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Lee (2222 KP) rated She Dies Tomorrow (2020) in Movies
Sep 2, 2020
Pretentious waste of time
On paper, the concept behind She Dies Tomorrow is an intriguing one – “Amy thinks she’s dying tomorrow…and it’s contagious..”. And the trailer provided just enough mystery to make me want to seek it out too. Is it a portrayal of paranoia and anxiety, or is there something more sinister or supernatural at work, that they carefully and cleverly avoided showing us in the trailer?
We join Amy, already convinced that she is going to die tomorrow. She wanders aimlessly around her flat at night, drinking wine. Lying on the wooden floor, she traces her finger along the wood veins in the floorboards and presses herself against the wall, as if she is at one with the world and her surroundings. She also repeatedly drops the needle on a score by Mozart – a piece of music that I do not initially dislike, but come to loathe by the end of the movie.
Her close friend Jane pays a visit, but is dismissive of Amy and her insistence that tomorrow she will die. However, after Jane returns home to continue working, a sudden realisation crosses her face, and she also then has the feeling that she will die tomorrow. When Jane later joins a small party at her brother’s house, a similar pattern occurs, with everyone thinking she’s gone crazy. But eventually, they all start to think the same, with each realisation accompanied by a strange neon purple light flashing across their faces. It certainly does seem to be contagious…
The remainder of the movie deals with each character coming to terms with their impending death and passing the feeling onto a few other people. We see Amy trying to make the most of her remaining time, and we also flip back a few days to learn a bit more about her in the run up to today.
As I mentioned earlier – on paper, there’s definitely a great idea at the heart of She Dies Tomorrow, and reading back through my review certainly confirms that. Unfortunately though, nothing about this movie worked for me at all. I found the acting terrible, and was unable to connect with any of the characters. It’s less than 90 minutes long, but is such a dull, pretentious and badly written slow-burn that all mystery and intrigue generated by that trailer quickly vanishes. For a movie that wants you to ponder on your remaining time on this earth, it certainly does a pretty good job of wasting it. Oh and if you’re expecting some kind of explanation and ending that might help redeem the painful build-up, you’re going to be seriously disappointed.
We join Amy, already convinced that she is going to die tomorrow. She wanders aimlessly around her flat at night, drinking wine. Lying on the wooden floor, she traces her finger along the wood veins in the floorboards and presses herself against the wall, as if she is at one with the world and her surroundings. She also repeatedly drops the needle on a score by Mozart – a piece of music that I do not initially dislike, but come to loathe by the end of the movie.
Her close friend Jane pays a visit, but is dismissive of Amy and her insistence that tomorrow she will die. However, after Jane returns home to continue working, a sudden realisation crosses her face, and she also then has the feeling that she will die tomorrow. When Jane later joins a small party at her brother’s house, a similar pattern occurs, with everyone thinking she’s gone crazy. But eventually, they all start to think the same, with each realisation accompanied by a strange neon purple light flashing across their faces. It certainly does seem to be contagious…
The remainder of the movie deals with each character coming to terms with their impending death and passing the feeling onto a few other people. We see Amy trying to make the most of her remaining time, and we also flip back a few days to learn a bit more about her in the run up to today.
As I mentioned earlier – on paper, there’s definitely a great idea at the heart of She Dies Tomorrow, and reading back through my review certainly confirms that. Unfortunately though, nothing about this movie worked for me at all. I found the acting terrible, and was unable to connect with any of the characters. It’s less than 90 minutes long, but is such a dull, pretentious and badly written slow-burn that all mystery and intrigue generated by that trailer quickly vanishes. For a movie that wants you to ponder on your remaining time on this earth, it certainly does a pretty good job of wasting it. Oh and if you’re expecting some kind of explanation and ending that might help redeem the painful build-up, you’re going to be seriously disappointed.
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Poetry Speaks Who I Am is a collection of classic and contemporary poetry aimed at addressing middle schoolers in their transition from child to young adult. There is a wide range in the collection: classic poetry like Edgar Allan Poe, Langston Hughes, and Emily Dickinson and newer and present poets, some of whom read their work on the accompanying CD.
Poetry Speaks Who I Am has many poems that will apply to every feeling and thought, put words to what we can’t find words for, and prove that yes, there are other people out there who feel like you do now, you’re not the only one. You’re not alone. These poets talk about everything from the awkwardness of changing and showering in the fifth grade locker room to embarrassing bra shopping with mom, to a first kiss. There’s poems about segregation and ethnicity, homework and math class, sports, clothes, and even the emotions brought forth from reading poetry itself.
Not only does it have the poetry, there are pages in the back of artistic inspiring blank pieces of paper for the reader’s own poetry. The CD contains many of the poems read by the poets the way they were intended to be read.
Poetry Speaks Who I Am is a fantastic collection that every young lit-lover should have on their shelves.
Recommendation: Boys and Girls ages 8+
Poetry Speaks Who I Am has many poems that will apply to every feeling and thought, put words to what we can’t find words for, and prove that yes, there are other people out there who feel like you do now, you’re not the only one. You’re not alone. These poets talk about everything from the awkwardness of changing and showering in the fifth grade locker room to embarrassing bra shopping with mom, to a first kiss. There’s poems about segregation and ethnicity, homework and math class, sports, clothes, and even the emotions brought forth from reading poetry itself.
Not only does it have the poetry, there are pages in the back of artistic inspiring blank pieces of paper for the reader’s own poetry. The CD contains many of the poems read by the poets the way they were intended to be read.
Poetry Speaks Who I Am is a fantastic collection that every young lit-lover should have on their shelves.
Recommendation: Boys and Girls ages 8+
RəX Regent (349 KP) rated Horse Feathers (1932) in Movies
Feb 18, 2019
“I married your mother because I wanted children. Imagine my disappointment when you arrived.”
The penultimate Marx Brothers film as their time with Paramount was drawing to a close, Horse Feathers was possible one the their most anarchic entries. The paper thin plot revolving around building a football team at the failing fictional Huxley University, in which Groucho’s, Quincy Adams Wagstaff has become headmaster, is nothing more than a platform for ludicrous comedy.
This gives rise to one of the most even handed ensemble pieces which I have personally seen within The Marx Brothers franchise, with all three main brothers taking a more equal part in the comedy. I normally find that Groucho steals the show, but here, it was hard to decide. Of course Zeppo had little to do as per usual, an issue which would eventually lead to him leaving the screen ensemble.
Laughs a plenty as they had moved further away from their Vaudeville musical comedy roots, focusing more of straight gags, which were as hilarious and as memorable as ever! There were of course the usual songs and musical interludes but this did seem more accessible for a modern audience as the primary focus was on the group and their crazy antics.
A great comedy from the dawn of talkies and these lot knew exactly what to say.
This gives rise to one of the most even handed ensemble pieces which I have personally seen within The Marx Brothers franchise, with all three main brothers taking a more equal part in the comedy. I normally find that Groucho steals the show, but here, it was hard to decide. Of course Zeppo had little to do as per usual, an issue which would eventually lead to him leaving the screen ensemble.
Laughs a plenty as they had moved further away from their Vaudeville musical comedy roots, focusing more of straight gags, which were as hilarious and as memorable as ever! There were of course the usual songs and musical interludes but this did seem more accessible for a modern audience as the primary focus was on the group and their crazy antics.
A great comedy from the dawn of talkies and these lot knew exactly what to say.
Phillip McSween (751 KP) rated Joy (2015) in Movies
Jan 16, 2018
Decent
Joy never fully grabbed me and I wanted it to. Joy (Jennifer Lawrence) is a genius in her own right, but the bad breaks and trials of life have prevented her from rising to become anything more than a struggling matriarch trying to keep her entire family from killing each other. After coming up with a brilliant idea she decides to throw her all at it to make her dreams come true.
On paper, it sounds like just the movie I would fall in love with. However, it gets off to a very slow start due to some chronological jumbling. While I was still able to follow along just fine, I found my interest waning.
The payoff at the ending didn't do much to satisfy the bad taste in my mouth. I was frustrated for Joy throughout the film all the while rooting for her success. In the end, it just wasn't quite what I was hoping it would be.
I did think the film was aided by some very strong acting performances. Whether you loved them or hated them, everyone played their roles extremely well. There were also a handful of surprises over the course of the film that managed to keep me engaged.
Would I watch this again? Sure. Do I need to? Meh. I give Joy a 76.
On paper, it sounds like just the movie I would fall in love with. However, it gets off to a very slow start due to some chronological jumbling. While I was still able to follow along just fine, I found my interest waning.
The payoff at the ending didn't do much to satisfy the bad taste in my mouth. I was frustrated for Joy throughout the film all the while rooting for her success. In the end, it just wasn't quite what I was hoping it would be.
I did think the film was aided by some very strong acting performances. Whether you loved them or hated them, everyone played their roles extremely well. There were also a handful of surprises over the course of the film that managed to keep me engaged.
Would I watch this again? Sure. Do I need to? Meh. I give Joy a 76.
Lee KM Pallatina (951 KP) rated Alex Kidd in Video Games
Aug 17, 2019
Rock, paper, scissors
Alex Kidd is a video game character whose popularity peaked during the late 1980s and who was the protagonist of both a series of video games released by Sega and their fictional universe, as well as in numerous spin-offs such as novelizations and comics.
Alex Kidd is a pint-sized, big eared hero who was the unofficial mascot of Sega prior to Sonic the Hedgehog's release in 1991.
Before I started gaming myself, I was an avid observer, roughly 5/6 years old, there was this breakable box, some had coins,some had items...but this one box had a bluddy Ghost! I hid every time..until I took Control (get it?) Now im......years old I can appreciate it for the little gem its was/is.
Although a little short, this character and game has left its mark (if only a small one) on gaming culture itself, it seems Alex kidd was all but forgotten until sega classics collection was released on multiple platforms allowing player's old,young new and long timers to enjoy his adventure once more.
Since this, Alex kidd has been a playable character/racer in sonic All Star Racing which means he was down but not out, hopefully we'll see a solo comeback someday.
P.s THAT box is next to Alex in the uploaded pic.....
Alex Kidd is a pint-sized, big eared hero who was the unofficial mascot of Sega prior to Sonic the Hedgehog's release in 1991.
Before I started gaming myself, I was an avid observer, roughly 5/6 years old, there was this breakable box, some had coins,some had items...but this one box had a bluddy Ghost! I hid every time..until I took Control (get it?) Now im......years old I can appreciate it for the little gem its was/is.
Although a little short, this character and game has left its mark (if only a small one) on gaming culture itself, it seems Alex kidd was all but forgotten until sega classics collection was released on multiple platforms allowing player's old,young new and long timers to enjoy his adventure once more.
Since this, Alex kidd has been a playable character/racer in sonic All Star Racing which means he was down but not out, hopefully we'll see a solo comeback someday.
P.s THAT box is next to Alex in the uploaded pic.....
