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Lenard (726 KP) rated The Post (2017) in Movies
Jan 16, 2018
Acting (3 more)
Directing
Production Design
Editing
Burying the Lead
Meryl Streep is an American institution. Yet again, she proves that she is not finished finding new dimensions to her characters. In "The Post," she plays pioneering publisher Katherine Graham from The Washington Post. The film itself somehow manages to bury the lead in its own story. In an early scene, Streep playing Graham is at a meeting of the Board Of Directors voting whether The Post should go public. Graham never utters a word. Her advisor/attorney makes every statement for her. This is an indictment of the times, referred to later when Ben Bradlee makes an off-the-cuff remark about why her husband was given the paper in the first place. It is also a subtle clue about the quiet authority Katherine actually had, pulling all the strings though she had no voice in her own company. A later scene in which she retires to the drawing room with the other women while the men talk politics is another sign on the backward thinking times of not-so-long-age. It is here that the obstensible plot starts. Former Defense Secretary Robert McNamara pulls Katherine away from the other women to reveal a story that is about to appear in the New York Times. A classified Pentagon report was leaked that detailed how the American government knew the conflict in Vietnam was unwinnable, kept the war going as a facade, and had been lying to its constituents. Nixon and Attorney General Mitchell threatened the free press with injunctions, restraining orders, and incarceration. In the resulting Supreme Court case, Justice Black found that the press is responsible to protect the governed and not the governors. Buried within is the story of the inequality of men and women and the small strides women made to exist in this patriarchal society.
Mayhawke (97 KP) rated Apollo 13 (1995) in Movies
Feb 7, 2018
On a scale of 1 - 5 this film is an easy 6
No matter how many times I see this film (and I have seen it quite a few times by now) I never fail to be moved by the amazing story being told and the excellence of Ron Howard's film-making.
The staggeringly good cast centres about Hanks, Bacon, Sinise, Paxton and Harris. Never once do any of these disappoint in their performance.
Their spot-on delivery of such simple yet evocative lines as: 'We just lost the moon' and 'I prefer to think of this as our finest hour' presenta wealth of emotions, whilst underscoring the strength and resilience of the human character; at the same time and with equal simplicity 'Christopher Columbus, Charles Lindberg and Alan Armstrong!' expresses one ordinary man's amazement at his friend's new-found place in the history books. The simple efficiency of the writing in this script has resulted in one of the best screenplays Hollywood has ever produced. The first-class direction and acting have ensured a powerful and convincing transfer from paper to celluloid.
Although this is not a 'Special Effects' film, there are a considerable number of effects in the film. Downplayed and used as such effects truly should be (as a technical enhancement to, rather than the object of the film) they convincingly and chillingly impart the sense of isolation felt by the Astronauts.
This 'aloneness'; their captivity in a the tiny LEM; the lack of action available to them is succinctly counter-balanced by the numerous ground crew, unfettered in thier movements as they rush round NASA desperatly, and with unending ingenuity, trying to solve one problem after another before time, power and oxygen run out for the three men in space.
The staggeringly good cast centres about Hanks, Bacon, Sinise, Paxton and Harris. Never once do any of these disappoint in their performance.
Their spot-on delivery of such simple yet evocative lines as: 'We just lost the moon' and 'I prefer to think of this as our finest hour' presenta wealth of emotions, whilst underscoring the strength and resilience of the human character; at the same time and with equal simplicity 'Christopher Columbus, Charles Lindberg and Alan Armstrong!' expresses one ordinary man's amazement at his friend's new-found place in the history books. The simple efficiency of the writing in this script has resulted in one of the best screenplays Hollywood has ever produced. The first-class direction and acting have ensured a powerful and convincing transfer from paper to celluloid.
Although this is not a 'Special Effects' film, there are a considerable number of effects in the film. Downplayed and used as such effects truly should be (as a technical enhancement to, rather than the object of the film) they convincingly and chillingly impart the sense of isolation felt by the Astronauts.
This 'aloneness'; their captivity in a the tiny LEM; the lack of action available to them is succinctly counter-balanced by the numerous ground crew, unfettered in thier movements as they rush round NASA desperatly, and with unending ingenuity, trying to solve one problem after another before time, power and oxygen run out for the three men in space.
Erika Kehlet (21 KP) rated Somebody I Used to Know in Books
Feb 21, 2018
***NOTE: I was provided a free copy of this book from Netgalley in exchange for an honest review***
Nick Hansen is a recently divorced social worker living alone with his dog Riley. His ex-wife is sure that he never stopped loving his college girlfriend Marissa, who was killed in a college campus house fire 20 years earlier, and that's one of the reasons that they are no longer together. On his way home from work one evening, he sees a girl in the supermarket who looks so much like Marissa that he is compelled to speak to her. As soon as he asks about her family, she turns and runs from the store. The following day, police arrive on his doorstep to ask him if he knew a girl who has been found murdered at a local hotel. They show him a photo, and it is none other than the girl from he market. Even worse, she had his name and address on a slip of paper in her pocket when they found her.
Wanting both to clear his name and to lay to rest his suspicion that this could somehow be Marissa's daughter, even though she would have been born after Marissa died in the fire, he enlists the help of an old college friend to investigate the girl's death.
This was a great thriller! I had suspicions about some things (which I can't mention because I don't want to spoil anything!) early on, but only suspicions. The author keeps things moving at a good pace, and I felt as invested in Nick's investigation as he was.
I highly recommend this book to anyone who loves a good mystery or thriller.
Nick Hansen is a recently divorced social worker living alone with his dog Riley. His ex-wife is sure that he never stopped loving his college girlfriend Marissa, who was killed in a college campus house fire 20 years earlier, and that's one of the reasons that they are no longer together. On his way home from work one evening, he sees a girl in the supermarket who looks so much like Marissa that he is compelled to speak to her. As soon as he asks about her family, she turns and runs from the store. The following day, police arrive on his doorstep to ask him if he knew a girl who has been found murdered at a local hotel. They show him a photo, and it is none other than the girl from he market. Even worse, she had his name and address on a slip of paper in her pocket when they found her.
Wanting both to clear his name and to lay to rest his suspicion that this could somehow be Marissa's daughter, even though she would have been born after Marissa died in the fire, he enlists the help of an old college friend to investigate the girl's death.
This was a great thriller! I had suspicions about some things (which I can't mention because I don't want to spoil anything!) early on, but only suspicions. The author keeps things moving at a good pace, and I felt as invested in Nick's investigation as he was.
I highly recommend this book to anyone who loves a good mystery or thriller.
ashezbookz (32 KP) rated Illuminae: The Illuminae Files: Book 1 in Books
Jul 5, 2018
First after reading this I gave it 5 stars - I still truly enjoyed this book and reading it in paper format this time was a definite plus - but for some reason it didn't hit the 5* for me, perhaps it was reading it so close together, but I wanted to complete gemina and obsidio this month so I decided to re-read ... ah well, live and learn right? I still highly love this book
I loved it I loved it I loved it - this is a must read book. However, my only complaint was that I read this in ebook format and I felt like it lost a lot of its luster. Reading it on my ipad I got half of the effect of reading it on the webpage version of the ebook. How is that possible? the blacked out words were not blacked out, the blacked pages were not black, a lot of it was messed up with formatting there, but webpage seemed a lot better. If anything, I say pick up a hard copy of the book, which I will be doing very soon!
How can you feel for an AI like this - for some reason I was on a rollercoaster of emotions with this book, I both wanted to hug it and punch it at the same time - or throw it across the room - but I'd break my precious ipad.
This book was laugh out loud funny - for real, there were parts where I could not stop laughing - and there were parts where you just wanted to cry.
Such a well written book, such a great book - I cannot wait to read book 2!!!!!!! In book format this time........get the full effect.
I loved it I loved it I loved it - this is a must read book. However, my only complaint was that I read this in ebook format and I felt like it lost a lot of its luster. Reading it on my ipad I got half of the effect of reading it on the webpage version of the ebook. How is that possible? the blacked out words were not blacked out, the blacked pages were not black, a lot of it was messed up with formatting there, but webpage seemed a lot better. If anything, I say pick up a hard copy of the book, which I will be doing very soon!
How can you feel for an AI like this - for some reason I was on a rollercoaster of emotions with this book, I both wanted to hug it and punch it at the same time - or throw it across the room - but I'd break my precious ipad.
This book was laugh out loud funny - for real, there were parts where I could not stop laughing - and there were parts where you just wanted to cry.
Such a well written book, such a great book - I cannot wait to read book 2!!!!!!! In book format this time........get the full effect.
Olivia (102 KP) rated Infinite Blue in Books
Aug 13, 2018
I received an advanced review copy in exchange for an honest review. All thoughts are my own.
What I expected from Infinite Blue was a story about two teens trying to make love work and last. Instead, what I got was a contemporary, magical-realism book about life, love, passion and just how eternal they are.
Infinite Blue is a mystical read that I highly enjoyed. The relationship between our two main characters, Ash and Clayton, was incredibly sweet, the concept of this book felt highly original, and it was quick and easy to read. So, with all that praise, why have I given it a relatively low rating?
Infinite Blue left me wanting more. Unfortunately, not in the traditional "I loved this book and never want it to end! Give me twenty spin-offs of it!" way. The book is only 178 pages long. In that time a lot happens. But so much of it is skimmed over to an extreme extent where I felt I'd only read a third of a book. Yes, all the details a reader need to know are disclosed on paper, but there is practically no build up toward these events. That alone is why I don't feel I can give it a higher rating. The book feels incomplete.
With that being said, Orca Publishing specializes in publishing books for reluctant readers. This is a book I would recommend to reluctant readers ages 12-15. It's very straight to the point so it leaves little room to get distracted and the concept is extremely interesting.
But ultimately, as an avid reader, I found myself a bit let down by how incomplete the book felt as a whole.
What I expected from Infinite Blue was a story about two teens trying to make love work and last. Instead, what I got was a contemporary, magical-realism book about life, love, passion and just how eternal they are.
Infinite Blue is a mystical read that I highly enjoyed. The relationship between our two main characters, Ash and Clayton, was incredibly sweet, the concept of this book felt highly original, and it was quick and easy to read. So, with all that praise, why have I given it a relatively low rating?
Infinite Blue left me wanting more. Unfortunately, not in the traditional "I loved this book and never want it to end! Give me twenty spin-offs of it!" way. The book is only 178 pages long. In that time a lot happens. But so much of it is skimmed over to an extreme extent where I felt I'd only read a third of a book. Yes, all the details a reader need to know are disclosed on paper, but there is practically no build up toward these events. That alone is why I don't feel I can give it a higher rating. The book feels incomplete.
With that being said, Orca Publishing specializes in publishing books for reluctant readers. This is a book I would recommend to reluctant readers ages 12-15. It's very straight to the point so it leaves little room to get distracted and the concept is extremely interesting.
But ultimately, as an avid reader, I found myself a bit let down by how incomplete the book felt as a whole.
Steve Fearon (84 KP) rated Halloween (1978) in Movies
Sep 5, 2018 (Updated Sep 5, 2018)
John Carpenter's Slasher still stands tallest
Contains spoilers, click to show
That theme song starts.
You feel it somewhere deep inside, that feeling that something special is going to happen.
Halloween is THE Slasher, with a silent antagonist, an over-the-top performance from Donald Pleasance, the introduction of Jamie Lee Curtis, and the establishment of John Carpenter as one of the foremost purveyors of horror.
Patiently paced, with little time given to explanation of exposition, we are taken on the slow build up of tension as we go from the legendary intro sequence, to a breakout at the asylum, through to the stalking of teenagers by the man in the William Shatner mask.
Lots of shots of Myers just watching, waiting, judging, which could be interpreted as boring on paper, but it is just the right side of unnerving, and it is this constant threat which means the viewer is constantly scanning the edges of the screen, looking for our antagonist.
It contrasts beautifully with the naivety and innocence of his victims, who are just trying to enjoy Halloween as most teenagers are wont to do.
Yes this film is relatively tame compared to the films that have come after, but few can touch the pure sinister feel and atmosphere that Carpenter creates, and it is a simply iconic entry in cinema history.
Watch it for what it is, a genre changing horror film, that changed all that followed it.
No Myers, No Friday 13th, No Scream, No Nightmare On Elm Street.
Its that important.
You feel it somewhere deep inside, that feeling that something special is going to happen.
Halloween is THE Slasher, with a silent antagonist, an over-the-top performance from Donald Pleasance, the introduction of Jamie Lee Curtis, and the establishment of John Carpenter as one of the foremost purveyors of horror.
Patiently paced, with little time given to explanation of exposition, we are taken on the slow build up of tension as we go from the legendary intro sequence, to a breakout at the asylum, through to the stalking of teenagers by the man in the William Shatner mask.
Lots of shots of Myers just watching, waiting, judging, which could be interpreted as boring on paper, but it is just the right side of unnerving, and it is this constant threat which means the viewer is constantly scanning the edges of the screen, looking for our antagonist.
It contrasts beautifully with the naivety and innocence of his victims, who are just trying to enjoy Halloween as most teenagers are wont to do.
Yes this film is relatively tame compared to the films that have come after, but few can touch the pure sinister feel and atmosphere that Carpenter creates, and it is a simply iconic entry in cinema history.
Watch it for what it is, a genre changing horror film, that changed all that followed it.
No Myers, No Friday 13th, No Scream, No Nightmare On Elm Street.
Its that important.
Mark @ Carstairs Considers (2346 KP) rated The Coloring Crook in Books
Dec 2, 2018
Coloring Can Be Profitable…and Deadly
The Georgetown bookstore Florrie Fox manages has added a weekly coloring group, and Florrie has enjoyed getting to know the regulars. One of them, Dolly Cavanaugh, also enjoys bargain hunting at estate sales, and one week she comes in excited about her latest find, a copy of The Florist, a rare adult coloring book from the 1700's. However, later that night, Florrie finds Dolly dead with a corner of a piece of paper in her hand. That's all that can be found of book Dolly just bought. As secrets begin to come to light, Florrie is left to wonder how well she really knew Dolly. Was the book the motive for Dolly's murder? Or did a secret from her past catch up with her?
I was charmed by the first in the series, and I enjoyed this one just as much. The setting may be a neighborhood in the Washington DC area, but by sticking to the neighborhood, it still feels like a traditional cozy setting. And what a setting! I'd love to spend hours browsing in this bookstore. Florrie is a great lead character, and she heads up a cast of equally fun characters. It's hard to picture most of them as killers, in fact. The plot is filled with twists and complications. I began to suspect a few things, but I still had huge gaps I hadn’t figured out before I got to the end. I do feel the ending was a bit rushed, and a few things got glossed over as a result, but that's my only issue with the book. As with the first, the cover can be colored, and there are five recipes at the end.
I was charmed by the first in the series, and I enjoyed this one just as much. The setting may be a neighborhood in the Washington DC area, but by sticking to the neighborhood, it still feels like a traditional cozy setting. And what a setting! I'd love to spend hours browsing in this bookstore. Florrie is a great lead character, and she heads up a cast of equally fun characters. It's hard to picture most of them as killers, in fact. The plot is filled with twists and complications. I began to suspect a few things, but I still had huge gaps I hadn’t figured out before I got to the end. I do feel the ending was a bit rushed, and a few things got glossed over as a result, but that's my only issue with the book. As with the first, the cover can be colored, and there are five recipes at the end.
Phillip McSween (751 KP) rated Sylvia Scarlett (1935) in Movies
Jan 4, 2019
Surprised it Wasn't Better
I was hoping my first review of 2019 would be for a quality film, but you can’t win ‘em all. Sylvia Scarlett is awful and that is putting it nicely. The plot: a young woman pretends to be a boy to travel with her con artist father and trick people into giving them money.
Acting: 4
Beginning: 2
Characters: 7
On paper the characters aren’t horrible even if the acting is shoddy. A woman, pretending to be a young boy. A con artist. A pair of jewel smugglers. Together, they’re an interesting group. It’s a wonder the storyline wasn’t more intriguing. Although there is a wide variety of characters they’re pretty flat for the most part making it hard to get emotionally invested.
Cinematography/Visuals: 2
Conflict: 7
Genre: 7
As hard as this movie was to watch at times, I’ve seen worse. I try to have a bit of leniency for older films because they don’t have half the knowledge we have now when it comes to movies. Today’s films have no excuses to be terrible yet they still are. Not saying director George Cukor is completely devoid of blame, but I’m willing to cut a bit of slack here.
Memorability: 7
Pace: 2
Plot: 0
Resolution: 6
Expected and a bit predictable, but at the very least it fit with the overall storyline. It didn’t enhance the film in anyway, but it also didn’t do any further damage.
Overall: 44
Sylvia Scarlett was pretty painful to sit through. I felt like I was being kidnapped because the movie spent most of its time trying to force me to feel something that just wasn’t there. It surprises me that a movie with Katharine Hepburn and Cary Grant was such a dud. Like I said, you can’t win ‘em all.
Acting: 4
Beginning: 2
Characters: 7
On paper the characters aren’t horrible even if the acting is shoddy. A woman, pretending to be a young boy. A con artist. A pair of jewel smugglers. Together, they’re an interesting group. It’s a wonder the storyline wasn’t more intriguing. Although there is a wide variety of characters they’re pretty flat for the most part making it hard to get emotionally invested.
Cinematography/Visuals: 2
Conflict: 7
Genre: 7
As hard as this movie was to watch at times, I’ve seen worse. I try to have a bit of leniency for older films because they don’t have half the knowledge we have now when it comes to movies. Today’s films have no excuses to be terrible yet they still are. Not saying director George Cukor is completely devoid of blame, but I’m willing to cut a bit of slack here.
Memorability: 7
Pace: 2
Plot: 0
Resolution: 6
Expected and a bit predictable, but at the very least it fit with the overall storyline. It didn’t enhance the film in anyway, but it also didn’t do any further damage.
Overall: 44
Sylvia Scarlett was pretty painful to sit through. I felt like I was being kidnapped because the movie spent most of its time trying to force me to feel something that just wasn’t there. It surprises me that a movie with Katharine Hepburn and Cary Grant was such a dud. Like I said, you can’t win ‘em all.
Grumpy Goblin (123 KP) rated Monstress, Volume 1: Awakening in Books
Jul 25, 2019
The artwork is just breathtaking (3 more)
A complex, yet enjoyable storyline
Brilliant layout
Great quality paper and printing
I could not get enough of this.. Absolutely amazing.
Contains spoilers, click to show
I enjoy reading GNs that aren't necessarily classed as mainstream and this kept popping up on adverts. I found a copy for £4.99 on world books and figured why not give it a try.
To say I'm happy I did Woupd be an understatement... On receiving it the beauty of the artwork on the front cover just grabbed me and the pictures online really don't do it justice.
Id like to say also, it's not one I'd those GNs that has full concept pieces on the front and back covers and maybe a few inside and then the main layouts are less detailed.. Each drawing is as beautiful as the last with a mix of steampunk and art deco merged into a dark styled piece of art.
The story complimented the art perfectly and I read it from front to back in one sitting.
The story is complex seeing conflict between humans and Arcanics and you can tell there is so much backstory just waiting to be added to further volumes. The single page introductions to certain parts of the Lore within the world was extremely well done and not too overwhelming.
The story is certainly not without shock factor, seeing what is portraid as young Arcanic children tortured, eaten and with missing limbs scattered through the pages as well as a fair amount of blood and gore.
Overall the whole experience into this new dark fantasy of war, magic and monsters has been amazing and I cannot wait to carry on with this series.
To say I'm happy I did Woupd be an understatement... On receiving it the beauty of the artwork on the front cover just grabbed me and the pictures online really don't do it justice.
Id like to say also, it's not one I'd those GNs that has full concept pieces on the front and back covers and maybe a few inside and then the main layouts are less detailed.. Each drawing is as beautiful as the last with a mix of steampunk and art deco merged into a dark styled piece of art.
The story complimented the art perfectly and I read it from front to back in one sitting.
The story is complex seeing conflict between humans and Arcanics and you can tell there is so much backstory just waiting to be added to further volumes. The single page introductions to certain parts of the Lore within the world was extremely well done and not too overwhelming.
The story is certainly not without shock factor, seeing what is portraid as young Arcanic children tortured, eaten and with missing limbs scattered through the pages as well as a fair amount of blood and gore.
Overall the whole experience into this new dark fantasy of war, magic and monsters has been amazing and I cannot wait to carry on with this series.
MaryAnn (14 KP) rated Harbor Secrets (The Legacy of Sunset Cove #1) in Books
Nov 4, 2019
A Peaceful Coastal Town...Threatened by a Storm of Secrets
It's 1916 when newspaper woman Anna McDowell learns her estranged father has suffered a
stroke. Deciding it's time to repair
bridges, Anna packs up her precocious adolescent daughter
and heads for her hometown in Sunset Cove, Oregon.
Although much has changed since the turn of the century, some things havent. Anna finds the
the staff of her fathers paper not exactly eager to welcome a woman into the editor-in-chief role, but
her father insists he wants her at the helm. Anna is quickly pulled into the charming town and
her
new position... but just as quickly learns this seaside getaway harbors some dark and dangerous
secrets.
With Oregons new statewide prohibition in effect, crime has crept along the seacoast and
invaded even idyllic Sunset Cove. Anna only meant to get to know her father again over the
summer, but instead she finds herself rooting out the biggest story the town has ever seen
And trying to keep her daughter safe from it all.
My Thoughts: This well-written story takes us to the seashore in Oregon during the prohibition period. Anna returns home to visit her estranged father to make amends for a disagreement that happened years ago. During this visit home, she discovers that something just isn't quite right around town. Using her investigative news reporting skills she intends to find out.
This is a wonderful summertime read! It's always nice to read about the ocean and beaches in the summer, and this one is perfect. It's full of mystery and suspense; it doesn't focus on romance. This is a book about forgiveness, healing relationships and starting over. I enjoyed Melody Carlson's writing and how she developed her characters. It was a very enjoyable read.
It's 1916 when newspaper woman Anna McDowell learns her estranged father has suffered a
stroke. Deciding it's time to repair
bridges, Anna packs up her precocious adolescent daughter
and heads for her hometown in Sunset Cove, Oregon.
Although much has changed since the turn of the century, some things havent. Anna finds the
the staff of her fathers paper not exactly eager to welcome a woman into the editor-in-chief role, but
her father insists he wants her at the helm. Anna is quickly pulled into the charming town and
her
new position... but just as quickly learns this seaside getaway harbors some dark and dangerous
secrets.
With Oregons new statewide prohibition in effect, crime has crept along the seacoast and
invaded even idyllic Sunset Cove. Anna only meant to get to know her father again over the
summer, but instead she finds herself rooting out the biggest story the town has ever seen
And trying to keep her daughter safe from it all.
My Thoughts: This well-written story takes us to the seashore in Oregon during the prohibition period. Anna returns home to visit her estranged father to make amends for a disagreement that happened years ago. During this visit home, she discovers that something just isn't quite right around town. Using her investigative news reporting skills she intends to find out.
This is a wonderful summertime read! It's always nice to read about the ocean and beaches in the summer, and this one is perfect. It's full of mystery and suspense; it doesn't focus on romance. This is a book about forgiveness, healing relationships and starting over. I enjoyed Melody Carlson's writing and how she developed her characters. It was a very enjoyable read.