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LoganCrews (2861 KP) rated Moana (2016) in Movies
Nov 3, 2020
"You're Welcome" >>> "How Far I'll Go", I said what I said 🤷♂️
Another overly-familiar, word-for-word rehash of *all* the exact same clichés from the Disney Machine with no real profundity or nuance to back up the convention. I mean even the title character the movie is named after has about as much depth as a piece of blank construction paper. That being said however, this is - what I can only describe as - terminally cute. In spite of all its heavily trod Disney-fying and formulaic cheese it's just so damn irresistible: eye-watering in how visually breathtaking it is with a handful of lively bops from Lin-Manuel Miranda who - politics aside - rarely ever misses a beat in the musical department. Treads water (no pun intended) for the first part with all the parroting of like 10 other movies from the company practically verbatim until the charming Maui shows up, who still represents the same sorts of tropes but complete with a clever design gimmick via the moving tattoos and gargantuan, blocky proportions; plus come on he's voiced by Dwayne Johnson - you can't *not* love him. The last half hour is more or less a wondrous technical showcase for peddling this beautiful, paradise-like animation and let me tell you it's a sight to see. Very funny too. Should hate it but don't, well done. 𝘡𝘰𝘰𝘵𝘰𝘱𝘪𝘢 smokes it, though.
Another overly-familiar, word-for-word rehash of *all* the exact same clichés from the Disney Machine with no real profundity or nuance to back up the convention. I mean even the title character the movie is named after has about as much depth as a piece of blank construction paper. That being said however, this is - what I can only describe as - terminally cute. In spite of all its heavily trod Disney-fying and formulaic cheese it's just so damn irresistible: eye-watering in how visually breathtaking it is with a handful of lively bops from Lin-Manuel Miranda who - politics aside - rarely ever misses a beat in the musical department. Treads water (no pun intended) for the first part with all the parroting of like 10 other movies from the company practically verbatim until the charming Maui shows up, who still represents the same sorts of tropes but complete with a clever design gimmick via the moving tattoos and gargantuan, blocky proportions; plus come on he's voiced by Dwayne Johnson - you can't *not* love him. The last half hour is more or less a wondrous technical showcase for peddling this beautiful, paradise-like animation and let me tell you it's a sight to see. Very funny too. Should hate it but don't, well done. 𝘡𝘰𝘰𝘵𝘰𝘱𝘪𝘢 smokes it, though.
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Tamarillo Tart (Southern Lights #2)
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CASSIDY MARTIN is a country boy through and through. He loves his horses, his Lord of the Rings...
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The Memory Theater
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From the award-winning fantasy author of Amatka and Jagannath --a fantastical tour-de-force about...
Cooking Fever
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Mark @ Carstairs Considers (2494 KP) rated A Dish to Die for in Books
Aug 10, 2022
Murder on a Neighboring Key
Even when you live in paradise, you need a break. That’s why Hayley Snow is taking a few hours with her friend Eric and their dogs and heading to a beach on one of the nearby islands. However, the day takes a sad turn when Hayley’s dog finds a dead body half buried in the sand. The man was G.G. Garcia, a Key West developer who had a bad reputation. The local police think there is something suspicious about his death, and Hayley gets pulled into the investigation. Will she figure out what really happened?
I’ve fallen in love with Key West thanks to this series, and I was happy to be back. Sadly, the mystery was very weak. Even the characters got frustrated by their lack of progress throughout the book. Plus, the victim was a little too evil, with a few things that felt thrown in just to make other characters feel virtuous. The book gets a little dark and edgy for a cozy as well. Finally, there’s a subplot that comes across as half-baked, the characters involved definitely deserved better. On the other hand, I really did enjoy the location and the series regulars. Nathan, Hayley’s husband, gets some good development thanks to a visit from his estranged father. If you are new to the series, this isn’t the book for you, but fans will enjoy catching up with the characters.
I’ve fallen in love with Key West thanks to this series, and I was happy to be back. Sadly, the mystery was very weak. Even the characters got frustrated by their lack of progress throughout the book. Plus, the victim was a little too evil, with a few things that felt thrown in just to make other characters feel virtuous. The book gets a little dark and edgy for a cozy as well. Finally, there’s a subplot that comes across as half-baked, the characters involved definitely deserved better. On the other hand, I really did enjoy the location and the series regulars. Nathan, Hayley’s husband, gets some good development thanks to a visit from his estranged father. If you are new to the series, this isn’t the book for you, but fans will enjoy catching up with the characters.
David McK (3721 KP) rated The Protector (William Falkland #2) in Books
Jul 3, 2022
This is the second - and, to date, last - of S.J. Deas's William Falkland series (after The Royalist, at the end of which, and having discharged his investigative duties to Cromwell, William Falkland returned home in search of his wife and family.
As this starts, he has yet to find them.
It's into far into the novel before Cromwell again pulls Falkland into his orbit, offering his (and, by extension, Parliament's) help in discovering just what happened to Falkland's family and where they may be (perhaps in Oxford, the King's new capital?) as the First Civil War draws to a close - help that is, of course, contingent upon Falkland again carrying out an investigation for Cromwell: this time into just what happened to the sister of a prominent supporter of Parliament who has disappeared (abducted?): one Anne Agar, this sister of John Milton.
Yes, that John Milton. The author of Paradise Lost. Although that is never once mentioned here - I think (am nearly sure that) the setting here may be before he wrote that poem.
Once again, the narrative is told in the first-person view, with - once again - a warts-and-all picture given of life at the time, and with Falkland being both incredibly astute and incredibly blind at the same time! In other words, coming across as a 'real' person rather than as a literary construct.
I'm now going to go on record as saying: more, please!
As this starts, he has yet to find them.
It's into far into the novel before Cromwell again pulls Falkland into his orbit, offering his (and, by extension, Parliament's) help in discovering just what happened to Falkland's family and where they may be (perhaps in Oxford, the King's new capital?) as the First Civil War draws to a close - help that is, of course, contingent upon Falkland again carrying out an investigation for Cromwell: this time into just what happened to the sister of a prominent supporter of Parliament who has disappeared (abducted?): one Anne Agar, this sister of John Milton.
Yes, that John Milton. The author of Paradise Lost. Although that is never once mentioned here - I think (am nearly sure that) the setting here may be before he wrote that poem.
Once again, the narrative is told in the first-person view, with - once again - a warts-and-all picture given of life at the time, and with Falkland being both incredibly astute and incredibly blind at the same time! In other words, coming across as a 'real' person rather than as a literary construct.
I'm now going to go on record as saying: more, please!
Bong Mines Entertainment (15 KP) rated Rose Coloured - Single by Celine Love in Music
Jul 10, 2019
Celine Love is a London-based singer-songwriter from Hamburg. Not too long ago, she released a music video for her debut single, entitled, “Rose Coloured”.
“The music video (directed by Sylvia Hong) explores how that darkness we are shielded from as children were always there. A lot of us may think back to our childhood as perfect when truly we have blocked out the negative we might have seen or experienced. If we do not confront these issues from the past, it can drive you insane.” – Celine Love
‘Rose Coloured’ tells an interesting tale of a happy young girl who wants to use love to erase darkness.
Apparently, her caramel skin differs from her friends’ vanilla skin tone. But she doesn’t see the difference between her and them.
Even though they trust each other, she still has to look at life through a rose-colored filter.
‘Rose Coloured’ contains a relatable storyline, pleasing vocals, and lush instrumentation flavored with contemporary R&B and neo-soul elements.
“The idea behind ‘Rose Coloured’ was to capture memories, moments and situations that describe the blissful ignorance of my childhood. The desire to put a rose-colored filter on everything that is bad in the world. Before racism, insecurities, heartbreak, or stress became part of life. The world is not only on your side but shields you from the negativity.” – Celine Love
“The imagery in ‘Rose Coloured’ is taken directly from my childhood. The song describes both joy and pain in wanting to relive these moments. Not having to confront the real world with all its social pressures and evils. Growing up in Germany there was a time when I saw my skin color as nothing but ‘caramel’, everyone else was simply ‘vanilla’. The chorus goes ‘I wanna live in a fool’s paradise, show me what love is and we can erase all the darkness.’ The music video reflects this inner conflict.” – Celine Love
A few milestones in Celine Love’s young career include a full scholarship to the music school BIMM Berlin & London.
Not too long ago, she performed at the 2000 Trees in Cheltenham, Kings Jam in Gloucester, Deichbrand and Reeperbahn Festival in Germany, and supported the electro-pop band Years & Years in Hamburg for NRJ Radio.
She composes music with expressionism and self-discovery at its core with a hint of socio-critical commentary.
“The imagery within the song is directly taken from my memories. Writing and recording it left me feeling very nostalgic. So I dug out old photos and songs and reached out to my childhood best friend. It reminded me of a pivotal time as a child, before I became aware of the differences in skin color and hair structure. Not only did I look different from most of the German kids surrounding my life but I would be treated differently too. It wasn’t always negative, but always in a way that made me feel excluded. There was a time before I became aware that my skin color was nothing but ‘caramel’ and everyone else was simply ‘vanilla’. Nothing more. ‘Rose Coloured’ is an almost desperate wish to have that mindset back. The wish to live in a ‘fool’s paradise’. – Celine Love
“The music video (directed by Sylvia Hong) explores how that darkness we are shielded from as children were always there. A lot of us may think back to our childhood as perfect when truly we have blocked out the negative we might have seen or experienced. If we do not confront these issues from the past, it can drive you insane.” – Celine Love
‘Rose Coloured’ tells an interesting tale of a happy young girl who wants to use love to erase darkness.
Apparently, her caramel skin differs from her friends’ vanilla skin tone. But she doesn’t see the difference between her and them.
Even though they trust each other, she still has to look at life through a rose-colored filter.
‘Rose Coloured’ contains a relatable storyline, pleasing vocals, and lush instrumentation flavored with contemporary R&B and neo-soul elements.
“The idea behind ‘Rose Coloured’ was to capture memories, moments and situations that describe the blissful ignorance of my childhood. The desire to put a rose-colored filter on everything that is bad in the world. Before racism, insecurities, heartbreak, or stress became part of life. The world is not only on your side but shields you from the negativity.” – Celine Love
“The imagery in ‘Rose Coloured’ is taken directly from my childhood. The song describes both joy and pain in wanting to relive these moments. Not having to confront the real world with all its social pressures and evils. Growing up in Germany there was a time when I saw my skin color as nothing but ‘caramel’, everyone else was simply ‘vanilla’. The chorus goes ‘I wanna live in a fool’s paradise, show me what love is and we can erase all the darkness.’ The music video reflects this inner conflict.” – Celine Love
A few milestones in Celine Love’s young career include a full scholarship to the music school BIMM Berlin & London.
Not too long ago, she performed at the 2000 Trees in Cheltenham, Kings Jam in Gloucester, Deichbrand and Reeperbahn Festival in Germany, and supported the electro-pop band Years & Years in Hamburg for NRJ Radio.
She composes music with expressionism and self-discovery at its core with a hint of socio-critical commentary.
“The imagery within the song is directly taken from my memories. Writing and recording it left me feeling very nostalgic. So I dug out old photos and songs and reached out to my childhood best friend. It reminded me of a pivotal time as a child, before I became aware of the differences in skin color and hair structure. Not only did I look different from most of the German kids surrounding my life but I would be treated differently too. It wasn’t always negative, but always in a way that made me feel excluded. There was a time before I became aware that my skin color was nothing but ‘caramel’ and everyone else was simply ‘vanilla’. Nothing more. ‘Rose Coloured’ is an almost desperate wish to have that mindset back. The wish to live in a ‘fool’s paradise’. – Celine Love
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