"Jules Dassin’s tour of the London underworld glistens with inky blacks, swirls of smoke, pockets of isolated light, a mise-en-scène broken into Mondrianesque squares, and stunning performances by Francis L. Sullivan, Googie Withers, a Greek wrestler named Zbyszko, and, in the defining performance of a career that ought to get one of those sorry-we-overlooked-you lifetime-achievement Oscars, Richard Widmark, who indulges a brief moment of elation by hurtling a stair railing to affect an incongruous pose of Chaplinesque delight."

"My third and final pick is “Grandma,” a comedy about a grandmother and her granddaughter. Her granddaughter is pregnant, she wants to have an abortion. And it’s this very low-key, good-humored… it’s not a movie that tries to be about too much. It’s just about these characters and their situation. The grandmother is played by Lily Tomlin, and [in] this performance she plays this feminist poet and writer who’s just a wonderfully cranky, uncompromising woman. I don’t know, if that is not a great performance, I don’t know what is. And it’s a very underplayed, very controlled performance. The Oscars like to award sort of big, emotional, weeping-and-fist-pounding moments of acting, and there’s none of that in “Grandma.” It’s just such a delight. If I were to give the Oscars advice, first thing I would say is: just lighten up. You know, there’s a lot of really great movies that are funny. And I don’t even wanna get started on the Foreign Language Film category, which is such a mess. The one-film-per-country-rule… Just find the movies from all over the world that are most exciting and most original and find a way to give those some prizes."