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This, I believe, is the penultimate entry in [a: Angus Donald|584064|Angus Donald|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]'s 'Outlaw' series of novels dealing with the legend of Robin Hood.

If I'm honest, I also have to say that I read the title as meaning 'an assassin belonging to a King' rather than what proves to be the actual meaning: a (failed) attempt to assassinate the King (who, at this stage, is John).

As before, this is presented as the elderly Alan a Dale (now in a monastery as he has been since the opening of [b: Outlaw|17333533|Outlaw|Ted Dekker|https://d.gr-assets.com/books/1364009572s/17333533.jpg|24064806], and by this stage dictating rather than writing himself) recalling his earlier life in the company of Robin and his men.

The main 'hook' of this particular entry in the series is the events leading up to the signing of Magna Carta, with King John proving to be an unpopular and failing ruler, especially compared to his older brother Richard ('the Lionheart'), and with Robin instrumental in bringing about the famous document.
  
The Collected Works of Billy the Kid
8
8.0 (1 Ratings)
Book Rating
This is a unique hybrid of poetry and prose, mixed with both historical fact and fiction based on the true life story of the famous American outlaw William Bonney, who was better known as "Billy the Kid". You can read my full review here. https://tcl-bookreviews.com/2014/11/15/so-fascinating-it-should-be-outlawed/
  
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Kurt Vile recommended On the Corner by Miles Davis in Music (curated)

 
On the Corner by Miles Davis
On the Corner by Miles Davis
1972 | Rock
8.5 (2 Ratings)
Album Favorite

"This is referenced in my song 'I'm An Outlaw': "...an outlaw, burned from vinyl, dimed from cans, peaked to the dome". And that's some crazy, psychedelic, synth-y, weird funk. No offence to Miles, you know, unfortunately he's not with us, but fortunately he's not, because he's the weakest link on that record. At first he's awesome, and then some of his tone, it goes down south once in a while, but all the players, like John McLaughlin and the synth players, and if you listen to the record, especially in headphones, it's all - my theory is - going through modular synthesisers, all the percussion is going through envelope filters, but it's also panning non-stop. If you listen, it's unreal. If you crank it in headphones, it's full speed ahead!"

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