Search
The Preparedness Podcast
Podcast
The Preparedness Podcast focuses on preparing for disasters, emergencies and survival strategies for...
World War Z: An Oral History of the Zombie Wars
Book
It began with rumours from China about another pandemic. Then the cases started to multiply and what...
David McK (3425 KP) rated The King's Man (2021) in Movies
Feb 12, 2022
Much delayed by the pandemic (roughly 2 years), this is the third Kingsman film, abandoning the modern-day setting of the first and second for a World War One era prequel.
Which proves to be a good move, injecting a spot of interest into the movie - I, for one, struggled with the second entry - and allowing a mishmash of history and fact to play out on screen.
This also has a shocking moment about roughly 2/3rds of the way through, during the period of the movie in the trenches that almost feels like it belongs to a different film altogether.
It also has an absolutely bonkers fight scene involving Rasputin: it's a pity, I feel, that he does not have a larger role than he does!
Which proves to be a good move, injecting a spot of interest into the movie - I, for one, struggled with the second entry - and allowing a mishmash of history and fact to play out on screen.
This also has a shocking moment about roughly 2/3rds of the way through, during the period of the movie in the trenches that almost feels like it belongs to a different film altogether.
It also has an absolutely bonkers fight scene involving Rasputin: it's a pity, I feel, that he does not have a larger role than he does!
Thank You by Diana Ross
Album
Thank You is the twenty-fifth studio album by American singer Diana Ross, released through Decca...
Kevin Phillipson (10018 KP) rated The King's Man (2021) in Movies
Dec 31, 2021
Ralf Fiennes (2 more)
Tom hollander
Rhys ifans
My last cinema review of the year I've been wanting to see this for movie for a long time cause of the pandemic and now I've seen it I rather liked it. It has plenty of action scenes especially at the end of the movie where we see ralf Fiennes in full action mode would have liked to have seen gemma arterton get abit more to do action wise but hats off to Tom hollander for playing three different characters during the movie it took me awhile to realise it was him playing all three cousins but he manages to pull it off. Overall a worthy addition to the kingsman movies. Tomorrow my top ten movies of the year
BankofMarquis (1832 KP) rated Raya and the Last Dragon (2021) in Movies
Sep 25, 2021
Strong Animation and Voice Work overcome "Standard" Plot
One of the first films to be released (both in theaters and on-line) during the pandemic, RAYA AND THE LAST DRAGON came and went quickly - certainly ignored in the movie theaters, and with very little fanfare on-line.
And that’s too bad for RAYA AND THE LAST DRAGON is a fun, fantastical and visually rich tapestry that weaves together strong characters, a good lesson and enough action and comedy to keep young and old alike engaged throughout.
RAYA tells the story of the land of Kumandra, a realm that was inspired by Southeast Asian countries (such as Thailand, Malaysia and Indonesia) a land that is split into 5 parts that each face the same threat, but instead of banding together to fight this threat, they are splintered and selfish and look out only for their own - with little to no regard of the consequences to others.
Sound familiar? While the film was imagined and realized before the pandemic, the themes of this film reverberate strongly in this post-pandemic world that we live in.
Into this world drops Raya who, when betrayed by one she sees as a friend, sets out on a quest to find the last dragon and unify the 5 lands. It’s a typical “quest film” but one that is told with such heart and charm - with strong voice characters and beautiful animation - that I was won over by it.
Kelly Marie Tran (Rose Tico in the latest STAR WARS trilogy) brings Raya’s voice to life and it is a one that is embodied with hope, naivete and strength and really makes you root for her character. The voice work by the likes of Gemma Chan (CRAZY, RICH ASIANS), Benedict Wong (DR. STRANGE), DANIEL DAE KIM (TV’s LOST) and Sandra OH (TV’s GREY’S ANATOMY) are all as equally strong and nuanced and draws you into each of their characters and the story.
And then there is Awkwafina (SHANG-CHI) as the voice of The Last Dragon - she is on another level. It is not hyperbole to say that this voicework/character is on a par with David Spade’s work as Kuzco in THE EMPEROR’S NEW GROOVE and much like Spade, she ad-libbed much of her dialogue. It’s not quite at the level of Robin Williams in ALADDIN, but it’s in that ballpark - it is that good. This character makes or breaks this film and AWKWAFINA nails it - and makes the film.
This film is a “non-Musical” and I think that works well here. While this choice may turn off some families from viewing, this choice makes it a stronger film and is the right selection.
And then, there is the animation, which is even more impressive considering it was created from the animators in their homes during the pandemic. RAYA AND THE LAST DRAGON is a visual feast, weaving imagery and beautifully animated scenes throughout - I applaud those that made this incredibly beautiful film under such adverse conditions, it is a triumph.
All-in-all RAYA AND THE LAST DRAGON is well worth checking out, despite the plot being rather “standard”, the themes, characters, voice work and animation are all top notch - what one has come to expect from Disney Animation.
Letter Grade: A- (did I mention that the plot is rather “standard”)
8 Stars (out of 10) and you can take that to the Bank(ofMarquis)
And that’s too bad for RAYA AND THE LAST DRAGON is a fun, fantastical and visually rich tapestry that weaves together strong characters, a good lesson and enough action and comedy to keep young and old alike engaged throughout.
RAYA tells the story of the land of Kumandra, a realm that was inspired by Southeast Asian countries (such as Thailand, Malaysia and Indonesia) a land that is split into 5 parts that each face the same threat, but instead of banding together to fight this threat, they are splintered and selfish and look out only for their own - with little to no regard of the consequences to others.
Sound familiar? While the film was imagined and realized before the pandemic, the themes of this film reverberate strongly in this post-pandemic world that we live in.
Into this world drops Raya who, when betrayed by one she sees as a friend, sets out on a quest to find the last dragon and unify the 5 lands. It’s a typical “quest film” but one that is told with such heart and charm - with strong voice characters and beautiful animation - that I was won over by it.
Kelly Marie Tran (Rose Tico in the latest STAR WARS trilogy) brings Raya’s voice to life and it is a one that is embodied with hope, naivete and strength and really makes you root for her character. The voice work by the likes of Gemma Chan (CRAZY, RICH ASIANS), Benedict Wong (DR. STRANGE), DANIEL DAE KIM (TV’s LOST) and Sandra OH (TV’s GREY’S ANATOMY) are all as equally strong and nuanced and draws you into each of their characters and the story.
And then there is Awkwafina (SHANG-CHI) as the voice of The Last Dragon - she is on another level. It is not hyperbole to say that this voicework/character is on a par with David Spade’s work as Kuzco in THE EMPEROR’S NEW GROOVE and much like Spade, she ad-libbed much of her dialogue. It’s not quite at the level of Robin Williams in ALADDIN, but it’s in that ballpark - it is that good. This character makes or breaks this film and AWKWAFINA nails it - and makes the film.
This film is a “non-Musical” and I think that works well here. While this choice may turn off some families from viewing, this choice makes it a stronger film and is the right selection.
And then, there is the animation, which is even more impressive considering it was created from the animators in their homes during the pandemic. RAYA AND THE LAST DRAGON is a visual feast, weaving imagery and beautifully animated scenes throughout - I applaud those that made this incredibly beautiful film under such adverse conditions, it is a triumph.
All-in-all RAYA AND THE LAST DRAGON is well worth checking out, despite the plot being rather “standard”, the themes, characters, voice work and animation are all top notch - what one has come to expect from Disney Animation.
Letter Grade: A- (did I mention that the plot is rather “standard”)
8 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Laura Doe (1350 KP) rated Life, Death and Biscuits in Books
Apr 4, 2022
This book was an interesting look at the life of a critical care nurse during the Covid-19 pandemic. It was both heartbreaking and heartwarming in places and it was interesting to learn what exactly a critical care nurse is tasked with daily.
However, this has not been my favourite medical memoir, having read Adam Kay’s This Is Going To Hurt just before starting this book. While I liked that the emails that Anthea originally sent out were included, they became very repetitive and I started to become a little bit bored of reading about the same things. I understood that when they were sent out, they were a week or so apart from each other so it may have been necessary for the repetition, but I just don’t think that it worked well within a book.
I also started to get annoyed at the way that Anthea referred to young doctors and belittled them (they were so young they still had acne or a doctor fainted within 2 hours of starting work on the Covid ICU) and how she repeatedly told the reader that the nurses that were sent to help weren’t trained enough and weren’t giving the best care to their patients. It was like she forgot that these nurses had been pulled out of their specialties and thrown into a place where they had to learn new skills, I would bet that Anthea couldn’t work in the areas that these nurses came from to the same standard as them either.
I also got frustrated and felt that she was trying to make us feel sorry for the nurses who were fed three times a day during the start of the pandemic and were forever being gifted snacks, gift bags and hampers and how later on during the second wave she said that they did their job without the discounts, without the free coffee and without a pay rise. While these nurses really did go through hell and I wouldn’t wish it on anybody, the hospital nurses received a lot more than other nurses (especially community nurses), support workers and care home staff who worked tirelessly through the pandemic caring for those who weren’t in the hospitals. The only difference being that they didn’t have the luxury that Anthea and her team had of the food and endless “PPE hugs” whilst still working in the strangest times. Another sentence that stuck out to me was “only nurses talk of food while the aroma of faeces fills the air”, which is not true at all. Anyone who works within the health and social care sector and deals with the personal care of people have the same sense of humour and the same outlooks as many nurses but often get forgotten about.
While this book was interesting to begin, I found from about 40% through I was starting to get very annoyed by the repetition and the self-congratulatory writing that I wasn’t sure if I could finish the book. I think the book could have been much shorter than it was, but I also think that anyone who worked from home or was furloughed during the pandemic should read this to understand how hard it was to work on the front lines while most were enjoying the glorious weather and all of the lockdown activities that went on.
However, this has not been my favourite medical memoir, having read Adam Kay’s This Is Going To Hurt just before starting this book. While I liked that the emails that Anthea originally sent out were included, they became very repetitive and I started to become a little bit bored of reading about the same things. I understood that when they were sent out, they were a week or so apart from each other so it may have been necessary for the repetition, but I just don’t think that it worked well within a book.
I also started to get annoyed at the way that Anthea referred to young doctors and belittled them (they were so young they still had acne or a doctor fainted within 2 hours of starting work on the Covid ICU) and how she repeatedly told the reader that the nurses that were sent to help weren’t trained enough and weren’t giving the best care to their patients. It was like she forgot that these nurses had been pulled out of their specialties and thrown into a place where they had to learn new skills, I would bet that Anthea couldn’t work in the areas that these nurses came from to the same standard as them either.
I also got frustrated and felt that she was trying to make us feel sorry for the nurses who were fed three times a day during the start of the pandemic and were forever being gifted snacks, gift bags and hampers and how later on during the second wave she said that they did their job without the discounts, without the free coffee and without a pay rise. While these nurses really did go through hell and I wouldn’t wish it on anybody, the hospital nurses received a lot more than other nurses (especially community nurses), support workers and care home staff who worked tirelessly through the pandemic caring for those who weren’t in the hospitals. The only difference being that they didn’t have the luxury that Anthea and her team had of the food and endless “PPE hugs” whilst still working in the strangest times. Another sentence that stuck out to me was “only nurses talk of food while the aroma of faeces fills the air”, which is not true at all. Anyone who works within the health and social care sector and deals with the personal care of people have the same sense of humour and the same outlooks as many nurses but often get forgotten about.
While this book was interesting to begin, I found from about 40% through I was starting to get very annoyed by the repetition and the self-congratulatory writing that I wasn’t sure if I could finish the book. I think the book could have been much shorter than it was, but I also think that anyone who worked from home or was furloughed during the pandemic should read this to understand how hard it was to work on the front lines while most were enjoying the glorious weather and all of the lockdown activities that went on.
Eleanor (1463 KP) rated the PC version of Two Point Hospital in Video Games
Jun 10, 2019
Graphics (2 more)
Humour
Nostalgia (for Theme Hospital veterans)
Fun simulation game
Many moons ago (1997) I used to love playing the PC simulation game called Theme Hospital made by Bullfrog, this game from Sega is very much a spiritual successor.
You design and operate hospitals with the aim to cure patients of a number of comical illnesses. Some of my favourites include Emperor Complex where patients wander around naked; Emperor’s New Clothes style, and need a psychiatrist to put them right and Pandemic the description of which is:
“What were you thinking? Look, we know things can get a little heated in the kitchen… but, frankly, if you’re putting a pan on your head you’re just doing cooking wrong. However, we accept that sometimes these things just happen. We won’t judge.”
To cure pandemic you need to build, one of many illness specific treatment rooms, the Extract-a-Pan. It’s the fun illnesses and graphics for them and their cures that keep this lighthearted.
You take control of various hospitals each with their own specific issues and as we are following the US healthcare model here the aim is frequently to make loads of money!! You control what rooms to build, staff to hire and research to complete providing lots of micromanagement opportunities.
Unlike Theme hospital in the age of DLC more hospitals and illnesses are becoming available as well as more ways to customise your hospitals. I still feel nostalgic for the original and maybe just because I’m older I found this a lot easier but still very enjoyable experience.
You design and operate hospitals with the aim to cure patients of a number of comical illnesses. Some of my favourites include Emperor Complex where patients wander around naked; Emperor’s New Clothes style, and need a psychiatrist to put them right and Pandemic the description of which is:
“What were you thinking? Look, we know things can get a little heated in the kitchen… but, frankly, if you’re putting a pan on your head you’re just doing cooking wrong. However, we accept that sometimes these things just happen. We won’t judge.”
To cure pandemic you need to build, one of many illness specific treatment rooms, the Extract-a-Pan. It’s the fun illnesses and graphics for them and their cures that keep this lighthearted.
You take control of various hospitals each with their own specific issues and as we are following the US healthcare model here the aim is frequently to make loads of money!! You control what rooms to build, staff to hire and research to complete providing lots of micromanagement opportunities.
Unlike Theme hospital in the age of DLC more hospitals and illnesses are becoming available as well as more ways to customise your hospitals. I still feel nostalgic for the original and maybe just because I’m older I found this a lot easier but still very enjoyable experience.
Lyndsey Gollogly (2893 KP) rated Under the Blue in Books
Jul 7, 2024
131 of 220
Book
Under the Blue
By Oana Aristide
⭐️⭐️⭐️
A road trip beneath clear blue skies and a blazing sun: a reclusive artist is forced to abandon his home and follow two young sisters across a post-pandemic Europe in search of a safe place. Is this the end of the world?
Meanwhile two computer scientists have been educating their baby in a remote location. Their baby is called Talos, and he is an advanced AI program. Every week they feed him data, starting from the beginning of written history, era by era, and ask him to predict what will happen next to the human race. At the same time they're involved in an increasingly fraught philosophical debate about why human life is sacred and why the purpose for which he was built - to predict threats to human life to help us avoid them - is a worthwhile and ethical pursuit.
These two strands come together in a way that is always suspenseful, surprising and intellectually provocative: this is an extraordinarily prescient and vital work of fiction - an apocalyptic road novel to frighten and thrill.
This was a case of don’t judge a book by its cover I wasn’t expecting much from it to be honest. But I actually liked it. We follow two different stories that some how come together in the end one of 3 people trying to escape the pandemic and nuclear fall out and then 2 scientists developing an AI. While I liked it the ending left me feeling a bit flat! But it is worth a read.
Book
Under the Blue
By Oana Aristide
⭐️⭐️⭐️
A road trip beneath clear blue skies and a blazing sun: a reclusive artist is forced to abandon his home and follow two young sisters across a post-pandemic Europe in search of a safe place. Is this the end of the world?
Meanwhile two computer scientists have been educating their baby in a remote location. Their baby is called Talos, and he is an advanced AI program. Every week they feed him data, starting from the beginning of written history, era by era, and ask him to predict what will happen next to the human race. At the same time they're involved in an increasingly fraught philosophical debate about why human life is sacred and why the purpose for which he was built - to predict threats to human life to help us avoid them - is a worthwhile and ethical pursuit.
These two strands come together in a way that is always suspenseful, surprising and intellectually provocative: this is an extraordinarily prescient and vital work of fiction - an apocalyptic road novel to frighten and thrill.
This was a case of don’t judge a book by its cover I wasn’t expecting much from it to be honest. But I actually liked it. We follow two different stories that some how come together in the end one of 3 people trying to escape the pandemic and nuclear fall out and then 2 scientists developing an AI. While I liked it the ending left me feeling a bit flat! But it is worth a read.