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Marylegs (44 KP) rated Station Eleven in Books
Aug 14, 2019
Station Eleven follows a number of characters affected by the disintegration of modern civilisation and society caused by a mutated flu virus which wipes out around 99% of the world wide population. Flitting back over a series of timelines, including the start of the pandemic to focus on the lives these characters had before the virus, what happened to them after this virus became apparent and beginning the destruction of the lives they knew. The story also skips into the future to see how their lives changed and how they had to adapt to their changing world. There are a number of characters to follow and as the book progresses links form between some of them, but this is not the focus of the story.
I won’t go overly into details about the characters it is best to discover them yourselves. I was pleasantly surprised by how good this book was. Receiving it as an advanced review, I didn’t really know much about the story other than it being based in a post-apocalyptic world. Upon receiving the book I was slightly put off by the blurb stating it was following a group of traveling actors and musicians and that it was trying to show how art still had a place in this post civilisation world. But don’t let this put you off, I’m glad I didn’t. Whilst the story uses the actors and musicians in this ‘Traveling Symphony’ as a point to allow cross country movement and show that some people as trying to survive but also to enrich other people’s lives, that wasn’t really what gripped me. It was the relationships this characters had made, the stories about how they used to live and what they had been forced to do in this changing world that kept me turning pages.
I would recommend this book, and I would probably re-read again and possibly try some of the authors other works. The author wrote beautifully and it never felt pretentious or like they were trying to over moralise things. If like me, you like a good end of the world, dystopian story but want something different from the general, zombies, vampires and hunger games type read, give this ago. It may surprise you, like it did me.
I won’t go overly into details about the characters it is best to discover them yourselves. I was pleasantly surprised by how good this book was. Receiving it as an advanced review, I didn’t really know much about the story other than it being based in a post-apocalyptic world. Upon receiving the book I was slightly put off by the blurb stating it was following a group of traveling actors and musicians and that it was trying to show how art still had a place in this post civilisation world. But don’t let this put you off, I’m glad I didn’t. Whilst the story uses the actors and musicians in this ‘Traveling Symphony’ as a point to allow cross country movement and show that some people as trying to survive but also to enrich other people’s lives, that wasn’t really what gripped me. It was the relationships this characters had made, the stories about how they used to live and what they had been forced to do in this changing world that kept me turning pages.
I would recommend this book, and I would probably re-read again and possibly try some of the authors other works. The author wrote beautifully and it never felt pretentious or like they were trying to over moralise things. If like me, you like a good end of the world, dystopian story but want something different from the general, zombies, vampires and hunger games type read, give this ago. It may surprise you, like it did me.
Gareth von Kallenbach (980 KP) rated Luca (2021) in Movies
Jun 16, 2021
The artists at Disney and Pixar have returned with a new animated film “Luca” which will debut on Disney+ on June 18th.
The film introduces audiences to Luca (Jacob Tremblay); a young Sea Monster who lives with his family and fellow fish off the coast of a small town in Italy. Luca is warned not to go on the surface and to avoid humans at all costs by his parents.
When a rebellious Sea Monster named Alberto (Jack Dylan Grazer); happens upon Luca and gets him to the surface; Luca discovers that he and Alberto appear as human boys when their skin is no longer wet.
Fascinated by the rebellious life Alberto leads and amazed by what he sees upon his brief land excursions; Luca looks for new ways to find time on the surface which leads to him being more and more deceptive to his parents.
In time Luca and Alberto head to the village and meet a spunky local girl named Giulia (Emma Berman); who is on a break from school and longs to win a local race in order to get back at the reigning champion and bully.
Luca and Alberto see the race as a chance to win money to buy their own Vespa which they see as the key to exploring the surface world which sets a chain of events into motion as their two worlds are about to collide leading up to the race.
The film is visually appealing, but the story for me dragged and did not have the spark and heart that have made countless PIXAR films enduring classics. While the characters were fine; they did not have the appeal or charisma that I have come to expect with the PIXAR brand.
There have been reports that after “SOUL” was moved from a theatrical release to streaming during the Pandemic that some at PIXAR were upset with the decision to make “Luca” a streaming option. My take is that it was 100% the correct decision as while it is an entertaining film; it is not one that is likely to light up the Box Office and is better suited for a streaming debut.
The biggest issue with “Luca” is that coming from a studio with such a long line of classics; it fails to reach the levels previously set and while entertaining comes up lacking.
3 stars out of 5
The film introduces audiences to Luca (Jacob Tremblay); a young Sea Monster who lives with his family and fellow fish off the coast of a small town in Italy. Luca is warned not to go on the surface and to avoid humans at all costs by his parents.
When a rebellious Sea Monster named Alberto (Jack Dylan Grazer); happens upon Luca and gets him to the surface; Luca discovers that he and Alberto appear as human boys when their skin is no longer wet.
Fascinated by the rebellious life Alberto leads and amazed by what he sees upon his brief land excursions; Luca looks for new ways to find time on the surface which leads to him being more and more deceptive to his parents.
In time Luca and Alberto head to the village and meet a spunky local girl named Giulia (Emma Berman); who is on a break from school and longs to win a local race in order to get back at the reigning champion and bully.
Luca and Alberto see the race as a chance to win money to buy their own Vespa which they see as the key to exploring the surface world which sets a chain of events into motion as their two worlds are about to collide leading up to the race.
The film is visually appealing, but the story for me dragged and did not have the spark and heart that have made countless PIXAR films enduring classics. While the characters were fine; they did not have the appeal or charisma that I have come to expect with the PIXAR brand.
There have been reports that after “SOUL” was moved from a theatrical release to streaming during the Pandemic that some at PIXAR were upset with the decision to make “Luca” a streaming option. My take is that it was 100% the correct decision as while it is an entertaining film; it is not one that is likely to light up the Box Office and is better suited for a streaming debut.
The biggest issue with “Luca” is that coming from a studio with such a long line of classics; it fails to reach the levels previously set and while entertaining comes up lacking.
3 stars out of 5
LeftSideCut (3776 KP) rated Bloodshot (2020) in Movies
Jul 27, 2020
Contains spoilers, click to show
Man, I expected this to be absolute gutter trash based on some of the reviews I've seen here and there, but honestly, found this to be a pretty passable dumb comic book origin story.
The cast are mostly good (minus a couple of generic jumped-up-alpha-male-arseholes). Vin Diesel just being Vin Diesel (which I used to hate but these days kind of love-hate), Guy Pearce playing a typically shady villain, Eiza González representing the badass female quota nicely, and Lamorne Morris playing the sometimes amusing comic relief. They all gel well for the most part.
It also doesn't take itself to seriously - I was ready to hate Bloodshot within the first ten minutes due to some really on the nose dumbfuckery to do with Toby Kebbell's character, but later on, the movie references said scene and pokes fun at it, thankfully.
There's one particular great action set piece during the first third of the film (the one that made up a fair amount of the trailer) which earns Bloodshot more points than it otherwise would have, and the semi-Groundhog Day plot keeps the movie interesting for the most part.
However, and it's a big however, although Bloodshot is fairly good for a fair portion of the runtime, it absolutely shits the bed in the final third.
Opting for a big CGI blowout (of course), the big final sequence just looks horrible.
The character models used in the fight sequences reminded me of Neo from The Matrix Reloaded, and that looked bad 17 years ago!
It's a loud, ugly mess that unfortunately de-rails any good that came before.
It also doesn't make a lick of sense, but WHO CARES, EXPLOSIONS AND CGI VIN DIESEL, WOOOOAHHH. It sucks.
I get the feeling that the ending (after the shitty fight scene) was supposed to be deep and left open to interpretation, but it just felt thrown on and confusing, and I also, I didn't really care by this point.
Ultimately, I would like to see Bloodshot get a sequel. This first outing is truly an origin film, and it would be interesting to see how further entries could flesh out the story, and borrow more from the comics.
I just hope this crappy Coronavirus pandemic is taken into account by the suits when looking at the poor box office.
The cast are mostly good (minus a couple of generic jumped-up-alpha-male-arseholes). Vin Diesel just being Vin Diesel (which I used to hate but these days kind of love-hate), Guy Pearce playing a typically shady villain, Eiza González representing the badass female quota nicely, and Lamorne Morris playing the sometimes amusing comic relief. They all gel well for the most part.
It also doesn't take itself to seriously - I was ready to hate Bloodshot within the first ten minutes due to some really on the nose dumbfuckery to do with Toby Kebbell's character, but later on, the movie references said scene and pokes fun at it, thankfully.
There's one particular great action set piece during the first third of the film (the one that made up a fair amount of the trailer) which earns Bloodshot more points than it otherwise would have, and the semi-Groundhog Day plot keeps the movie interesting for the most part.
However, and it's a big however, although Bloodshot is fairly good for a fair portion of the runtime, it absolutely shits the bed in the final third.
Opting for a big CGI blowout (of course), the big final sequence just looks horrible.
The character models used in the fight sequences reminded me of Neo from The Matrix Reloaded, and that looked bad 17 years ago!
It's a loud, ugly mess that unfortunately de-rails any good that came before.
It also doesn't make a lick of sense, but WHO CARES, EXPLOSIONS AND CGI VIN DIESEL, WOOOOAHHH. It sucks.
I get the feeling that the ending (after the shitty fight scene) was supposed to be deep and left open to interpretation, but it just felt thrown on and confusing, and I also, I didn't really care by this point.
Ultimately, I would like to see Bloodshot get a sequel. This first outing is truly an origin film, and it would be interesting to see how further entries could flesh out the story, and borrow more from the comics.
I just hope this crappy Coronavirus pandemic is taken into account by the suits when looking at the poor box office.
The Bleikovat Event
10.0
Rate It
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Among the close-kin clans of western farms and gelf ranches of Malfesian Murians times are good....
Ali A (82 KP) rated Hello (from Here) in Books
Sep 14, 2021
Trigger Warnings: Covid-19, death of a parent, AIDS, generalized anxiety disorder, panic attacks,
Max and Jonah bump into each over at the grocery store right when the Covid-19 lockdown was beginning in California. Max's part-time job as a personal shopper begins to transform into a bit of a nightmare and Jonah's pre-existing anxiety disorder is becoming a daily struggle. Can the two come together even though they must stay apart? Hello (from Here) jumps into the first two months of the quarantine and the love lives and two teenagers trying to figure out this new world.
This wasn't my favorite book on the planet, but I still enjoyed it nonetheless. I will also keep it on my shelves and possibly come back to it another time (when the Corona Virus isn't still running wild). Like most who have reviewed this book, I feel like it may have been too soon.
The main characters were okay, but not amazing, I did find them a little whiny towards the end... Olivia, Jonah's sister, was probably my favorite out of everybody and I'd kind of like to hear some more of her story! Also Arlo and his story! Kate and Jonah's "step-parent replacing late parent" trope was shown well in the novel. I thought the development of their relationship was well handled and realistic. I was happy with the end result for them.
I also thought the anxiety disorder representation was handled well in this novel too. As someone with anxiety who has had panic attacks (though not quite like Jonah's), I felt like one could still understand what he was going through, especially in his current situation.
I feel like this novel fell short - mostly by tackling too much all at once. I felt a little anticlimactic by the time I closed it. So many things were brought up: important issues and themes, but then were finished limply in the end. (view spoiler).
The cheating storyline was just - bleh. It wasn't needed and was more of a distraction. I also felt like it didn't make much sense for how the character had been acting throughout the whole storyline.
Overall, I feel like this was just too soon. I'm sure it will be good in a few years time though, when we weren't all still going through the same pandemic.
Max and Jonah bump into each over at the grocery store right when the Covid-19 lockdown was beginning in California. Max's part-time job as a personal shopper begins to transform into a bit of a nightmare and Jonah's pre-existing anxiety disorder is becoming a daily struggle. Can the two come together even though they must stay apart? Hello (from Here) jumps into the first two months of the quarantine and the love lives and two teenagers trying to figure out this new world.
This wasn't my favorite book on the planet, but I still enjoyed it nonetheless. I will also keep it on my shelves and possibly come back to it another time (when the Corona Virus isn't still running wild). Like most who have reviewed this book, I feel like it may have been too soon.
The main characters were okay, but not amazing, I did find them a little whiny towards the end... Olivia, Jonah's sister, was probably my favorite out of everybody and I'd kind of like to hear some more of her story! Also Arlo and his story! Kate and Jonah's "step-parent replacing late parent" trope was shown well in the novel. I thought the development of their relationship was well handled and realistic. I was happy with the end result for them.
I also thought the anxiety disorder representation was handled well in this novel too. As someone with anxiety who has had panic attacks (though not quite like Jonah's), I felt like one could still understand what he was going through, especially in his current situation.
I feel like this novel fell short - mostly by tackling too much all at once. I felt a little anticlimactic by the time I closed it. So many things were brought up: important issues and themes, but then were finished limply in the end. (view spoiler).
The cheating storyline was just - bleh. It wasn't needed and was more of a distraction. I also felt like it didn't make much sense for how the character had been acting throughout the whole storyline.
Overall, I feel like this was just too soon. I'm sure it will be good in a few years time though, when we weren't all still going through the same pandemic.
BankofMarquis (1832 KP) rated Borat: Subsequent Moviefilm (2020) in Movies
Apr 19, 2021
Nice Try
I have to admit that I never watched the 2006 BORAT film, but when it’s sequel BORAT SUBSEQUENT MOVIEFILM was nominated for 2 Oscars(!) - including Best Supporting Actress - I knew I would have to check this one out.
I have heard the following words and phrases used to describe the BORAT films: daring, ingenious, hilarious, cringe-inducing, smart, dumb, original and important. I would add one other word to this list:
Boring.
Sitting on the screen for and hour and a half like a Saturday Night Live skit that is being stretched too long, BORAT SUBSEQUENT MOVIEFILM held my attention for about the first 15 minutes where I thought that it was kind of funny and clever. And then it went on…and on…and on…running the same “sabotage” joke into the ground, pulling unsuspecting innocents into the outrageous world of Borat (though, I have to admit that most of these “unsuspecting innocents” knew exactly what was going on and were playing along).
Sasha Baron-Cohen is a smart filmmaker, writer and performer and he has earned the right to do whatever he feels like he wants to do. I prefer him in such movie fare as SWEENEY TODD, LES MISERABLES and the recent TRIAL OF THE CHICAGO SEVEN. But, if he feels like he wants to do things like Borat, who am I to argue. He certainly puts his all into the character, the scenarios and the guerilla film-making that is required, so good for him.
Maria Bakalova is nominated for a Best Supporting Actress Oscar as she plays Borat’s daughter who accompanies him on his journey across America. It is a “fine” performance and brings something that this film sorely needs - heart. But Oscar worthy? I don’t think so.
I must also give credit to the filmmakers for pivoting when the pandemic hit. They were in the middle of creating this (obviously) anti-Trump political farce of a film when Covid-19 forced them to pivot - and pivot they did, making this film as much about the virus than it is about politics.
Ultimately, this is a case where I can admire the attempt, the art, the craftmanship and skill and talent needed to pull this movie off. But as a film, it just didn’t go anywhere and I found myself looking at my watch wondering when this film would be over.
And…no…I don’t think I’ll go back a “catch-up” on the first BORAT film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
I have heard the following words and phrases used to describe the BORAT films: daring, ingenious, hilarious, cringe-inducing, smart, dumb, original and important. I would add one other word to this list:
Boring.
Sitting on the screen for and hour and a half like a Saturday Night Live skit that is being stretched too long, BORAT SUBSEQUENT MOVIEFILM held my attention for about the first 15 minutes where I thought that it was kind of funny and clever. And then it went on…and on…and on…running the same “sabotage” joke into the ground, pulling unsuspecting innocents into the outrageous world of Borat (though, I have to admit that most of these “unsuspecting innocents” knew exactly what was going on and were playing along).
Sasha Baron-Cohen is a smart filmmaker, writer and performer and he has earned the right to do whatever he feels like he wants to do. I prefer him in such movie fare as SWEENEY TODD, LES MISERABLES and the recent TRIAL OF THE CHICAGO SEVEN. But, if he feels like he wants to do things like Borat, who am I to argue. He certainly puts his all into the character, the scenarios and the guerilla film-making that is required, so good for him.
Maria Bakalova is nominated for a Best Supporting Actress Oscar as she plays Borat’s daughter who accompanies him on his journey across America. It is a “fine” performance and brings something that this film sorely needs - heart. But Oscar worthy? I don’t think so.
I must also give credit to the filmmakers for pivoting when the pandemic hit. They were in the middle of creating this (obviously) anti-Trump political farce of a film when Covid-19 forced them to pivot - and pivot they did, making this film as much about the virus than it is about politics.
Ultimately, this is a case where I can admire the attempt, the art, the craftmanship and skill and talent needed to pull this movie off. But as a film, it just didn’t go anywhere and I found myself looking at my watch wondering when this film would be over.
And…no…I don’t think I’ll go back a “catch-up” on the first BORAT film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Godzilla vs. Kong (2021) in Movies
Apr 2, 2021
Could have used more Kong versus Godzilla
If you are going to sit down and watch a movie that is entitled GODZILLA vs. KONG, you pretty much know what you are going to get, the highest your expectation should be is a “pretty fun B picture” with a giant Gorilla and a giant Lizard punching it out.
And…that is pretty much what you get…though the “laws of diminishing returns” is catching up to this franchise.
It all started with the reboot of GODZILLA in 2014 - a better than B “B Movie” that introduced audiences to Monarch and the Monsters they were following. This was followed up by the “very much a B Movie” KONG: SKULL ISLAND where Samuel L. Jackson, John Goodman and a host of others run around, getting picked off one-by-one in an enjoyable romp and hopes remained high for the ongoing Kong/Godzilla “Universe”.
Unfortunately, 2019’s GODZILLA: KING OF THE MONSTERS was a step down and the franchise showed signs of weakness with weaker plot lines…even weaker human characters…and overblown special effects.
Next came this film, GODZILLA vs. KONG - it was supposed to be released in theaters last summer, but because of the pandemic made it’s theatrical release at the same time it was shown on HBO Max (where I viewed it) - and I’m glad they did that, for if I would have shelled out money in a movie theater to check out this mess, I would have been angry, indeed.
GODZILLA vs. KONG follows, unfortunately, the trend started by GODZILLA: KING OF THE THE MONSTERS in that it has overblown CGI action with very little in the way of coherent plot and characters that you couldn’t care less about. It’s a mess of a movie that strings together a slim plot to get from one CGI battle to another.
But…if it has CGI Giant Gorilla on CGI Radioactive Lizard fighting in it…it should be fine, right? Well…that’s where Director Adam Wingard (YOU’RE NEXT) really fails, for a movie called GODZILLA vs. KONG has very little Kong fighting Godzilla in it…so one cannot even get too excited by that.
To be fair to this film, it doesn’t try to be anything more than it is intended to be - a “B” flick with giant monsters fighting each other, but…it only manages to be a B- flick at best. So, feel free to kick back and watch the CGI action, you’ll enjoy most of it - just don’t spend too much time looking for plot or characters that you care about.
And…unfortunately…it’s making me care less and less about future sequels - or the future of the Kong/Godzilla Universe.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank (ofMarquis)
And…that is pretty much what you get…though the “laws of diminishing returns” is catching up to this franchise.
It all started with the reboot of GODZILLA in 2014 - a better than B “B Movie” that introduced audiences to Monarch and the Monsters they were following. This was followed up by the “very much a B Movie” KONG: SKULL ISLAND where Samuel L. Jackson, John Goodman and a host of others run around, getting picked off one-by-one in an enjoyable romp and hopes remained high for the ongoing Kong/Godzilla “Universe”.
Unfortunately, 2019’s GODZILLA: KING OF THE MONSTERS was a step down and the franchise showed signs of weakness with weaker plot lines…even weaker human characters…and overblown special effects.
Next came this film, GODZILLA vs. KONG - it was supposed to be released in theaters last summer, but because of the pandemic made it’s theatrical release at the same time it was shown on HBO Max (where I viewed it) - and I’m glad they did that, for if I would have shelled out money in a movie theater to check out this mess, I would have been angry, indeed.
GODZILLA vs. KONG follows, unfortunately, the trend started by GODZILLA: KING OF THE THE MONSTERS in that it has overblown CGI action with very little in the way of coherent plot and characters that you couldn’t care less about. It’s a mess of a movie that strings together a slim plot to get from one CGI battle to another.
But…if it has CGI Giant Gorilla on CGI Radioactive Lizard fighting in it…it should be fine, right? Well…that’s where Director Adam Wingard (YOU’RE NEXT) really fails, for a movie called GODZILLA vs. KONG has very little Kong fighting Godzilla in it…so one cannot even get too excited by that.
To be fair to this film, it doesn’t try to be anything more than it is intended to be - a “B” flick with giant monsters fighting each other, but…it only manages to be a B- flick at best. So, feel free to kick back and watch the CGI action, you’ll enjoy most of it - just don’t spend too much time looking for plot or characters that you care about.
And…unfortunately…it’s making me care less and less about future sequels - or the future of the Kong/Godzilla Universe.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (980 KP) rated Fast & Furious 9 (2021) in Movies
Jun 23, 2021
F9 The Fast Saga Does Not Offer Anything New But Serves Up An Abundance Of High-Octane; Over The Top Action
After being delayed from a summer 2020 release by the Pandemic; Universal has released the latest film in the Fast and The Furious franchise to fans eager for some adrenaline-fueled summer action.
“F9 The Fast Saga” has done well in the few countries it has already been released, and has raced to a nearly $300 million total which the industry hopes is a signal that people are ready to return to cinemas in numbers again and that the film will take off when it opens in the U.S. and other markets.
The film opens with a flashback to the 1980s where young Dominic and his brother experience an event that changes their lives and drives a wedge between them. Moving forward to the present day, Dom (Vin Diesel) and Letty (Michelle Rodriguez), are living in seclusion with Dom’s son.
When the crew shows up unexpectedly with a mission from Mr. Nobody (Kurt Russell); who has gone missing, the crew venture out to retrieve a missing device which in turn puts them directly in the path with nefarious individuals and a ghost from Dom’s past.
As anyone who has watched any films in the series knows; the plots are often thin and a bit absurd as they serve simply as a device for the cast to assemble and chase a McGuffin to save the day. In doing so; the audience knows there will be an abundance of fists, bullets, cars, crashes, and outrageous stunts along the way.
While reality and credibility are not words associated with the franchise, the cast eagerly plays along with the absurdity, action, and mayhem and gives fans what they want. While the middle portion dragged while the audience was given more of the setup and introduced to cast members old and new; the action sequences are the over-the-top show stoppers which have become a staple of the franchise.
Director Justin Lin knows this and his return to the franchise does not attempt to invoke any new wrinkles and gives fans what they expect. The large ensemble works well with one another and John Cena is a very interesting addition to the cast.
Audiences will want to make sure to stay seated for a bonus scene that sets up the next film or spin-off very well and opens up some very interesting possibilities.
In the end “F9 The Fast Saga” gives audiences a dose of high-octane adrenaline and a return to no-brainer over the top action when it is needed the most. Check your brain at the door, strap in, and enjoy the ride.
3.5 stars out of 5
“F9 The Fast Saga” has done well in the few countries it has already been released, and has raced to a nearly $300 million total which the industry hopes is a signal that people are ready to return to cinemas in numbers again and that the film will take off when it opens in the U.S. and other markets.
The film opens with a flashback to the 1980s where young Dominic and his brother experience an event that changes their lives and drives a wedge between them. Moving forward to the present day, Dom (Vin Diesel) and Letty (Michelle Rodriguez), are living in seclusion with Dom’s son.
When the crew shows up unexpectedly with a mission from Mr. Nobody (Kurt Russell); who has gone missing, the crew venture out to retrieve a missing device which in turn puts them directly in the path with nefarious individuals and a ghost from Dom’s past.
As anyone who has watched any films in the series knows; the plots are often thin and a bit absurd as they serve simply as a device for the cast to assemble and chase a McGuffin to save the day. In doing so; the audience knows there will be an abundance of fists, bullets, cars, crashes, and outrageous stunts along the way.
While reality and credibility are not words associated with the franchise, the cast eagerly plays along with the absurdity, action, and mayhem and gives fans what they want. While the middle portion dragged while the audience was given more of the setup and introduced to cast members old and new; the action sequences are the over-the-top show stoppers which have become a staple of the franchise.
Director Justin Lin knows this and his return to the franchise does not attempt to invoke any new wrinkles and gives fans what they expect. The large ensemble works well with one another and John Cena is a very interesting addition to the cast.
Audiences will want to make sure to stay seated for a bonus scene that sets up the next film or spin-off very well and opens up some very interesting possibilities.
In the end “F9 The Fast Saga” gives audiences a dose of high-octane adrenaline and a return to no-brainer over the top action when it is needed the most. Check your brain at the door, strap in, and enjoy the ride.
3.5 stars out of 5
Plague Inc.
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5.0
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Can you infect the world? Plague Inc. is a unique mix of high strategy and terrifyingly realistic...
Splendor™
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9.8
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** ONLINE MULTIPLAYER NOW AVAILABLE !!! ** The OFFICIAL digital adaptation of the best-selling...
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