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Portraits of Resilience
Daniel Jackson and David A. Karp
Book
More than 15 million American adults grapple with depression in a given year. Anxiety disorders...
An Abbreviated Life: A Memoir
Book
A beautiful, startling, and candid memoir about growing up without boundaries, in which Ariel Leve...
RH
Raising Human Beings: Creating a Collaborative Partnership with Your Child
Book
Renowned child psychologist and New York Times bestselling author of Lost at School and The...
Charlie Cobra Reviews (1840 KP) rated I Am Mother (2019) in Movies
Jul 7, 2020
Intriguing and Intense
I Am Mother is a 2019 sci-fi/thriller movie directed by Grant Sputore, with screenplay written by Michael Lloyd Green. It was produced by Penguin Empire, Southern Light Films, Mister Smith Entertainment and Endeavor Content and distributed by Netflix and Studio Canal. The film stars Luke Hawker, Clara Ruggard, Rose Byrne, and Hilary Swank.
A robot named "Mother" grows a human embryo and cares for her over several years when after an extinction event, an automated bunker activates to repopulate humanity. Mother teaches a teenage girl named "Daughter" complex moral and ethical lessons advising her that she needs practice being a good parent. Daughter captures a mouse but Mother disposes of it and explains that surface contamination with the outside world makes contact potentially lethal. Their bond is tested when Daughter becomes increasingly curious about the outside world and opens the bunker's airlock to let in a wounded woman begging for help and claims all is not as Mother claims.
This movie was awesome, classic sci-fi but with great acting and special effects. I like how suspenseful it was and how it told such a compelling story. It had me paying attention to every detail and trying to predict how it was going to unravel plot wise and though some parts I could see coming, it threw a couple of curve balls here and there. There wasn't a lot to complain about other than some people saying it revealed too much a little too soon and that it was a slow paced film. I just really like the way it played out, with one of those classic, sci-fi, artificial intelligence concepts. I give this movie a 8/10. And I also give it my "Must See Seal of Approval".
A robot named "Mother" grows a human embryo and cares for her over several years when after an extinction event, an automated bunker activates to repopulate humanity. Mother teaches a teenage girl named "Daughter" complex moral and ethical lessons advising her that she needs practice being a good parent. Daughter captures a mouse but Mother disposes of it and explains that surface contamination with the outside world makes contact potentially lethal. Their bond is tested when Daughter becomes increasingly curious about the outside world and opens the bunker's airlock to let in a wounded woman begging for help and claims all is not as Mother claims.
This movie was awesome, classic sci-fi but with great acting and special effects. I like how suspenseful it was and how it told such a compelling story. It had me paying attention to every detail and trying to predict how it was going to unravel plot wise and though some parts I could see coming, it threw a couple of curve balls here and there. There wasn't a lot to complain about other than some people saying it revealed too much a little too soon and that it was a slow paced film. I just really like the way it played out, with one of those classic, sci-fi, artificial intelligence concepts. I give this movie a 8/10. And I also give it my "Must See Seal of Approval".
Too Good to Share
Book
Almost a third of the UK population live alone. In addition to those people, many others cook alone...
Wild Eats and Adorable Treats: 40 Animal-Inspired Meals and Snacks for Kids
Book
Wild Eats and Adorable Treats is full of simple, healthy recipes that kids will enjoy because all...
ClareR (5726 KP) rated The Chalet in Books
Nov 8, 2020
The Chalet was a twisty, turny thriller that had me guessing all the way through. I couldn’t for the life of me work out who had been responsible for the death (and at one point I wasn’t even convinced that he was dead!), and I had a list of pretty much everyone in the chalet. My main reason for their guilt was that they just weren’t very nice (I know, I’ll never make a great detective!).
This story is split between two timelines to begin with - the present day and twenty years before. In the present day, two couples are sharing a chalet for a holiday mixed with business. I’ll say this again: these are not particularly nice people. They’re rich, entitled and generally insensitive.
Interspersed with this timeline is that of two couples twenty years earlier. Two brothers and their girlfriends are on a skiing holiday. They’re all Oxford University students: three come from affluent upper class families, and one, Louisa, comes from a working class, single parent family. She is made to feel different at all times - whether this is her own insecurities is never quite clear. Her boyfriends brother certainly doesn’t do much to make her feel welcome. At some point during this holiday, there’s a terrible accident that has an equally terrible effect on characters in the present day timeline.
I won’t say any more about the storyline - I don’t want to be the one to spoil someone’s reading enjoyment! What I WILL say, is that I thoroughly enjoyed this and looked forward to reading it every morning on the Pigeonhole app. It’s a tense, exciting, addictive read - and I loved it!
Many thanks to The Pigeonhole for serialising this and helping me once more, to read my NetGalley books! And also thanks to the author, Catherine Cooper for reading along with us.
This story is split between two timelines to begin with - the present day and twenty years before. In the present day, two couples are sharing a chalet for a holiday mixed with business. I’ll say this again: these are not particularly nice people. They’re rich, entitled and generally insensitive.
Interspersed with this timeline is that of two couples twenty years earlier. Two brothers and their girlfriends are on a skiing holiday. They’re all Oxford University students: three come from affluent upper class families, and one, Louisa, comes from a working class, single parent family. She is made to feel different at all times - whether this is her own insecurities is never quite clear. Her boyfriends brother certainly doesn’t do much to make her feel welcome. At some point during this holiday, there’s a terrible accident that has an equally terrible effect on characters in the present day timeline.
I won’t say any more about the storyline - I don’t want to be the one to spoil someone’s reading enjoyment! What I WILL say, is that I thoroughly enjoyed this and looked forward to reading it every morning on the Pigeonhole app. It’s a tense, exciting, addictive read - and I loved it!
Many thanks to The Pigeonhole for serialising this and helping me once more, to read my NetGalley books! And also thanks to the author, Catherine Cooper for reading along with us.
LoganCrews (2861 KP) rated Bridget Jones's Diary (2001) in Movies
Sep 20, 2020
Renée is of course perfect, as are Hugh and Colin and all three of their respective characters. In fact this is still just as tight, snappy, and cute as it was back in the day - but per no real fault of its own this (or at least a hefty amount of its elements) became the basis for pretty much *every* chintzy romcom clone that was to come for the foreseeable future to the point where a lot of this just feels rather rote now in light of that *and* today's version of the mainstream romcom. Not that there still isn't revolutionary stuff that stands out, particularly the representation of a demographic that wasn't usually seen as romantic lead status at the time given by this lead. Though while it starts out lovely enough there's a clear dip in quality at a point and it treads water by the end. I find the first half very interesting in that - at the time - it probably played as a very adorable yet scandalous romp but now plays more like a biting, ballsy foray into societal satire in light of the #MeToo movement. Plus that's when the witty dialogue, engrossment, and visual competence is at its best anyway. But those aforementioned cringey and overused romcom clichés (people falling off boats, making a mess while cooking, interrupting some sort of wedding announcement, cheeky but actually annoying best friends who serve no purpose, etc etc) bog it down more and more until it runs on full autopilot mode. The parent subplot is a nonentity too but that's whatever I guess. Though I do stand with the majority in that the Firth x Grant fight scene is - naturally - a masterpiece. Agreeable even though approximately no interesting threads get pulled.
Sarah (7798 KP) rated Onward (2020) in Movies
Oct 5, 2020 (Updated Oct 5, 2020)
Heartwarmingly funny
For me Pixar films usually fall into one of two categories: very good (Cars, Brave, Coco) and brilliant (Up, Wall-E, Toy Story). However there is no such thing as a bad Pixar film, and Onward does not prove this wrong.
A Pixar film with a fantasy setting, what's not to like? It's a great take on elves, wizards and mythical creatures and also relevant to today's society with it's cultural references and technological advancements. And unicorns acting like stray cats? Genius. The plot itself is exactly the type of quest you'd expect in a fantasy, with your typical Disney/Pixar tropes (dead parent). However this story doesn't necessarily turn out the way you'd expect and I have to commend Pixar for not being predictable. Like Frozen before it, this plays out in a rather emotional and heartwarming yet fairly unexpected way. I'd be lying if I said I didn't get any "feels" watching this!
There's no real need to say that this film looks amazing. I think it'd be more surprising if a Pixar film didn't. It also has a great voice cast although my only real negative of this film is that I felt like the cast could've been given more to work with. It may have just been me not paying attention, but I struggled to even notice John Ratzenberger (which is like missing the late Stan Lee in a Marvel film).
Onward is an unusual Pixar film. For me it falls between the aforementioned categories. It's not "bad" enough to just be very good but it's not quite brilliant, although I did enjoy it very much and laughed a lot more than I was expecting.
A Pixar film with a fantasy setting, what's not to like? It's a great take on elves, wizards and mythical creatures and also relevant to today's society with it's cultural references and technological advancements. And unicorns acting like stray cats? Genius. The plot itself is exactly the type of quest you'd expect in a fantasy, with your typical Disney/Pixar tropes (dead parent). However this story doesn't necessarily turn out the way you'd expect and I have to commend Pixar for not being predictable. Like Frozen before it, this plays out in a rather emotional and heartwarming yet fairly unexpected way. I'd be lying if I said I didn't get any "feels" watching this!
There's no real need to say that this film looks amazing. I think it'd be more surprising if a Pixar film didn't. It also has a great voice cast although my only real negative of this film is that I felt like the cast could've been given more to work with. It may have just been me not paying attention, but I struggled to even notice John Ratzenberger (which is like missing the late Stan Lee in a Marvel film).
Onward is an unusual Pixar film. For me it falls between the aforementioned categories. It's not "bad" enough to just be very good but it's not quite brilliant, although I did enjoy it very much and laughed a lot more than I was expecting.
I read book 7, several months ago and enjoyed it.
This one follows Ivy, who we saw quite a lot of in the previous book since she was one of Sadie's best friends, who owns the areas best taco truck with its spicy food. It's as she's getting ready for the breakfast crowd that she bumps into Kel, a sheriff visiting family in the area for a few weeks and an instant attraction blooms between them. They both try to fight it but keep being drawn back to each other.
I think I liked this more than Playing for Keeps. Kel's protective nature and Ivy's don't-get-close-to-me-because-I-wont-stick-around attitude sort of made me want them to get under each others skin and they did, in a big way. Admittedly it took a while before anything happened but we had hot glances and interesting conversations. Both of them are damaged in some ways. Ivy never really had a parent so she's wary of letting people get close as she's scared of what might happen and Kel keeps himself detached from relationships and blames it on his job for not staying around.
What I did enjoy was seeing them working through their problems so they could be with each other. It wasn't easy to get over them and it wasn't until near the end of the book that they finally got together and it was sweet.
I really like this group of friends. They're the ones who'll stick with you through thick and thin and won't shy away from any problem you might have. I wish I'd read all the previous books - books 1-6 - so I could see how some of these couples got together but I will be keeping my eye out for more books in this series.
This one follows Ivy, who we saw quite a lot of in the previous book since she was one of Sadie's best friends, who owns the areas best taco truck with its spicy food. It's as she's getting ready for the breakfast crowd that she bumps into Kel, a sheriff visiting family in the area for a few weeks and an instant attraction blooms between them. They both try to fight it but keep being drawn back to each other.
I think I liked this more than Playing for Keeps. Kel's protective nature and Ivy's don't-get-close-to-me-because-I-wont-stick-around attitude sort of made me want them to get under each others skin and they did, in a big way. Admittedly it took a while before anything happened but we had hot glances and interesting conversations. Both of them are damaged in some ways. Ivy never really had a parent so she's wary of letting people get close as she's scared of what might happen and Kel keeps himself detached from relationships and blames it on his job for not staying around.
What I did enjoy was seeing them working through their problems so they could be with each other. It wasn't easy to get over them and it wasn't until near the end of the book that they finally got together and it was sweet.
I really like this group of friends. They're the ones who'll stick with you through thick and thin and won't shy away from any problem you might have. I wish I'd read all the previous books - books 1-6 - so I could see how some of these couples got together but I will be keeping my eye out for more books in this series.