it reads as if Akunin is a native English speaker.
This wasn't my first Fandorin novel and to be honest I'm not sure it's the best one to start with, despite it being the genesis of the character. To me the complexities of having to understand the Tsarist Russia (and the names) and the plot would be frustrating. But nevertheless a good and interesting read.
This is the first appearance of Akunin's master detective. Lacking the arrogance of either Holmes or Poirot but easily their equal in terms of deduction and intelligence he makes a good hero. Each of Akunin's novels is designed to represent a different type of novel and this is closest to spy novels with Fandorin spending much of his time going undercover to infiltrate a secret society or staking out and sneaking into houses. There are also plenty of physical scenes for the young hero to endure.
The plot is suitably obscure and opaque with each clue removing another layer and moving both the reader and Fandorin closer to finding out what is going on.
There is also fascinating detail of life in Tsarist Russia although as with any novel set during that time the seemingly endless Russian names - so hard to pronounce for my Anglophone brain - are sometimes a little overwhelming.
Special mention to the translator who does a fantastic job. Some Russion idioms are left intact for authenticity but others are rendered into English. This may have been originally written in Russian but it reads as if Akunin is a native English speaker.
This wasn't my first Fandorin novel and to be honest I'm not sure it's the best one to start with, despite it being the genesis of the character. To me the complexities of having to understand the Tsarist Russia (and the names) and the plot would be frustrating. But nevertheless a good and interesting read.
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Sam (228 KP) rated The Willoughbys (2020) in Movies
May 13, 2020
Character development (or not) (3 more)
Good messages
Cute music
Adorable storyline
Absolutely Adorable
This film takes hard and upsetting topics, addressing them in a light-er tones that can be understood by children. This film is a heartwarming tale about the trust meaning of family and what it really means to choose your family. At the end (no spoilers!) there is a single moment where I began to worry that it would be one of THOSE movies and trust me you'll know it when you see it. I'll give you a hint and say it involves es both the parents and kids but that's all I'm saying!
The reason I enjoyed this film so much definitely has to do with how they chose to address the topics of social services and what it means to put a child into the system. They also do this in such a way that a child can understand and clearly see that there's something not right with how they go about things. However, despite this, they do not make 'orphan services' as it's called in the film, the bad guy. Rather they add a slightly different tone, hinting that they care and that their coldness is a result of trying to be apart of the working system. They're not the 'problem' in the film but simply another aspect within the film pushing the real problem. The system is broken, a system set up to help and keep children safe (they even mention it in film), is instead breaking up families for no other reason than minimal circumstance and (not sure if people caught this one) NO EVIDENCE.
I fear I'm starting to hint around spoilers so I'll say no more but the film is worth a look. Even if you don't necessarily like kid films the ideas in this film on family and 'the system' is truly something to marvel.
The reason I enjoyed this film so much definitely has to do with how they chose to address the topics of social services and what it means to put a child into the system. They also do this in such a way that a child can understand and clearly see that there's something not right with how they go about things. However, despite this, they do not make 'orphan services' as it's called in the film, the bad guy. Rather they add a slightly different tone, hinting that they care and that their coldness is a result of trying to be apart of the working system. They're not the 'problem' in the film but simply another aspect within the film pushing the real problem. The system is broken, a system set up to help and keep children safe (they even mention it in film), is instead breaking up families for no other reason than minimal circumstance and (not sure if people caught this one) NO EVIDENCE.
I fear I'm starting to hint around spoilers so I'll say no more but the film is worth a look. Even if you don't necessarily like kid films the ideas in this film on family and 'the system' is truly something to marvel.
