Search
BookwormMama14 (18 KP) rated The Memory of You in Books
Jan 2, 2019
Set in the heart of California wine country, The Memory of You will pull on your heart and emotions. Facing the secrets of the past, Natalie and Tanner must overcome so much if they ever want to be free from the guilt and the pain that they have endured.
Natalie Mitchell has spent the last 13 years traumatized with guilt and PTSD. Tanner has to live with the consequences of decisions he has made. Both are vulnerable, both are guarded, they don't want to open up and let someone in. They have even shut God out. As they journey along the path of forgiveness, acceptance, and reconciliation with both their heavenly father and their earthly fathers, we see their souls barred open. We see into the depths of their hearts and feel the agony and the pain that they have had to overcome. Watching the romance blossom and grow in this story made my heart all a flutter. Catherine approached it in a very tender and sincere way.
I know that Natalie and Tanner are fictional characters, however, their experiences can be very real. I myself have anxiety and panic attacks (for completely different reasons than Natalie). We can't walk this path alone. Trying to be strong and just push on for another day, isn't the only solution out there. Find someone, whether it be a relative, a friend, a therapist...to reach out to. Open your heart to God, allow his forgiveness and his GRACE to flood you, for HE will bring you new life. His grace is enough.
I pray that as you read this powerful story, that the words would resignate in your heart. That it would give you hope, that you would know you are not alone and that your heavenly Father is watching over you and guiding you to safety.
The Memory of You is a stand alone novel.
I received a complimentary copy of The Memory of You from the publishers, Thomas Nelson. I was not required to write a positive review. All opinions expressed are mine alone.
Natalie Mitchell has spent the last 13 years traumatized with guilt and PTSD. Tanner has to live with the consequences of decisions he has made. Both are vulnerable, both are guarded, they don't want to open up and let someone in. They have even shut God out. As they journey along the path of forgiveness, acceptance, and reconciliation with both their heavenly father and their earthly fathers, we see their souls barred open. We see into the depths of their hearts and feel the agony and the pain that they have had to overcome. Watching the romance blossom and grow in this story made my heart all a flutter. Catherine approached it in a very tender and sincere way.
I know that Natalie and Tanner are fictional characters, however, their experiences can be very real. I myself have anxiety and panic attacks (for completely different reasons than Natalie). We can't walk this path alone. Trying to be strong and just push on for another day, isn't the only solution out there. Find someone, whether it be a relative, a friend, a therapist...to reach out to. Open your heart to God, allow his forgiveness and his GRACE to flood you, for HE will bring you new life. His grace is enough.
I pray that as you read this powerful story, that the words would resignate in your heart. That it would give you hope, that you would know you are not alone and that your heavenly Father is watching over you and guiding you to safety.
The Memory of You is a stand alone novel.
I received a complimentary copy of The Memory of You from the publishers, Thomas Nelson. I was not required to write a positive review. All opinions expressed are mine alone.
The Hostage's Daughter: A Story of Family, Madness, and the Middle East
Book
In this gripping blend of reportage, memoir, and analysis, a journalist and daughter of one of the...
Caitlin Ann Cherniak (85 KP) rated Voyage of the Heart in Books
Oct 5, 2018
Taken from my review on Goodreads:
As a romance, I wasn't sure if it was gonna go the stereotypical route or a more serious route. After giving this a five-star rating, yeah, this went a route that I didn't expect at all. You have four women from England who married four different men from America during World War II so that when WWII ended, they would finally come to America and live happier married lives. Some of them are promised wonderful lives, but wonderful doesn't come without challenges. June is happily married but is struggling to have children, her one dream she always wanted. Alice's husband, suffering from PTSD, has become an alcoholic, leaving Alice being given attention by her womanizing, married boss. Betty, who had just given birth on the boat coming into the US, learns that her husband was killed while on a mission, so she's under the care of her late husband's brother. Madeline becomes a farmer's wife and is abused by her husband and the rest of his family because of her upbringing. All of these women are 100% relatable, and you sympathize with their struggles. While I kinda question Alice's not being there for her husband when he's clearly suffering, at the same time, I do understand that she doesn't get what being a soldier's wife is really like, and at least her husband does acknowledge that he has a problem. However, my favorite character is Betty because instead of focusing on how miserable she is after finding out her husband died, though I still sympathize with her for that, her main focus is her newborn son because he is the legacy that her husband left behind for her to remember him. Plus, her husband's brother is a doll! I wish I knew more about June. Her life is the more boring one because she has a very great husband and her main issue is the baby thing, but I expected more drama to happen there while the rest of the drama is poured onto Alice, Betty, and Madeline. Either way, I enjoyed this book, and I highly recommend that you guys read it if you are history and romance buffs.
As a romance, I wasn't sure if it was gonna go the stereotypical route or a more serious route. After giving this a five-star rating, yeah, this went a route that I didn't expect at all. You have four women from England who married four different men from America during World War II so that when WWII ended, they would finally come to America and live happier married lives. Some of them are promised wonderful lives, but wonderful doesn't come without challenges. June is happily married but is struggling to have children, her one dream she always wanted. Alice's husband, suffering from PTSD, has become an alcoholic, leaving Alice being given attention by her womanizing, married boss. Betty, who had just given birth on the boat coming into the US, learns that her husband was killed while on a mission, so she's under the care of her late husband's brother. Madeline becomes a farmer's wife and is abused by her husband and the rest of his family because of her upbringing. All of these women are 100% relatable, and you sympathize with their struggles. While I kinda question Alice's not being there for her husband when he's clearly suffering, at the same time, I do understand that she doesn't get what being a soldier's wife is really like, and at least her husband does acknowledge that he has a problem. However, my favorite character is Betty because instead of focusing on how miserable she is after finding out her husband died, though I still sympathize with her for that, her main focus is her newborn son because he is the legacy that her husband left behind for her to remember him. Plus, her husband's brother is a doll! I wish I knew more about June. Her life is the more boring one because she has a very great husband and her main issue is the baby thing, but I expected more drama to happen there while the rest of the drama is poured onto Alice, Betty, and Madeline. Either way, I enjoyed this book, and I highly recommend that you guys read it if you are history and romance buffs.
Hazel (1853 KP) rated See How They Run (Embassy Row, #2) in Books
Dec 14, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
See How They Run</i> begins one week after the first novel in Ally Carter’s <i>Embassy Row</i> series comes to its dramatic conclusion. It is a week since sixteen-year-old Grace remembers what happened to her mother; a week since her life was in danger; a week since the Prime Minister suffered a fatal “heart attack”.
Naturally, it is not possible for Grace’s life to go back to “normal” after the bombshells dropped in <i>All Fall Down</i>, but even if she were to try her life would only be turned upside again. After a brief love triangle sparks a fist fight, Grace’s friend Alexei is suspected of murder when the body of Jamie’s, Grace’s brother’s, friend is washed up on the beach. Since being introduced to a world of secret societies and passages 100 feet under the city, Grace is certain that Alexei has been framed, but how can she prove it? As Grace and her friends set out to discover the truth, she unearths a lot more than she bargained for.
<i>See How They Run</i> is even more exciting than its precursor. There is no need for introductions to the characters, nor their history, allowing the story to jump straight into the action. The plot twists and turns from beginning to end as the mystery becomes more complicated before ending on yet another bombshell.
Ally Carter is inventive and accurately captures the personality of a person suffering from PTSD. Due to past psychotic episodes, Grace is rarely believed whenever she suggests something that goes against the beliefs of the masses. She also questions herself and her ability to post judgment on the situation.
Grace is not a typical young adult hero and thus will appeal to many readers who feel different from other people in a negative way. Although the brief love triangle toward the beginning of the book, romance does not get in the way of or detract from the plot, which a lot of avid readers will be pleased about.
Ally Carter is already popular within the young adult world and this series will not be a disappointment to her fans. Unsurprisingly the books need to be read in order; so if you like the sound of this book, make sure you get a copy of the first in the series!
See How They Run</i> begins one week after the first novel in Ally Carter’s <i>Embassy Row</i> series comes to its dramatic conclusion. It is a week since sixteen-year-old Grace remembers what happened to her mother; a week since her life was in danger; a week since the Prime Minister suffered a fatal “heart attack”.
Naturally, it is not possible for Grace’s life to go back to “normal” after the bombshells dropped in <i>All Fall Down</i>, but even if she were to try her life would only be turned upside again. After a brief love triangle sparks a fist fight, Grace’s friend Alexei is suspected of murder when the body of Jamie’s, Grace’s brother’s, friend is washed up on the beach. Since being introduced to a world of secret societies and passages 100 feet under the city, Grace is certain that Alexei has been framed, but how can she prove it? As Grace and her friends set out to discover the truth, she unearths a lot more than she bargained for.
<i>See How They Run</i> is even more exciting than its precursor. There is no need for introductions to the characters, nor their history, allowing the story to jump straight into the action. The plot twists and turns from beginning to end as the mystery becomes more complicated before ending on yet another bombshell.
Ally Carter is inventive and accurately captures the personality of a person suffering from PTSD. Due to past psychotic episodes, Grace is rarely believed whenever she suggests something that goes against the beliefs of the masses. She also questions herself and her ability to post judgment on the situation.
Grace is not a typical young adult hero and thus will appeal to many readers who feel different from other people in a negative way. Although the brief love triangle toward the beginning of the book, romance does not get in the way of or detract from the plot, which a lot of avid readers will be pleased about.
Ally Carter is already popular within the young adult world and this series will not be a disappointment to her fans. Unsurprisingly the books need to be read in order; so if you like the sound of this book, make sure you get a copy of the first in the series!
DOCTOR INSTA: Consult Online
Medical
App
KEY NOTES: • 5 star ratings by Times Of India, Zee, NDTV and many others • Get 30% OFF on your...
Kristy H (1252 KP) rated What You Wish For in Books
Aug 6, 2020
I feel bad, but I think I'm somehow immune to Katherine Center's charms, which seem to make everyone swoon over her books. With the exception of How To Walk Away, which I really enjoyed, I like her books, but never really love them. And that's definitely what happened here. In fact, I often found WISH to be utterly frustrating.
Maybe it's because I'm the child of educators, but I just kept shaking my head at the idea of a principal who could come in and unilaterally make decisions without any resistance. It made it impossible for me to focus on the rest of the story. Apparently Duncan is hired by the school founders' son-in-law--essentially a school board of one. What private school has one person on their board? What sort of private school has parents who just quietly allow someone to paint the halls gray and put bars on the windows??! None of this made any sense to me. All the resistance came down to the teachers?? I've seen parents riot over far less.
I couldn't handle it--could you tell? I also couldn't handle Sam for most of the book. I just get frustrated with Center's heroines. Sam was so whiny about nearly everything. She was more than happy to judge everyone else, yet completely resistant to owning her own life, making any changes, and opening up. Ugh. I wanted to shake her sometimes.
The book was very slow to start. Much rehashing of Sam's own problems, Duncan's arrival and the fact that--can you believe it--he is different than he was before. Hey, did you know Duncan used to be cool and funny, but now he's not?! I didn't! Oh wait, let me tell you again 15 times. Also, let's go into the fact that Sam has some issues and can never ever love again. Did I mention ever?
Also, later, without giving too much away, we completely gloss over how serious PTSD is and whitewash over the severity of things like depression, because focusing on happy things will just take away those issues completely, right? Also most plot points are telegraphed a mile away.
Sigh, I'm probably being too harsh here. The book gets a bit better as things go on. And there's a really cute kid whom I enjoyed. But still. Repetitive, predictable, and not the best at presenting mental health issues. 2.5 stars, rounding to 3 here.
Maybe it's because I'm the child of educators, but I just kept shaking my head at the idea of a principal who could come in and unilaterally make decisions without any resistance. It made it impossible for me to focus on the rest of the story. Apparently Duncan is hired by the school founders' son-in-law--essentially a school board of one. What private school has one person on their board? What sort of private school has parents who just quietly allow someone to paint the halls gray and put bars on the windows??! None of this made any sense to me. All the resistance came down to the teachers?? I've seen parents riot over far less.
I couldn't handle it--could you tell? I also couldn't handle Sam for most of the book. I just get frustrated with Center's heroines. Sam was so whiny about nearly everything. She was more than happy to judge everyone else, yet completely resistant to owning her own life, making any changes, and opening up. Ugh. I wanted to shake her sometimes.
The book was very slow to start. Much rehashing of Sam's own problems, Duncan's arrival and the fact that--can you believe it--he is different than he was before. Hey, did you know Duncan used to be cool and funny, but now he's not?! I didn't! Oh wait, let me tell you again 15 times. Also, let's go into the fact that Sam has some issues and can never ever love again. Did I mention ever?
Also, later, without giving too much away, we completely gloss over how serious PTSD is and whitewash over the severity of things like depression, because focusing on happy things will just take away those issues completely, right? Also most plot points are telegraphed a mile away.
Sigh, I'm probably being too harsh here. The book gets a bit better as things go on. And there's a really cute kid whom I enjoyed. But still. Repetitive, predictable, and not the best at presenting mental health issues. 2.5 stars, rounding to 3 here.
Parkland: Birth of a Movement
9.0
Rate It
Book
The New York Times bestselling author of Columbine offers a deeply moving account of the...
BankofMarquis (1832 KP) rated Godzilla Minus One (2023) in Movies
Dec 14, 2023
Surprisingly Human...for a Monster Movie
The BankofMarquis just viewed one of the most entertaining films of 2023 - and it’s a GODZILLA film.
Yes, a GODZILLA film.
From famed Japanese Studio Toho, makers of the original Godzilla film from the 1950’s plus other “man in a rubber suit” monster movies like MOTHRA and WAR OF THE GARGANTUANS, Godzilla Minus One subverts the genre for a moment for instead of presenting a “Monster stomping on buildings” movie with some people in the background, this film is about the Japanese people and how they deal with the aftermath of World War II while (also) running from a giant monster stomping on buildings - but the monster story is the “B” story and the people story is the “A” story…and this subversion of the genre works very very well.
The title of the film, Godzilla Minus One, refers to the fact that…after World War II….Japan was “starting from zero”. When Godzilla starts attacking, it knocks Japan back another peg, hence…Godzilla Minus One.
Director and Screenwriter Takashi Yamazaki tells the tale of Koichi (Ryunosuke Kamiki) who encounters Godzilla towards the end of WWII and freezes, causing the death of his fellow soldiers (so his PTSD continues to tell him throughout the film). Once back in Japan, he encounters a young woman, Noriko (Minami Hamabe) who has been left orphaned, homeless and alone and is sheparding an abandoned baby. This unlikely trio form a bond…and a home…while trying to rebuild their lives and (in Koichi’s case) tries to make sense of the devastation he encountered in the war.
Into to this rebuilding stomps Godzilla.
This story is effectively told by Yamazaki, who knows when to focus on the people aspect of the film and when to focus on the building stomping of Godzilla. It’s a delicate balance that is helped by the performances of Kamiki and Hamabe…and the special effects that brings the spirit of the 1950’s and 1960’s Toho monster films to light.
A surpwisingly rich entertainment, Godzilla Minus One will entertain you with monster stomping…and deep human emotion.
Letter Grade: A- (I’m as surprised as you are)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Yes, a GODZILLA film.
From famed Japanese Studio Toho, makers of the original Godzilla film from the 1950’s plus other “man in a rubber suit” monster movies like MOTHRA and WAR OF THE GARGANTUANS, Godzilla Minus One subverts the genre for a moment for instead of presenting a “Monster stomping on buildings” movie with some people in the background, this film is about the Japanese people and how they deal with the aftermath of World War II while (also) running from a giant monster stomping on buildings - but the monster story is the “B” story and the people story is the “A” story…and this subversion of the genre works very very well.
The title of the film, Godzilla Minus One, refers to the fact that…after World War II….Japan was “starting from zero”. When Godzilla starts attacking, it knocks Japan back another peg, hence…Godzilla Minus One.
Director and Screenwriter Takashi Yamazaki tells the tale of Koichi (Ryunosuke Kamiki) who encounters Godzilla towards the end of WWII and freezes, causing the death of his fellow soldiers (so his PTSD continues to tell him throughout the film). Once back in Japan, he encounters a young woman, Noriko (Minami Hamabe) who has been left orphaned, homeless and alone and is sheparding an abandoned baby. This unlikely trio form a bond…and a home…while trying to rebuild their lives and (in Koichi’s case) tries to make sense of the devastation he encountered in the war.
Into to this rebuilding stomps Godzilla.
This story is effectively told by Yamazaki, who knows when to focus on the people aspect of the film and when to focus on the building stomping of Godzilla. It’s a delicate balance that is helped by the performances of Kamiki and Hamabe…and the special effects that brings the spirit of the 1950’s and 1960’s Toho monster films to light.
A surpwisingly rich entertainment, Godzilla Minus One will entertain you with monster stomping…and deep human emotion.
Letter Grade: A- (I’m as surprised as you are)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
p3anut (62 KP) rated Pet Sematary (2019) in Movies
Apr 11, 2019
Contains spoilers, click to show
I'm 33 and I saw the original pet semetary when I was about 10 on some cable channel like nbc or abc. Back in the 90's, tv was heavily edited. Even then it scared the shit out of me!
The 2019 just didn't give me that same vibe. Yes, I'm older and don't scare as easy. But I also get creeped out pretty easily when a movie does something right. And this movie didn't do to much right to chill me to my core.
Now that's not to say this movie was bad or awful in anyway. The pacing was very good. The twist that they showed us in the trailers was great and added to the later plot device. And even having Gage running towards the road as the truck came barreling towards Ellie made me think they were about to lose two kids. Hell even Lithgow was pretty stellar in his role. But this movie just tried too hard to top the original.
The wife's back story about Zelda should have stopped after she told what had happened to Zelda. They drug it out by giving her some PTSD bullshit that I didn't feel really fit into the story.
The guy that gets hit by a car (victor) and warns Louis about the dangers that are about to unfold was rushed and not as fleshed out as the character in the 90's film. And I don't mean to compare this to that film because it is it's own thing, but they could have tried to humanize him a little more that just a device plot.
Ellie being self aware that she had died and turning evil because of it was fucking creepy. And Everytime this girl had screen time you felt like she was back from the dead and completely changed. The scene where Ellie terrorizes Jud was pretty close to the original but with some twists and I thought that made it more enjoyable. especially since these characters seemed to think situations out better than typical horror movies.
The last twist was fantastic and I'm not going to spoil it. I didn't care for the ending. I thought it was very bleak and bland. And really didn't lead to what was going to happen now as a whole, not just Gage potentially dying.
Overall I really enjoyed the movie for what it was, a fun popcorn horror flick.
Have you seen it? What did you think of the movie?
The 2019 just didn't give me that same vibe. Yes, I'm older and don't scare as easy. But I also get creeped out pretty easily when a movie does something right. And this movie didn't do to much right to chill me to my core.
Now that's not to say this movie was bad or awful in anyway. The pacing was very good. The twist that they showed us in the trailers was great and added to the later plot device. And even having Gage running towards the road as the truck came barreling towards Ellie made me think they were about to lose two kids. Hell even Lithgow was pretty stellar in his role. But this movie just tried too hard to top the original.
The wife's back story about Zelda should have stopped after she told what had happened to Zelda. They drug it out by giving her some PTSD bullshit that I didn't feel really fit into the story.
The guy that gets hit by a car (victor) and warns Louis about the dangers that are about to unfold was rushed and not as fleshed out as the character in the 90's film. And I don't mean to compare this to that film because it is it's own thing, but they could have tried to humanize him a little more that just a device plot.
Ellie being self aware that she had died and turning evil because of it was fucking creepy. And Everytime this girl had screen time you felt like she was back from the dead and completely changed. The scene where Ellie terrorizes Jud was pretty close to the original but with some twists and I thought that made it more enjoyable. especially since these characters seemed to think situations out better than typical horror movies.
The last twist was fantastic and I'm not going to spoil it. I didn't care for the ending. I thought it was very bleak and bland. And really didn't lead to what was going to happen now as a whole, not just Gage potentially dying.
Overall I really enjoyed the movie for what it was, a fun popcorn horror flick.
Have you seen it? What did you think of the movie?
Ryan Hill (152 KP) rated Iron Man 3 (2013) in Movies
May 10, 2019 (Updated May 10, 2019)
"i am iron man 2.0"
Marking the commencement of the second phase of Marvel Cinematic Universe after the first one culminated with The Avengers, Iron Man 3 presents a definite improvement over its insufferably insipid predecessor but it still falls short of the magical experience that was the first Iron Man film. However, it does carry a new energy & has a refreshing vibe to it, thanks to the new director at helm.
Iron Man 3 continues the story of Tony Stark who's recovering from post-traumatic stress caused by the events of The Avengers. Unable to sleep & genuinely afraid of losing what he loves, Stark's life is turned upside down after he issues a threat to a radical terrorist who retaliates by destroying his personal world, leaving him far more vulnerable than ever before & forcing him to rebuild from the scratch.
Co-written & directed by Shane Black, Iron Man 3 really benefits from a fresh perspective & is an enjoyable ride for the most part but is also marred by its attempt to try out way too many things at once, out of which only a few work out in a convincing manner. Technical aspects are finely executed for its Cinematography favours a slightly darker tone, Editing steadily paces its narrative while Brian Tyler's score adds more vibrancy to its plot.
Coming to the performances, Guy Pearce, Ben Kingsley & Rebecca Hall join the reprising cast & ably fill up their given roles while Robert Downey Jr. once again manages to impress the most. The best thing about this sequel is the position it puts Tony Stark in & Downey Jr. does a terrific job in bringing that vulnerability on the screen. Also, while I was a bit furious at what they did with Iron Man's arch-nemesis, I did later warm up to what their intent was here.
On an overall scale, Iron Man 3 is a solid follow up to Iron Man & you don't even have to go through the crap that was Iron Man 2 to get to this one. The film's intent to cover the darker issues at hand while keeping itself light-hearted & plenty of fun is a combination that doesn't gel so well, is at friction on many occasions & is bound to divide its viewers, but its improvement over everything that was so wrong with its predecessor nevertheless makes it a welcome chapter, if not a worthy one.
Iron Man 3 continues the story of Tony Stark who's recovering from post-traumatic stress caused by the events of The Avengers. Unable to sleep & genuinely afraid of losing what he loves, Stark's life is turned upside down after he issues a threat to a radical terrorist who retaliates by destroying his personal world, leaving him far more vulnerable than ever before & forcing him to rebuild from the scratch.
Co-written & directed by Shane Black, Iron Man 3 really benefits from a fresh perspective & is an enjoyable ride for the most part but is also marred by its attempt to try out way too many things at once, out of which only a few work out in a convincing manner. Technical aspects are finely executed for its Cinematography favours a slightly darker tone, Editing steadily paces its narrative while Brian Tyler's score adds more vibrancy to its plot.
Coming to the performances, Guy Pearce, Ben Kingsley & Rebecca Hall join the reprising cast & ably fill up their given roles while Robert Downey Jr. once again manages to impress the most. The best thing about this sequel is the position it puts Tony Stark in & Downey Jr. does a terrific job in bringing that vulnerability on the screen. Also, while I was a bit furious at what they did with Iron Man's arch-nemesis, I did later warm up to what their intent was here.
On an overall scale, Iron Man 3 is a solid follow up to Iron Man & you don't even have to go through the crap that was Iron Man 2 to get to this one. The film's intent to cover the darker issues at hand while keeping itself light-hearted & plenty of fun is a combination that doesn't gel so well, is at friction on many occasions & is bound to divide its viewers, but its improvement over everything that was so wrong with its predecessor nevertheless makes it a welcome chapter, if not a worthy one.