Search
Search results
Gareth von Kallenbach (980 KP) rated Vacancy (2007) in Movies
Aug 14, 2019
While driving down a back road late one evening on their way to L.A. an embattled couple, are about to make a stop that could cost them their lives. In Vacancy, Amy and David Fox, are returning home from a trip to celebrate the anniversary of their in laws.
The fact that they had to hide their failing marriage, and the tensions that still remain as a result, have driven Amy and David to the point of irritability and they never cease to find new ways to verbally spar with one another.
When their car breaks down, they are happy to discover a gas station attendant who tells them that he can get their car repaired enough to make it to the next town where they will be able to get the help that they need in the morning.
This proves not to be the case as their car once again breaks down shortly after they resume their trip, which forces Amy and David to walk back into town and stay the night at the only hotel in the remote locale.
Frustrated by their situation, the two resign themselves to their situation and check into the hotel and soon make a startling discovery. A stack of video tapes in the room seems to indicate that a series of ghastly murders has been committed in their room, and when hidden cameras are discovered, Amy and David soon realize that they are to be the stars of a future tape.
Trapped and alone, the duo must stave off a series of attacks and find a way to survive, so they can escape the nightmare they have stumbled into.
At first the premise of the film seems to be a step above the usual genre film, as the two leads, Wilson and Beckinsale, bring acredibility to their roles, and do develop their characters beyond the paper thin constructs that are so common in films of this type.
Sadly the film does not take advantage of this advantage and soon becomes a series of pat situations and a surprisingly odd lack of tension and suspense in the film.
One of the biggest problems in the film is that it tips it’s hand way to early in the film, as we know what is going on as the discovery of the tapes eliminates much of the mystery. Had the film saved this piece of information until the end of the film, it might have had far more impact as the audience would be left wondering why the bizarre events were happening to the couple.
Another issue for me was the small cast, as with only Wilson and Beckinsale in peril for the majority of the film, the tension level was greatly reduced, as you know that neither of them is going to be killed early in the film, as that would leave the movie without any protagonists.
As much as I liked the concept and casting, especially Frank Whaley as the creepy hotel clerk, Vacancy is simply a good idea that never rises above its premise, and ends up content to recycle the same old formula from dozens of other horror films without offering any of the thrills or chills, and leaves you unsatisfied.
The fact that they had to hide their failing marriage, and the tensions that still remain as a result, have driven Amy and David to the point of irritability and they never cease to find new ways to verbally spar with one another.
When their car breaks down, they are happy to discover a gas station attendant who tells them that he can get their car repaired enough to make it to the next town where they will be able to get the help that they need in the morning.
This proves not to be the case as their car once again breaks down shortly after they resume their trip, which forces Amy and David to walk back into town and stay the night at the only hotel in the remote locale.
Frustrated by their situation, the two resign themselves to their situation and check into the hotel and soon make a startling discovery. A stack of video tapes in the room seems to indicate that a series of ghastly murders has been committed in their room, and when hidden cameras are discovered, Amy and David soon realize that they are to be the stars of a future tape.
Trapped and alone, the duo must stave off a series of attacks and find a way to survive, so they can escape the nightmare they have stumbled into.
At first the premise of the film seems to be a step above the usual genre film, as the two leads, Wilson and Beckinsale, bring acredibility to their roles, and do develop their characters beyond the paper thin constructs that are so common in films of this type.
Sadly the film does not take advantage of this advantage and soon becomes a series of pat situations and a surprisingly odd lack of tension and suspense in the film.
One of the biggest problems in the film is that it tips it’s hand way to early in the film, as we know what is going on as the discovery of the tapes eliminates much of the mystery. Had the film saved this piece of information until the end of the film, it might have had far more impact as the audience would be left wondering why the bizarre events were happening to the couple.
Another issue for me was the small cast, as with only Wilson and Beckinsale in peril for the majority of the film, the tension level was greatly reduced, as you know that neither of them is going to be killed early in the film, as that would leave the movie without any protagonists.
As much as I liked the concept and casting, especially Frank Whaley as the creepy hotel clerk, Vacancy is simply a good idea that never rises above its premise, and ends up content to recycle the same old formula from dozens of other horror films without offering any of the thrills or chills, and leaves you unsatisfied.
Gareth von Kallenbach (980 KP) rated Long Shot (2019) in Movies
Jul 2, 2019
When his small paper is bought out but a large media conglomerate the free-spirited journalist Fred Flarsky (Seth Rogen) quits rather write for a company he believes has a low moral compass. His best friend Lance (O’Shea Jackson Jr.) takes him out on the town to drown his sorrows. They decide to go to a charity function to get free drinks and watch Boyz II Men. As chance would have it Fred’s babysitter from high school, Charlotte Field (Charlize Theron), is also there. Charlotte happens to be one of the most powerful women in the world. She is currently the Secretary of State and has her eyes set on the on the White House. But she recognizes Fred and they connect for a few moments. This chance meeting seems fortuitous for both. Fred needs a job and Charlotte is in need of a writer to help punch up her speeches. Fred also gets the chance to travel the world with his high school crush. Even though Fred isn’t your normal member of a government official’s entourage, dresses like a child, has a scraggly beard and looks high even when not, he can write. So he gets the chance to write entire speeches. As his role increases he needs to get to know this version of Charlotte a little better, rather than the girl he know in high school. They begin to spend more and more time together getting to know each other. Then a near death experience in Manilla leads to a wild night between the odd couple. But rather than a onetime thing the two begin sneaking away together. But as Charlotte heads toward a Presidential Campaign it seem inevitable that this secret relationship needs to end or go public.
This Jonathan Levine (The Night Before, Snatched) directed romantic comedy is predictable with flares of originality. The cast is great. Rogen and Theron have good chemistry and do well. The supporting cast, O’Shea (Straight Outta Compton) as well as June Diane Raphael (Blockers, The Disaster Artist), Ravi Patel (T.V. series Wrecked, Grandfathered), Andy Serkis (Black Panther, The Lord of the Rings Trilogy) and others, all have fun moments. Bob Odenkirk (T.V.’s Better Call Saul) is very funny in his role as President Chambers. The comedy is fun, but raunchy at times. There were definitely laugh out loud moments. But some of the jokes were predictable and other good jokes were spoiled by the trailers, so avoid if possible. The story was also pretty predictable with the outcome never really in doubt but the ride was fun and had both really good moments and some that fell flat. It blended what could be believable politics with some things you know would not be, or you really hope couldn’t be, done by someone in a powerful government position.
I thought the film was good but it did run a little long, 125 minutes. I think it would be a good date movie but definitely leave the kids at home due to prevalent drug use and raunchy moments. I went in with low expectations and that could also help. But if you need a laugh or non-super hero movie to see this is worth the ticket price.
This Jonathan Levine (The Night Before, Snatched) directed romantic comedy is predictable with flares of originality. The cast is great. Rogen and Theron have good chemistry and do well. The supporting cast, O’Shea (Straight Outta Compton) as well as June Diane Raphael (Blockers, The Disaster Artist), Ravi Patel (T.V. series Wrecked, Grandfathered), Andy Serkis (Black Panther, The Lord of the Rings Trilogy) and others, all have fun moments. Bob Odenkirk (T.V.’s Better Call Saul) is very funny in his role as President Chambers. The comedy is fun, but raunchy at times. There were definitely laugh out loud moments. But some of the jokes were predictable and other good jokes were spoiled by the trailers, so avoid if possible. The story was also pretty predictable with the outcome never really in doubt but the ride was fun and had both really good moments and some that fell flat. It blended what could be believable politics with some things you know would not be, or you really hope couldn’t be, done by someone in a powerful government position.
I thought the film was good but it did run a little long, 125 minutes. I think it would be a good date movie but definitely leave the kids at home due to prevalent drug use and raunchy moments. I went in with low expectations and that could also help. But if you need a laugh or non-super hero movie to see this is worth the ticket price.
Ivana A. | Diary of Difference (1171 KP) rated Pretty in Punxsutawney in Books
Jan 25, 2019
Pretty in Punxsutawney
What happens when you get stuck in time, re-living the first day in your new school?
Andie is a teenage girl, who loves movies. She is the type of person that knows exactly what to say… after it’s too late to say it. She is quirky, cutishly nerdy, and adorable in a silly way. And when she moves to Punxsutawney (I don’t think I’ll ever pronounce this town correctly), on the first day in her new school, she gets caught up in an endless loop of having to re-live those 24 hours again and again.
As in the movies, she is convinced that the curse can be broken with a true love’s kiss, she goes on a mission to get the boy. But is he the right one? And is true love what breaks the curse?
Not knowing how to end the loop, Andie tries to get first kiss with a guy she thinks is her true love, and when that doesn’t work, she suddenly tries to make the different types of people hang out together and realise that it doesn’t matter how you look like, to be a good person.
I really loved the idea of the loop in a high-school theme, and that was the main reason that I wanted to read this book really badly. I also loved that the main idea of this book was that looks don’t matter, and don’t judge a book by its cover, but I think that the author took this meaning way too far into the book, and it became too unrealistic, that it was laughable.
I enjoyed the layout of the different types of kids in the school, the jocks, the cheerleaders, the goths, the school-paper girls, the nerds. They were all described very realistically, and I enjoyed the times when we would realise that prejudice doesn’t matter. I can relate to a lot of this, because I was hanging out with both nerds and jocks in my high-school times, being a sports person and being a ‘’weirdo’’ that wants to read at the same time.
I also somehow managed to like the movie references, even though at moments, they are too overwhelming, and sometimes completely unrelated to the plot in place.
What I didn’t like, is how Andie kept changing in order to fit, how her behaviour changed, and her mindset during different days. I did not like this at all. I think that a person should always keep being themselves, no matter who they talk to. Doing the thinks she kept doing, only to be liked by one guy was miserable. Ladies – you are beautiful, no matter what you wear or how you do your hair. If that guy really likes you, he wouldn’t care about all these things and he would see within.
In retrospective, this was an enjoyable read. I am glad I read it, but somehow I think I might’ve been too old to read it now. But for you guys that are still in high-school, or love reading about high-school, this one is definitely worth your time.
Thank you to Netgalley and Blink, for providing me a free copy of this book in exchange for an honest review.
Andie is a teenage girl, who loves movies. She is the type of person that knows exactly what to say… after it’s too late to say it. She is quirky, cutishly nerdy, and adorable in a silly way. And when she moves to Punxsutawney (I don’t think I’ll ever pronounce this town correctly), on the first day in her new school, she gets caught up in an endless loop of having to re-live those 24 hours again and again.
As in the movies, she is convinced that the curse can be broken with a true love’s kiss, she goes on a mission to get the boy. But is he the right one? And is true love what breaks the curse?
Not knowing how to end the loop, Andie tries to get first kiss with a guy she thinks is her true love, and when that doesn’t work, she suddenly tries to make the different types of people hang out together and realise that it doesn’t matter how you look like, to be a good person.
I really loved the idea of the loop in a high-school theme, and that was the main reason that I wanted to read this book really badly. I also loved that the main idea of this book was that looks don’t matter, and don’t judge a book by its cover, but I think that the author took this meaning way too far into the book, and it became too unrealistic, that it was laughable.
I enjoyed the layout of the different types of kids in the school, the jocks, the cheerleaders, the goths, the school-paper girls, the nerds. They were all described very realistically, and I enjoyed the times when we would realise that prejudice doesn’t matter. I can relate to a lot of this, because I was hanging out with both nerds and jocks in my high-school times, being a sports person and being a ‘’weirdo’’ that wants to read at the same time.
I also somehow managed to like the movie references, even though at moments, they are too overwhelming, and sometimes completely unrelated to the plot in place.
What I didn’t like, is how Andie kept changing in order to fit, how her behaviour changed, and her mindset during different days. I did not like this at all. I think that a person should always keep being themselves, no matter who they talk to. Doing the thinks she kept doing, only to be liked by one guy was miserable. Ladies – you are beautiful, no matter what you wear or how you do your hair. If that guy really likes you, he wouldn’t care about all these things and he would see within.
In retrospective, this was an enjoyable read. I am glad I read it, but somehow I think I might’ve been too old to read it now. But for you guys that are still in high-school, or love reading about high-school, this one is definitely worth your time.
Thank you to Netgalley and Blink, for providing me a free copy of this book in exchange for an honest review.
Phil Leader (619 KP) rated A Game of Thrones in Books
Nov 13, 2019
I've been reviewing books online for nearly a year now... and in that time I have finished every book I have started and more-or-less enjoyed every book and given positive reviews.
But this book has put an end to that. As a fan of writers such as Joe Abercrombie who cite this series and George R R Martin as a big influence, I thought I should give this a read. After all, with so many plaudits and a hit television show it couldn't be that bad, could it.
Unfortunately it could. I liked the prologue - that was interesting to read and had some good writing and interesting characters in it. The one star is purely for this part of the book. Treat it as a short story and ignore the rest of the weighty tome and you won't go far wrong.
From this point forward nothing works. I can see that Martin was trying to inject a bit of reality and grit into fantasy, though it could be argues it had not exactly been all sunlight, dancing elves and heroes with rippling muscles for several decades so I don't see it as the massive change in direction it has been touted as in some quarters.
What we have is a succession of dreary, uninteresting characters taking part in a series of dull and stilted conversations attempting to create some sort of dramatic tension simply by existing. And then quite often there will be sex, not for any reason other than it seems this is what Martin thinks makes characters interesting. And the sex scenes are really, really awful. They read as if an over-excited 15 year old boy has written them.
The structure - where each chapter is told from the point of view of a different character - probably sounded really good on paper. But the end result is almost impossible to read as there is no continuity between sections that are dealing with the same characters, So for the first half of every chapter the reader is trying to get to grips with the new main character while also working out which kingdom they are in and how they related to the many, many other characters. It's just plain too confusing and exhausting as an actual narrative device.
And the characters themselves... I was expecting Martin to try everything possible to avoid any of the usual tropes, but no. Accepted there are no magicians, elves or pure-hearted swashbuckling heroes. But what is left is just the usual supporting cast - the bastard half brother with a grudge, the scheming dwarf, the wronged heir to the throne... there is absolutely nothing new or inventive in any of the characters.
What this book reminded me of most was the Harry Potter series. Completely derivative, averagely written and heavily marketed fantasy stories eagerly consumed by people who don't actually read fantasy. To those who do read fantasy this is such a poor relation to the other fine works that have been published in the last 30 years it's not even worth considering.
If you have never read this, don't bother. Instead do yourself a favour and pick up something that actually has something to say and contains some truly interesting characters and worlds. Joe Abercrombie or Mark Lawrence, for example.
But this book has put an end to that. As a fan of writers such as Joe Abercrombie who cite this series and George R R Martin as a big influence, I thought I should give this a read. After all, with so many plaudits and a hit television show it couldn't be that bad, could it.
Unfortunately it could. I liked the prologue - that was interesting to read and had some good writing and interesting characters in it. The one star is purely for this part of the book. Treat it as a short story and ignore the rest of the weighty tome and you won't go far wrong.
From this point forward nothing works. I can see that Martin was trying to inject a bit of reality and grit into fantasy, though it could be argues it had not exactly been all sunlight, dancing elves and heroes with rippling muscles for several decades so I don't see it as the massive change in direction it has been touted as in some quarters.
What we have is a succession of dreary, uninteresting characters taking part in a series of dull and stilted conversations attempting to create some sort of dramatic tension simply by existing. And then quite often there will be sex, not for any reason other than it seems this is what Martin thinks makes characters interesting. And the sex scenes are really, really awful. They read as if an over-excited 15 year old boy has written them.
The structure - where each chapter is told from the point of view of a different character - probably sounded really good on paper. But the end result is almost impossible to read as there is no continuity between sections that are dealing with the same characters, So for the first half of every chapter the reader is trying to get to grips with the new main character while also working out which kingdom they are in and how they related to the many, many other characters. It's just plain too confusing and exhausting as an actual narrative device.
And the characters themselves... I was expecting Martin to try everything possible to avoid any of the usual tropes, but no. Accepted there are no magicians, elves or pure-hearted swashbuckling heroes. But what is left is just the usual supporting cast - the bastard half brother with a grudge, the scheming dwarf, the wronged heir to the throne... there is absolutely nothing new or inventive in any of the characters.
What this book reminded me of most was the Harry Potter series. Completely derivative, averagely written and heavily marketed fantasy stories eagerly consumed by people who don't actually read fantasy. To those who do read fantasy this is such a poor relation to the other fine works that have been published in the last 30 years it's not even worth considering.
If you have never read this, don't bother. Instead do yourself a favour and pick up something that actually has something to say and contains some truly interesting characters and worlds. Joe Abercrombie or Mark Lawrence, for example.
Darren (1599 KP) rated All Good Things (2010) in Movies
Jan 21, 2020
Verdict: Lacks Focus
Story: All Good Things starts as we see David Marks (Gosling) the son of a property tycoon Sanford (Langella) who meets Katie (Dunst) who eventually becomes his wife, only for the perfect marriage to take a turn when Katie learns David doesn’t want to have kids.
The marriage continues to spiral out of control after Katie gets pregnant, with her disappearance being the reason why David sees his own life come under the spotlight, with people believing her murdered her and he doesn’t help his case.
Thoughts on All Good Things
Characters – David Marks comes from a property tycoon family who could have walked into any job for his father, he decides to go away from this lifestyle, dating a woman before marrying her, which shows a darker side to his nature, or is he just cold, he are never let into see if he is a calculated person or just somebody dealing with the issues bought on from his mother’s suicide. Katie is the woman David marries, she does give up her career and after learning of his own life decision, spirals out of control with drinks and drugs, before disappearing without a trace. Sanford is the father of David who wants him to remain in the wealthy lifestyle following in his footsteps over anything else. We do see many other people who are involved in the lives who have been involved in the lives even if the names have been changed.
Performances – We have a brilliant cast on paper here with Ryan Gosling in the leading role, where he really doesn’t show his skills, Kirsten Dunst does the most with her character, only it seems we don’t get the right outlet for the character, where we also seem to waste Frank Langella too.
Story – The story follows a heir to a successful business that marries a women his family don’t approve of, only for her to go missing, with him being the prime suspect in the disappearance. The problems mount up quickly in this story because we do spend way too much time focusing on the early relationship and not enough time on the investigation to what might have happened, this is clearly the more interesting side of the story that we need to get watching before needing to care that much about their relationship as a hole.
Crime/Mystery/Romance – The crime is more about if, buts or maybes, with no concrete evidence to what might have happened, which shows in the mystery not being solved in the film, while the romance starts strong before showing why it might not have worked out.
Settings – The film uses a couple of settings which shows us the luxury lakeside house the couple have, while showing how they interact with people on a social occasion in the big parties.
Scene of the Movie – Strange new friendship.
That Moment That Annoyed Me – Not enough focus on the disappearance investigation.
Final Thoughts -This does feel like a film that gets caught up following the wrong part too easily, we don’t seem to get any clues to what did actually happen, just following the man’s life for large parts both before and after the disappearance.
Overall: Disappointing mystery.
Story: All Good Things starts as we see David Marks (Gosling) the son of a property tycoon Sanford (Langella) who meets Katie (Dunst) who eventually becomes his wife, only for the perfect marriage to take a turn when Katie learns David doesn’t want to have kids.
The marriage continues to spiral out of control after Katie gets pregnant, with her disappearance being the reason why David sees his own life come under the spotlight, with people believing her murdered her and he doesn’t help his case.
Thoughts on All Good Things
Characters – David Marks comes from a property tycoon family who could have walked into any job for his father, he decides to go away from this lifestyle, dating a woman before marrying her, which shows a darker side to his nature, or is he just cold, he are never let into see if he is a calculated person or just somebody dealing with the issues bought on from his mother’s suicide. Katie is the woman David marries, she does give up her career and after learning of his own life decision, spirals out of control with drinks and drugs, before disappearing without a trace. Sanford is the father of David who wants him to remain in the wealthy lifestyle following in his footsteps over anything else. We do see many other people who are involved in the lives who have been involved in the lives even if the names have been changed.
Performances – We have a brilliant cast on paper here with Ryan Gosling in the leading role, where he really doesn’t show his skills, Kirsten Dunst does the most with her character, only it seems we don’t get the right outlet for the character, where we also seem to waste Frank Langella too.
Story – The story follows a heir to a successful business that marries a women his family don’t approve of, only for her to go missing, with him being the prime suspect in the disappearance. The problems mount up quickly in this story because we do spend way too much time focusing on the early relationship and not enough time on the investigation to what might have happened, this is clearly the more interesting side of the story that we need to get watching before needing to care that much about their relationship as a hole.
Crime/Mystery/Romance – The crime is more about if, buts or maybes, with no concrete evidence to what might have happened, which shows in the mystery not being solved in the film, while the romance starts strong before showing why it might not have worked out.
Settings – The film uses a couple of settings which shows us the luxury lakeside house the couple have, while showing how they interact with people on a social occasion in the big parties.
Scene of the Movie – Strange new friendship.
That Moment That Annoyed Me – Not enough focus on the disappearance investigation.
Final Thoughts -This does feel like a film that gets caught up following the wrong part too easily, we don’t seem to get any clues to what did actually happen, just following the man’s life for large parts both before and after the disappearance.
Overall: Disappointing mystery.
Gareth von Kallenbach (980 KP) rated Limitless (2011) in Movies
Aug 7, 2019
After years of hearing women saying this I can now agree that Bradley Cooper does indeed have beautiful eyes. If you don’t believe me go see his new movie Limitless based on the 2001 novel The Dark Fields by Alan Glynn. The movie has so many close-ups of Bradley’s face that you find yourself staring into these blue orbs of beauty, approximately 6 feet across, that utterly mesmerize you and take you to a peaceful place where mice, cats and dogs get along.
But enough about his incredibly enchanting eyes let’s talk about the movie.
The thriller Limitless is about an unemployed struggling writer Eddie Morra (Bradley Cooper) who, after being dumped by his girlfriend Lindy (Abbie Cornish), bumps into his ex-brother-in-law Vernon (Johnny Whitworth). After talking over a few beers, Vernon realizes that Eddie needs help and gives him one pill of a supposedly FDA-approved, soon-to-be-released brain boosting drug called NZT. Eddie is skeptical but upon returning to his apartment building he tries the pill. And. It. Is. Awesome!
The drug allows a person to access every bit of information locked away in their brain. It gets all the neurons in their brain kicked into high gear, allows them to learn anything very quickly, makes a person more focused, perceptive, confident, driven and gives them a boost of energy. So when Eddie takes the NZT pill (close up) he helps his landlord’s attractive wife write her term paper, sleeps with her, cleans his apartment (close up) and writes a good chunk of his book for his publisher (close up). The next morning he is back to his normal self, so he goes to Vernon for more pills, events happen and Eddie ends up with a lot more pills plus a large sum of money.
With the help of NZT he begins to turn his life around. He finishes his book, gets in shape, gets a haircut, still not clean-shaven though (don’t look at the stubble, look at his eyes), learns new things, makes new friends, has lots of nooky (because women dig smart guys), travels and multiple close ups. But soon he realizes that he wants to do something meaningful with his life. As he works to achieve his dream and also get back with his ex-girlfriend, he crosses paths with a mysterious man, Russian mobster Gennady (Andrew Howard), shifty lawyers, police, corporate fat cats like Carl Van Loon (Robert De Niro), gets more random close ups and soon starts running out of pills. Will he do something meaningful with his life? Will he jump off of a building? Can his dreamy eyes get any bluer?
Right from the start the movie grabs your attention by throwing you into the action (and blue eyes) and it gently holds it in a soft blue embrace until the end. The movie has an intelligent and, at the appropriate times, humorous dialogue that flowed very smoothly and naturally. Robert De Niro and Bradley Cooper definitely brought their A game (Bradley’s eyes A+) and their on-screen chemistry is one of the best I have seen. Both Abbie Cornish and Andrew Howard were great throughout the film but each of them had their own individual scenes where they really shined. There are some plot holes but they do not detract from this very enjoyable film.
But enough about his incredibly enchanting eyes let’s talk about the movie.
The thriller Limitless is about an unemployed struggling writer Eddie Morra (Bradley Cooper) who, after being dumped by his girlfriend Lindy (Abbie Cornish), bumps into his ex-brother-in-law Vernon (Johnny Whitworth). After talking over a few beers, Vernon realizes that Eddie needs help and gives him one pill of a supposedly FDA-approved, soon-to-be-released brain boosting drug called NZT. Eddie is skeptical but upon returning to his apartment building he tries the pill. And. It. Is. Awesome!
The drug allows a person to access every bit of information locked away in their brain. It gets all the neurons in their brain kicked into high gear, allows them to learn anything very quickly, makes a person more focused, perceptive, confident, driven and gives them a boost of energy. So when Eddie takes the NZT pill (close up) he helps his landlord’s attractive wife write her term paper, sleeps with her, cleans his apartment (close up) and writes a good chunk of his book for his publisher (close up). The next morning he is back to his normal self, so he goes to Vernon for more pills, events happen and Eddie ends up with a lot more pills plus a large sum of money.
With the help of NZT he begins to turn his life around. He finishes his book, gets in shape, gets a haircut, still not clean-shaven though (don’t look at the stubble, look at his eyes), learns new things, makes new friends, has lots of nooky (because women dig smart guys), travels and multiple close ups. But soon he realizes that he wants to do something meaningful with his life. As he works to achieve his dream and also get back with his ex-girlfriend, he crosses paths with a mysterious man, Russian mobster Gennady (Andrew Howard), shifty lawyers, police, corporate fat cats like Carl Van Loon (Robert De Niro), gets more random close ups and soon starts running out of pills. Will he do something meaningful with his life? Will he jump off of a building? Can his dreamy eyes get any bluer?
Right from the start the movie grabs your attention by throwing you into the action (and blue eyes) and it gently holds it in a soft blue embrace until the end. The movie has an intelligent and, at the appropriate times, humorous dialogue that flowed very smoothly and naturally. Robert De Niro and Bradley Cooper definitely brought their A game (Bradley’s eyes A+) and their on-screen chemistry is one of the best I have seen. Both Abbie Cornish and Andrew Howard were great throughout the film but each of them had their own individual scenes where they really shined. There are some plot holes but they do not detract from this very enjoyable film.
Kristy H (1252 KP) rated Long Bright River in Books
Apr 23, 2020
This was the first book I ever checked out from Libby. I miss my library right now, but I'm glad for that app, even if I can only put six books on hold at one time. (What is that?! Six holds; that's for amateurs.)
Kensington, a neighborhood in Philadelphia, is plagued by drug use, especially heroin. It's where sisters Kacey and Mickey grew up. The girls lost their mother at a young age and were raised by their grandmother, Gee, who provided shelter and not much else. Now, Mickey is determined to raise her son Thomas differently. With love and kindness and a feeling of safety. Mickey is a police officer, so she's more than familiar with the streets of Kensington. At the same time, Kensington is struck with a series of murders, Kacey disappears. Mickey and Kacey haven't had much contact in years, since her sister became stuck in the tangle of addiction, but she's still worried. Even more so since those being murdered are young women, no doubt drug and sex workers. Found strangled on the streets. As Mickey starts looking into the murders, she gets caught up in a twisted web of lies and deceit--some of it related to her missing sister--and soon it may be too late to save either Mickey or Kacey.
The first time I found my sister dead, she was sixteen. It was the summer of 2002. Forty-eight hours earlier, on a Friday afternoon, she’d left school with her friends, telling me she’d be back by evening. She wasn’t.
This isn't a fun book to read, so if you're looking for a feel-good read right now, this isn't it. But it's a well-written, extremely powerful look at addiction. While it focuses on the story of the murdered girls, it's also an in-depth character study, taking us into Mickey's history with her sister and how their past has formed their present. Told in a then and now format, we learn about the sisters, and we get a harrowing and detailed look at the effect of addiction, not just on Kacey, but on an entire town. It's depressing, it's real, and it's wonderfully done.
Kacey told me that time spent in addiction feels looped. Each morning brings with it the possibility of change, each evening the shame of failure.
This is not really a fast-moving book, but it does have twists and turns, many of them surprising. There's plenty to keep you guessing, as we try to figure out what is happening to the women on the streets in Kensington. In turn, we have to figure out Kacey and Mickey's past and how it's brought us to where we are today. Characters are sparse, but incredibly well-created, with my favorite, beyond the sisters, being Mickey's landlord, Mrs. Mahon, a formidable woman in her own right. And Mickey's sweet, wise young son Thomas.
While Kacey is clearly the damaged one on paper, as an addict, often living on the streets, we see Mickey isn't always much better. She's had a tough time, and it's hard for her to trust anyone. Both she and Kacey are astounding characters, who stand out in this powerful novel about addiction, police abuse, and the love of a mother. This isn't always an easy read, but I'm glad I picked it up. It will stick with me for some time.
Kensington, a neighborhood in Philadelphia, is plagued by drug use, especially heroin. It's where sisters Kacey and Mickey grew up. The girls lost their mother at a young age and were raised by their grandmother, Gee, who provided shelter and not much else. Now, Mickey is determined to raise her son Thomas differently. With love and kindness and a feeling of safety. Mickey is a police officer, so she's more than familiar with the streets of Kensington. At the same time, Kensington is struck with a series of murders, Kacey disappears. Mickey and Kacey haven't had much contact in years, since her sister became stuck in the tangle of addiction, but she's still worried. Even more so since those being murdered are young women, no doubt drug and sex workers. Found strangled on the streets. As Mickey starts looking into the murders, she gets caught up in a twisted web of lies and deceit--some of it related to her missing sister--and soon it may be too late to save either Mickey or Kacey.
The first time I found my sister dead, she was sixteen. It was the summer of 2002. Forty-eight hours earlier, on a Friday afternoon, she’d left school with her friends, telling me she’d be back by evening. She wasn’t.
This isn't a fun book to read, so if you're looking for a feel-good read right now, this isn't it. But it's a well-written, extremely powerful look at addiction. While it focuses on the story of the murdered girls, it's also an in-depth character study, taking us into Mickey's history with her sister and how their past has formed their present. Told in a then and now format, we learn about the sisters, and we get a harrowing and detailed look at the effect of addiction, not just on Kacey, but on an entire town. It's depressing, it's real, and it's wonderfully done.
Kacey told me that time spent in addiction feels looped. Each morning brings with it the possibility of change, each evening the shame of failure.
This is not really a fast-moving book, but it does have twists and turns, many of them surprising. There's plenty to keep you guessing, as we try to figure out what is happening to the women on the streets in Kensington. In turn, we have to figure out Kacey and Mickey's past and how it's brought us to where we are today. Characters are sparse, but incredibly well-created, with my favorite, beyond the sisters, being Mickey's landlord, Mrs. Mahon, a formidable woman in her own right. And Mickey's sweet, wise young son Thomas.
While Kacey is clearly the damaged one on paper, as an addict, often living on the streets, we see Mickey isn't always much better. She's had a tough time, and it's hard for her to trust anyone. Both she and Kacey are astounding characters, who stand out in this powerful novel about addiction, police abuse, and the love of a mother. This isn't always an easy read, but I'm glad I picked it up. It will stick with me for some time.
Writing Wizard for Kids
Education
App
"Fantastic, customizable tracing practice with fun rewards." 5 Stars - Common Sense Media 220,000...
Read the best books online
Book and Shopping
App
• Read! - a huge library in Estonian, English, Lithuanian, Latvian, Russian and other languages. ...
The Little Witch at School
Book and Education
App
"The Little Witch at School" is an artful blend of stories, games and cartoons. !! Featured in the...