"I admired the fierce honesty in the single-mindedly feminist world-view of this book. It breaks many of the ‘rules’ of fiction. Walker comes close to painting all the men in a simplistic shade of ‘bad,’ although she attempts to give the nameless husband of Celie some redemption in the end. But the reader senses that a greater truth is at stake; that this was a story that needed to be told. I liked how Celie becomes strong with the love of Shug. And how Sofia is amazingly resilient but is punished for sassing the mayor, and later has to go and work for the mayor’s wife. I applauded Celie’s sexual awakening. And, most of all, I liked the idea that God gets angry if we walk past a field with the colour purple and don’t notice it."

"It's not just an album to me; it's like a movie. It's a whole story—there's cruel, tragic storytelling. I listened to it for the first time in Berlin. Sometimes when I travel, I like to find things that relate to where I am. So I listened to this, and for the whole afternoon, I was like, Oh man. How am I going to leave the apartment? Something changed after I listened to this album. I love Lou Reed, because his voice sounds like your inner conscience. When I read a book, it's Lou Reed's voice narrating it. It's very intimate. I can't really listen to this album casually. It's like going to a museum and seeing a painting that really means something to you—a sacred moment. I don't have many albums that do that for me."