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Woody Woodmansey recommended track Life on Mars by David Bowie in Platinum Collection by David Bowie in Music (curated)
EverColor - Coloring Book
Entertainment and Photo & Video
4.0
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App
New function of screen record added in Evercolor! Every step of coloring will be recorded...
PICSPLAY 2 - Photo Editor & Selfie Retouch
Photo & Video
App
PICSPLAY™ is the ultimate photo editor, filled with filters and editing features that professional...
Max & Ruby Bunny Bake Off
Entertainment and Games
App
It’s time to create yummy dishes or spectacular messes with the most lovable and mischievous...
New Collected Poems
Tomas Transtromer and Robin Fulton
Book Watch
Winner of 2011 Nobel Prize in Literature Poetry Book Society Recommended Translation Tomas...
Poetry
Fairy Colors - Magical Draw & Paint Coloring Book
Education and Games
App
~ The most enchanting, magical, interactive experience in the App Store ~ ~~ 150+ adorable fairy...
Between the Stops: The View of My Life from the Top of the Number 12 Bus
5.0
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Book
This long-awaited memoir from one of Britain's best-loved celebrities - a writer, broadcaster,...
Debbiereadsbook (1788 KP) rated His Lordship's Master (His Lordship’s Mysteries #2) in Books
Mar 31, 2022
I could see that things were really not as they were portrayed to be.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the His Lordship's Mysteries series, and while this can be read as a stand alone, I really think you SHOULD read book one, His Lordship's Secret before this one. Lots happened in that book that is referenced here, but not fully explained. You could probably piece things together, but I think to get the full effect of Alfie and Dominick, you need to read that book first.
Still recovering from what happened in London, Alfie and Dominick retreat to his family house in Scotland. And find themselves in the middle of an age-old mystery. What with ghosts and missing people and now a dead butler, Alfie and Dominick jump headlong into another caper!
I really was enjoying this a bit more than book one, but something triggered with me, and I found myself thinking about another book. With another ago-old mystery, with another painting, in another castle. And I'm stumped as to which book it was, but after that point, I found I didn't enjoy it quite so much.
Oh don't get me wrong, please. It's really well written, from both Alfie and Dominick's point of view. There are more things revealed about both Alfie and Dom's lives in the time they were apart. There is much love here, even if they sometimes forget that.
I again quote my review for Secret:
I loved that the whodunnit was so NOT who I was expecting, nor was it WHY! I love being kept on my toes!
Because I really did not see that one coming at me. But the whole Wicked Master thing? I could see that coming at me, even before the point I mentioned before. I could see that things were really not as they were portrayed to be.
There are almost two stories going on here. The missing woman and the dead butler, then the Wicked Master thing. I liked that, along with the growing deepening connection between Alfie and Dom, which evokes some mighty powerful feelings here!
So, even though things were a little blurry, I did enjoy it and I'll still give it. . .
4 solid stars
*same worded review will appear elsewhere
This is book 2 in the His Lordship's Mysteries series, and while this can be read as a stand alone, I really think you SHOULD read book one, His Lordship's Secret before this one. Lots happened in that book that is referenced here, but not fully explained. You could probably piece things together, but I think to get the full effect of Alfie and Dominick, you need to read that book first.
Still recovering from what happened in London, Alfie and Dominick retreat to his family house in Scotland. And find themselves in the middle of an age-old mystery. What with ghosts and missing people and now a dead butler, Alfie and Dominick jump headlong into another caper!
I really was enjoying this a bit more than book one, but something triggered with me, and I found myself thinking about another book. With another ago-old mystery, with another painting, in another castle. And I'm stumped as to which book it was, but after that point, I found I didn't enjoy it quite so much.
Oh don't get me wrong, please. It's really well written, from both Alfie and Dominick's point of view. There are more things revealed about both Alfie and Dom's lives in the time they were apart. There is much love here, even if they sometimes forget that.
I again quote my review for Secret:
I loved that the whodunnit was so NOT who I was expecting, nor was it WHY! I love being kept on my toes!
Because I really did not see that one coming at me. But the whole Wicked Master thing? I could see that coming at me, even before the point I mentioned before. I could see that things were really not as they were portrayed to be.
There are almost two stories going on here. The missing woman and the dead butler, then the Wicked Master thing. I liked that, along with the growing deepening connection between Alfie and Dom, which evokes some mighty powerful feelings here!
So, even though things were a little blurry, I did enjoy it and I'll still give it. . .
4 solid stars
*same worded review will appear elsewhere
Ross (3284 KP) rated Resistance in Books
Sep 20, 2018
Contains spoilers, click to show
A dystopian sci-fi tale in which people ("elementals") are split into 4 classes (air - artistic types, water - scientific types, fire - law-enforcing types, and earth - working class grunts) with a strict set of rules and beliefs to be followed. Any attempt to betray these rules would result in swift punishment by the peacekeepers.
Anaiya, one such peacekeeper, is tasked with finding and infiltrating a group of rebels who have started painting the word "resistance" on walls. In order to infiltrate them, she has to undergo a new untested treatment that tries to change her class from fire to air. Thereafter the tale is a pretty standard one of intrigue, plotting and red herrings.
For me the ideas behind the world were interesting, but not very well explained or explored early on. I realise with a book like this any attempt to do so would jar with the atmosphere it is trying to get at, but there are ways to deliver the information needed.
The storyline was pretty much paper-thin and sacrificed in order to have some lengthy, overly descriptive poetic narrative (for example at least 6 pages of the book is devoted to blow by blow accounts of pool matches). The supposed revelation at the end was such an obvious anti-climax as to be ridiculous. I took it to be a symbol of how Anaiya's treatment warped her judgement of who the main suspect is, but it was delivered as a big revelation.
The use of technology in sci-fi always annoys me - new tech that is not described and overly used, with a ridiculous name (a wristplate that can immediately tell you what substances are in your blood as well as heart rate etc, and also be used to download music, play music, communicate, pay for things etc etc).
Similarly, the plot to reveal the head of the resistance hinged on the use of some new technology invented by a member of the resistance itself. This was so flimsy as to be laughable. Also, the fact that a heavy-handed police force like the peacekeepers would look for such tenuous proof of the leadership of the resistance before acting is just plain wrong. The first few chapters, and some of the conversations Anaiya has after her change, serve to show how heavy-handed they are, and any hint of someone's involvement in such treasonous activity would result in swift action.
Overall, the book is atmospheric and interesting but quite badly executed.
And the word "trajectory" is massively overused and at times wrongly used.
Anaiya, one such peacekeeper, is tasked with finding and infiltrating a group of rebels who have started painting the word "resistance" on walls. In order to infiltrate them, she has to undergo a new untested treatment that tries to change her class from fire to air. Thereafter the tale is a pretty standard one of intrigue, plotting and red herrings.
For me the ideas behind the world were interesting, but not very well explained or explored early on. I realise with a book like this any attempt to do so would jar with the atmosphere it is trying to get at, but there are ways to deliver the information needed.
The storyline was pretty much paper-thin and sacrificed in order to have some lengthy, overly descriptive poetic narrative (for example at least 6 pages of the book is devoted to blow by blow accounts of pool matches). The supposed revelation at the end was such an obvious anti-climax as to be ridiculous. I took it to be a symbol of how Anaiya's treatment warped her judgement of who the main suspect is, but it was delivered as a big revelation.
The use of technology in sci-fi always annoys me - new tech that is not described and overly used, with a ridiculous name (a wristplate that can immediately tell you what substances are in your blood as well as heart rate etc, and also be used to download music, play music, communicate, pay for things etc etc).
Similarly, the plot to reveal the head of the resistance hinged on the use of some new technology invented by a member of the resistance itself. This was so flimsy as to be laughable. Also, the fact that a heavy-handed police force like the peacekeepers would look for such tenuous proof of the leadership of the resistance before acting is just plain wrong. The first few chapters, and some of the conversations Anaiya has after her change, serve to show how heavy-handed they are, and any hint of someone's involvement in such treasonous activity would result in swift action.
Overall, the book is atmospheric and interesting but quite badly executed.
And the word "trajectory" is massively overused and at times wrongly used.
Kirk Bage (1775 KP) rated Ghosteen by Nick Cave & The Bad Seeds in Music
Mar 3, 2020 (Updated Aug 6, 2020)
My intention was to listen to this twice through and then tell you what I thought about it. In the past, I have always admired Nick Cave more in theory than in practice. Finding his heavier touches a little too “noisy”. Typified by the 2004 release Abbatoir Blues / The Lyre of Orpheus, where I listened to the latter, gentler side over and over, and largely left the more raucous tracks on the former alone.
Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.
It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.
As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.
At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.
Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.
For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.
Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.
It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.
As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.
At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.
Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.
For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.