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The #1 app for turning your iPad into a drawing tablet for Mac! Astropad allows you to use your iPad...
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Stranded on the shores of a mysterious island, you must learn to survive. Use your cunning to kill...
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You are marooned on the shores of an infinite blocky world. Explore, mine resources, craft tools and...
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*** Featured – App Store Essentials: Painting & Drawing *** *** Featured – App Store: Middle...
Charlie Cobra Reviews (1840 KP) rated the PlayStation 4 version of Samurai Warriors 5 in Video Games
Sep 14, 2021 (Updated Sep 14, 2021)
Revamped art style and character designs (1 more)
All new weapon system
Character animations are a bit stiff in scenes with dialogue (1 more)
Battle music can be repetitive
Fantastic Return For The Warriors Series
Samurai Warriors 5 is a 2021 hack and slash, action, "Musou/Warriors" game developed by Omega Force and published by Koei Tecmo. It is available on PS4, Xbox One, Nintendo Switch and PC, with current gen consoles not featuring an upgraded version yet. The fifth installment in the series, it is a re-imagining as almost everything from art style to character designs has been revamped. The story has been redone as well, focusing mainly on Nobunaga Oda and Mitsuhide Akechi, up to the events of the Honno-ji incident.
Play as the legends of the Sengoku Era of Japanese history in this epic "Warriors" game. Samurai Warriors 5 has been revamped with a new art style and an all new weapon system allowing characters to utilize any weapon in a large arsenal as you mow down hundreds of soldiers from opposing armies. Every weapon has special moves to use in combat and can be upgraded in the blacksmith menu. Characters have a simplistic skill tree and some also have ultimate moves. A stable menu is available to upgrade and train horses you acquire as well. There are two game modes: Musou Mode, which is a mission based story mode and Citadel Mode, which is an extra game mode in which you defend a base while completing different objectives to get the highest score you can.
Utilizing new character designs and a new art style based on Japanese paintings, Samurai Warriors has never looked so good. Musou attacks look great with some ending in a character posing for a painting. Character animations are great in battle but a little stiff in scenes with dialogue, however, the cutscenes are well done.
Battle music can get repetitive but if you love the "Warriors" series it's what you've come to expect. Classic "Warriors" style music with epic rock/metal guitar riffs are mixed with the traditional Japanese style music, although with more emphasis on the latter. Overall the music is very enjoyable. The sound design for weapon combos gives you a good sense of impact too and really makes you feel like you're doing damage.
Samurai Warriors 5 is the tale of Nobunaga Oda, the legendary Japanese Daimyo (Lord) on his quest to unify all the lands of Japan and bring peace to it's people. This game is based off of historical records of Nobunaga's life and that of Mitsuhide Akechi with many liberties taken to romanticize real life historical accounts. The plot follows them through their lives, up to the incident at Honno-ji.
Verdict: [7/10]
A fantastic return to form for the "Warriors" series after the abysmal Dynasty Warriors 9. The new art style is a refreshing take and gameplay innovates while simultaneously not alienating lovers of past games in the series.
Play as the legends of the Sengoku Era of Japanese history in this epic "Warriors" game. Samurai Warriors 5 has been revamped with a new art style and an all new weapon system allowing characters to utilize any weapon in a large arsenal as you mow down hundreds of soldiers from opposing armies. Every weapon has special moves to use in combat and can be upgraded in the blacksmith menu. Characters have a simplistic skill tree and some also have ultimate moves. A stable menu is available to upgrade and train horses you acquire as well. There are two game modes: Musou Mode, which is a mission based story mode and Citadel Mode, which is an extra game mode in which you defend a base while completing different objectives to get the highest score you can.
Utilizing new character designs and a new art style based on Japanese paintings, Samurai Warriors has never looked so good. Musou attacks look great with some ending in a character posing for a painting. Character animations are great in battle but a little stiff in scenes with dialogue, however, the cutscenes are well done.
Battle music can get repetitive but if you love the "Warriors" series it's what you've come to expect. Classic "Warriors" style music with epic rock/metal guitar riffs are mixed with the traditional Japanese style music, although with more emphasis on the latter. Overall the music is very enjoyable. The sound design for weapon combos gives you a good sense of impact too and really makes you feel like you're doing damage.
Samurai Warriors 5 is the tale of Nobunaga Oda, the legendary Japanese Daimyo (Lord) on his quest to unify all the lands of Japan and bring peace to it's people. This game is based off of historical records of Nobunaga's life and that of Mitsuhide Akechi with many liberties taken to romanticize real life historical accounts. The plot follows them through their lives, up to the incident at Honno-ji.
Verdict: [7/10]
A fantastic return to form for the "Warriors" series after the abysmal Dynasty Warriors 9. The new art style is a refreshing take and gameplay innovates while simultaneously not alienating lovers of past games in the series.
Acanthea Grimscythe (300 KP) rated Siren of Depravity in Books
May 16, 2018
The idea of a story about a dark, tormented, and dysfunctional family with Lovecraftian undertones is definitely something I'm interested in; however, I can't help but feel a bit disappointed at the execution.
Written in first person perspective, Siren of Depravity is narrated by the main character, Harry Keyes. Harry is anything but the perfect husband: he's cheated on his wife and has a habit of lying to her. His pride and joy is his little girl, Eva. Harry also has a brother, Dexter, who just found out that he's actually adopted: they have different mothers.Coming from abusive childhoods, the two are haunted by their monster of a father. While Harry grew up, married, and found a career, Dexter bought the family house from his parents and became a bit of a recluse, burying himself in necromantic studies. The other characters, including Harry's wife and child, are largely minor characters until the end and, while most of them are fairly flat and static, Eva appears to be the only one that undergoes any sort of change.
Upon discovering the nature of his maternity, Dexter calls his brother up on the telephone for the first time in ages, divulging to Harry that he has discovered something that he absolutely must show him. Naturally, Harry casts aside all reason to travel two hours to visit his brother and learn what he has discovered, despite knowing how dark Dexter's interests are. It is at this point that Siren of Depravity starts hinting at old and terrible creatures that are inspired by Lovecraft, suggesting that they are buried deep underground. Dumbfounded by the knowledge that Dexter has a different mother, Harry takes it upon himself to solve the mystery and thus readers are led on a journey filled to the brim with horror after horror, from necromancy to human experimentation, Fry doesn't hold back on the grisly details that define the Keyes family's past.
Though the book begins a bit slowly, the action is nonstop and picks up speed further along. Fry has a knack for painting gruesome images with his words; however, I feel that his writing style would be better suited in third person, rather than first. Harry's perspective seems to be a bit heavily diluted by his own personal regrets, and the constant mention of his affair and of being swatted with a newspaper by his father throughout the book really takes away from many of the scenes. What bothered me more than how repetitive these moments were, was the constant beginning of a sentence with the word "but." "But" is a conjunction, and as such is meant to connect two thoughts. Many of the instances in which it was used, the word could have been omitted entirely, which would have helped the flow of the story. Instead, it gives the book a bit of a jerky feeling. Hopefully this will be addressed before publication.
I would like to thank NetGalley, DarkFuse, and Gary Fry for the advance review copy in exchange for an honest, unbiased review.
Written in first person perspective, Siren of Depravity is narrated by the main character, Harry Keyes. Harry is anything but the perfect husband: he's cheated on his wife and has a habit of lying to her. His pride and joy is his little girl, Eva. Harry also has a brother, Dexter, who just found out that he's actually adopted: they have different mothers.Coming from abusive childhoods, the two are haunted by their monster of a father. While Harry grew up, married, and found a career, Dexter bought the family house from his parents and became a bit of a recluse, burying himself in necromantic studies. The other characters, including Harry's wife and child, are largely minor characters until the end and, while most of them are fairly flat and static, Eva appears to be the only one that undergoes any sort of change.
Upon discovering the nature of his maternity, Dexter calls his brother up on the telephone for the first time in ages, divulging to Harry that he has discovered something that he absolutely must show him. Naturally, Harry casts aside all reason to travel two hours to visit his brother and learn what he has discovered, despite knowing how dark Dexter's interests are. It is at this point that Siren of Depravity starts hinting at old and terrible creatures that are inspired by Lovecraft, suggesting that they are buried deep underground. Dumbfounded by the knowledge that Dexter has a different mother, Harry takes it upon himself to solve the mystery and thus readers are led on a journey filled to the brim with horror after horror, from necromancy to human experimentation, Fry doesn't hold back on the grisly details that define the Keyes family's past.
Though the book begins a bit slowly, the action is nonstop and picks up speed further along. Fry has a knack for painting gruesome images with his words; however, I feel that his writing style would be better suited in third person, rather than first. Harry's perspective seems to be a bit heavily diluted by his own personal regrets, and the constant mention of his affair and of being swatted with a newspaper by his father throughout the book really takes away from many of the scenes. What bothered me more than how repetitive these moments were, was the constant beginning of a sentence with the word "but." "But" is a conjunction, and as such is meant to connect two thoughts. Many of the instances in which it was used, the word could have been omitted entirely, which would have helped the flow of the story. Instead, it gives the book a bit of a jerky feeling. Hopefully this will be addressed before publication.
I would like to thank NetGalley, DarkFuse, and Gary Fry for the advance review copy in exchange for an honest, unbiased review.
Rachel King (13 KP) rated Thumbing Through Thoreau: A Book of Quotations by Henry David Thoreau in Books
Feb 11, 2019
The cover of the book is taken from a beautiful painting of Walden Pond in Concord, Massachusetts where Henry David Thoreau lived and wrote. Unfortunately, the artwork on nearly every page in the text is not nearly as attractive or colorful, and seems rather repetitious after 50 pages or so. According to the cover, Jay Luke's artwork is on the even-numbered pages and Ren Adam's artwork is on the odd-numbered pages, though truthfully I could not distinguish between the two artists' styles.
The book is divided into three sections that each of the quotes could be filed under: "Society & Government", "Spirituality & Nature", and "Love." The quotes that Kenny Luck compiled were indeed thought-provoking. When examining the collection as a whole, I could imagine the kind of man that wrote these words day in and day out. As Luck states: "This book... is my attempt to bring together the best pieces of Thoreau's writings in one collection." Before reading this book, I was not overly familiar with Thoreau's work, and afterwards I realized that the man Thoreau has much in common with my own husband. But I digress.
Some quotes were familiar, such as this one:
"The mass of men lead lives of quiet desperation."
Many more quotes were unfamiliar, but quite profound:
"I am convinced, that if all men were to live as simply as I then did, thieving and robbery would be unknown."
"What is it [to] be born free and equal, and not to live? What is the value of any political freedom, but as a means to moral freedom?"
"A written word is the choicest of relics."
"The day is an epitome of the year. The night is the winter, the morning and evening are the spring and fall, and the noon is the summer."
"I suspect that the child plucks its first flower awith an insight into its beauty and significance which the subsequent botanist never retains."
"To be married at least should be the one poetical act of a man's life."
"Love is a severe critic."
"The only way to speak the truth is to speak lovingly; only the lover's words are heard."
What I found especially distracting was how the words within each quote varied in font size and color, almost as if Luck did not trust the reader enough to know how to read the work and felt he had to dictate to the reader where the emphasis lay in each quote. While I can not say for sure if this was the aim, I felt like my intelligence was being belittled and undervalued as I flipped through the pages. Plus, these words are Thoreau's, not Kenny Luck's, and only Thoreau would be able to truly say where the emphasis within each sentence should be. Luck is only presuming to make intelligent guesses. While I respect Luck's obsession, which he describes in his introduction, I think he should allow for the words of Thoreau to stand alone, so that each reader can appreciate Thoreau through his or her own interpretation.
"The fact is I am a mystic, a transcendentalist, and a natural philosopher to boot."
The book is divided into three sections that each of the quotes could be filed under: "Society & Government", "Spirituality & Nature", and "Love." The quotes that Kenny Luck compiled were indeed thought-provoking. When examining the collection as a whole, I could imagine the kind of man that wrote these words day in and day out. As Luck states: "This book... is my attempt to bring together the best pieces of Thoreau's writings in one collection." Before reading this book, I was not overly familiar with Thoreau's work, and afterwards I realized that the man Thoreau has much in common with my own husband. But I digress.
Some quotes were familiar, such as this one:
"The mass of men lead lives of quiet desperation."
Many more quotes were unfamiliar, but quite profound:
"I am convinced, that if all men were to live as simply as I then did, thieving and robbery would be unknown."
"What is it [to] be born free and equal, and not to live? What is the value of any political freedom, but as a means to moral freedom?"
"A written word is the choicest of relics."
"The day is an epitome of the year. The night is the winter, the morning and evening are the spring and fall, and the noon is the summer."
"I suspect that the child plucks its first flower awith an insight into its beauty and significance which the subsequent botanist never retains."
"To be married at least should be the one poetical act of a man's life."
"Love is a severe critic."
"The only way to speak the truth is to speak lovingly; only the lover's words are heard."
What I found especially distracting was how the words within each quote varied in font size and color, almost as if Luck did not trust the reader enough to know how to read the work and felt he had to dictate to the reader where the emphasis lay in each quote. While I can not say for sure if this was the aim, I felt like my intelligence was being belittled and undervalued as I flipped through the pages. Plus, these words are Thoreau's, not Kenny Luck's, and only Thoreau would be able to truly say where the emphasis within each sentence should be. Luck is only presuming to make intelligent guesses. While I respect Luck's obsession, which he describes in his introduction, I think he should allow for the words of Thoreau to stand alone, so that each reader can appreciate Thoreau through his or her own interpretation.
"The fact is I am a mystic, a transcendentalist, and a natural philosopher to boot."
Kristy H (1252 KP) rated Girls' Weekend in Books
Feb 13, 2018
Charlotte, Dani, and Meg have been friends for ages-- bonding over motherhood and the issues that accompany it. However, each woman has their own problems and are reluctant to bring them up with their friends. Charlotte, a busy and successful interior designer, has a dentist husband and a loving son, but she feels like her husband, Brett, doesn't even see her anymore. Dani's life appears great -- a caring husband and two kids, but she can't quite shake the empty feelings she has. And Meg is still reeling from losing her young son two years ago; her grief remains, but everyone around her seems to have moved on. When the three women get a chance to go away for a girls' weekend, they jump at the chance, even if involves a little rearranging of schedules. But once there, they make a fateful decision: they aren't coming back home.
When reading it, the premise seems a little farfetched, but the characters in this novel immediately seem very real and the book gives a lot of little details about motherhood that lend it realism (for instance, humming annoying intro music to a children's show at inappropriate times). Each woman is different, but you can relate to a piece of each of them. I found myself liking parts of each and being frustrated with other parts - just like your actual friends.
It's probably true that parts of the book are stereotypical toward men (and fathers) -- painting them as bumbling and clueless toward their wives and children, but sadly, there is some realism to it, too. Plus, as the storyline progresses, you fixate less on this fact and realize there's more to this story than black and white. Honestly, it speaks universally to many women, especially mothers: those seeking answers in life, those feeling guilty for not being happy when life seems perfect on paper, those wondering when life simply became a series of errands. I felt like Achterberg did an excellent job of dealing with and capturing some of the quintessential problems facing the modern mom.
The book is painful to read at times, but only because it's so well-written. Your heart breaks for Meg and all she has been through. The book lags a little in the middle, but really, the women do too, as they try to figure out exactly what they should do. It is fascinating because they are doing what you can't quite imagine pulling off. My mind was racing as I read: I mean, who would really watch your kids for that long? What spouse would be OK with this? Who could leave their kids for that long? And yet, you sort of dream for the time away, envy the women as you read the novel. It's easy to empathize with them, even as you may question some of their motives.
Overall, the book was easy to read and Charlotte, Meg, and Dani were interesting and relatable characters. The book made me think (and highlight many passages). It's a fun read, but also goes deeper, too. Really enjoyed it.
I received an ARC of this book from Netgalley (thank you!); it is available everywhere on 5/3.
When reading it, the premise seems a little farfetched, but the characters in this novel immediately seem very real and the book gives a lot of little details about motherhood that lend it realism (for instance, humming annoying intro music to a children's show at inappropriate times). Each woman is different, but you can relate to a piece of each of them. I found myself liking parts of each and being frustrated with other parts - just like your actual friends.
It's probably true that parts of the book are stereotypical toward men (and fathers) -- painting them as bumbling and clueless toward their wives and children, but sadly, there is some realism to it, too. Plus, as the storyline progresses, you fixate less on this fact and realize there's more to this story than black and white. Honestly, it speaks universally to many women, especially mothers: those seeking answers in life, those feeling guilty for not being happy when life seems perfect on paper, those wondering when life simply became a series of errands. I felt like Achterberg did an excellent job of dealing with and capturing some of the quintessential problems facing the modern mom.
The book is painful to read at times, but only because it's so well-written. Your heart breaks for Meg and all she has been through. The book lags a little in the middle, but really, the women do too, as they try to figure out exactly what they should do. It is fascinating because they are doing what you can't quite imagine pulling off. My mind was racing as I read: I mean, who would really watch your kids for that long? What spouse would be OK with this? Who could leave their kids for that long? And yet, you sort of dream for the time away, envy the women as you read the novel. It's easy to empathize with them, even as you may question some of their motives.
Overall, the book was easy to read and Charlotte, Meg, and Dani were interesting and relatable characters. The book made me think (and highlight many passages). It's a fun read, but also goes deeper, too. Really enjoyed it.
I received an ARC of this book from Netgalley (thank you!); it is available everywhere on 5/3.