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A film with dodgy voices.
Catching up here with a review of a film I saw a couple of weeks ago.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
Debbiereadsbook (1611 KP) rated Victor (Tangled Tentacles #2) in Books
May 19, 2022
It's a lot darker than book one, but I think the love level is so much higher.
Independent reviewer for Archaeolibrarian, I ws gifted my copy of this book.
This is book 2 in the Tangled Tentacles series. It would help, but not totally necessary, to read book 1, Alexi, before this one. This picks up immediately from the end of that one, and the on-going story arc continues here. Actually, I take that back, you probably SHOULD read Alexi first!
I gave 4 stars to Alexi and Danik's story but this one far surpasses that! And I'm still left with questions and I don't freaking care!
Victor finds Azim at the end of book 1, half dead, and he knows straight away, that Azim is two things: a vampire and his mate. And Victor will do anything for his mate, except bond with him, while Azim cannot say yes. Victor is a little too focussed on waiting for Azim to consent, that he doesn't quite put two and two together and get pen and paper to Azim but hey, the Kraken is besotted! But I did love that, that Victor waited.
It takes time for Azim to be fully aware and awake but he knows Victor, deep in his soul and he knows Victor will save him. Azim suffered badly at the hands of a madman, and it takes time for those injuries to heal, with the help of the pool at the bottom of their building and those little snails!
We find out just what Todd was smirking at Alexi and Danik about, but given what that was, Danik was right to punch Alexi! What happens later in the pool though, was both slightly weird and beautiful at the same time. Not saying what but you'll figure it out!
It's a lot darker than book one, given where he was found and what condition Azim was in, but I think the love level is so much higher. Not just the smexy times, I mean the emotional times. Azim and Victor take the time to get to know each other as Azim heals and a lot comes out. Loved that. Smexy times are there, but more on a back burner, I think.
Hints to Markov (another brother) and Cassius (who leads the group looking for the missing shifters) are front and centre, but he is not next. Todd, the only omega and the youngest in the group of 5 brothers, is up next and his story, I think, might knock this off the favourite perch for two reasons: Todd gets 2 mates, and they are dragons!
Still with the questions though, but I'm trying really hard to shut my question asking book brain down, when reading Sayle books, the woman is a master at wrecking my head!
5 dark and deadly, but so much lovely, stars
*same worded review will appear elsewhere
This is book 2 in the Tangled Tentacles series. It would help, but not totally necessary, to read book 1, Alexi, before this one. This picks up immediately from the end of that one, and the on-going story arc continues here. Actually, I take that back, you probably SHOULD read Alexi first!
I gave 4 stars to Alexi and Danik's story but this one far surpasses that! And I'm still left with questions and I don't freaking care!
Victor finds Azim at the end of book 1, half dead, and he knows straight away, that Azim is two things: a vampire and his mate. And Victor will do anything for his mate, except bond with him, while Azim cannot say yes. Victor is a little too focussed on waiting for Azim to consent, that he doesn't quite put two and two together and get pen and paper to Azim but hey, the Kraken is besotted! But I did love that, that Victor waited.
It takes time for Azim to be fully aware and awake but he knows Victor, deep in his soul and he knows Victor will save him. Azim suffered badly at the hands of a madman, and it takes time for those injuries to heal, with the help of the pool at the bottom of their building and those little snails!
We find out just what Todd was smirking at Alexi and Danik about, but given what that was, Danik was right to punch Alexi! What happens later in the pool though, was both slightly weird and beautiful at the same time. Not saying what but you'll figure it out!
It's a lot darker than book one, given where he was found and what condition Azim was in, but I think the love level is so much higher. Not just the smexy times, I mean the emotional times. Azim and Victor take the time to get to know each other as Azim heals and a lot comes out. Loved that. Smexy times are there, but more on a back burner, I think.
Hints to Markov (another brother) and Cassius (who leads the group looking for the missing shifters) are front and centre, but he is not next. Todd, the only omega and the youngest in the group of 5 brothers, is up next and his story, I think, might knock this off the favourite perch for two reasons: Todd gets 2 mates, and they are dragons!
Still with the questions though, but I'm trying really hard to shut my question asking book brain down, when reading Sayle books, the woman is a master at wrecking my head!
5 dark and deadly, but so much lovely, stars
*same worded review will appear elsewhere
John Roope (4 KP) rated Alita: Battle Angel (2019) in Movies
Feb 12, 2019
Great Design (1 more)
Good Action
Cheesy Dialogue (3 more)
Paper thin characters
Poor Performances
Distracting CGI main character
A cluttered poorly written movie with engaging action keeping it afloat
Alita battle angel is full of great action and a potentially interesting story that's let down by a substandard script. It follows Alita a cyborg rebuilt by Dr Dyson Igo ( a substandard performance from Cristoph Waltz) who has amnesia and must rediscover her past while on a quest to reach the mysterious floating city of Salem.
The first act of the movie is probably the strongest from a character perspective as we see Alita exploring this new world and building relationships with our central characters however on a dime that all changes. After observing Dr Igos mysterious nocturnal activities she unlocks some of her past discovering that she has unmatched fighting capabilities and suddenly becomes a wise cracking badass instead of this innocent girl and suddenly the action is centre stage.
Alita becomes a hunter warrior and participates in motor ball in order to reach Salem and defeat the baddies that want to capture her at all costs for the enigmatic nova up in the floating city. The action is well choreographed and while it does sometimes creep into the transformers/man of steel realm of headache inducing loud cluttered cgi infused battles for the most part they are exciting and tense as she battles larger and more experienced opponents. However after seeing Alita best even the strongest the tension in these fights wane as it becomes clearer and clearer she is in a league of of her own and her heartless ruthlessness disconnected me somewhat from sympathising with her as a character.
Fallen by the wayside in this deluge of action is the development of side characters and their relationships with Alita as well as the back story for the world. The father daughter dynamic is left shallow as is her relationship with Hugo who has a rather troubling occupation and Igo's ex wife who's collaborating with Salems spokesperson Vektor in order to get to Salem. None of these characters have enough time to develop their characters in order to give the audience much of an emotional connection that just leaves the movie feeling very stretched out and thin especially as the emotional connection with our heroine wanes.
The effects for the most part were good for the most part but Alita's CGI face didn't work for me at all at times it was over expressive and other times looked blank. It left me cringing at times when she spoke as the uncanny valley territory creeps ever closer. It just struck me as unnecessary and down right creepy feeling like a twisted sexual fantasy of a ultra innocent doe eyed girl who was also a killing machine. It was endlessly distracting and feel like it would be easier to connect with her as a character if she didn't loom so fake while everyone else felt completely real.
Going into this for some fun balls to the wall action you probably won't be too disappointed but looking for much depth here will be in vain as this never reaches the levels the ambitiously vast story aspires to get to
The first act of the movie is probably the strongest from a character perspective as we see Alita exploring this new world and building relationships with our central characters however on a dime that all changes. After observing Dr Igos mysterious nocturnal activities she unlocks some of her past discovering that she has unmatched fighting capabilities and suddenly becomes a wise cracking badass instead of this innocent girl and suddenly the action is centre stage.
Alita becomes a hunter warrior and participates in motor ball in order to reach Salem and defeat the baddies that want to capture her at all costs for the enigmatic nova up in the floating city. The action is well choreographed and while it does sometimes creep into the transformers/man of steel realm of headache inducing loud cluttered cgi infused battles for the most part they are exciting and tense as she battles larger and more experienced opponents. However after seeing Alita best even the strongest the tension in these fights wane as it becomes clearer and clearer she is in a league of of her own and her heartless ruthlessness disconnected me somewhat from sympathising with her as a character.
Fallen by the wayside in this deluge of action is the development of side characters and their relationships with Alita as well as the back story for the world. The father daughter dynamic is left shallow as is her relationship with Hugo who has a rather troubling occupation and Igo's ex wife who's collaborating with Salems spokesperson Vektor in order to get to Salem. None of these characters have enough time to develop their characters in order to give the audience much of an emotional connection that just leaves the movie feeling very stretched out and thin especially as the emotional connection with our heroine wanes.
The effects for the most part were good for the most part but Alita's CGI face didn't work for me at all at times it was over expressive and other times looked blank. It left me cringing at times when she spoke as the uncanny valley territory creeps ever closer. It just struck me as unnecessary and down right creepy feeling like a twisted sexual fantasy of a ultra innocent doe eyed girl who was also a killing machine. It was endlessly distracting and feel like it would be easier to connect with her as a character if she didn't loom so fake while everyone else felt completely real.
Going into this for some fun balls to the wall action you probably won't be too disappointed but looking for much depth here will be in vain as this never reaches the levels the ambitiously vast story aspires to get to